#EarlyModern

2026-02-11

The #earlymodern Islamic world was embroiled in a bitter controversy over coffee. Much ink was spilt by poets on both sides.

⌛️ Last chance to read this recent History Matters for free

historytoday.com/archive/histo

Dr Surekha Davies, Historical Monster Consultant (she/her)drsurekhadavies.bsky.social@bsky.brid.gy
2026-02-11

If you're an #ancient, #medieval, or #earlymodern history nerd, or you know such a person - and they haven't yet been on the @thisguysucked.com@bsky.brid.gy podcast - consider letting @ceaubin.com@bsky.brid.gy know!

RE: https://bsky.app/profile/did:plc:32h4ptadbwgptk5sble77vpe/post/3mek2h4zqoc2g

2026-02-10

Wegen einer Wirtshausstreitigkeit an Silvester fand heute vor 270 Jahren im Amtshaus von #Triberg (#Schwarzwald) ein Prozess statt. Auf welche Weisen sich dieser Ehrkonflikt auf dem Weg von der Kneipe in den obrigkeitlichen Kontext vor Gericht transformierte, untersucht:

▶ Michaela Hohkamp, Vom Wirtshaus zum Amtshaus, #WerkstattGeschichte 16/1997, werkstattgeschichte.de/alle_au

@histodons

#histodons #Rechtsgeschichte #FrüheNeuzeit #earlymodern #LegalHistory #Alltagsgeschichte

Erste Seite des gedruckten Beitrags (Auszug).
2026-02-09

Mocking the (German) mania for titles in #earlymodern Europe: The transitory fame gained with a fancy new title - a "doctor", a "magister" etc. - is critizied in this print from around 1700. The man on the left is in a mania for titles: more, more, more for more social mobility. #academicchatter

a copperplate print - the frontispiece - of a German book from the year 1700 (VD17 7:704963A). On the left a man is collecting titles like doctor, magister, notarius etc. thrown from a putto in the sky. On the right a man is walking with sheep, and he is covered aith fruits from the goddess Fortuna, also sitting in the sky.
Dr Surekha Davies, Historical Monster Consultant (she/her)drsurekhadavies.bsky.social@bsky.brid.gy
2026-02-08

Critical Perspectives on “AI” in Education – a free, one-hour, Zoom interview series starting Monday Feb 17, 12 noon PT / 3pm ET / 8pm GMT, continuing Tuesdays from Feb 23. Come and chat with us! 🧵 🧪💙📚 🗃 #earlymodern #histsci #education #politics #AcademicSky #technology #AI 1/

Critical Perspectives on "AI" ...

2026-02-06

Meeting the contemporary safety standards in #earlymodern Europe by wearing a helmet - decorated with plumes. Safety first, #skystorians.

Armed knight on horseback riding to the left; decorated with large plumes. The woodcut is from 1509. Source: https://www.britishmuseum.org/collection/object/P_1895-0122-274
2026-02-06

Around 1650, Sweden’s ships sailed beyond the Baltic for the first time. Dutch captains and lieutenants in the Swedish navy guided this expansion.

Join our online lecture on Monday, 1pm CET, in the Ships & Seafaring series.

Register here: eventbrite.com/e/ships-seafari

#earlymodern #maritimehistory #history #histodons @histodons

Online Lecture Announcement: The importance of foreign seamen and their networks for the development of Swedish seafaring in the 17th century. Portrait of the speaker, black background, early modern print with ships.
Dr Surekha Davies, Historical Monster Consultant (she/her)drsurekhadavies.bsky.social@bsky.brid.gy
2026-02-05

The PAPERBACK of Humans: A Monstrous History from @ucpress.bsky.social@bsky.brid.gy, a history *through* monsters from antiquity to the present, is available to preorder! Here's a 🧵 of excerpts from the book. 1/ 🧪💙📚 🗃 #ancient #medieval #earlymodern #histsci #histmed #18thCentury #politics #HAMH

Me in a blue and yellow sweater and blue jeans, holding a copy of HUMANS, standing against a white wall with silvery lettering spelling out "University of California Press", looking dazed. - At the UC Press head office.
Dr Surekha Davies, Historical Monster Consultant (she/her)drsurekhadavies.bsky.social@bsky.brid.gy
2026-02-04

Humans: A Monstrous History is a year old today! Here’s a 🧵 of some spinoff writings and interviews. 1/ 🧪💙📚 🗃 #ancient #medieval #earlymodern #histsci #histmed #18thCentury #politics #HAMH

The red and silver English edition of HUMANS next to the smaller Chinese edition in a pale gray cover, both sitting on a circular wooden table (top and bottom cropped) on a wooden floor. The English cover is a dramatic red with yellow lettering. A large, silvery, oval mirror sits in the centre, with a black decorative border with fictional monsters on it. The Chinese cover has a human hand and a robotic hand reaching towards each other.
Dr Surekha Davies, Historical Monster Consultant (she/her)drsurekhadavies.bsky.social@bsky.brid.gy
2026-02-03

Chinese edition (traditional characters) of HUMANS: A Monstrous History now in my hands! Link to book (all editions and languages in bio), from Gusa Press (Taiwan): 1/ 💙📚 🧪 🗃 #medieval #earlymodern #histsci #histmed #18thC #HAMH

A pale grey softcover book on a red and blue striped book chair on a circular wooden coffee table, with bookcases in the background. The book cover: black text in complex Chinese characters of various font sizes. In smaller font in Latin characters are "A Monstrous History" and "Surekha Davies". At the top left and bottom right are two large, outstretched hands, human (top) and silvery-grey robot with some exposed machinery (bottom), reminiscent of the hands of God and Adam on Michelangelo's Sistine Chapel ceiling.
Dr Surekha Davies, Historical Monster Consultant (she/her)drsurekhadavies.bsky.social@bsky.brid.gy
2026-02-02
michael fulgenziserpicojam@mas.to
2026-02-01

Continued (p. 104):

"Many hear [early modern] and think steam engines and early skyscrapers, but in the History Lab we mean the period after medieval and before the French Revolution. What we get by using early modern instead of Renaissance is that we avoid implying that the Middle Ages were bad, but early modern worsens the degree to which choosing a start date involves a judgment call about what makes us modern."

#history #Renaissance #EarlyModern

michael fulgenziserpicojam@mas.to
2026-02-01

From Ada Palmer's Inventing the Renaissance (p. 102):

"From its inception, the word Renaissance was a smear on the age that came before, rebirth coming to fix something wrong. Historians have tried to change the name, but it's hard to find another label for the period. Normal parlance in the History Lab now is (sigh) early modern, which is (to paraphrase Churchill) the worst name for the period, except for all the rest."

1/2

#history #Renaissance #EarlyModern

Dr Surekha Davies, Historical Monster Consultant (she/her)drsurekhadavies.bsky.social@bsky.brid.gy
2026-01-29

Interested in writing about the past for a general audience? I wrote an essay *about* my essay in Smithsonian Magazine about an early 16th-century painting of hell with New World, trade, and genderqueer motifs. 💙📚 🗃 #medieval #earlymodern #histsci #arthistory #renaissance

RE: https://bsky.app/profile/did:plc:rzug5jxal4snlewudks3efsf/post/3mdbjkhjjac2j

2026-01-28

Just giant dabbers flying around while people are dancing. I am unsure what they are celebrating, but giant ink-balls were used in #earlymodern printing offices in the last step before printing. Such dabbers consist of pieces of leather filled with wool or hair and a wooden handle. #bookhistory

A colorized image from 1588 showing dancing people, a musican, and a few very big dabbers.
2026-01-28

Well, that's an angry plant with a biting animal-head as part of a decorated covering page within an #earlymodern book about music.

A detail from a painted covering page (?) within a German booklet of the early eighteenth century.The plant has a dog-like head with teeth out.

DePizan poses a question in today's Æthernaut. Full comic at flintpunk.com/
#webcomic #steampunk #pirates #weirdFantasy #EarlyModern #art #MastoArt

panel 1. Commodore DepPizan and Lieutenant Gilmoor stand on the deck of a balloon ship, looking up at Lemuel who is coming down a staircase on the balloon tower. Another crewman eyes the officers warily. 
DePizan: Mr. Rasmussen! How delightful to see you again. We must talk, you and I.
panel 2. DePizan opens the door to the captain's cabin while Lemuel and Gilmoor stand by.
DePizan: The Captain's cabin will suit us. Lieutenant, please insure we are not interrupted.
Gilmoor: Of course, Commodore.
panel 3. Inside the cabin, DePizan and Lemuel sit at a table across from each other. Sunlight comes in through large windows.
DePizan: Now then. I apologize for taking you from your duties.
Lemuel: Oh no, it's nothing, Sir Charles. Commodore.
DePizan: Be at ease, man. The niceties of politesse do not concern me. What does concern me is Captain Brimstone.
panel 4. Close up of DePizan: I have captured a great many pirates, but of our most notorious marauder I have caught not so much as a glimpse. No one has, that yet lived. Except for you and that fellow Denumar. And I gether there is little to be learned from him.
panel 5. Close up of Lemuel, looking anxious. 
DePizan (from off panel): So I come to you, Mr. Rasmussen, the sole living and sensible witness to Brimstone's crimes, to hear all that you may tell me.
2026-01-27
DePizan poses a question in today's Æthernaut. Full comic at https://flintpunk.com/
#webcomic #steampunk #pirates #weirdFantasy #EarlyModern
panel 1. Commodore DepPizan and Lieutenant Gilmoor stand on the deck of a balloon ship, looking up at Lemuel who is coming down a staircase on the balloon tower. Another crewman eyes the officers warily. 
DePizan: Mr. Rasmussen! How delightful to see you again. We must talk, you and I.
panel 2. DePizan opens the door to the captain's cabin while Lemuel and Gilmoor stand by.
DePizan: The Captain's cabin will suit us. Lieutenant, please insure we are not interrupted.
Gilmoor: Of course, Commodore.
panel 3. Inside the cabin, DePizan and Lemuel sit at a table across from each other. Sunlight comes in through large windows.
DePizan: Now then. I apologize for taking you from your duties.
Lemuel: Oh no, it's nothing, Sir Charles. Commodore.
DePizan: Be at ease, man. The niceties of politesse do not concern me. What does concern me is Captain Brimstone.
panel 4. Close up of DePizan: I have captured a great many pirates, but of our most notorious marauder I have caught not so much as a glimpse. No one has, that yet lived. Except for you and that fellow Denumar. And I gether there is little to be learned from him.
panel 5. Close up of Lemuel, looking anxious. 
DePizan (from off panel): So I come to you, Mr. Rasmussen, the sole living and sensible witness to Brimstone's crimes, to hear all that you may tell me.

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