What's Luv - Fat Joe ft. Ashanti

https://video.liberta.vip/w/k18joKSiB1tSwcDbQdz4b1

Да кто это такой, ваш RPS? Как рассчитать емкость сайта для защиты от веб-атак

Всем привет! Сегодня любое развитие онлайн-бизнеса, его процессы и выручка напрямую зависят от бесперебойной работы сайтов и веб-приложений. Тут же возникает риск кражи персональных данных и чувствительной информации из хранилищ веб-сайтов и приложений. Еще хуже, если злоумышленники взломают онлайн-ресурс, а затем продолжат развитие атаки уже внутри инфраструктуры компании. Чтобы избежать кибератак, приводящим к потере прибыли и штрафам за утечки данных, нужно заняться защитой своих веб-приложений. Чаще всего для защиты от атак на сайты и веб-приложения используют сервис WAF . Один нюанс – при подключении такого сервиса требуется грамотно рассчитать основной параметр емкости – Requests Per Second (RPS). Это нужно, чтобы WAF обладал емкостью, которой будет хватать для стабильной работы онлайн-ресурса, и при этом его владелец не переплачивал за лишние мощности. В этой статье мы расскажем, как рассчитать RPS четырьмя разными способами, чтобы успешно защитить свой онлайн-бизнес от хакеров.

https://habr.com/ru/companies/solarsecurity/articles/960572/

#вебатаки #waf #rps #защита_от_атак #защита_от_ботов #защита_от_копирования #информационная_безопасность #cybersecurity #rb #кибербезопасность

Hiro fait son grand retour avec « C’est mort » : une balade afro-romantique bouleversante

Après plusieurs semaines de teasing, Hiro revient avec « C’est mort », un single émouvant explorant la fin d’une relation amoureuse. Mélange d’Afro-urbain et de R&B, cette nouvelle chanson confirme la sensibilité et la maturité musicale de l’artiste. Les fans, impatients, pourront également le retrouver sur scène le 30 novembre à la Cigale à Paris.

Un retour attendu par les fans

Le teasing et l’attente autour du single

Depuis plusieurs semaines, Hiro avait attisé la curiosité de ses fans sur les réseaux sociaux, partageant des extraits et indices autour de son nouveau projet. Cette stratégie a renforcé l’impatience autour de la sortie de « C’est mort », qui se positionne comme un morceau à la fois intime et universel, capable de toucher chacun par la sincérité de ses paroles et la force de sa mélodie.

Une signature musicale reconnaissable

Dès les premières notes, « C’est mort » illustre l’identité artistique de Hiro : un mélange subtil d’Afro-urbain et de R&B, avec un refrain entêtant qui reste en tête. L’artiste parvient à transmettre la fragilité et la force des émotions humaines, tout en conservant une musicalité qui séduit autant les amateurs de ballades que ceux de rythmes plus modernes.

Une balade mélancolique et poétique

Exploration de la fin d’une histoire

Le titre plonge l’auditeur au cœur d’une rupture amoureuse, avec des paroles poétiques qui racontent la douleur et la résignation face à une relation terminée. Hiro réussit à rendre cette mélancolie accessible, transformant la tristesse en un sentiment universel que chacun peut ressentir et comprendre.

Une production raffinée et émotive

Le mélange des influences afro et R&B permet d’équilibrer émotion brute et rythme subtil. La production met en avant la voix singulière d’Hiro, qui se déploie avec intensité sur chaque couplet et refrain. Ce soin apporté à la composition renforce l’authenticité du morceau et la sensibilité artistique qui caractérise le chanteur depuis ses débuts.

Hiro, une figure majeure de la scène afro-romantique

Des succès précédents confirmant son talent

Hiro s’est déjà imposé comme une référence dans le paysage afro-romantique francophone grâce à des titres tels que « À découvert », certifié single de diamant, et ses albums qui ont rencontré un large succès. Avec « C’est mort », il confirme sa capacité à raconter des histoires universelles tout en y insufflant sa personnalité musicale unique.

Une maturité artistique renforcée

Chaque sortie de l’artiste témoigne d’une évolution constante dans son style et sa capacité à toucher les auditeurs. Le nouveau single illustre une maturité musicale, mêlant expériences personnelles et inspiration créative, tout en conservant l’authenticité qui a fait son succès depuis ses débuts.

Une expérience visuelle et scénique à découvrir

Le clip officiel

Pour accompagner la sortie de « C’est mort », Hiro a dévoilé un clip, qui accentue l’émotion du titre à travers une mise en scène sobre mais efficace. La vidéo traduit visuellement la rupture et la solitude ressentie dans le morceau, permettant aux spectateurs de s’immerger pleinement dans l’univers de la chanson.

Un concert très attendu à la Cigale

Les fans pourront également retrouver Hiro en concert le 30 novembre 2025 à la Cigale, à Paris. Cette performance promet de mettre en avant les nouvelles sonorités du single tout en revisitant ses classiques, offrant une expérience live où émotion et énergie se mêlent pour séduire le public.

https://www.youtube.com/watch?v=IW7rs-VAxbc

Avec « C’est mort », Hiro signe un retour en grande forme, mêlant mélancolie et musicalité dans une balade afro-romantique poignante. Le single illustre son évolution artistique et confirme sa place parmi les figures majeures de la scène francophone. Les fans attendent désormais avec impatience de le retrouver sur scène pour vivre pleinement cette nouvelle étape de sa carrière.

#AfroUrbain #baladeMélancolique #CEstMort #clipMusical #concertàLaCigale #Hiro #musiqueFrancophone #nouveauSingle #rB

Pinegrove – &
#Alternative #Americana #DIY #ElectricSad #LanguageArts #RB #alternativerock #experimentalrock #indie #indierock #languageartsrock #lofi #math #rootsrock #Montclair
CC BY-NC-SA (#CreativeCommons Attribution Non Commercial Share Alike) #ccmusic
https://pinegrove.bandcamp.com/album/-

Bartees Strange - Neue EP. Bartees Strange hat gestern seine neue EP "Shy Bairns Get Nowt" über 4AD veröffentlicht. Sie folgt a......
#BarteesStrange#IndiePop #IndieRock #News #RB
https://www.musikblog.de/2025/10/bartees-strange-neue-ep/

Free download codes:

Ray Curenton - Honesty (Acapella Version)

"Deconstructed beliefs meet deconstructed accompaniment in the style of Take 6 and Boyz II Men"

https://getmusic.fm/l/H0pPzH

#rb #soul #acappella #acapella #music

Free download codes:

Ray Curenton - Backslider

"A love letter to the questioning LGBTQ person of faith"

https://getmusic.fm/l/6jl4Ic

#pop #rb #political #dancepop #music

Free download codes:

Ray Curenton - Backslider: Side A

"A pop R&B exploration of identity, exvangelicalism, and Black queer liberation"

https://getmusic.fm/l/0X5kNX

#pop #rb #mixtape #music

https://www.wacoca.com/kpop/1373323/videos/2025-10-24/ [세븐틴] 当時のジョンハン・ウォヌのウダン・タンタン優勝時の感想を思い出します（笑）。 #ft #KPOP男性アイドルランキング #RB #ジョンハン（JEONGHAN） #どこでも #ビデオ #株式会社 #歌詞 #正式 #海 #防弾少年団 #韓国の男性メンバー人気No.1は？

Free download codes:

Sky 凌天宇 - 男人最痛 (The Pain of a Man)

"Highlights the silent suffering of men who love deeply but often go unrecognized for their struggles."

https://getmusic.fm/l/br7rom

#melancholic #soul #rb #emotional #sad #nostalgic #ballad #mandopop #cpop #music

Solardog – MixMsngr
#HipHop #HipHop #HipHopRap #RB #Rap #beattape #dance #footwork #hiphopinstrumentals #lofi #lowfi #pop #Cincinnati
CC BY-NC-ND (#CreativeCommons Attribution Non Commercial No Derivatives) #ccmusic
https://s0lardog.bandcamp.com/album/mixmsngr

D’Angelo – Brown Sugar

https://wgom.org/2025/10/20/dangelo-brown-sugar/

Rhamondre Stevenson Dominates RB Touches in Blowout

Patriots RB Rhamondre Stevenson dominated the RB touches for the Patriots with 20 total touches compared to 7…
#NFL #NewEnglandPatriots #NewEngland #Patriots #blowout #dominates #Football #in #rb #Rhamondre #Stevenson #touches
https://www.rawchili.com/nfl/460896/

Free download codes:

Sky 凌天宇 - 续篇 Next Verse

"The music is described as an indelible part of the soul, forever etched in our hearts, symbolizing a continuous journey through life and its experiences."

https://getmusic.fm/l/hUwhRF

#melancholic #rb #soul #nostalgic #ballad #chineseinstruments #cpop #mandopop #music

Free download codes:

Sam Yu 于心菲 - 明明很想念

"Captures the bittersweet essence of love, longing, and the struggle between desire and fear."

https://getmusic.fm/l/lJMRwf

#cinematic #melancholic #soul #rb #romantic #sad #nostalgic #mandopop #cpop #music

Sudan Archives - The BPM. Wie einzigartig ist das? So hat es sich Carsten Maschmeyer, Tech-Investor, angewöhnt, in der Fernseh......
#SudanArchives#Album #GlitchPop #House #RB #Trap
https://www.musikblog.de/2025/10/sudan-archives-the-bpm/

D’Angelo Sings “Really Love”

Listen to this track by returning neo-soul new hope and R&B auteur D’Angelo, also crediting the band who appear on the record, The Vanguard. It’s “Really Love”, a single as taken from 2014’s Black Messiah. The record was certainly a long time coming, following up 2000’s critically-acclaimed Voodoo.

The song is a reflection of the rest of the album in that it is a densely layered work that seems to draw together multiple threads of musical tradition, from jazz to soul, funk and rock music. It’s marked by the influences of Parliament Funkadelic, Prince, Riot-era Sly & the Family Stone, and What’s Going On-era Marvin Gaye, all while avoiding crude imitation at the same time.

“Densely layered” seems to be the sonic manifesto that drove the making of the album, which may explain why it took so long to create. Apart from songwriter and singer D’Angelo, the record is replete with contributions from Questlove of The Roots, solo artist and former Tribe Called Quest founder Q-Tip, and legendary sessioners Pino Pallidino on bass and drummer James Gadson. Work on the album stretched from 2000 and into the end of last year. That’s a long gestation period that even Axl Rose would be proud of! Yet, even though the record took a long time to craft, it’s release date was rushed at the end for reasons of social significance, and not necessarily for capturing a commercial wave.

Between Voodoo and this new record, a lot had changed for D’Angelo. He had decided to shed his sex symbol image, which he had never been comfortable with. He decided to create a magnum opus instead, which is this album, garnering the kind of reviews that seems to indicate that he’s accomplished what he set out to do. He struggled with substance abuse and brushes with the law as he made the journey, too. And what a journey it was, drawing together all of the skill he had to create a record that seems to be the culmination of many forms of musical expression and across many eras of American musical history seemingly all at once.

***

This song “Really Love” is a sublime and impressionist neo-soul concoction, full of warm upright bass undercurrents, a smattering of richly arranged strings, snippets of spoken word, flamenco-style guitar, and D’Angelo’s densely (that word again) multitracked vocals that play with the threads of a melody and of words rather than outline them in sharp relief. Somehow too, despite the density that’s gone into the production, there is still a sense of airiness, of space. This song on this album provides a sense of balance, as other tracks pull the listener further in to its center where there is far less space, where those same stylistic textures represent colors, tones, and textures that makes this one of those albums that delivers rewards on repeated listens as well as initial ones. This is too big a landscape to explore all at once. No wonder it took so long to create.

For all of the meticulous attention to detail that went into the making of the record, and the personal upheavals he went through while realizing it, it was the external political climate that made D’Angelo affect a shorter timeline as far as the release. Originally, it was intended to be launched in 2015. But, it was pushed out in December of 2014 as the Ferguson riots and the murder of Eric Garner were inflaming public discourse about institutionalized racism, the worth of black lives, and the nature of black identity in a culture that doesn’t always welcome it. Several of the songs touch on political themes like this, albeit often in an impressionistic, and experimental space. But, often not as well.

Yet, even if it was current events that sparked the expedient release of this long-awaited record, the sad fact is that these issues seem to be the same as they’ve been for decades. They are at least as current as the many strains of classic American music referenced on this song, and on the rest of the album. Even if the release of this record, or any record, doesn’t solve the problems that those specific events of 2014 have made more visible for so many, what it does do is frame the artistry of those coming out of various black communities all over the United States, where lives seem so cheap and insignificant to so many who hold positions of power. In many instances, songs on the record evoke soundbites that communicate an important sense of rage around all of this, designed to help continue vital conversations happening in disenfranchised black communities all over the nation.

In addition to the social discontent reflected in the lyrics on many songs on the record, even the musical references on “Really Love”, a radio-friendly love song rooted in classic traditions, remind us that some of the greatest artists and cultural icons America has ever produced, many of whom can be thanked for a rich global cultural legacy that we all enjoy, would be subject to the same suspicion, discrimination, and violence that Michael Brown and Eric Garner were subject to, were they caught in the wrong place at the wrong time in America today.

That is a sobering thought. Beneath the surface of how we feel we may have come, we have further to go than we’d like to believe.

You can learn more about D’Angelo’s journey with the creation of this new song and album, including some of the musical ingredients that inspired it right here.

And if there is any doubt about the magnum opus-ness of this release, take a look at the reviews on Metacritic to see what some popular publications are saying about it.

Enjoy!

Thanks very much to Sony Canada for sending along a download of the album.

#2010sMusic #conceptAlbums #DAngelo #neoSoul #ProgressiveRB #RB #singerSongwriters

Anthony Hamilton on What He Learned From D’Angelo: ‘I’m Grateful’

https://fed.brid.gy/r/https://www.rollingstone.com/music/music-features/anthony-hamilton-dangelo-voodoo-tour-tribute-1235444839/

Remembering D’Angelo: Beyond the Sex Symbol, a Musical Innovator

D’Angelo, the late R&B and neo-soul pioneer, passed away following a private battle with pancreatic cancer, leaving behind a profound musical legacy. While widely remembered for the provocative 2000 music video for 'Untitled (How Does It Feel)', which positioned him as a sex symbol, this portrayal o... [More info]