#SoundAndScreen

Deadlinedeadline
2025-11-07
Deadlinedeadline
2025-11-07

Sara Bareilles Was Inspired By Andrea Gibson’s “Care And Grace” In Face Of Cancer In ‘Come See Me In The Good Light’ – Sound & Screen Film

deadline.com/2025/11/sara-bare

Deadlinedeadline
2025-11-07

Aiyana-Lee Drew On Her Own Struggles To Create A Title Song “Right From The Heart” For ‘Highest 2 Lowest’ – Sound & Screen Film

deadline.com/2025/11/aiyana-le

Deadlinedeadline
2025-11-06

How The Lumineers’ Jeremiah Fraites Stayed Away From “Overly Polished Sound” For His ‘Springsteen: Deliver Me From Nowhere’ Score – Sound & Screen Film

deadline.com/2025/11/jeremiah-

Deadlinedeadline
2025-11-06

‘KPop Demon Hunters’ Duo EJAE And Mark Sonnenblick Break Down Their “Golden” Songwriting Process – Sound & Screen Film

deadline.com/2025/11/kpop-demo

Deadlinedeadline
2025-11-06

‘A House Of Dynamite’ Composer Volker Bertelmann Simulated A Crying Planet In 4 Notes – Sound & Screen Film

deadline.com/2025/11/volker-be

Deadlinedeadline
2025-11-06

Nathan Johnson Explains “Edgar Allan Poe” And “Gothic” Sound Of ‘Wake Up Dead Man’ – Sound & Screen Film

deadline.com/2025/11/nathan-jo

Deadlinedeadline
2025-11-06

Simon Franglen Invented New Instruments To Create His ‘Avatar: Fire And Ash’ Score – Sound & Screen Film

deadline.com/2025/11/simon-fra

Deadlinedeadline
2025-11-06

Laura Karpman Hid An Alan Silvestri Homage In Music For ‘Captain America: Brave New World’ – Sound & Screen Film

deadline.com/2025/11/laura-kar

Deadlinedeadline
2025-11-06

Michael Giacchino Scrapped And Rewrote ‘Fantastic Four: First Steps’ Score Before It Hit Cinemas – Sound & Screen Film

deadline.com/2025/11/michael-g

Deadlinedeadline
2025-11-06

Sound & Screen: Film Is Underway With ‘KPop Demon Hunters’, Sara Bareilles, Ludwig Göransson, The Lumineers’ Jeremiah Fraites And More

deadline.com/2025/11/2025-soun

Deadlinedeadline
2025-06-10

Deadline’s Sound & Screen On Song In London: Honor For Oscar-Winner Anne Dudley & Performances From ‘Chad Powers,’ ‘Shrinking’ & More

deadline.com/2025/06/sound-and

Deadlinedeadline
2025-05-08

Emmy Winner Siddhartha Khosla On The Creation Of The ‘Paradise’ Theme: “A Lot Of The Loops Are Sounds Taken From My Voice” – Sound & Screen TV

deadline.com/2025/05/paradise-

Deadlinedeadline
2025-05-08

‘Long Bright River’ Composers Turned Gritty Philly Into A Character Set To A Classical Music Score – Sound & Screen TV

deadline.com/2025/05/long-brig

Deadlinedeadline
2025-05-08

How ‘Severance’ Composer Teddy Shapiro Evolved “Using Piano As The Source” In Season 2, And What He Plans For Season 3 – Sound & Screen TV

deadline.com/2025/05/severance

Deadlinedeadline
2025-05-08

‘The Penguin’ Composer Mick Giacchino Says Oz Cobb’s Theme Evolved As Character “Achieves His Full Evilness” – Sound & Screen TV

deadline.com/2025/05/the-pengu

Deadlinedeadline
2025-05-08

‘The Day Of The Jackal’s Oscar-Winning Composer Volker Bertelmann On Challenges Of Making Music For A Series – Sound & Screen TV

deadline.com/2025/05/day-of-th

Deadlinedeadline
2025-05-08

‘The Lord Of The Rings: The Rings Of Power’ Composer Bear McCreary On “Limitless Palette” Of J.R.R. Tolkien’s Work & “Pushing Boundaries” For Season 3  – Sound & Screen TV

deadline.com/2025/05/lotr-the-

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