Just watched the first episode of the AppleTV miniseries "The Enfield Poltergeist", about one of the worst recorded cases of poltergeist activity. Needless to say it took place in 70s Britain, in the kind of neighbourhood described by one interviewee as "peripheral".
I didn't take to the concept - real recordings made by SPR investigator Maurice Grosse, but with many of them dubbed to pour out of the mouths of modern actors. There is a huge disconnect between audio and visual, and while I can only assume this uncanny effect was deliberate, it does get in the way a bit. I also didn't much care for the way the house interiors were shot. What with the repeated shots of tape heads going round and the fancy coloured light show I think they were aiming for a Berberian Sound Studio vibe, but it means that the realism of a mundane British interior is lost. The rooms all feel much bigger than they would be in reality, far more like an American house of the same social class (even though the director is British). For me one of the scariest things about poltergeists is the way colossal amounts of energy seem to be concentrated in quite small spaces, and that's lost here.
Having said that, toward the end I did start to enjoy the episode, particularly the stuff shot on Clacton-on-Sea which does accurately reflect the wonder and weirdness of the British seaside experience. And it had "Sound of the Suburbs" by The Members as the end theme music. So I will be watching the rest of it tomorrow, assuming anything is left of my own sanity following the first round of what I am expecting to be a grim campaign of septic tank renovation. As with many old country houses here, the system appears to work fine, but parts of it remain shrouded in mystery, and I suspect I'm going to have to get a dowser on speed dial at some point just to make sure we don't open a level 5 hellgate while trying to install a proper drainfield or whatever.
#TheEnfieldPoltergeist #Ghosts
#WhatLiesBeneath