#MorningPages 01 March 2026 🐇🐇
11. Ventôse honoring Narcissus, St David’s Day, Mercedes de Acosta b. 1892, Lent*, Ramadan*
#Herb of the Day: Purple Clover • Trifolium pratense
#Notebook Chronicle Go-To w/ Mohawk paper, dotted & Col-o-ring swatch booklet
#FountainPen Lamy AL-star - sage, F
#ink Colorverse hwang Cho
#tarot or #OracleDeck Wild Medicine herbal deck
#CardOfTheDay Ginger • Zingiber officinale - fire up your love, attract wealth & prosperity












![Open notebook with handwritten text from the post at the top of the page with additional text: “A famous legend, called the mezereon legend (tibastsägen), is told in various versions in all parts of Sweden. There was a farmer who the Skogsrå would not leave alone. As soon as the evening came he was unable to stay at home, but run outside into the forest, where he stayed all night. Once his wife happened upon the Skogsrå and the wife asked, what should I do about the big bull that will not come home at night? Well, the Skogsrå said, you take mezereon and valeriana and moss from the roof on the north side of the chimney, and boil it and give to him.* The wife did this and gave it to her husband and he never went to the forest at night again. The Skogsrå’s cry could be heard all over the land: Mezeron and valeriana, damned shall I be for teaching you healing!” — Sorita d'Este & David Rankine, The Faerie Queens, 2012. [* Daphne mezereum is very toxic because of the compounds mezerein and daphnin, present especially in the berries and twigs.] Below the text is a card with an ecoprint of hazel leaves in golds and browns; a brown fountain pen with silver trim; a swatch of pinky brown ink; and a small square bottle of same.](https://files.mastodon.social/media_attachments/files/116/047/479/349/896/080/small/eb006148f821942f.png)


![Open notebook with handwritten text from the post at the top of the page with additional text: “S. Borovnik states that the authors who wrote from the late 1970s onwards ‘depict various forms of modern female dependence in relation to the family, social status and biological nature. Some write about the limitation of women’s freedom, both personal as well as political, even though on the declarative level, the state wants to convey to them that they are free and equal’. The novels Filio ni doma [Filio Isn’t Home, 1990] and Ptičja hiša [The Birdhouse, 1995] by Berta Bojetu (1946–1997) present a special and artistically perfected response to the limitation of female freedom in which ‘the human obsession with creating differences according to gender and social position has become intense to the extreme’. Bojetu also allows a woman ‘to tell a remarkably sincere tale even about the most taboo topics, and especially about her own female experiencing of relationships (affair or affairs, contacts or meetings) with a man (or men)’. Gender identity in both novels can also be understood as fluid.” — Katja Mihurko Poniž, “The Reflections of Feminist Ideas in Novels and Short Stories by Slovenian Women Writers”, 2015. Below the text is a card with a botanical illustration of a foxglove plant with a few purple flowers colored in; a chiseled, silver-tone fountain pen; a swatch pea green ink with heavy silver shimmer; and a small square bottle of same.](https://files.mastodon.social/media_attachments/files/116/030/768/580/351/000/small/0bf05eb35bf478c2.png)



