#BleedingThrough

2025-07-26

Two more OG bands I got the absolute pleasure to see again last night! I had so much fun! Trying to get in as much goodness as I can while my country is crumbling to literal fascism right before my eyes.

A bunch of good small hardcore bands. And #Gridiron from Tennessee. #SnuffedOnSight also headliners #BleedingThrough and #hatebreed

So. Fucking. Good.
I got to sing on the mic with Brandan from Bleeding Through and holy shit, I could’ve fucking CRIED 😩 talk about fan girling!
My body hurts, my voice is almost gone, and I’m exhausted but my heart is full šŸ–¤

A photo of Jamey Jasta from Hatebreed on stage holding a mic with his fist twisted in the air performing live. A banner behind him reads Hatebreed. There’s a drum kit behind him and other band members beside him. Stage lights shining bright around them all.A photo of Brandan from Bleeding Through performing live holding a microphone. Blue and green stage lights shining above him. A banner behind him reads Bleeding Through.
2025-05-23

I’ve seen so much complaining about #TheSummerSlaughterTour this year but I’m in the minority (as always) and am super excited for it. The past near decade it’s been overrun with strictly deathcore or metalcore. I enjoy my deathcore but I also need a break sometimes. That shit gets so repetitive.

I was happy to see #Hatebreed and #BleedingThrough and #Gridiron on this bill.

Promotional poster for the "Summer Slaughter Tour," featuring band names such as Hatebreed, Bleeding Through, and Malevolence. It lists concert dates and locations across various cities from July 8 to July 28.
2025-03-27

Fleshspoil – The Beginning of the End Review

By Tyme

Troy, New York’s Fleshspoil, may be new to the NYC metal scene,1 but its constituent members certainly are not. Vocalist and guitarist Jeff Andrews (The Final Sleep, Armor Column) and drummer Mike Van Dyne (The Final Sleep, ex-Arsis) have joined forces with Bay Area bassist Dan Saltzman (Illucinus) to wade into the crowded waters of the blackened death metal pool with their self-released debut album, The Beginning of the End. I wondered what Fleshspoil had in store, mainly what Andrews and Van Dyne, given their pedigree, would do to set themselves apart in a genre rife with stiff competition. Would this trio assemble and make The Empire City proud with The Beginning of the End, or, as their moniker might suggest, would they just plain stink?

Fleshspoil tosses progressive atmospherics, dashes of doom, darts of dissonance, and even some metalcore peppercorns into its death metal pot. With as much elusive consistency as The Final Sleepā€˜s Vessels of Grief, Andrews and Van Dyne have crafted another, albeit deathlier, sonic buffet. Representing a winding path of genres, The Beginning of the End sees crushing, Immolation-esque death metal mix with atmospheric lap-steel guitar and drum interludes (ā€œBleed Through This Lifeā€) and softer, near post-metal riffs merge into Bleeding Through-like metalcore replete with shimmery clean choruses before ceding direction to a dissonantly black end (ā€œSkies Turn to Gravesā€). Andrews’ ten tons of riffage serve the material well, and trading his mostly clean vocal delivery ala The Final Sleep for deathlier growls, shouts, and shrieks is a point in Fleshspoilā€˜s favor. Saltzman’s reserved bass work, a departure from the brutal death slams of his day job, combined with Van Dyne’s expert drumming, has no problem corralling all of The Beginning of the Endā€˜s competing directions. Fleshspoil certainly isn’t afraid to stretch the boundaries of what’s possible, and when it works, it’s good, but it doesn’t always work.

Fleshspoil is at its best when weaving the apocalypse of their death metal with dissonance, melodicism, and progressive atmospheres. These elements are alive and well in the aforementioned ā€œBleed Through This Life,ā€ which also contains some chaotic solo work courtesy of Kyle Chapman (Aethereus).2 Further success lies in the disso-chords and quirky time signatures of eponymous track ā€œFleshspoil,ā€ which wanders into some atmospheric guitar and bass noodling, then trundles into a Paul Westerberg alt-rock passage that could have landed on the soundtrack to Singles. All this before ending with some mid-paced death metal riffs, screamed vocals, and marching order snares. Add the growls, shrieks, and Halford-esque cleans over the majestic doom-blackened deathliness of charred and chugging riffs on ā€œA Frail Demise,ā€ and The Beginning of the End finds Fleshspoil fine-tuned to decimate. If it were all within these veins, things would fare better.

I’m a fan of Fleshspoilā€˜s willingness to experiment, but not all results hit the mark. Time is not a factor as The Beginning of the End clocks in at a trim and tidy thirty-seven minutes. Overwrought transitions and wasted time hurt Fleshspoil the most. I found the pendulum-swinging transitions of ā€œSkies Turn to Gravesā€ too jarring, rendering the song more a distraction than a complementary piece of the whole. Throw in the under-developed, three-plus minute ā€œWalking Deadā€ and the momentum-crushing boringness of album closer ā€œBorn Into Despair,ā€ an alt-rock snoozer that fades in on some guitar-lite strumming and bass work and sustains shimmering guitars under shouts and clean vocals before mercifully fading out again with twenty seconds of vinyl scratches and pops. With this song, Fleshspoil completely took me out of the mood set by ā€œA Frail Demiseā€ and had me yawning rather than reaching for the play button again.

Fleshspoilā€˜s debut, The Beginning of the End, represents a promising entry into the NYC metal pantheon. Andrews’, Van Dyne’s, and Saltzman’s metal credentials are unquestioned. Fleshspoil has a lot of great ideas and the ability to execute its vision, as half of The Beginning of the End suggests. Leaving its softer sides for other projects and flexing its stronger, more progressive melodic death metal muscle should see Fleshspoil do good, even great things in the future. I will be waiting and watching to see what comes next.

Rating: 2.5/5.0
DR: 6 | Format Reviewed: 320kbps mp3
Label: Self-Released
Websites: fleshspoilofficial.bandcamp.com | instagram.com/fleshspoil
Releases Worldwide: March 28th, 2025

#25 #2025 #AmericanMetal #Arsis #BlackMetal #BleedingThrough #DeathMetal #Fleshspoil #Immolation #Mar25 #MelodicDeathMetal #Review #SelfReleases #TheBeginningOfTheEnd #TheFinalSleep

2025-02-24

Man, I fucking love old #BleedingThrough so much

#MetalcoreMonday for ya girl! šŸ˜Ž

youtu.be/O6Y0A2-tvkU?si=r7zgCE

S.L.R. Magazineslrmagazine
2025-02-17
El Pregoner del Metallpregonermetall
2025-02-14

BLEEDING THROUGH (Estats Units) presenta nou Ć lbum: "Nine"

2025-02-13

šŸ”„ BLEEDING THROUGH returns with "Nine" – a relentless force of metalcore fury! Dropping on February 14!

šŸ’€ Brace yourself for the intensity & support us šŸ‘‰ [amzn.to/4gkkjCq]

#metalreleases #BleedingThrough #Metalcore #Nine

Feel the rage 🤘 metalreleases.com

S.L.R. Magazineslrmagazine
2025-01-10

BLEEDING THROUGH Debut New Single "I Am Resistance". @bleedingthrough

slrmagazine.com/2025/01/09/ble

2025-01-09

Bleeding Through debut new single featuring Andrew Neufeld (Comeback Kid)

SoCal metalcore behemoth Bleeding Through is gearing up for the release of their long-awaited, ninth full length album, Nine, on February 14th via SharpTone Records, and have revealed an explosive new single called "I Am Resistance" featuring Comeback Kid vocali

moshville.co.uk/news/2025/01/b

#News #BleedingThrough #ComebackKid

S.L.R. Magazineslrmagazine
2024-11-30

BLEEDING THROUGH Announces New Album 'NINE' Out February 14th. @bleedingthrough

slrmagazine.com/2024/11/29/ble

#TheMetalDogArticleList #MetalInjection IRON NEVER LIES, Our New Web Series Feat. Members Of BLEEDING THROUGH, AVENGED SEVENFOLD, GOD FORBID, SUICIDE SILENCE, CARNIFEX, LIQUID METAL & DEAD ICARUS metalinjection.net/news/iron-ne... #IronNeverLies #BleedingThrough #AvengedSevenfold #GodForbid

2024-09-17

Bleeding Through debut new single ā€œDead But So Aliveā€

Southern California metalcore giants Bleeding Through have debuted a brand new single, "Dead But So Alive", available now from SharpTone Records.

Commenting on the song, vocalist Brandan Schieppati says:
"Dead But So Alive" is a more personal song for me. I battle with being bipolar and it something tha

moshville.co.uk/video/2024/09/

#Videos #BleedingThrough

🤘 The Metal Dog 🤘TheMetalDog
2024-05-09



BLEEDING THROUGH Stays Chaotic On New Single "Our Brand Is Chaos"
And by "chaotic" I mean "orchestral and blackened."

metalinjection.net/new-music/b

2023-03-24

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