Hello #fediverse. We have entered the final month of the year but there are still riffs to consume and so we must continue on our path. #Metal #DeathMetal #HeavyMetal #BlackMetal #DoomMetal #ThrashMetal
Hello #fediverse. We have entered the final month of the year but there are still riffs to consume and so we must continue on our path. #Metal #DeathMetal #HeavyMetal #BlackMetal #DoomMetal #ThrashMetal
Auch in diesem Jahr poste ich wieder meine angehörten Alben in 2025 als Cover. Die Reihenfolge ist rein zufällig und stellt keine Wertung dar.
#Album2025 #AlbumsOf2025 #album #cover #musik #musique #music
005. Paradise Lost "Ascension"
#metal #gothicmetal #doommetal #deathdoom #darkrock #alternativerock #rock #rockmusic
SALÃO NEGRO (Brasil) presenta nou Split: "4 Way" #SalãoNegro #DoomMetal #SludgeMetal #Desembre2025 #Brasil #NouSplit #Metall #Metal #MúsicaMetal #MetalMusic
#nowlistening #doommetal #funeraldoom
Skepticism - The March of the Four
https://www.youtube.com/watch?v=lt8Q_y4VU3A
❤️ 🤟
DOOL beim Sonus Obscura Festival
#konzertfotografie #Festival #doommetal #rock #psychedelic #Nürnberg #dreieinigkeitskirche
#CurrentlyListeningTo Chat Pile & Hayden Pedigo - In The Earth Again #HeavyMetal #NoiseRock #DoomMetal 🇺🇸
Black Sabbath cover band Black Sabbitch release a live album, Unrest In The West. Review at FFR, https://flyingfiddlesticks.com/2025/12/04/black-sabbitch-unrest-in-the-west-ripple-2025/ #heavymetal #rock #hardrock #BlackSabbitch #BlackSabbath #RippleMusic #livemusic #doom #doommetal
By Grin Reaper
Known for cultivating legendary acts such as Cult of Luna, Meshuggah, and Refused, Umeå, Sweden, sows fertile ground for seminal rock and metal bands.1 Formed in 2022, Skogskult joins their compatriots with a self-titled debut of grimy stoner doom in hand. From Swedish, Skogskult translates to ‘forest cult,’ and with roots firmly planted in scuzzy soil, this fey foursome drinks deeply from the wells of Acid King, Monolord, and Black Sabbath. Skogskult conjures six tracks that pull from Scandinavian mythology and the arcane to warn of dark days getting darker,2 setting a grim and eldritch tone from the outset. So come, friend, and take my hand. Let us walk into these woods together and uncover what mysteries lurk within.
Skogskult studied their forebears closely, as anyone who blindly tangles with Skogskult won’t need long to guess its genre. Many moments are saturated with indica atmospherics thick enough to induce contact highs. Hypnotic plods (“Lyktans Låga”), mid-paced gallops (“Pakten”), and the occasional stirring solo (“Snöblind”) furnish an assortment of backdrops and give individual songs enough character to prevent them from blurring together despite the pervasive gloomy fuzz. Cutting through said fuzz is vocalist Simon Rosengrim, who pierces the dense haze with tempestuous conviction, antithetical to the indolent trappings of stereotypical stoner doom. All told, Skogskult begets a familiar soundscape even casual fans of the genre will at once recognize, molding a unique personality alongside influences and reference points.
Skogskult’s merger of buzzing heft and raw emotion concocts powerful moments across their debut. Opening duo “Lyktans Låga” and “Turs” conform to genre conventions, grooving with ponderous mass as Samuel Nordström and Albin Kroon lumber along on guitar and bass. In fact, most of Skogskult is blanketed in wool, though “Sol” acts as a crucial change-of-pace, offering reverb-drenched strums and echoey vox that recall Sabbath’s “Planet Caravan.” Central tracks “Jag Ger Mig Av” and “Pakten” embolden Skogskult with lively frills, such as the stark baritone vocals midway through the former and the catchy-as-hell 90s post-grunge lilt of the latter. Pulling away from direct inspirations allows Skogskult to forge an identity all their own. In a genre where bands closely adhere to stoner doom’s core sound, it’s not a coincidence that Skogskult’s best moments occur when the album extends past them. In particular, Rosengrim’s performance electrifies when grit and pathos dial to eleven. His singing forgoes the comparatively mellow rhythms and measured deliveries associated with Sleep, Dopelord, and others, instead penetrating stoner doom’s miasma with immediate and undeniable passion. While this ingredient sets Skogskult apart from other outfits, it’s not quite enough to overcome Skogskult’s deficiencies.
Though many of Skogskult’s songwriting tendrils take root, some flounder for purchase. The juxtaposition of urgent vocals and hypnotizing grooves spellbind in a broad sense, but focusing just on the instrumentation reveals a lack of consistency over the entire album. Though flush with talent, Skogskult’s penchant for repeating riffs too often over six to seven minutes erodes some of its charm, which is further exacerbated over repeated listens. Bluesy solos and accelerated tempos afford welcome breaks, but more variety through the refrains would invigorate Skogskult’s musical backbone; without more riff diversity, shrinking song lengths could help remedy the repetition. Still, Skogskult boasts plenty of successes, as well. The production is a triumph, with each instrument (and vocals) afforded ample space in the mix. The only understated element is drummer Alexander Söderlund, who supports the band ably within a restrained pocket. Also, Skogskult deftly constructs tension throughout entire songs. Even if each track could lose thirty to sixty seconds, every payoff satisfies through unhurried climaxes and hints at a higher ceiling for the band’s songcraft.
Skogskult is a young band brimming with potential. They guide listeners through the murky fog of stoner doom that cloaks the forest they inhabit, shining a light on the path while allowing listeners to glimpse the dangers just off of it. Skogskult isn’t perfect, but Skogskult impresses with accessible retrofuzz, standout highlights, and a powerhouse vocalist. If they can refine the songwriting approach for their sophomore album while preserving what makes this one special, our next trip through the cult’s forest might just convert us.
Rating: Good
DR: 7 | Format Reviewed: 320 kbps mp3
Label: Bonebag Records
Websites: Bandcamp | Facebook
Releases Worldwide: December 5th, 2025
#2025 #30 #AcidKing #BlackSabbath #BonebagRecords #CultOfLuna #Dec25 #DoomMetal #Dopelord #Meshuggah #Monolord #Naglfar #NocturnalRites #Persuader #Refused #Review #Reviews #SelfTitled #Skogskult #Sleep #StonerDoom #StonerDoomMetal #StonerMetal #SwedishMetal
Anathema - Pentecost III
The album artwork is a 1891 painting by Frederic Leighton called "Perseus and Andromeda".
https://en.wikipedia.org/wiki/Perseus_and_Andromeda_(Leighton)
#Peaceville #anathema #metal #90sMetal #doomMetal #90sMusic #PeacevilleRecords
VAELLUS (Finlàndia) presenta nou EP: "Brighter Days" #Vaellus #DoomMetal #GothicMetal #Desembre2025 #Finlàndia #NouEp #Metall #Metal #MúsicaMetal #MetalMusic
It's both super pretty and super heavy, and a little bit disturbing. Perfect music video for Faetooth #DoomMetal
Doom vs Stoner Show 3 Dec 2025 by DJ Robo
This weeks show features the best in all things doom and stoner with new music from Syncolima, Kal-El and Nightstalker.
https://hardrockhellradio.com/2025/12/03/doom-vs-stoner-show-3-dec-2025-by-dj-robo/
#doom #DoomMetal #Doom/sludge/stonerspaceRock #HardRock #HeavyMetal #metal #stoner #StonerMetal #StonerRock
#hrhrocks
Well dammit! Primitive Man out out new record and nobody told me? WTF people!
Anyway, it's awesome. Almost as good as the Old Year last month, massive blob of low end and roar.
Dwelling Below, Wearisome Guardians (2025)
Shoutout to @wendigo for the heads up on this!
#metal #doomMetal #deathMetal 🇺🇸
https://dwellingbelow.bandcamp.com/album/wearisome-guardians
OZOTH - In Remembrance Of The Yellow Sun [FULL ALBUM] 2025 **including lyrics**
THE BACKLIT EP LAUNCH & WIZARD EYES SINGLE LAUNCH
Black Bear Lodge, Thursday, December 11 at 07:00 PM GMT+10
The official launch show for Backlit's debut EP - titled "The Backlit", released on 31/10/2025. Backlit brings their noisy, chaotic energy to their first headlining show, playing their EP and more in celebration of its release. The boys are joined by the knuckle-dragging doom metal gurus "Light Eater" and the alternative rock dynamism of "The Mess We're In". The night will be concluded by the gravitational force that is "Wizard Eyes". Wizard Eyes will also be launching their first single as a full band - Transcending Humanity. Join us for a night of doom, sludge and atmosphere - this is one to remember.
https://brisbane.askapunk.au/event/the-backlit-ep-launch-and-wizard-eyes-single-launch
#TheMetalDogArticleList
#MetalSucks
Monolord to Rattle Some Rib Cages During Their First U.S. Tour Since 2022
#Monolord #RattleSomeRibCagesDuringTheirFirst #doommetal #album #tour #announcement #MetalSucks #metal #music
They are back and open their tour in Monterrey, N.L. Mexico! 🤟 😎
Konzertmäßig war dieses Jahr für meinen Mann und mich wirklich beeindruckend. So viele Bands/Künstler unterschiedlichen Genres gesehen. Das war alles so schön und meine social anxiety hat kaum bis gar nicht gekickt. Und ein paar Tickets für nächstes Jahr sind auch schon gekauft 🖤
#konzerte2025 #metal #horrorpunk #synthwave #gothicrock #mittelalterrock #doommetal #industrialmetal #mentalhealth