#Hammerfall

Alex Olofssonvettasmannen
2025-06-19

📱 NYTT AVSNITT UTE NU!

🎧 Vi pratar om AIF/IFK, grankriget, gruvisar och andra romantiserade Kirunaföreteelser frĂ„n förr och funderar pĂ„ vad vi kommer romantiseras om i framtiden. Har Kirunas flytthistoria före 2022 hamnat i minneshĂ„let? och sist men inte minst, berör vi legenden om Anders ”Bolta” Sandberg.

Dessutomblir det fler hĂ„rdrocksskrönor om Hammerfall och Van Halens kopplingar till Kiruna. 😆👌

Rock and Blogrockandblog
2025-05-09

Texto para RRSS:
đŸ”„ ÂĄHammerFall regresa a España en enero de 2026! Cinco fechas imperdibles para presentar su nuevo disco “Avenge The Fallen”. Info y entradas en el enlace 👇

rockandblog.net/hammerfall-anu

2025-04-22

Behölder – In the Temple of the Tyrant Review

By Steel Druhm

When members of various obscure power and prog metal bands like Shadowdance and Chaos Frame managed to recruit Judicator’s John Yelland for an epic doom project heavily inspired by Dungeons & Dragons, Steel was unable to resist hearing the results. So he took a flyer on Behölder and their In the Temple of the Tyrant debut and hoped for good doom things. Would it be utter cheese and need a high-level necromancer to save it? Would it be a rousing, sword-swinging platter or Iron Age heroics? As it turns out, In the Temple of the Tyrant is more like Crypt Sermon mixed with a modest dose of Hammerfall-esque power and seasoned with the muscular machismo of Eternal Champion. Does the sound of that meaty broth get your sword rising? Me too. Let’s fight!

The best way to open an epic doom album is with some hefty epic doom, and Behölder does just that with “A Pale Blood Sky.” It’s very Crypt Sermon / Candlemassive, with big, crunchy doom riffs and slick melodic trills. Yellen’s powerful and enthusiastic delivery rounds out the doom enchilada excellently, taking us on a trip through dark crypts and creepy vistas. It’s the kind of doom I eat up like candied bacon, and I love this tune muchly. It’s powerful, but oh so accessible and entertaining, and shows that these cats know their chosen genre very well. “Eyes of the Deep” is another killer, with a strong Eternal Champion vibe. Tomi Joutsen of Amorphis shows up on the back end to drop immense death roars that take the song to the next level and everything is slick and compelling as fook. “For Those Who Fell” is like the glorious Hammerfall power ballads of old (their first 2 albums) and it sucks you in and keeps you hanging on. “Draconian (Slave or Master)” is a ridiculously hooky cut elevated to glorious heights by Yellan’s epical vocals. You will not forget the chorus, and it will haunt you onto death. This one has Song o’ the Year written all over it, folks.

While the highs on the album are very high, there are a few tracks that can’t scale the same summit. “Dungeon Master” is just okay and overly tongue-in-cheek as it takes the perspective of those master nerd game planners a bit too seriously. It doesn’t vibe well with the huge epic doom flavor of the surrounding tracks and takes you out of that headspace. Closer “I Magus” is also a bit underbaked. It’s plenty riffy with a Sanctuary / Nevermore vibe, but it never gets rolling into high gear. Likewise, “Summoned & Bound” trods on the path to greatness laid out by classic Candlemass, but it never completes the journey, becoming somewhat unsatisfying by the end. No song is completely unworthy, however, and as a cohesive album, this thing is a whole lotta fun from start to finish.

John Yellan is the star of the show here, with his vocals elevating the material several notches. On the best stuff, he takes it to the house, bringing poise and grace to the doom show. He manages to keep his performance restrained and doesn’t overdo things, nor does he rely on high-pitched wailing to emphasize the dramatic bits. He gives the songs just the right amount of power and poise and does a great job throughout. Founder and band mastermind Carlos Alvarez, along with Matt Hodson of Chaos Frame, bring a healthy selection of large doom leads and stirring solos, while dabbling in plenty of traditional and power metal spaces along the way. I like their work best when they stay in the Candlemass / Crypt Sermon vein, but I can’t argue one bit with departures like “Draconian (Slave or Master).”

Behölder have chops across the board, and when their writing comes together, you get great tunes full of nods to genre masters. If the writing was a touch more consistent, this would be my first 4.0 of 2025, but In the Temple of the Tyrant falls a bit short of those lofty heights. Yet there are several songs that could end up as my Song o’ the Year, and that’s saying something about the strength of this googly-eyed floating beast. Roll the dice, hear this, find the moments that thrill your inner warrior. Swords up for Behölder!

Rating: 3.5/5.0
DR: 7 | Format Reviewed: 320 kbps mp3
Label: Black Lion
Websites: beholderblacklion.bandcamp.com | facebook.com/beholderdoom
Releases Worldwide: April 25th, 2025

#2025 #35 #AmericanMetal #Apr25 #Behölder #BlackLionRecords #Candlemass #CryptSermon #EpicDoomMetal #EternalChampion #Hammerfall #HeavyMetal #InTheTempleOfTheTyrant #Judicator #Review #Reviews #Sorcerer

OneleggedjediOneleggedjedi
2025-04-20

Saw these at Cirkus in Stockholm. Proper Swedish Heavy Metal!

2025-03-21

I'm ready to pick up an axe and join a raiding party! #HammerFall #DriveTimeTuneage

Paul Grizzaffipgrizzaffi
2025-03-18

What do , , & have to do with testing? Join us at the conf this fall where I'll explain parallels between lyrics and & concepts.

Tix now on sale!

tsqa.org/tsqa-2025

Paul Grizzaffi and the late, great AJ Pero
fyre_festivalsfyre_festivals
2025-02-08

đŸ”„ New Artist announced for Riverside Festival Aarburg 2025

Hammerfall

Listen to the current LineUp on YouTube, YTMusic and Spotify: fyrefestivals.co

#2025

[chocula@mastodon ~]$:t_blink:CondeChocula@social.linux.pizza
2025-02-02
Hammerfall - Hearts On Fire.
2025-01-23

Master Spy – Maze Runner Review

By Holdeneye

You’re walking along, minding your own business, seemingly content with your boring, peaceful life, when you notice a bullet train speeding in the distance. You do a doubletake when you realize a motorcycle is racing across the train’s top. Captivated by the grace with which the bike’s leisure-suited rider—who is obviously a Master Spy—jumps the machine from car to car, you’re not prepared for the large explosion that destroys the train’s engine. This sets off a chain reaction that threatens to engulf the rider, and that’s when he throws the bike into a perfectly executed double backflip. He completes the second revolution just as the final train car disintegrates, and as he does so, he slides from the bike’s seat and lands in the driver’s seat of a waiting Lamborghini. Its engine roars to life, just as two black SUVs with armed men hanging from the windows round the corner in pursuit. The Lambo heads towards the coast, presciently avoiding the pursuers’ gunfire, and just when you think the driver has reached a dead end, the Lambo is suddenly propelled upward by rockets, flying out over the water and screeching sideways to a stop atop the deck of an idling mega-yacht. The driver exits the vehicle and is immediately attended to by several dozen women sporting huge 80’s hair and wearing bikinis. The yacht heads off into the sunset.

You turn from this unbelievable spectacle and walk away, no longer content with your miserable, mundane existence, so it’s probably good that you’re not aware that our hero’s day is just getting started. You see, after an evening of revelry with his scantily clad yacht-mates, the Master Spy retreats to a mansion-like cabin that puts your stupid home to shame. There, he begins work on his true passion project: heavy metal. He sleeps only 4 hours per night—he’ll sleep when he’s dead—so he’s free to write tunes until the wee hours of the morning. His first album, The Train, focused on long epics inspired by Iron Maiden’s X-Factor and Virtual XI albums, but this time around, he’s shortening the song lengths, dialing up the speed, and injecting a healthy dose of melodicism by veering sharply into power metal territory. If you were to play album opener and single “Maze Runner,” you’d hear the musical equivalent of the frantic scene you’ve just seen play out before your eyes: explosive rhythms, back-flipping guitars, and rocketing vocals will have you floating upon a sea of power and might.

The Train had some compelling moments scattered throughout its long runtimes, but at six tracks and 30 minutes,1 Maze Runner is basically all killer and no filler. Drawing upon early albums from bands like Blind Guardian, Hammerfall, and Edguy for inspiration, this outing sees Master Spy virtually rewriting their playbook and displaying the it-factor that distinguishes great songs from decent ones. The opening trio of “Maze Runner,” “Challengers of the Unknown,” and “Speed Racer” sets the tone very strongly with a volley of pure power metal, and this momentum never seems to let up, even when mid-paced semi-ballad “Doppleganger” comes along. The latter is so heartfelt and skillful in both composition and performance that it quickly becomes an album highlight.

New vocalist Craig Cairns (also of Tailgunner) aids the project’s transition to power metal with an extremely strong performance, and when combined with new guitarist Christian Vidal (Therion) and his incredible leads, it really feels like Master Spy has amassed an elite level of talent. My primary issue with The Train is gone; where its predecessor had some distracting lyrical foibles, Maze Runner dials this element down to well within power metal’s normal ESL limits. The production suits the music perfectly, leaving room for every instrument while displaying some big-time bottom-end beef. I honestly can’t pick standouts here. All six of these songs are keeping me hanging around like I’m some sort of bikini-clad groupie. I’m deeply sorry for giving you that mental visual.

Maze Runner might be free of the Maiden Virtual/Factor influence that permeated its predecessor, but for my money, this transition to a more straightforward power metal sound is a huge success. Master Spy may not be reinventing the wheel here, but they are grabbing it with both hands and deftly steering this musical Lambo through city streets crowded with landmines and bikini babes. If you like 90s and early 2000s power metal, yacht to love this one.

Rating: 4.0/5.0 – a Virtual IV!
DR: 7 | Format Reviewed: 320 kbps mp3
Label: Self Release
Website: masterspy.bandcamp.com
Releases Worldwide: January 24th, 2025

#2025 #40 #BlindGuardian #CanadianMetal #Edguy #Hammerfall #IronMaiden #Jan25 #MasterSpy #MazeRunner #PowerMetal #Review #Reviews #SelfRelease

fyre_festivalsfyre_festivals
2025-01-21

New Artist announced for 70.000 TONS OF METAL Festival 2025

HammerFall

Added top 5 songs to the playlist 70.000 TONS OF METAL Festival 2025

Listen now on YouTube Music: youtube.com/playlist?list=PLB5

#70.000_TONS_OF_METAL_Festival_2025

2025-01-09

The Halo Effect – March of the Unheard Review

By Steel Druhm

It seems like only yesterday I was writing about a supergroup helmed by Mikael Stanne of Dark Tranquillity fame. That’s because I just covered Cemetery Skyline, his Goth rock project that dropped the very successful Nordic Gothic release late last year. Now in the blink of a Mind’s I, he’s back with the sophomore outing from The Halo Effect. This star-studded collective features various past members of In Flames. It’s essentially a salute to the early days of the Gothenburg sound, with an approach that conjures nostalgia of the glory days of both Dark Tranquillity and In Flames equally. This formula largely worked on 2022s Days of the Lost, and it works again on March of the Unheard. Part of that may be the enduring appeal of the core sound, but a lot of it comes from the sheer talent and charisma of the assembled cast. Aiding in the charm offensive, there’s a greater incorporation of traditional metal ideas and influences this time out, as well as more consistently interesting songsmithing. This makes what could have been a yawner of the throwback album something just a bit more compelling.

If you need an elevator pitch for what to expect here, think Fiction / We Are the Void era Dark Tranquillity meets Whoracle era In Flames. On paper that seems enticing and in practice it works quite well too. Opener “Conspire to Deceive” reminds me why I fell for the Gothenburg sound back in the early 90s. Stanne is his usual badass self, utterly comfortable in his melodeath growls and barks as melodic but crunchy leads and polished, glossy harmonies envelope him. The guitar work by Jesper Strömblad (Ex-Hammerfall, ex-In Flames) and Niclas Engelin (ex-Gardenia, ex-In Flames) is bright and shiny, full of melodic noodling but girded by meaty riffs. It reads more like a DT cut overall and that’s just fine by me. “Detonate” is just a fun, rocking dose of melodeath that belongs on your cardio playlists toot sweet. It’s uncomplicated and catchy and Stanne owns the hooky chorus. “Our Channel to the Darkness” is very much a DT creation at its core, thrashy, punchy, dark and regal. This could appear on any DT album from Damage Done to We Are the Void and be right at home. The riffs have bite and aggression and Stanne sounds extra venomous.

I’ll admit I kept waiting for March of the Unheard to go off the rails and become stale and boring. The strength of the album’s first half surprised me, but what really got my goat was how consistent all the material is. Tracks like “Cruel Perception” and “What We Become” offer melodeath fans all they could want, and later cut “Forever Astray” marries DT’s cold, sterile aesthetic with gleaming and glorious guitar harmonies for a rousing ride as Stanne throws in some effective clean singing for extra oomph. “Between Directions” drills down into DT’s frigid sound and again nails the clean bits for maximum maximumness. Only the inclusion of a relatively bland mid-album interlude and a long and unnecessary symphonic/folksy instrumental closer mar what is a very enjoyable romp through the salad days of Swedish metal. At 48-plus minutes, the album feels a touch too long due to the instrumental padding, but it’s still easy enough to spin. The sound and mix are fine for the material, with enough meat on the guitars and allowing Stanne enough room to shine.

Speaking of which, Stanne continues to be a legend in the melodeath universe and he’s aging like fine wine. He adds +2 to every song he graces and the man is a boon to whatever project he touches. His always expert delivery is enhanced by the solid and polished guitar work from Strömblad and Engelin. They split time mining the main acts of the members for inspiration, but they also bring in bits and pieces of Omnium Gatherum and Insominum and add subtle nods to the NWoBHM as well. It’s melodeath made for those of us who were there at ground zero in the 90s and offers nothing new whatsoever. That’s okay though when the writing and execution is this solid.

You can appreciate March of the Unheard as a lost Dark Tranquillity album or as a slick homage to a specific moment in metal history and it works well both ways. This is a superior album to Days of the Lost with a much greater replay potential and I’ve been surprised by how vital and fresh much of it is. Remove the instrumental flab and this clicks up to very good. Not bad for a bunch of olde dawgs retreading their own ancient stomping grounds. Here’s to the olden ways in these confusing modern days.

Rating: 3.0/5.0
DR: 7 | Format Reviewed: 192 kbps mp3
Label: Nuclear Blast
Websites: thehaloeffect.band | instagram.com/thehaloeffectse
Releases Worldwide: January 10th, 2025

#2025 #30 #DarkTranquillity #Gardenian #Hammerfall #InFlames #Jan25 #MarchOfTheUnheard #MelodicDeathMetal #NuclearBlastRecords #Review #Reviews #SwedishMetal #TheHaloEffect

🎾NyarlathoTimđŸ§™â€â™‚ïžnyarlathotim
2025-01-01

Album of the Day: HAMMERFALL - One Crimson Night. đŸ“ș: youtube.com/watch?v=ZvmHdEh8PCc

S.L.R. Magazineslrmagazine
2024-12-18
Kazuky Akayashi àž…^â€ąï»Œâ€ą^àž…KazukyAkayashi@social.zarchbox.fr
2024-11-29

Bon de quoi occuper mes z'oreilles ce soir ​:blobPikaLaugh:​

#Musique #Metal #PowerMetal #Fellowship #Hammerfall #CobraSpell #AllForMetal #NorthernKings

Screenshot des nouvelle album sur mon serveur Koel ; Fellowship, Hammerfall, Cobra Spell, All For Metal et Northern Kings
2024-11-14

#ThursdayFiveList by @neurothing featuring songs of #TheFall

Fall Down #ThrowingMuses
song.link/nl/i/1349919435

Falling to pieces #FaithNoMore
song.link/nl/i/83385470

Let the Hammer Fall #Hammerfall
song.link/nl/i/1460473039

If I Should Fall From Grace With God #ThePogues
song.link/nl/i/189233624

I Hope I Don't Fall In Love With You #TomWaits
song.link/nl/i/1485071439
Which also contains last weeks #TheHope

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