#ShichiFukuJin

Camellia Tea Ceremonycamelliakyoto
2025-01-14

In the Muromachi period the idea of celebrating the '7 Gods of Fortune' began in Kyōto, and it is likely that the first Shichifukujin Mairi pilgrimage (都七福神まいり) originated at Ebisu-jinja (えびす神社).

From Kyōto similar pilgrimages spread across Japan.

Hundreds of small images of the god Fukurokuju at Sekizanzen-in (part of the Kyoto '7 Gods of Fortune' pilgrimage).Statue of Benzaiten at Myoen-ji (part of the Kyoto '7 Gods of Fortune' pilgrimage).Manpuku-ji's famous image of Hotei (the temple is part of the Kyoto '7 Gods of Fortune' pilgrimage).Image of Bishamonten.
Camellia Tea Ceremonycamelliakyoto
2025-01-14

Ebisu-jinja's 'Tōka Ebisu Matsuri' (十日えびす祭 'Ebisu’s Festival on the 10th Day') is held around Ebisu's birthday on January 10th (he was born in the Year of the Tiger).

As he god of business prosperity, fisherman, and good fortune, Ebisu is one of the most popular of the '7 Gods of Fortune' (七福神).

'Fukuzasa' is one of the most popular amulets bought during the Ebisu festival. It is frond of bamboo onto which auspicious symbols are hung.Kumade (garden rakes) are also a popular purchase during the Ebisu festival. These decorative rakes (which feature images of Ebisu, Daikokuten and other auspicious symbols) represent the 'raking in' of good fortune.Shrine maiden decked out for the Ebisu festival.Auspicious charms on sale.
2023-12-15

#Japonia #ciekawostki #Fukurokuju to jedno z #Shichifukujin, czyli siedmiu bóstw szczęścia. Widuje się je pojedynczo lub razem w postaci różnych wyobrażeń, figurek, ornamentów, a nawet zabawek. Buddyjski ( #buddymz) kapłan #Tenkai nauczał, że na szczęście składa się siedem cnót: długowieczność, bogactwo, sława, szczerość, życzliwość, godność i wielkoduszność. Fukurokuju reprezentuje długowieczność i mądrość. Można go rozpoznać po wielkiej, owalnej głowie i małym ciałku. Nosi ze sobą zwój #makimono, oznaczający czas życia każdego człowieka. Czasem towarzyszy mu bociam, #symbol długiego życia. W pierwszym wcieleniu był chińskim filozofem i prorokiem.
> - fragment z #UsagiYoimbo księga 4. Notatki #Stan-Sakai

World History Encyclopediawhencyclopedia@mstdn.social
2023-04-29

In Japanese folklore the Shichifukujin are the Seven Lucky Gods who may also be known as the Seven Gods of Happiness or the Seven Gods of Good Fortune. worldhistory.org/Shichifukujin #History #ItsukushimaShrine #Kami #Shichifukujin

2023-02-26
Someone on Mastodon shared #DavidGraeber's review of #CarlosSeveri's The #ChimeraPrinciple. Now I want to read the book and wonder more about the roots of the #Tanuki #RacoonDog figures and the #ShichiFukuJin figures, Especially these wooden #FukuRokuJyu figures.
> Much of what we have considered “primitive art,” the author argues, were not meant as self-contained objects in their own right, or even as elements in some larger performance, but as memory cues to texts—usually to be performed in some sort of ritual context—whose exact nature is, often as not, entirely lost to us. These images were never meant to exist apart from words. Yet those words were a form of artistry in and of themselves. The conclusion immediately shatters half a dozen complacent assumptions we normally bring, unthinkingly, to any analysis of comparative aesthetics: the assumption of a simple distinction between “orality” and “literacy,” for example; the notion of “picture-writing”; most of our assumptions about the relationship between icon, ritual, and text. And that shattering of assumptions, in turn, proves endlessly productive.
- https://theanarchistlibrary.org/library/david-graeber-concerning-mental-pivots-and-civilizations-of-memory?v=1676743668

#七福神 #福禄寿 #たぬき #タヌキ
UncannyJapanPodcast :verified:UncannyJapan@famichiki.jp
2023-01-15
Jo - pièce de résistanceJoBlakely
2022-11-28

Work in Progress on a painting of a female version of , one of the Seven Lucky Gods and part of a series I am doing with them as female incarnations.

It's a large piece, 36x48" oil on gallery mounted canvas.


Painting of an Asian woman with red hair surrounded by peonies, balanced on ballet point shoes as if seated, arms resting on a giant buddhist vajra, wearing a white t-shirt that reads Not Today, Satan, under a Samurai's vest in Jade green, with a long skirt. The colors are mostly pinks and purples and acid green.
2022-09-19
Baked ceramic is better, for getting through the rain and a typhoon anyway. The orange thin-terracotta-like DaiKokuTen has been out by the gate through all kinds of weather for over a year now I think. I put him (he may have started out as a her, DaiKokuNyou from India...) down by the door for the typhoon. The Great Darkness might protect the house and, in a corner the wind would be less likely to break the ceramic. But the the pair, DaikokuTen with Ebisu, didn't make out to well. The pair was in a more protected place but what little rain got to them started taking off their paint. Fascinating to see that they are made out of what seems to be an un-baked ceramic or cement-like material. It seems biodegradable. I might just bury them out by the compost bins. Recycle shop owners will sometimes give these sort of figures away. I buy the woodeng FukuRokuJyu figures as fashion models: they look a little like Kropotkin. But the other happy figures like HoTei and these two are fun too. Now I know to avoid the melty figures and go for the terra-cotta-ish figures. That Tanuki raccon-dog figures are fascinating too: but a bit involved, bigger and lacquered and more expensive.
#SevenLuckyGods #ShichiFukuJIn #七福神 #大黒天 #恵比須 #えびす

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