Lmst

Curving through silence. The railway bends gently into the forest, framed by wild grass and timeworn ballast. A monochrome meditation on movement and memory.
#RailwayPhotography #MonochromeMood #SepiaTone #FineArtInfrastructure #VisualJourney #CurvedLines #BallastAndSteel #QuietTracks #DocumentaryLandscape #SpatialPoetry #MutedTones #LeadingLines #RailwayArt #TimelessTravel #TrackPerspective

A sepia-toned image of railway tracks curving to the left through overgrown grass and gravel, with a forested background. The composition emphasizes depth and symmetry, evoking a sense of journey and quiet passage.

Stillness in symmetry. A quiet street stretches forward, untouched by movement, framed by rhythm and repetition. Urban silence rendered in grayscale.
#UrbanGeometry #SymmetryInPhotography #MinimalistStreet #EmptyStreets #FineArtPhotography #VisualStillness #OvercastMood #ArchitecturalRhythm #PerspectivePhotography #QuietUrbanism #MonochromeMood #StreetWithoutPeople #SpatialPoetry #MutedTones #LeadingLines

A straight, empty urban road viewed from the centerline, flanked by residential buildings, streetlights, and trees. The overcast sky and muted tones create a calm, symmetrical composition with a strong sense of depth and quiet atmosphere.

Eugen Gomringer, constellations (“silencio,” “wind,” “o,” “ping pong,” and “avenidas”), 1952–3. As seen in Concrete Poetry: A World View, edited and with an introduction by Mary Ellen Solt, Indiana University Press, Bloomington, 1968.

From Solt’s introduction: “In 1951 Gomringer had tried to write a few poems of the kind he would later call ‘constellations’…

#LetterformArchive #EugenGomringer #Constellations #ConcretePoetry #VisualLanguage #SpatialPoetry #MaryEllenSolt

#SpatialPoetry

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