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PRIMA ESPOSIZIONE INTERNAZIONALE DI ARTE DECORATIVA MODERNA- TORINO 1902- PADIGLIONE SOCIETA' CONSUMATORI GAS

#PADIGLIONESOCIETA #CONSUMATORIGAS #Turin #Italy #RaffaelloPelaia #Torino-Espos #Piemonte #Torino #photography #FerroCandilera

https://fotografia.cultura.gov.it/iccd/item/FFC030758

The image depicts a vintage black-and-white photograph of an ornate building known as the "Padiglione Società Consumatori Gas" from the 1902 International Exhibition held in Turin, Italy. This particular pavilion was designed by architect Raffaello Pelaia and is notable for its decorative elements inspired by baroque architecture. The structure features a central entrance with an archway supported by two columns topped with ornate capitals. Above this entry, there are multiple levels of decorative molding and sculptures that add to the building's grandeur.

The pavilion has three visible arched windows on the upper level above the main facade, adorned with intricate designs. On either side of these central features stand slender lamp posts or streetlights, adding symmetry to the composition. The photograph appears aged, as indicated by its monochromatic color scheme and slight discoloration around edges.

Trees line up along a path in front of the building, suggesting it was located within an urban park setting during that era. A caption at the bottom left corner reads "Torino - Espos. Int. d'Arte Dec. Moderna - Padiglione Società Consumatori Gas (12)," which translates to "Turin - International Art Exhibition of Modern Decorative Industry - Pavilion Consumers Gas Society." The overall impression is that of a historical building, preserved as an example of early 20th-century industrial architecture with artistic flair.

PRIMA ESPOSIZIONE INTERNAZIONALE DI ARTE DECORATIVA MODERNA- TORINO 1902-ARS NOVA - SCULT. BISCARRA

#BISCARRA #Italian #ArtNouveau #SCULT #CesareBiscarra #Turin #ARSNOVA #Piemonte #Torino #photography #FerroCandilera

https://fotografia.cultura.gov.it/iccd/item/FFC030776

The image depicts a vintage black and white postcard or photograph featuring an architectural structure with sculptural elements. At the top, there's a prominent dome-like roof over which hangs a circular emblem bearing a sun motif surrounded by rays emanating from its center. Below this is what appears to be a stone facade of a building adorned with classical decorative details such as cornices and pilasters.

Centered in the middle of the structure stands an imposing statue, seemingly made of marble or another white material, which portrays two reclining figures on a pedestal that rests upon a larger base featuring sculptural relief work. The statues' poses are relaxed; one figure appears to be lying back with its head resting on what looks like a book or tablet.

The building is part of an exhibition setting suggested by the handwritten annotations and printed text at the top left corner, which reads "TORINO - ESPOSIZIONE INTERNAZIONALE D.A.M. - ARS NOVA" along with other indistinct script likely in Italian. The date mentioned alongside this indicates that it is from '1902'. A number 5 appears prominently at the top right corner of the postcard, possibly denoting its placement within a series or catalog.

Surrounding foliage and trees can be seen to the sides of the building, indicating an outdoor setting for the exhibition. The overall impression conveys historical significance related to Art Nouveau (Modern Decorati [...]

OPERA NAZIONALE COMBATTENTI ESPOSIZIONE TORINO 1928- PADIGLIONE

#PADIGLIONE #Turin #Piemonte #Torino #photography #FerroCandilera

https://fotografia.cultura.gov.it/iccd/item/FFC030968

The image depicts a historical photograph of the Opera Nazionale Combattenti building, which is labeled as such in large letters on the facade. The structure has a strong neoclassical architectural influence with its use of columns and symmetrical design elements. It appears to be an older sepia-toned photo, suggesting it may have been taken around 1928, aligning with the date mentioned in the image source link provided (the Operazione Nazionale Combattenti exposition was held in Turin that year). The building is situated on a street lined with trees and bare-branched winter foliage. A solitary figure stands at some distance from the entrance of the opera house, adding to the historical ambiance of the scene. There are no visible modern elements or people dressed in contemporary clothing, emphasizing its vintage context.

STAZIONE PESCHERECCIA (QUADRIENN.TORINO PROP.S.A.R. IL DUCA D'AOSTA)

#Quadrienn #TorinoProp #IlDuca #Turin #CAVALERI #Cavalieri #Piemonte #Torino #photography #FerroCandilera

https://fotografia.cultura.gov.it/iccd/item/FFC035610

The image is a sepia-toned photograph depicting a maritime scene. It appears to be an old postcard, with visible text and creases suggesting it may have been handled or stored in the past.

In the foreground, there's calm water reflecting some of what lies beyond; likely indicating early morning mist as light filters through the air over bodies of water at dawn. In the middle ground, several sailing ships with large sails are moored along a dockside where people can be seen engaging in various activities such as handling equipment or tending to boats.

Onshore, near the edge of the image and partially obscured by the mist, stands what seems like a pier or wharf equipped with wooden structures that could have been used for loading goods onto ships. The background is dominated by more sailing vessels with their sails unfurled in various stages of setting up or catching wind. It's an active scene suggestive of early commercial maritime activity.

The photograph also contains text, likely indicating its origin and the artist; "Stazione Peschereccia (Quadrienn.Torino Prop.S.A.R. Il Duca d'Aosta)" at the bottom suggests a connection to Turin and possibly indicates this as an official postcard from that region or event.

The lower right corner of the image bears the signature 'CAVALERI', which may refer to the artist's name, Cavalieri, who is known for his maritime-themed works.

A VALLE- ESPOSIZ.NAZIONALE TORINO 1902 (R.GALLI DIP)

#Avalle-Esposiz #NazionaleTorino #Turin #RGalliDAppollonio #FerroCandilera #photography #FerroCandilera

https://fotografia.cultura.gov.it/iccd/item/FFC035968

The image depicts a monochromatic scene from an early 20th-century exhibition, labeled "A valle - Esposiz. Nazionale Torino 1902," suggesting it was part of the National Exhibition in Turin held that year. It shows a pastoral setting with several sheep grazing on grass beside rocks and sparse trees under what appears to be an overcast sky. A figure stands amidst these animals, dressed in attire consistent with rural farm labor or herding from around the turn of the century—complete with a wide-brimmed hat for sun protection.

The environment is rustic, indicative of agricultural life during that period, likely captured by R. Galli D'Appollonio as noted at the bottom right corner. The image's tone and detail suggest it may be an old photograph or postcard. Notable features include the clarity with which the sheep are rendered amidst a somewhat blurred natural backdrop, emphasizing their presence within this rural tableau.

Further context about Ferro Candilera can also be found via the provided link for more detailed information on his work in ferro-candela photography— an early form of pictorial photography.

Torino - La reale basilica di Superga

#Torino-Lareale #Turin #Napoleon #Italian #Piemonte #Torino #photography #FerroCandilera

https://fotografia.cultura.gov.it/iccd/item/FFC040325

The image is a sepia-toned, antique-style print depicting La Reale Basilica di Superga in Turin. It features an architectural illustration of the basilica with its prominent dome and classical columns. The basilica appears grandiose, suggesting its historical significance.

In the foreground, there's a rural landscape that includes trees, a few scattered buildings, and what seems to be agricultural land or pasture. There are also two figures near the base of one of the buildings on the left side of the image, which might represent workers or travelers passing by.

On the right, outside the basilica grounds, there is an illustration of a carriage being pulled by horses, suggesting transportation methods from that era. The overall scene suggests this print was created to document and celebrate the architectural heritage of Turin during 1806-23 under Napoleon's regime when it served as his capital.

The text on the image reads "La Reale Basilica Di Superga nei dintorni di Torino" which translates from Italian, indicating that this basilica is located in the outskirts of Turin. Additional inscriptions and signatures are present but not legible here; however, they provide a personal touch to the print.

It's worth noting that such prints were commonly used as travel souvenirs or for educational purposes during the time period it was created.

TORINO - Interno DELLA STAZIONE

#Turin #Italian #Salute #Bisposua #Torino #FerroCandilera #Piemonte #photography #FerroCandilera

https://fotografia.cultura.gov.it/iccd/item/FFC043832

The image presents a historical photograph of the interior of Turin's train station. The expansive hall is constructed with an intricate network of steel beams and glass panels, creating a spacious arched roof that allows light to filter through. In the center lies a broad railway platform flanked by tracks on both sides, leading towards what appears to be terminal buildings in the distance.

On either side of the platforms are rows of large windows or arches with rounded tops, typical of historic architecture designed for public spaces like train stations. A number of vintage tram cars and possibly early motorized trains can be seen stationed along the tracks, indicative of a bygone era. The image is tinged with sepia tones suggesting it's an old photograph.

Intricate handwritten notes in Italian are present across the bottom edge of the photo: "Salute", "Faci", "ma Elsa.", and "Bisposua" respectively, possibly representing names or phrases from a personal note added to commemorate this location. The top left corner has additional text stating "Torino." (Turin.) followed by an archaic phrase for 'Interni della Stazione', which translates as 'Interior of the Station.' A label with the number 33 is visible on the bottom right, likely indicating a cataloging or collection reference.

The photo seems to be part of a series dedicated to Italian cities and their landmarks, suggested by the consistent format used across image [...]

LE MASCHERE DI P. MASCAGNI -Roma -Milano - TORINO -Genova -Napoli - VENEZIA

#LeMaschere #PMascagni #17Gennario #Milan #Milano #Turin #Torino #Genoa #Naples #Napoli #Venice #Venezia #Italy #Lazio #photography #FerroCandilera

https://fotografia.cultura.gov.it/iccd/item/FFC043165

The image is a vintage postcard or illustration with an artistic rendering of characters from "Le Maschere" by P. Mascagni, dated 17 Gennario (January) in the year 1901. The artwork features six colorful figures dressed in elaborate costumes reminiscent of operatic and theatrical attire, suggesting a lively scene possibly connected to a performance or celebration.

The central figure is wearing a red jacket with white fringes, black trousers, a top hat adorned with a feather, and a mask that covers the entire face except for the eyes. This character appears to be engaging in some sort of interaction with another person whose image is inset within an ornate gold frame on the lower left side.

Surrounding this central figure are five other characters: one wearing a blue costume with white fur trim and a tall hat, two dressed as clowns or harlequins (one male and female) in green and yellow striped suits respectively, another donning a colorful patchwork outfit with red accents, and the last character is partially visible on the right side.

The background has an indistinct setting that suggests movement or perhaps stage-like scenery. The text "Le Maschere di P. Mascagni" prominently displayed at the top of the illustration indicates the title, while additional inscriptions list cities such as Rome (Roma), Milan (Milano), Turin (Torino), Genoa (Genova), Naples (Napoli) and Venice (Venezia). These indicate places where this [...]

DINTORNI DI TORINO CARTA STRADALE 1 a500000

#Italy #PavimentodiGomma #Firelli #FirelliPirelli #Torino #Turin #RivaroloCanavese #Ivrea #Cuneo #Pinerolo #Cherasco #DINTORNIDITORINO #photography #FerroCandilera

https://fotografia.cultura.gov.it/iccd/item/FFC043804

The image depicts an old map, possibly from the early to mid-20th century, showing a network of roads and settlements in Italy. The top left corner has "Pavimento di Gomma" indicating rubber road pavement with various numbers denoting different routes or distances. Notably, it is marked as "Firelli," likely referring to Firelli Pirelli, known for tire manufacturing.

The map background appears aged with a reddish-brown hue and shows the regions around Torino (Turin), including nearby cities like Rivarolo Canavese, Ivrea, Cuneo, Pinerolo, and Cherasco. The text "DINTORNI DI TORINO" suggests it's focusing on areas surrounding Turin.

Various red lines signify routes or travel paths across the map with distances in kilometers noted beside some of them, such as 23 km to Torino from one starting point labeled '648'. Towns and other locations are marked by handwritten-style labels. The top right corner has "Scala=1:500000," indicating a scale for distance representation.

There's no indication that this map is recent, implying it might have historical significance or be used as an educational tool to understand how transportation networks evolved over time in Italy.

Right now, #Wagner #Mahler with Barron and #Prokofiev from #Turin https://www.worldconcerthall.com/en/schedule/wagner_mahler_with_barron_and_prokofiev_from_turin/90075/ #wch

In 10 minutes, #Wagner #Mahler with Barron and #Prokofiev from #Turin https://www.worldconcerthall.com/en/schedule/wagner_mahler_with_barron_and_prokofiev_from_turin/90075/ #wch

¡Colaboración de ensueño! Negra Modelo y Chocolate Turín unen fuerzas para crear una cerveza única. El sabor que estabas esperando para este fin de año. #NegraModelo #Turín https://zurl.co/CIgcg

Today, #Wagner #Mahler with Barron and #Prokofiev from #Turin https://www.worldconcerthall.com/en/schedule/wagner_mahler_with_barron_and_prokofiev_from_turin/90075/ #wch

Stand my Ground

https://youpic.com/corina/337634656533798/1051524647536640 #Turin #Photography

Allianz Stadium

https://en.wikipedia.org/wiki/Juventus_Stadium

Capacity: 41507
Location: Turin, Italy
Team: Juventus FC

#Turin #Italy #stadium #soccer #football #fussball #fedifc #mastodonFC

Getting around by public transport in Piemont, Italy is not really a viable option in most cases. The service is just too limited.

For our trip to Turin however, the train was definitely the best option. No toll roads, no traffic jams, no looking for a parking spot (a pay for it), instead a warm and comfortable ride.

Learned something new as well, that Hitachi apparently also builds trains.

#PublicTransport #Train #Turin #Piemont #TrainBubble