Lmst

Capitol Radio Engineering Institute. Television studio at Capitol Radio Engineering Institute IV 1945.
Horydczak, Theodor, approximately 1890-1971
1 negative : safety ; 8 x 10 in.

#Horydczak #Theodor #UnitedStates #Vocationaleducation #WashingtonRegion #photography

https://www.loc.gov/item/2019674552/

The image is a black and white photograph depicting an early television studio setting from the year 1945. A male operator, dressed in formal attire with rolled-up sleeves, sits at a control panel operating various controls, possibly adjusting audio levels or camera settings. His attention appears focused on his tasks.

On one side of him stands another man wearing headphones and working closely with an oversized frame containing what looks like a television script, suggesting he is either reading the teleprompter content to be displayed in front of someone not visible in this particular shot. Another individual, seemingly female based on attire but their face being obscured by reflections or shadows, appears seated within a studio environment through reflective surfaces such as glass windows with white curtains and possibly mirrored walls.

The overall atmosphere suggests collaboration between individuals who are likely engaged in the live production process for television programming during that era of media history.

Capitol Radio Engineering Institute. Basement with furnace at Capitol Radio Engineering Institute ca. 1920-ca. 1950.
Horydczak, Theodor, approximately 1890-1971
1 negative : safety ; 8 x 10 in.

#Horydczak #Theodor #Basements #UnitedStates #Vocationaleducation #WashingtonRegion #photography

https://www.loc.gov/item/2019674545/

A black and white photograph showing the interior of a basement room with brick walls, including several doors or compartments. The left side features an old-fashioned furnace, while on the right wall there are various utility fixtures such as electrical boxes, possibly for wiring purposes. A figure is faintly visible in the distance standing beside these utilities.

Capitol Radio Engineering Institute. Television studio at Capitol Radio Engineering Institute VI 1945.
Horydczak, Theodor, approximately 1890-1971
1 negative : safety ; 8 x 10 in.

#Horydczak #Theodor #UnitedStates #Vocationaleducation #WashingtonRegion #photography

https://www.loc.gov/item/2019674555/

The image depicts a vintage television studio scene from approximately the year 1945. A man is operating control panels with numerous buttons and dials, indicating he's likely managing various aspects of live broadcast technology during that time period. In front of him in a reflective mirror is a woman standing confidently with her hands on her hips; she appears to be an actress or presenter who has stepped out from the set. Another man stands behind equipment connected to microphones and cables, possibly involved in sound recording or production tasks. The image captures the early days of television broadcasting technology as it was developed at Capitol Radio Engineering Institute VI during that era.

Capitol Radio Engineering Institute. Television studio at Capitol Radio Engineering Institute III ca. 1920-ca. 1950.
Horydczak, Theodor, approximately 1890-1971
1 negative : safety ; 8 x 10 in.

#Horydczak #Theodor #UnitedStates #Vocationaleducation #WashingtonRegion #photography

https://www.loc.gov/item/2019674534/

The image is a black and white photograph capturing an indoor scene at what appears to be a television studio. A woman, standing in the foreground on the left side of the frame, is wearing a knee-length dress with floral patterns and gesturing towards herself while holding up her hands as if explaining something or presenting information.

Behind her stands a man facing away from the camera; he has short hair, wears glasses, and appears to be working at an equipment panel labeled "CRI". The studio setting includes various pieces of technical apparatus such as monitors and screens. There is also another individual partially visible in shadow on the far left edge of the frame.

The overall atmosphere suggests a moment captured during a television broadcast or recording session from approximately 1920 to around 1950, based on historical context provided by the image caption mentioning "Television studio at Capitol Radio Engineering Institute." The photograph is credited to Horydczak (H. T., approx. 1890-1971), indicating he may be associated with or responsible for capturing this moment in time.

Additionally, there are numerous overhead lights illuminating the scene from above and side-mounted fixtures casting light across the studio environment.

Capitol Radio Engineering Institute. Television studio at Capitol Radio Engineering Institute II ca. 1920-ca. 1950.
Horydczak, Theodor, approximately 1890-1971
1 negative : safety ; 8 x 10 in.

#Horydczak #Theodor #UnitedStates #Vocationaleducation #WashingtonRegion #photography

https://www.loc.gov/item/2019674532/

A black and white photograph showing a man operating radio broadcasting equipment, with another person standing behind him. The scene is set in what appears to be an early 20th-century television studio at the Capitol Radio Engineering Institute II from approximately 1920-1950s, as referenced by Horydczak's book on historical radiotechnics and broadcasting technology

Capitol Radio Engineering Institute. Television studio at Capitol Radio Engineering Institute I ca. 1920-ca. 1950.
Horydczak, Theodor, approximately 1890-1971
1 negative : safety ; 8 x 10 in.

#Horydczak #Theodor #UnitedStates #Vocationaleducation #WashingtonRegion #photography

https://www.loc.gov/item/2019674529/

The image captures a moment inside an early television studio, likely from the late 1930s or '40s. A woman stands on stage with arms outstretched as if she is presenting something to her audience; she appears focused and expressive in what looks like a live broadcast setting.
Two men are seated off-camera, one of whom seems to be operating equipment while wearing headphones, possibly managing audio for the broadcast. The environment includes various pieces of vintage broadcasting technology: large overhead lights reflecting on shiny surfaces, an old-fashioned microphone stand with a pop filter, and a sign that says "CRE" partially visible in what might indicate studio or production code.
The monochromatic tones suggest it is black-and-white footage, typical for the era's television.

Capitol Radio Engineering Institute. Mr. Ritzkie at his desk II ca. 1920-ca. 1950.
Horydczak, Theodor, approximately 1890-1971
1 negative : safety ; 8 x 10 in.

#Ritzkie #Horydczak #Theodor #UnitedStates #Vocationaleducation #WashingtonRegion #photography

https://www.loc.gov/item/2019674503/

A black and white photograph depicting a man, presumably named Mr. Ritzkie based on the image's caption information, seated at his desk in an office setting from approximately 1920 to 1950s. He is wearing glasses and dressed formally with a dark suit, sitting behind papers and various objects such as a fan, telescope, and framed pictures adorning the room. The photograph captures Mr. Ritzkie's stern expression while he appears engaged in his work or contemplative of some task at hand.

Capitol Radio Engineering Institute. Man at desk, holding paper I ca. 1920-ca. 1950.
Horydczak, Theodor, approximately 1890-1971
1 negative : safety ; 8 x 10 in.

#Horydczak #Theodor #UnitedStates #Vocationaleducation #WashingtonRegion #photography

https://www.loc.gov/item/2019674492/

The image is a black and white photograph depicting a man sitting at an office desk, seemingly in the 1920s to 1950s. He appears professionally dressed with a suit, tie, and glasses. The individual has papers on his lap while looking directly towards the camera with a slight smile.

The background features two items: a map or chart affixed to one wall, possibly indicating geographical information relevant to radio engineering; and a calendar above it, suggesting an organized workspace environment. Another item appears in the backdrop too - what could be another piece of paper lying on top of each other, which might represent records, memos, notes.

There's also a desk bell or alarm clock-like device at one end of his desk, hinting to perhaps some communication mechanism prevalent during that era for signaling immediate attention. There are no visible windows indicating the room type could be an interior office space possibly designed with modesty in mind due to its bareness and lack of elaborate decor.

In terms of lighting, it seems like natural daylight is illuminating his desk area from a source not directly captured within this frame as there's enough shadow cast by him but without any harsh angles on his figure.

Capitol Radio Engineering Institute. Graduates of June 1935, Capitol Radio Engineering Institute II 1935 June.
Horydczak, Theodor, approximately 1890-1971
1 negative : safety ; 8 x 10 in.

#Horydczak #Theodor #UnitedStates #Vocationaleducation #WashingtonRegion #photography

https://www.loc.gov/item/2019674488/

A black and white photograph of a large group of men standing together for a posed picture in front of an industrial building with barred windows. The individuals are dressed formally, many wearing suits or business attire, while some have ties visible around their necks. They appear to be graduates from the Capitol Radio Engineering Institute II class of June 1935 as noted by text at the bottom right corner. Their expressions range from smiles to serious looks directed toward the camera, and they are arranged in a neat row with varying heights due to differences in stature or posture adjustments for posing. The overall atmosphere seems professional, likely commemorating an academic achievement or completion of their studies within that institution during June 1935.

Miscellaneous subjects. Telephone, directory and globe ca. 1920-ca. 1950.
Horydczak, Theodor, approximately 1890-1971
1 negative : safety ; 8 x 10 in.

#Horydczak #Theodor #Globes #Telephones #UnitedStates #WashingtonRegion #photography

https://www.loc.gov/item/2019680376/

The image is a black and white photograph depicting an assortment of objects from the early to mid-20th century. Central in this composition sits a globe on its stand, with one hemisphere upended over itself as if it's about to fall or has been recently removed from display. To the right, there’s a vintage telephone that appears sturdy yet elegant; not only is it functional but also acts like an additional support for the objects above.

The phone rests atop what seems to be an open newspaper spread out flat with its pages visible and slightly crumpled in some areas indicating usage or casual placement rather than careful arrangement. The rotary dial of this telephone, a hallmark of communication technology before modern push-button phones became ubiquitous, has numerous dials that suggest it could handle multiple lines.

In the foreground lies what appears to be an open hardcover book lying on its side with visible text and illustrations suggesting literary content which might have been related or supplementary reading material. The combination of these items reflects a time when communication technology was evolving alongside other aspects such as global awareness (as suggested by the globe) and perhaps education, implied through the presence of literature.

The overall setting is somewhat mysterious; it's not clear whether this tableau has artistic intent to make a sta [...]

Family gathering. Man with woman holding flowers I ca. 1920-ca. 1950.
Horydczak, Theodor, approximately 1890-1971
1 negative : safety ; 8 x 10 in.

#Horydczak #Theodor #Couples #UnitedStates #WashingtonRegion #photography

https://www.loc.gov/item/2019680315/

The image depicts a black and white photograph of two individuals, likely from the early to mid-20th century. The person on the left appears to be a woman wearing a knee-length skirt with vertical stripes, a patterned blouse, and a hat adorned with flowers or feathers. She is holding a basket filled with what seems like fruits or vegetables.
The individual on the right looks to be a man dressed in a three-piece suit consisting of a jacket, trousers, and tie. He also sports a vest over his shoulders. His hands are casually placed behind him, suggesting a relaxed posture typical for portraits from that era.

They both stand close together against a backdrop of bushes or shrubs, adding context to the setting as an outdoor environment. The image captures what appears to be a moment during a social gathering or event.
The photo is labeled with "Horydczak, Theodor," indicating it may pertain to this individual in some way, possibly taken by him or depicting someone he knew. Additional information about the photograph and its context can be found under references related to family gatherings from around 1920 to the early 1950s.

Portrait photographs. Episcopal minister, altar boy and choir standing at entrance to church ca. 1920-ca. 1950.
Horydczak, Theodor, approximately 1890-1971
1 negative : safety ; 8 x 10 in.

#Horydczak #Theodor #Choirs(Music) #Clergy #UnitedStates #WashingtonRegion #photography

https://www.loc.gov/item/2019680303/

The image is a black and white photograph depicting a group of individuals, presumably a choir or congregation, standing in front of an arched church entrance. The people are dressed in formal attire; men wear robes with stoles around their necks while women don dark dresses complemented by sashes at the waist and scarves wrapped around their heads.

There is one man holding a large cross aloft to his right side, suggesting that this might be an occasion of religious significance. The individuals are arranged in several rows; front row consists mainly of younger children or teenagers, while adults occupy both middle ground and back row positions within the group. Snow can be seen on either side of the doorway behind them, indicating a cold season.

The setting appears to be outside during wintertime based on visible snowbanks near the entranceway. The photograph is labeled with text providing context: it notes "Episcopal minister, altar boy and choir standing at entrance to church ca. 1920-ca. 1950" by Horydczak, an individual presumably associated with this scene or collection of photographs.

The source suggests that additional information regarding the photograph can be found in a document named 'Portrait photographs.' The copyright symbol followed by "loener.nl," indicates it is likely sourced from an online archive.

Portrait photographs. Portrait of Mr. True seated at his desk II ca. 1920-ca. 1950.
Horydczak, Theodor, approximately 1890-1971
1 negative : glass ; 5 x 7 in.

#Horydczak #Theodor #6x4inches #UnitedStates #WashingtonRegion #photography

https://www.loc.gov/item/2019681169/

A black and white photograph of a man sitting at his desk, writing on some papers with several books around him. The image is described as "Portrait photographs" in Portrait of Mr. True seated at his desk II ca. 1920-ca. 1950. Horydczak, Theodor, approximately 1890-1971 and has a negative size mentioned as 6x4 inches.

Portrait photographs. Portrait of Mr. True seated at his typwriter II ca. 1920-ca. 1950.
Horydczak, Theodor, approximately 1890-1971
1 negative : glass ; 5 x 7 in.

#Horydczak #Theodor #UnitedStates #WashingtonRegion #photography

https://www.loc.gov/item/2019681168/

The image is a black and white photograph depicting an elderly gentleman seated at a typewriter desk. He appears to be in deep thought, holding his head with one hand while the other rests on the edge of the table. The man wears glasses, has thinning hair, and sports a bow tie paired with a vest over a dress shirt.

On the tabletop beside him is an assortment of items: several stacks of papers or books, another typewriter, possibly its accompanying equipment like a ribbon holder or stand, and various loose sheets scattered about. His expression conveys concentration or contemplation as he contemplates his next move in addressing his correspondence on the typewriter. The lighting casts shadows behind him while highlighting the details on the desk surface.

The image has an old-fashioned quality, suggesting it could be from a bygone era when such typewriters were common office tools for writing letters and documents before personal computers became widespread. There is no visible text or discernible context that explicitly identifies the location or purpose of his work; however, one might infer he may have been engaged in some form of administrative task typical to an early 20th-century professional setting.

The photograph's historical significance could be attributed to its portrayal of a person from around 1920-50s era and offers insight into the working environment duri [...]

Portrait photographs. Portrait of Mr. True seated at his typwriter I ca. 1920-ca. 1950.
Horydczak, Theodor, approximately 1890-1971
1 negative : glass ; 5 x 7 in.

#Horydczak #Theodor #UnitedStates #WashingtonRegion #photography

https://www.loc.gov/item/2019681167/

The image is a black and white photograph depicting an elderly gentleman seated at his typewriter, focused on typing. He wears glasses, has short gray hair, and appears to be middle-aged or older in age. The man's attire includes a light-colored shirt with rolled-up sleeves, dark suspenders, and possibly trousers that are not fully visible.

The setting is modest, likely an office environment of the early 20th century given its utilitarian nature. A window can be seen behind him on his left side, allowing some natural light to enter the room. On the desk beside him lies a piece of paper or manuscript propped up against what seems like a book for reference.

The photograph has a historical feel due to its monochromatic color scheme and vintage style. The overall ambiance suggests an intellectual atmosphere where focus on writing was crucial, hinting at perhaps journalistic work during that time period.

Portrait photographs. Portrait of Mr. True seated at his desk I ca. 1920-ca. 1950.
Horydczak, Theodor, approximately 1890-1971
1 negative : glass ; 5 x 7 in.

#Horydczak #Theodor #UnitedStates #WashingtonRegion #photography

https://www.loc.gov/item/2019681166/

A black and white photograph shows a man sitting at his desk, which is cluttered with various documents. The man appears to be an older gentleman wearing glasses, a suit jacket over a bow tie, and possibly suspenders. His expression seems serious as he looks off to the side rather than directly into the camera lens. On the wall behind him are some spots or blemishes visible in the image.

Portrait photographs. Art Brown's boy Brickman in wagon I ca. 1920-ca. 1950.
Horydczak, Theodor, approximately 1890-1971
1 negative : glass ; 5 x 7 in.

#ArtBrowns #Brickman #Horydczak #Theodor #onefoot #Children #Play(Recreation) #UnitedStates #WashingtonRegion #photography

https://www.loc.gov/item/2019681135/

The image depicts a young child seated on an old-fashioned wagon, with one foot placed on the ground and holding onto what appears to be a handle or steering mechanism. The wooden cart has two wheels at its front end and is positioned outdoors in a grassy area surrounded by trees and some makeshift structures that could suggest it's near a fairground or carnival setting.

In the background, there are various objects such as tents or booths with white canvas canopies visible behind the wagon, along with other indistinct items like a small boat on water. The photograph is in black-and-white, which gives it an aged appearance consistent with early 20th-century photography techniques.

The overall atmosphere of the image conveys a sense of nostalgia and simplicity associated with childhood play during that era.

Portrait photographs. Art Brown's boy Brickman and playmates in and on wagon I ca. 1920-ca. 1950.
Horydczak, Theodor, approximately 1890-1971
1 negative : glass ; 5 x 7 in.

#ArtBrowns #Brickman #Horydczak #Theodor #third #fourth #America #Children #Play(Recreation) #UnitedStates #WashingtonRegion #photography

https://www.loc.gov/item/2019681134/

The image depicts a group of four children posing for the camera with vintage wagons and boxes. These wagons appear to be made from wood, featuring simple wheels and handles on both ends. One child is standing beside his wagon, while another sits atop it holding onto its boxy back. The third child is seated within one of these wagons, which seems filled with items like a suitcase or crate. Finally, the fourth child stands next to an empty wagon.

The setting appears to be outdoors during daytime hours in what could possibly be a backyard given hints at residential structures and vegetation in the background. Notably, all children are wearing hats or headgear that suggests it may be cold outside as they're dressed warmly in coats and trousers appropriate for winter attire of early 20th-century America.

The photograph is rendered in black and white due to its age, likely taken during a time when color photography was not yet prevalent. It captures the innocence and charm typical of children from that era while also serving as an artifact reflecting social norms, fashion trends, and possibly socioeconomic status based on their attire and surroundings.

National Paint, Varnish & Lacquer Association, Inc. Exhibit in Statler Hotel showing barracks before being painted to boost soldiers' morale ca. 1920-ca. 1950.
Horydczak, Theodor, approximately 1890-1971
1 negative : safety ; 8 x 10 in.

#NationalPaint #StatlerHotel #Horydczak #Theodor #Militaryfacilities #Organizations #Paintindustry #UnitedStates #Varnishingindustry #WashingtonRegion #photography

https://www.loc.gov/item/2019679063/

The image depicts a black and white photograph of an aerial view overlooking numerous small, uniform-looking structures. These appear to be temporary barracks or housing units arranged in rows on what looks like a snow-covered landscape during winter time. The overall atmosphere suggests a sense of orderliness but also a starkness due to the lack of personal items or decorations visible within the buildings and around them.

In terms of composition, there is a strong contrast between the dark forms of the structures against the lighter background of the sky and ground coverings. A few trees are scattered throughout, standing in isolation from the rows of uniform housing units. The absence of people gives an impression of desolation or abandonment within this community setting.

The photograph has a historical context suggested by its monochrome nature and apparent age; it could be used to represent themes like military life during winter months, refugee camps, temporary housing for displaced persons in various social contexts throughout history, including wars. It evokes feelings of coldness both literal as well metaphorical due to the lack of warmth or human activity.

In addition to its historical relevance, this image is associated with an exhibit by National Paint, Varnish & Lacquer Association, Inc., which seems related to improving soldiers' morale through painting [...]

George Moss houses. George Moss house at 304 Clark St. ca. 1920-ca. 1950.
Horydczak, Theodor, approximately 1890-1971
1 negative : safety ; 8 x 10 in.

#GeorgeMoss #ClarkSt #Horydczak #Theodor #Houses #UnitedStates #WashingtonRegion #photography

https://www.loc.gov/item/2019678566/

#WashingtonRegion

Client Info