#drivebyshooting

2026-02-20
Here for something a little different: my 8 year-old son asked me if I could post some of his pictures on my account. Of course it is a pleasure to do so. Hopefully also some kind of motivation to keep him shooting.

So here's a compilation of 20 ICM shots we had a lot of fun handpicking together. Straight out of the Fuji X10. Feel free to comment, as the next generation is very much looking forward to it.

#photography #intentionalcameramovement #icm #kidsphotography #nextgeneration #drivebyshooting #fujifilm #drivebyphotography #minimal #abstract
2025-11-08
2025-08-11
Took that mighty and hefty Nikon D200 with me on holidays and both the camera and holidays turned out very nice.

Drive-by shooting. France, July2025.
#photography #drivebyphotography #drivebyshooting #minimallandscape #landscapephotography #fieldscape #ccdsensor #ccd #dslr #nikond200 #travel
An expansive rural landscape featuring a vast golden wheat field stretching across the foreground, its textured surface forming horizontal lines that lead the eye toward the horizon. Along the distant edge of the field, a row of dark green trees stands in stark contrast, forming a thin silhouette beneath a sky filled with dramatic cumulus clouds. The low placement of the horizon emphasizes the wide open sky, creating a balanced composition of earth and atmosphere. The scene conveys stillness, scale, and the quiet beauty of agricultural countryside under ever-changing skies.
2025-08-08
Soft top cars allow unique perspectives on the world while driving, as a passenger. Despite the fencing the light here was to die for. Also being high up on the Westgate with a view of Melbourne usually photographed using helicopters or drones was the real impetus.
#photography #iPhone #iphoneography #drivebyshooting #driveby
Trapped behind the wire-veined eyelid of the city’s mechanical dream, we peer through the mesh like inmates of progress, watching the skyline yawn into either birth or decay—hard to tell if it’s sunrise or sunset when the clouds wear both moods like bruises. The buildings stand like monolithic teeth in a concrete maw, gnashing silently at the horizon. Cranes claw at the sky on the left, industrial arachnids weaving capitalism’s web, while the port slouches in the foreground like a tired beast waiting for its next shipment of existential dread. The mesh—our accidental filter—stripes the scene like prison bars or a barcode, reminding us that even beauty gets commodified. Somewhere in this steel-and-glass jungle, a pigeon probably knows more about freedom than we do. The city pulses, indifferent, a living fossil of ambition and asphalt. This is not a view—it’s a confession. And we’re all complicit.

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Server: https://mastodon.social
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