Lmst

Movie TV Tech Geeks #Movie #PsychologicalThriller #Seconds #Repulsion 8 Psychological Thrillers That Are 10/10 But Nobody Remembers http://dlvr.it/TRCt4c

In the beginning, emotions and desires existed in atoms and simple particles. These initial emotions, like attraction and repulsion at the atomic level, caused these particles to bond and form connections with one another. Through these atomic interactions, molecules and more complex structures emerged, eventually leading to the creation of living organisms and the preservation of life.
#Emotions #Attraction #Repulsion

Black Swan (2010): Repulsion in a Tutu https://mikesfilmtalk.com/2012/06/15/black-swan-2010-repulsion-in-a-tutu/ #BarbaraHershey, #BlackSwan, #DarrenAronofsky, #MilaKunis, #NataliePortman, #Repulsion, #VincentCassel, #WinonaRyder

Movie TV Tech Geeks #Movie #Thriller #Psycho #Repulsion 10 Greatest Thrillers From the '60s, Ranked http://dlvr.it/TNyQWS

13 𝘿𝒂𝙮𝒔 𝒐𝙛 𝙃𝒂𝙡𝒍𝙤𝒘𝙚𝒆𝙣: "𝑹𝙚𝒑𝙪𝒍𝙨𝒊𝙤𝒏" (1965) 𝑴𝙤𝒗𝙞𝒆 𝑹𝙚𝒗𝙞𝒆𝙬

2025 Theme: Decades of Horror
Director: Roman Polanski (Poland/France)

#moviereview #halloween #horror #horrormovie #13DaysOfHalloween #repulsion #romanpolanski #CatherineDeneuve #psychologicalhorror

📽️ vidéo en ✊ 18 SEPTEMBRE - ANASSE KAZIB DÉNONCE LA RÉPRESSION POLICIÈRE BRUTALE CONTRE LES MANIFESTANTS À PARIS.: -- FkHZj-vnCps?version=3 #Paris #Manifestations #Répulsion #Police #Brutalité

18 SEPTEMBRE - ANASSE KAZIB DÉ...

#Connaissez-vous le #pere de #l’électricité ? L’inventeur qui l’a découvert ? #William #Gilbert, un #médecin et #scientifique anglais du XVIe siècle, a décrit les lois d’attraction et de la #répulsion des deux #pôles #magnétiques, #l’effet de la #chaleur sur le #magnétisme ainsi que #l’aimantation des #métaux. Ses #travaux ont profondément #influencé les #chercheurs et les savants du #siècle suivant à qui #l’unité de la force magnétique #Gilbert lui rend #hommage.

#Rejoiniez-nous à https://electro-robot.com/electronique/les-théories/william-gilbert pour decouvrir plus cette #grande #personnalité #historique.

#MusicWomenWednesday #Hela #Repulsion
Track 21 of my #witchdoom playlist

https://hela.bandcamp.com/track/repulsion

A LOOOOOOONG INTERVIEW WITH SCOTT CARLSSON OF REPULSION (LESLIES METAL)

READ THE ENTIRE INTERVIEW ON OUR BLOG:
https://defendersofoldschoolmetal.blogspot.com/2025/05/interview-with-scott-carlsson-of.html

#repulsion #grindcore #deathmetal

Ahoi seamaids and -men,
this thursday we‘ll play at SWR Fest in Barroselas, Portugal. On stage at 19:25. Merch will be up from around 17:30 to 21:30. Looking forward to chat with y‘all after our show!
Yours truly 🦑🪼🐋
#Doommetal #SWRfest #Barroselas #Portugal #AHABdoom #Festival #dodheimsgard #repulsion #merrimack #auranoir

Grindcore, el caos como consigna: 20 álbumes recomendados | vía #NaciónRock

https://www.nacionrock.com/grindcore-el-caos-como-consigna-20-albumes-recomendados/

#anaalnathrakh #assück #brutaltruth #carcass #cattledecapitation #cloudrat #discordanceaxis #escuelagrind #especiales #exhumed #fullofhell #genghistron #gridlink #grindcore #insectwarfare #magrudergrind #nails #napalmdeath #nasum #pigdestroyer #repulsion #terrorizer #wormrot

Music recommendation: Repulsion
80s grindcore, really helped create the genre, but only released one album (they're still around, they just haven't done anything since then).

Here's their song Black Breath. Absolutely grimy production that I just love. https://www.youtube.com/watch?v=rPv6RqKgqHk

#Grindcore #Music #Recommendation #Repulsion

The #Bug - #Shafted ( #Laws Of #Attraction / #Repulsion) | #Machine | #MiscMusic | https://www.youtube.com/watch?v=cla3SIw5T9s

Earthburner – Permanent Dawn Review

By Dolphin Whisperer

There’s a sect of grind-lovers out there that say Terrorizer’s World Downfall represents the ideal to which grindcore should aspire, with many simply asking “Why hit anything else?” At its base, grindcore is a fusion genre of metal ideas against the speed and fury of fully torqued punk. And when bands like Terrorizer, Napalm Death, and Repulsion were making a name for the scene, the emergent flavor that spilled into their sprint-speed d-beats, hammering skanks, and flurried fight riffs was that of a nascent death metal. And on this foundation, Broken Hope veteran Jeremy Wagner seeks to unleash Permanent Dawn with his long-cooking Earthburner project in this time-tested vein of pit-churning burst of grinding rage.

Though Earthburner’s origins lie in the year 2001, Wagner never did much with the name save for some EPs and singles until 2023 when he recruited friends to finally make a true first strike. With family in the rhythm section—bass helmed by stepson Tyler Affinito and kit crashed by Broken Hope drummer Mike Miczek—and the trendy growl of Devin Swank (Sanguisugabogg) on the mic,1 an air of familiarity ties Permanent Dawn’s concise expression together. Wagner’s primary outfit Broken Hope has never been the grandest attraction on a festival billing, but the draw of their chunky, no-frills death metal stewed in the barbarism of the early 90s scene stands simple and odorous. So too in Earthburner does Wagner find the uncomplicated elegance of accelerating, punky riffs, and full-force kit abuse with tracks like “Broken Head” and “Perception for Profit” carrying the rebellious torch of classics like World Downfall (Terrorizer) or From Enslavement to Obliteration (Napalm Death) all too well.

At its core, Permanent Dawn expresses itself near line-for-line the classic grind playbook. Continuing a wordly exploration of progenitor inspiration, some of this debut’s more punishing run-offs come at the lower-tuned rumble of early Carcass gore-tifications (“Facelift,” “Hunger Pains,” “Slave to the Screen”). Finding a sneering, higher-range bleat to counter Swank’s low and gruff death bark, Earthburner plows through twenty minutes with little waste. In this construction, it’s neither the solo nor melodic lead that guides each tumble through its uphill scuttle, but rather quick intros and interludes of hefty four-string chatter (“Like Dogs,” “Positive Outlooks”) or loudness-driven guitar tricks (“Broken Head”) that break up the constant forward march to reset rattling heads. Some frustrating tropes of the scene remain too hard to shake, though. Whether a nod to the olde or otherwise, drummer-driven intro counts can be incessant—Miczek does switch up his snare pounds for hi-hat taps every now and then, at least.

In a divergence from the course of its influencers, Permanent Dawn finds its tones hitting modern in uncomfortable ways. Not all the sounds that composed the clamor of the fledgling grindfathers represented the pinnacle of amplified hunger, but many of them shared a shattered, organic nature that provided an urgent snap to the questionable distortion of guitars and unintelligible rapid-spew gurgles. And while I think Swank’s oral abuse and Wagner’s churning stacks—as compressed into clipping segments as they may be—do a fine job at capturing the rough exterior of the genre’s scrappy roots, the polish of kick and sheer pow of snare feel meant for an act more lumbering. Now, Miczek’s kit never feels behind or slogging, but in its excessive volume and booming presence, it robs part of the stage from the already ceiling-scraping guitar lines that find ugly fuzz in open rings and ear-zapping zips on sliding scrapes.

As an album so indebted to the past, Permanent Dawn finds an easy home in the ears of anyone seasoned in the arts of these punkified metal outbursts. However, in ease of expression through the lens of its influences, Earthburner forgets the all too important sentiment of expressing a vision all their own. Without a message to tie together its eleven tracks of societally challenged titles, its short runtime can feel frequently unnecessary in order and, consequently, in totality. Though not explicitly a cover band, the level of homage that Earthburner holds in its capable hands falls flat in reverence to its tones that don’t provide a unified bolster. I don’t consider myself that guy—you know, the World Downfall guy—but by the end of Permanent Dawn’s transient passage through my grind-hoping ears, I really do find myself wondering whether I should just stick to Terrorizer.

Rating: 2.0/5.0
DR: 6 | Format Reviewed: 320 kbps mp3
Label: M-Theory Audio | Bandcamp
Websites: officialearthburner.bandcamp.com | facebook.com/earthburnergrind
Releases Worldwide: November 8th, 2024

#20 #2024 #AmericanMetal #BrokenHope #Deathgrind #Earthburner #Grind #Grindcore #NapalmDeathCarcass #Nov24 #PermanentDawn #Repulsion #Review #Reviews #Sanguisugabogg #Terrorizer

Death (2024): Journey of the Mind https://mikesfilmtalk.com/2024/11/07/death-2024-journey-of-the-mind/ #AnmolMishar, #DavidHecimovic, #Death, #LaurenJohnson, #MarigoldPazar, #OlegSomov, #PicnicAtHangingRock, #Repulsion

#JuliaGarner, che ho apprezzato molto in #Ozark ed ero sicuro che avrebbe avuto una carriera in ascesa, è abbastanza convincente come protagonista che sprofonda in un incubo personale, tuttavia le manca il physique du rôle della ballerina e questo si nota, specialmente all'inizio

Diverse metafore e atmosfere (claustrofobiche) che rimandano ad autori come #DavidLynch e #MichaelHaneke (ma anche #Repulsion dello stesso #Polanski)

Film derivativo. Non un capolavoro, ma da non perdere 2/2 END

Blogkino: Repulsion (1965)

Heute zeigen wir im Blogkino den Thriller "Ekel" (Originaltitel: #Repulsion) des Regisseurs Roman #Polański aus dem Jahr 1965. Der Plot: Carol, Angestellte in einem Schönheitssalon, verliert zunehmend den Sinn für die Realität. Sich häufende Anzeichen von Geistesabwesenheit werden von ihren Kollegen und Kundinnen zunächst als harmlose Symptome abgetan. Psychisch verstört, verbarrikadiert sie sich in ihrer Wohnung. Was zunächst niemand ernst nimmt, entpuppt sich als gefährliche, psychotische Wahnvorstellung. Die Situation eskaliert, als ihr Verehrer versucht, sich Zugang zu ihrer Wohnung zu verschaffen.

https://www.trueten.de/archives/13366-BlogkinoRepulsion-1965.html #Thriller #Frankreich #FilmNoir #Film #Blog #Blogkino

Filmplakat mit Catherine Deneuve, die einen Mann umarmt und dabei ein Rasiermesser in der Hand hält

Here’s the one and only #CatherineDeneuve, masterly in #Repulsion

I’ve been thinking about how fascism is as much an aesthetic movement as it is a political one — the original fascists’ cults of modernity, mechanization, and efficiency; the marble-statue-avatar RETVRN guys and secretly-funded-by-the-Mormon-church cottagecore TikTok influencers of today; the eugenicist and white supremacist obsession with the “perfectibility” of the human form and with idealized (white) masculinities and femininities; Trump’s endless muttering about “good genes”; Peter Thiel’s and Bryan Johnson’s eagerness to delve into the modern equivalents of occultism and alchemy in pursuit of eternal youthfulness and vigor; GamerGaters’ and their ideological descendents’ habit of treating “pronouns in bio” or a copy-paste of an interlocutor’s selfie avatar as a mic-drop rebuttal; etc., etc. The idea that the beautiful (it is generally not acknowledged in this framework that “beauty” is a matter of contingent and ever-changing cultural norms) is morally good (same note) while the ugly (same note) is morally bad (same note!) is certainly not exclusive or original to fascism, but its role in fascism is noteworthy because of this conjoining of aesthetics to politics.

This isn’t very well-developed, and undoubtedly if I were to pick Paxton back up and take more notes, or indeed spend the time to properly study Benjamin, I would have a clearer and stronger argument. But I don’t think I’m getting too far out over my skis in saying that a core element of fascism is disgust, and the use of disgust to motivate violence.

(Just this week right here in Ultra-Liberal Boston™, a fascist was so disgusted by the sight of a senior citizen wearing a respirator, presumably to try not to catch COVID-19 — the ongoing, highly contagious, airborne pandemic still killing hundreds every week in the US, in case you’ve forgotten — that he tried to murder her by hurling her under a train.)

Of course revulsion is also a kind of obsession (famously, consider the Nazi regime’s exhibitions of “Degenerate Art”), and aesthetically fascism is as fixated on the objects of its hatred as it is on its supposed ideals of beauty. And obviously obsession whether “positive” or “negative” distorts and deranges one’s thinking.

A thing that worries me is the ongoing eagerness of avowed non- and even anti-fascists to deploy this kind of moralized disgust. It does not take much effort to find people who consider themselves committed liberals or even leftists using ableist, ageist, and fatphobic language about Trump. Or remember those murals of him and Putin making out, or the balloon of him as a petulant, diaper-clad baby? But it’s not just him, of course! Liberals said all manner of misogynist and transphobic things about Ann Coulter and Sarah Palin, for example. Plenty of leftists believe economic class is the only real axis of oppression under capitalism, and love to deride “idpol” and laugh about how “cringe” “winemoms”, or “tumblr they/thems”, are.

Look, too, at the success fascists have had leveraging disgust to promote laws and policies they fully intend to use to try to drive all queer people out of public life. Few if any people with power are willing to say “we should listen to sex workers and pornographers about the dangers of these bills to restrict and control access to information on the internet,” and this too is weaponized disgust, aesthetics-as-morals.

It’s taking this line too far to say that disgust is per se fascist; to feel at least somewhat repulsed by puke and shit and rot and other non-metaphorical filth is not entirely unsalutary (though conversely to see cleanliness as virtue is much more problematic), and to feel nauseated by acts of cruelty is surely an unalloyed moral good. But to be disgusted by a person or people — as distinct from harm they do to others — be they “ugly” or “weird” or “gross” or unclean or unhoused or sick or disabled or fat or queer or trans or any other things, even, more challengingly, be they fascists themselves — is, if not necessarily fascist in itself, a critical point of weakness. It’s a door, maybe just unlatched, maybe ajar, maybe flung wide, that fascism can walk through, and once it starts getting through the door, well, you’ve heard the story about the Nazi bar.

The surest way to immunize yourself against fascism’s insidious ability to work even well-meaning people around to accepting inhumanity by starting with the people they think are the ickiest, is to steadfastly and immovably refuse to find any people icky; to relentlessly search your heart for any shred of repulsion against your fellow humans, and incinerate it.

Also, the surest way to immunize yourself against COVID-19 is to make sure you’re up to date on your vaccine shots and to wear a high-quality N95 or equivalent respirator anytime you’re in an indoor and/or crowded public place. Come on, people. This shouldn’t still need to be explained.

https://smadin.net/2024/02/23/against-revulsion/

#antifascism #disgust #fascism #repulsion