“The most beautiful sight in a… theater is to walk down to the front, turn around, and look at the light from the screen reflected on the upturned faces of the members of the audience”*…
The magic lantern was basically a seventeenth-century slide projector: a light source (a candle), an image (a piece of painted glass), and a lens. It was an ever-evolving object, and revolutionized the way pictures were seen by an audience. It is often called a precursor to cinema, but it might better be characterized as an enabler that paved the way for film and gave rise to its own powerful visual culture. Many technical devices that explored projected imagery and the persistence of vision are sought, researched, and discussed by lantern aficionados…
The remarkable Ricky Jay [see here and here] remembers two departed friends, and ruminates on the lost art that paved the way for motion pictures even as it created a visual culture all its own: “Farewell to Two Masters of the Magic Lantern.”
* Gene Siskel, quoting Robert Ebert’s report of an observation by François Truffaut
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As we accede to awe, we might recall that it was on this date in 1959 that Some Like It Hot, starring Marilyn Monroe, Tony Curtis, and Jack Lemmon was released by United Artists. Directed by Billy Wilder [see here], the film is widely considered the funniest comedy ever made (e.g., on the AFI’s list of 100 Greatest Films and the BBC’s poll of film critics around the world).
Oh, and of course, it also featured Marilyn Monroe singing…
#billyWilder #cinema #film #history #magicLantern #marilynMonroe #movie #rickyJay #someLikeItHot
