I don't know who needs to hear this, but @internetarchive has the complete set of Carl Sagan's 1980s Cosmos series online for free.
Bezier beginner
I don't know who needs to hear this, but @internetarchive has the complete set of Carl Sagan's 1980s Cosmos series online for free.
đ„âWelcome INDIA STREET LETTERING, the book!âđ„
Iâm working with @blaft to bring together my documentation of letterforms from Indiaâs cityscapes into a book â a 200-page hardcover full-colour volume showcasing striking public lettering from around the country.
We need your help to make this book happen đ€đŒ Our Kickstarter campaign is live. Please chip in, pre-order the book and share the project with everyone you know âĄïž https://www.kickstarter.com/projects/blaft/india-street-lettering-a-book/
10 minutes from now, TypeLab 2025 kicks off on the TypeLab Americas channel.
RSVP for free to join the Zoom:
https://www.eventbrite.com/e/typographics-typelab-2025-tickets-1371585702759
Or watch the livestream on YouTube:
https://www.youtube.com/live/_898DlPRRQ4
Full schedule and other details here:
https://2025.typographics.com/typelab/
Still gathering Schrofer code ⊠one recent update to @drawBot broke my original code for recreating the script patterns on the covers of Mouton's Les Textes Sociologiques series, but: revisions, et voila. Reconstruction, examples of the original covers, Schrofer's plan on graph paper, and a field showing the gamut of the variable font's horizontal/vertical stroke:counter axes.
Archive images courtesy the Jurriaan Schrofer Archive, Allard Pierson Museum, University of Amsterdam.
I'm very proud to have helped release this new font my friend @helenemarian at @NaN !
đčArchy đč ON + OFF
Archy takes its roots in Marianâs practice of paint-brush lettering but processes it through a highly digital treatment, suppressing most its organic nature. Whatâs left is a sans serif in 2 versions, [ON] and [OFF].
@FontsInUse @jasonsantamaria In that case, I briefly had to grab my JAWS shirt out of the laundry basket. AFAIK itâs by a Californian surfer brand.
Dear Fedi friends, may I ask you a favor?
I would really appreciate it if you could boost this message. I have created a French version of my Fedi promo video - and a French landing page â that I hope can spread far and wide in the Francophone world:
https://news.elenarossini.com/fedivers-video/
Cette vidĂ©o explique ce qu'est le fĂ©divers en 4 minutes. N'hĂ©sitez pas Ă partager cette page avec vos amis et vos proches qui ne sont pas ici... J'espĂšre que cette vidĂ©o Ă©veillera leur curiositĂ© đđ€â€ïž
Some more details on the upcoming David Jury book about 20th c. type designers:
https://www.printmag.com/daily-heller/the-daily-heller-type-designer-see-stars/
[Quâest-ce que le Cnap ?]
Le Cnap est un Ă©tablissement public du ministĂšre de la Culture. Il soutient la crĂ©ation contemporaine dans les arts visuels, accompagne artistes et professionnels, gĂšre une collection de plus de 108 000 Ćuvres, et en favorise la diffusion en France et Ă lâinternational. Il agit comme opĂ©rateur culturel, acteur du patrimoine vivant et soutien Ă lâĂ©cosystĂšme artistique.
On Monday, we are doing a Letâs talk type session during @Typographics
If we manage to tidy up, we will show the studio a little bit, but mostly it will be our talk Useless Fonts about our more speculative work. There is a limit of 100 people, book your spot!
đ„ Fontstand is working on becoming a cooperativeâco-owned and governed by the independent type foundries. No VCs. No middlemen. Itâs a radical rethinking of how platforms should workâbuilt on trust, equity, transparency, and shared success at its core.
đ https://fontstand.com/news/design-news/creating-the-fontstand-cooperative/
Join us on Thursday for a free 50-minute online talk exploring the design and development of Terrassa, a typeface inspired by architectural lettering.
đ 19 June, 2025, 8pm Amsterdam time. Exclusively for Typotheque Club members*
Become a member for free here.
đhttps://www.typotheque.com/club
J'ai appris la typographie en jouant. đČ
Un alphabet, c'est comme un puzzle : chaque lettre doit s'emboĂźter parfaitement avec toutes les autres.
Depuis mes 1eres années aux Rencontres de Lure, j'ai appris que dessiner des lettres, c'est jouer avec les rÚgles. Les respecter ou les contourner.
Cette année Lure s'intéresse au jeu avec "à quoi on joue ?" - pour explorer ce que design et jeu ont en commun.
Qui sera de la partie ? đŻ
https://delure.org/les-rencontres/rencontres-precedentes/rencontres-2025
@dragonfrog @dgar found this sign in Wellington last time I was there.
Incredibly proud to be featured on @alphabettes current header with my typeface Sumprat đ
Only ten days left to apply for the ANRT program 2025â2027!
ANRT Open Call, from March 30th to June 23th, 2025
Candidates should present the personal project, or one of the research programme proposed for this year:
âȘ Missing Scripts 2025: NâTI, ODUDUWA, KULITAN, ZOU (ZOLAI), GURUNG KHEMA and OL ONAL
âȘ Frutiger Archive, 1961-1975
âȘ Renouveau
More information on the website:
https://anrt-nancy.fr/en/apply
My Rainbow Rocket colour font released today (see up) includes a "Swiftie compatible" colour palette set. Colours taken from Swiftâs albums, with the `taylor` R package as a starting point.
Represented are: TSSNTV - Speak Now (Taylorâs Version), RedTV - Red (Taylorâs Version), TS1989TVSB - 1989 (Taylorâs Version) Sunrise Boulevard vinyl pressing, and TSLover - Lover.
Swifties, follow and DM for a 100% discount coupon for the TS zip (4 fonts).
Azimut is a series of three interrelated fonts designed as part of the city of Strasbourgâs term as UNESCO World Book Capital in 2024. The typeface is the work of three fabulous designers: Benjamin Blaess, Mathieu RĂ©guer and Julien Priez.
The fonts are available for free download and it was very pleased to be asked me to write an accompanying text. Check the whole project out here!
I guess I'm digging through the old internet now, finding great conversations about type and typography. All in my feels about it all.
Which came first? The playbill or the type specimen? https://fontsinuse.com/uses/6/the-typeface-specimen
(Read the comments, too! You don't hear that very often anymore.)
đ Big news! đ
I'm launching the type foundry âË⥠đđđđđ đđđđ âĄËâ â with my talented partner in design, Max EsnĂ©e.
https://www.plombtype.com/savate/
Together, weâre crafting a variety of typefaces with distinct voices, and also enjoy working closely with clients on custom designs.