The Table (Live Play!)
https://video.hardlimit.com/videos/watch/67a1ac6e-8357-4e1e-85a1-f7d2ca1a39aa
#30fps
GTA 6: su PS5 e Xbox Series X a 30 FPS? Parla un ex dev!
#30FPS #Console #GameNews #Gamer #Gaming #GrandTheftAuto6 #GrandTheftAutoVI #GTA #GTA6 #GTAVI #Leak #Notizie #Novità #PC #PS5 #Rumors #Upscaling #VideoGame #Videogiochi #XboxSeriesX
https://www.ceotech.it/gta-6-su-ps5-e-xbox-series-x-a-30-fps-parla-un-ex-dev/
🐵 Nice Game!
🎮 #DonkeyKongCountryReturns #DonkeyKong #DonkeyKongCountry #DonkeyKongHD #Nintendo #NintendoSwitch
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🎬 #Hyperlapse #Hyperlapse60x
📹 #720p #720p30 #30fps #HD
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Starfield 60fps is finally coming to console after being locked! #starfield #xbox #pc #30fps #60fps https://en.gamerslive.fr/starfield-60fps-is-finally-coming-to-console-after-being-locked-starfield-xbox-pc-30fps-60fps-137427.html?utm_source=dlvr.it&utm_medium=mastodon
30fps Test mit meinem Quadmula Siren F5 mini und KISS Ultra
#30fps #quicktest #quadmuala #cnhl #caddxfpv #walksnail #xing #hq #KISSultra #SirenF5mini
ゲームやんないけどYouTubeは動画観るのも投稿するのも違いわかるよ / “ゲームのフレームレート、“30fpsと60fpsの違いなんてわからない”議論が勃発。「30fpsで問題ない派」と「60fpsじゃないと遊べない派」の終わりなき意見バトル - AUTOMATON” (139 users) https://automaton-media.com/articles/newsjp/20240311-285488/ #フレームレート #30fps #60fps
Not sure why 30fps for Starfield is causing such online craziness
- 30fps is a perfectly reasonable target for a console game that spans a universe and is pushing fidelity
- 30fps has been used on many consoles historically if they really want to push the bar
- No we don't need an "Xbox Series X Pro" - due to COVID & hardware shortages we haven't pushed the current hardware, with so many multi-generation games released (Xbox One & Xbox Series X)
Why aren’t 30fps games good?
#gaming #games #30fps #videogames #fps
Redfall será lançado sem modo 60FPS no Xbox Series X|S
A Arkane, dev de Redfall, confirmou que a aventura de caça à vampiros será lançada apenas com o modo qualidade a 30fps no Xbox Series X|S.
#Arkane #Redfall #Xbox #Gamerscore #30fps
https://www.gamerscore.com.br/redfall-sera-lancado-sem-modo-60fps-no-xbox-series-xs/
Didn't both Sony and Microsoft both kinda promise us 4K60?
Guess devs (even internal devs) had other plans.
Redfall locked to 30fps on Xbox Series X/S at launch https://www.eurogamer.net/redfall-locked-to-30fps-on-xbox-series-xs-at-launch
#Redfall #30FPS #XboxSeriesX #XboxSeriesS #Xbox #Microsoft #Performance #GamingNews
Canon EOS R7 First Impressions: The Performance King of APS-C
#equipment #reviews #15fps #30fps #apsc #camerareview #canon #canoneosr7 #canonrf #cropsensor #eos #rfmount
Listen to the Canon EOS R3 Shutter Fire at 30FPS
Last week, Canon launched its latest high-end photojournalist-focused mirrorless camera, the EOS R3. It is capable of firing up to 30 frames per second in electronic shutter mode -- and the sound of it doing so is wild.
Uploaded by Youtuber and photographer GengHui Tan, the short video above delivers exactly what is promised: the sound of the EOS R3 firing 30 frames per second for about four straight seconds. In his video description, Tan states that the camera has a maximum 1/64,000 shutter speed and is capable of shooting up to 30 frames per second with the electronic shutter. The camera fires so quickly that the space between each click is almost indiscernible.
"During my short hands-on media session with the Canon EOS R3, I was able to have a feel of the amazing speed and precision of the Canon EOS R3. I would love to fully test out this feature when a review unit is available," Tan writes.
Of note, this sound is entirely artificial. When briefing the press about the R3, Canon spent a bit of time explaining that it made a specific effort to give photographers the ability to go completely silent with the R3, even when it is firing at maximum frame rates. There are settings in the camera that allow the sound heard in the video above to be turned off, but the company did not stop there. There are additional settings that remove all sounds from the camera at the cost of a bit of speed, allowing a photographer to shoot without making any sound at all.
The Canon R3 has significant technological advancements over any other Canon camera released to date. Not only can it fire at 30 frames per second, but it can also do so while maintaining full-time autofocus and delivers a blackout-free experience for the shooter. The camera can also shoot at up to 12 frames per second with a traditional mechanical shutter. Canon says that the readout speed of the sensor is so good that there is minimum rolling electronic shutter distortion.
The EOS R3 can support flash sync with its electronic shutter at up to 1/180 second at up to 15 frames per second.
For more on the EOS R3, make sure to read PetaPixel 's launch coverage as well as a hands-on first impression from photographer Martin Bissig, who was able to spend a week with the camera ahead of its announcement.
Image credits: Elements of featured image licensed via Depositphotos.
#educational #equipment #30fps #canoneosr3 #electronicshutter #eosr3 #r3 #shuttersound #shutterspeed #silentshooting
Life in the Blink of an Eye, or: Shooting 50MP Olympics Photos at 30fps
“The Sony Alpha 1 is like driving a Formula 1 racecar," says photographer Nick Didlick. "Give the race car too much gas going into a corner and you're going to spin out of control. With the Alpha 1, shoot too early and you will have endless amounts of data at 30fps on a 50-megapixel camera.” The secret for both is timing.
How do you shoot and edit sports images shot at 30fps for 1 to 5 seconds? How to pick from 150 images of peak action?
Nick Didlick is currently a photographer and a consultant for Sony cameras, and he has photographed professional sports for wire services and newspapers for over forty years. He takes us into the world of the Tokyo Games, where he sometimes shot up to 2 or 3 gigabytes of images per sequence.
Nick Didlick Photography - @asportspro
The Sony Alpha 1 calculates autofocus at about 120 per second and can shoot at up to 30 frames per second, which means each image captured has had autofocus and other functions calculated 4 times between every shot.
“What is really stunning is this can be done with AF programmed to be on the subject’s eye and it’s so accurate I shoot wide open all the time with my prime lenses,” Didlick says.
The result is a massive volume of very sharp and well-exposed images for a brief peak action sequence, maybe a gigabyte, a hundred or more images.
That’s an insane amount of images to have to dig through; aren’t they all the same I hear you asking? If you’re in a deadline situation, aren’t you wasting time? In the old negative film days, “One Best” was the mantra. The technology of film, mechanical shutters, developing the film, and making prints pushed the photographer to aim for one best frame at the peak of the action. So what happened?
Simone Biles falters, Tokyo Games. Nick Didlick Photography - @asportspro
“The key is anticipation,” says Nick.
This comes with experience and knowledge of the sport. You can’t just leave the shutter open and pray for the best. Of course, some sports are better than others in creating this space where the photographer knows the peak of the action is about to happen. The race car analogy makes it clear that timing is as critically important now as it was in the pre-cinematic frames-per-second era.
In the past, timing helped you shoot a few frames, and focus and depth of field were a matter of practice and luck. The new super fast and super accurate focus technology has changed all that. What’s more, the no black-out viewfinder on the new Sony means the screen is perfectly clear throughout the sequence, there’s no blinking, nothing to miss and it’s easy to see when the sequence is finished in order to release the shutter and end the sequence.
So, how to edit once you have over a hundred perfectly focused and exposed images? Is there a difference? What’s the difference between the first and last frames in a sequence?
Ruthless Editing
As he shoots, Nick tags strong pictures and sequences in the camera itself. When he’s ready to edit, a program like Photo Mechanic helps to quickly download his images and he isolates the tagged sequences. Fast cards, a fast card reader, and a current computer are needed to handle the volume.
“I call it 'ruthless editing'," he says. “You have the peak action, it’s all in focus and it’s all well exposed,” and he begins to look for the details. Are the eyes open? Is the water splashing in the way or is it creating an effect? How is the hair? Is the ponytail up or down? Those little details make the image different and better than the others. Editing is a matter of experience and skill, as it has always been.
The examples in this article show the results. These images could have been shot with much slower technology, but the new features take away a lot of the risk and give your editing that much more punch and assurance.
- The swimmer rocketing upwards through the air followed by a spiral of water splashes
- Simone Biles’ eyes showing the realization that something has gone terribly wrong
- The slalom kayaker’s eyes and face are totally sharp through the water splashes
- The swimmer’s intense facial expression as she flies through the air
- The teenage skateboarder’s hair as she flips upside down
Nick Didlick Photography - @asportspro Nick Didlick Photography - @asportspro Nick Didlick Photography - @asportspro Nick Didlick Photography - @asportspro
So, is there a downside to having such brilliant assistance in a packed environment like the Tokyo Games? Archiving! You’ll end up with a lot of images and a lot of drive space. Nick says he ended up with 8 terabytes of images after the Tokyo Games. Your count may vary and not every sporting event lasts two weeks, but practice and a light touch at 30fps can bring some great images.
About the featured photographer : Nick Didlick is contract photographer, videographer and digital imaging consultant. He works for many companies like the IOC, LOCOG’s Sony, Sony Japan, Sony USA, Verizon, Photo Mechanic Rocosoft and others as a consultant and on the photo side with the AP, EPA, and others.
About the author : AP Hovasse is a semi-retired photojournalist and photo editor. The opinions expressed in this article are solely those of the author. Follow him on Instagram @aphovasse.
#educational #equipment #tips #30fps #aphovasse #editing #fps #nickdidlick #sonyalpha1 #sportsphotography #tokyoolympics
This ‘Video’ Was Shot with the Canon R3’s 30FPS Photo Burst
One of several photographers who are currently testing the unreleased Canon EOS R3 at the Tokyo Olympics has shared a burst from the forthcoming sports-focused camera that shows what its 30 frames per second capture looks like.
Atiba Jefferson is a photographer and skateboarder who has been taking part in the sport for over 20 years and has worked for several skate magazines like Slap , Thrasher , Juxtapoz , and Transworld. He was born in Colorado Springs and grew up skateboarding there before he moved to California in 1995. he now lives and works in Los Angeles, California. In addition to his skateboarding photography history, Jefferson has also worked as a staff photographer for the Los Angeles Lakers during the Shaq and Kobe years and shot more SLAM magazine covers than any other photographer.
Jefferson is also a Canon Explorer of Light and is currently in Tokyo for the 2020 Olympics, mainly covering the skateboarding competition while testing the EOS R3 and sharing the results on his Instagram.
One of his most recent posts is a "video" that shows a skateboarder grinding a rail. The clip was captured at what is presumed to be 30 frames per second, but it wasn't actually a video clip originally: it was a burst from the R3's high frame rate capture. This is one of the first -- if not the first -- look at how quickly the new camera can shoot still frames in its burst mode.
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The promise of 30 frames per second matches the best Sony can offer on its flagship Alpha 1, though recent photos published by Jeff Cable -- another photographer testing the R3 in Tokyo -- show that the camera will have significantly less resolution at 24-megapixels. The lower resolution puts the R3 more as a competitor to Sony's Alpha 9 Mark II, which also captures 24-megapixel photos. In that head-to-head, the Alpha 9 Mark II maxes out at 20 frames per second.
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The mix of a higher frame rate but the lower resolution of the R3 puts it as a competitor somewhere between the Alpha 9 Mark II and the Alpha 1, which does make sense since Canon is expected to produce a higher resolution camera next year -- it will probably be called the R1. For now, the R3 will likely appeal to professional sports photographers and photojournalists who will place more emphasis on high-speed capture and autofocus capabilities than resolution, as 24-megapixels have been pretty standard in those industries for several years.
#equipment #news #30fps #actionsportsphotography #atibajefferson #canon #canonesor3 #canonrfmount #eosr3 #photojournalist #r3 #rfmount #skateboarding #skateboardingphotos #sportsphotographer #sportsphotography
Not gonna lie, the #30FPS cap on #AnimalCrossingNewHorizons was a bit bitter, and I'm certain that the Switch should be able to handle it at 50-60 by keeping the resolution at bay
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