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Anti Vietnam war demonstration

#moe_tahurangi #Kōtuia #Agedpersons #Activists #Banners #Night #silver #photographicgelatin #photographicpaper #workprints #gelatinsilverprints #Wellington #undefined

http://api.digitalnz.org/records/40772980/source

The photograph shows a group of people at what appears to be an anti-war protest. In the foreground, there is a man wearing glasses and a houndstooth pattern suit jacket with a tie. He has his right hand raised as if gesturing or speaking passionately. Behind him stands another individual holding up a large sign that reads "EX-SERVICE MEMBERS AND WOMEN JOIN THE ANTI-WAR MOVEMENT LET THE R.S.A.D.E.N P.M.I.R. PEACE!" The text on the sign is partially obscured, with only part of it visible and legible.

In the background, several other individuals can be seen; some are looking towards something off-camera while others appear to engage in conversation or look at their surroundings. Some people have badges pinned to their clothing, which might indicate affiliation or membership within a particular group supporting anti-war sentiments.

The setting seems informal with participants dressed casually for an outdoor event during the evening hours, as indicated by the dark sky visible above them and the use of artificial lighting on some individuals' faces. The atmosphere conveys a sense of activism and unity among those gathered to voice their opposition against war.

Anti Vietnam war demonstration

#moe_tahurangi #Kōtuia #Agedpersons #Activists #Banners #Night #silver #photographicgelatin #photographicpaper #workprints #gelatinsilverprints #Wellington #undefined

http://api.digitalnz.org/records/40755284/source

A black and white photograph captures a moment from an anti-war protest. An elderly man, wearing a suit with a tie and a fedora hat, stands prominently in the foreground holding up two signs with messages advocating for peace against war-related violence. The older gentleman appears to be part of a larger group demonstrating their disapproval towards military actions during wars.

The setting is at night as indicated by the dark background, suggesting this protest may have been held late into the evening or possibly under artificial lighting typical in public gatherings after sunset hours. There's no explicit indication about his exact location within such demonstrations based on visual cues provided.

It appears to be a scene from an earlier era judging by the style of clothing and hair worn by him; however, without any specific identifiers like unique landmarks or clear signs referencing particular historical contexts, it remains challenging to pin down precise details. The focus is clearly meant to draw attention not only towards his message but also on this individual's expression which conveys a strong stance against war-related violence.

The photograph carries significant symbolic weight as part of the broader social history documentation for anti-war movements and demonstrates one man’s personal commitment in standing up against military actions during wars.

Wanganui - Marae

#Wanganui-Marae #third #fourth #first #moe_tahurangi #Kōtuia #Agedpersons #Women #Crowds #Cameras #Blankets #Māori #photographicgelatin #photographicpaper #silver #workprints #gelatinsilverprints #Whanganui #undefined

http://api.digitalnz.org/records/40736222/source

This black and white photograph captures a candid moment of four elderly women sitting closely together. They appear to be in an outdoor setting, as suggested by the natural light casting shadows on their faces and clothes.

The woman seated furthest from us is blowing her nose into what seems to be a tissue or napkin held delicately between her fingers. She wears a dark coat with buttons down the front and has a headscarf pulled up around her ears, revealing only half of her face as she looks off-camera in thought.

Next to her sits another woman engrossed in an old-fashioned camera that she is holding with both hands. Her expression suggests concentration or perhaps curiosity about something out of frame. She too wears a dark coat and has a headscarf on; this one drapes down over the front part of her face, leaving only her eyes visible.

The third woman from us holds what appears to be coins in hand while wearing glasses with thick rims that reflect light off their shiny surface, indicating they might have been recently taken out for counting. She has a white shawl draped around her shoulders and is also wrapped in a patterned blanket or scarf on top of which rests an older-looking woman.

The fourth elderly lady looks at the camera directly with eyes that seem to carry stories untold through their deep wrinkles, suggesting many years have passed since she first wore these glasses. She has a brooch pinned near her col [...]

Wanganui - Marae

#Wanganui-Marae #moe_tahurangi #Kōtuia #Agedpersons #Women #Children #Automobiles #Hills #Māori #photographicgelatin #photographicpaper #silver #workprints #gelatinsilverprints #Whanganui #undefined

http://api.digitalnz.org/records/40808592/source

The black and white photograph depicts a group of people, presumably from an earlier era given the style of clothing. There are seven individuals sitting closely together on what appears to be a bench or low wall with a backdrop that suggests they might be at a public gathering or outdoor event.

On the far left, there is one person wearing a dark coat and striped skirt; she has her legs crossed and seems to have a fur stole draped over one knee. Next to her sits another individual in a lighter-colored outfit with pinstriped pants, holding an object that looks like a child's toy or perhaps food.

In the center of the group is a young boy sitting on someone’s lap; he wears a dark coat and has his hands clasped together as if waiting for something. The adult beside him appears to be wearing a patterned jacket with fur trim around the collar, which suggests that it might be cold weather or they are dressed for formal occasion.

To the right of this young boy is another child who seems slightly older; he wears glasses and has on a light-colored shirt and dark pants. Behind these two individuals in the center row, we see an adult with reddish-brown hair wearing what appears to be an apron over her clothes. She sits upright next to someone else.

In the background behind this group of people are adults interacting with each other; one man is holding a child while another woman carries his head on her shoulder in what might sug [...]

Wanganui - Marae

#Wanganui-Marae #moe_tahurangi #Kōtuia #Agedpersons #Women #Youngadults #Woodcarving #Windows #Māori #photographicgelatin #photographicpaper #silver #workprints #gelatinsilverprints #Whanganui #undefined

http://api.digitalnz.org/records/40808590/source

The black and white photograph captures a group of individuals, possibly gathered for an event or ceremony. In the center is an elderly man with glasses, appearing to be in mid-gesture as if explaining something; his hands are clasped together near chest level. He wears a suit jacket over casual attire.

Surrounding him are several others who seem engaged and attentive, including two men on either side of him. The man on the left is dressed formally in a coat with buttons visible down one sleeve and has crossed arms, while another individual to his right dons glasses and what seems like a dark sweater or cardigan. Behind them, there's an indistinct backdrop suggesting they are indoors.

The image carries historical connotations due to its monochrome presentation and the style of clothing worn by individuals in it which could indicate that this photograph was taken several decades ago.

Wanganui - Marae
null

#Wanganui-Marae #moe_tahurangi #Kōtuia #Agedpersons #Women #Crowds #Woodcarvings #Māori #photographicgelatin #photographicpaper #silver #workprints #gelatinsilverprints #Whanganui #undefined

http://api.digitalnz.org/records/40736220/source

A black and white photograph depicting a group of people sitting together, with one individual standing in the background holding papers. The seated individuals exhibit expressions ranging from contemplative to somber. They are dressed in heavy coats typical of early 20th-century attire, suggesting a colder climate or season. Some wear hats; others have their heads covered by shawls or scarves. A large carved wooden piece with abstract designs is visible on the wall behind them. The overall mood appears reflective and possibly memorialistic.

Protest against the American base at Woodbourne. From the series: Notes on the country I live in

#American #Woodbourne #VIETNAMESE #Vietnam #Noteson #AnsWestra #Vietnamese #theVietnamWarera #moe_tahurangi #Kōtuia #Activists #Agedpersons #Banners #Cameras #Women #silver #photographicgelatin #photographicpaper #workprints #gelatinsilverprints #NewZealand #undefined

http://api.digitalnz.org/records/40807184/source

The image is a black and white photograph of an individual holding up a vintage camera to their eye, presumably taking a photo. The person wears glasses and has headphones or ear protection around their neck. They are dressed in layers with what appears to be a jacket over a hooded garment.

In front of the photographer's chest, there is a handwritten sign that reads "NEW ZEALANDER NEW ZEALANDER VIETNAM VIETNAMESE FOR THE VIETNAMESE." This suggests that they might have been participating in some form of protest or demonstration related to Vietnam. The background shows other individuals and what seems like an outdoor setting, indicating the presence of a group event.

The photograph is part of a series titled "Notes on the country I live in" by Ans Westra, as indicated at the source link provided. It captures a moment that likely relates to anti-war sentiment or solidarity with Vietnamese people during the Vietnam War era.

Auckland. From the series: Notes on the country I live in

#Auckland #Colombo #Notes #NewZealand #moe_tahurangi #Kōtuia #Agedpersons #Flowers #Commercialstreets #Trucks #silver #photographicgelatin #photographicpaper #workprints #gelatinsilverprints #undefined

http://api.digitalnz.org/records/40755440/source

The image is a black and white photograph of an elderly man standing outdoors. He wears a hat, suit with a jacket adorned by what appears to be a flower boutonniere on the lapel, and has a tie visible under his collar. His expression is neutral, and he looks directly at the camera with a serious demeanor. Behind him are urban elements such as buildings, signs, including one that reads "Colombo," vehicles like an older model truck parked by the curb, and what appears to be a pole or column in front of which stands the man. The photo captures a candid moment on a city street, evoking a sense of nostalgia with its vintage style and monochrome palette. Additional information suggests it's part of "Notes on the country I live in," likely indicating that this image is from New Zealand as indicated by your geographical location data.

Rivers, New Zealand. From the series: Notes on the country I live in

#Rivers #NewZealand #Noteson #NewZealand #NewZealands #moe_tahurangi #Kōtuia #Women #Trees #Agedpersons #Mountains #silver #photographicgelatin #photographicpaper #workprints #gelatinsilverprints #undefined

http://api.digitalnz.org/records/40755388/source

The image depicts a serene lakeside scene with four individuals seated under trees, seemingly enjoying the peaceful ambiance. They appear relaxed and contemplative as they gaze toward the tranquil waters of the lake in front of them.

In the background, another individual stands at the water's edge, adding depth to the composition and suggesting that others are partaking in this leisurely activity. The backdrop is dominated by a majestic mountain range with gentle slopes and sparse vegetation, contributing to the sense of calmness and isolation from urban life.

The overall tone of the photograph conveys a timeless quality, possibly due to its sepia-toned palette which evokes nostalgia. This particular image seems to be part of a series titled "Notes on the country I live in," as indicated by the provided reference link. It captures an idyllic moment that invites viewers to reflect upon their own connection with nature and tranquility.

The identifier 'Rivers, New Zealand' suggests this scene might take place along one of the many rivers found throughout New Zealand's picturesque landscape, offering a glimpse into life in or around such natural environments within the country.

Cathedral Square, Christchurch. From the series: Notes on the country I live in

#CathedralSquare #Christchurch #NewZealand #Notes #AnsWestra #moe_tahurangi #Kōtuia #Agedpersons #Staffs(Sticks) #Sidewalks #Leaves #Buses #Women #silver #photographicgelatin #photographicpaper #workprints #gelatinsilverprints #undefined

http://api.digitalnz.org/records/40791568/source

The image is a black and white photograph depicting an elderly woman sitting at what appears to be the edge of a sidewalk or curb. She's wearing sunglasses, a hat adorned with decorative pins, and has various accessories including brooches on her coat.

In front of her are scattered pieces of paper which seem like litter. The setting suggests a public space possibly in a city environment as we can observe cars passing by behind her, along with what appears to be an older style transport bus labeled 'TRANSPORT'. There's also another person seated further back and partially out of focus.

The elderly woman is holding onto a cane, suggesting she may have mobility issues. Her attire includes patterned pants or skirt, dark shoes, and seems well-fitted for cooler weather judging by her heavy coat. The overall mood of the image could be interpreted as contemplative yet somber due to its black-and-white tones and urban setting.

The photograph is credited with a source from "Cathedral Square, Christchurch" which indicates it's taken in New Zealand considering that Cathedral Square was notably affected during an earthquake there. It belongs to a series titled 'Notes on the country I live in', suggesting personal reflections or observations of daily life in this context by Ans Westra.

Protest against the American base at Woodbourne. From the series: Notes on the country I live in

#American #Woodbourne #VIETNAMESE #Vietnam #Vietnamese #moe_tahurangi #Kōtuia #Activists #Agedpersons #Women #Banners #Cameras #silver #photographicgelatin #photographicpaper #workprints #gelatinsilverprints #NewZealand #undefined

http://api.digitalnz.org/records/40755330/source

The image depicts a person holding up an old-fashioned camera to take a photograph. They are wearing glasses and have grey hair, with some red paint or ink on their face around the eyes area, suggesting they may be part of a protest movement. The individual is also dressed in dark clothing, including what appears to be a coat or jacket. Around their neck is draped another piece of clothing that looks like it might be protective gear for protests.

In both hands, the person holds up signs with text on them. One sign reads "NEW ZEALANDER NEW ZEALANDERS VIETNAM" while the other says "VIETNAMESE." These messages indicate a connection to Vietnam and its Vietnamese population or citizens. The context of this image seems related to protests, possibly against American military involvement in Vietnam.

The background is not entirely clear but suggests an outdoor setting with some people standing around, hinting at a gathering for either the photograph being taken or another event taking place simultaneously.

Auckland. From the series: Notes on the country I live in
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#Auckland #Cinescope #moe_tahurangi #Kōtuia #Agedpersons #Flowers #Commercialstreets #Trucks #silver #photographicgelatin #photographicpaper #workprints #gelatinsilverprints #undefined

http://api.digitalnz.org/records/40755432/source

A black and white photograph of a man standing next to a pole on an urban street. The man is wearing a suit, hat, and tie with a pin or badge attached to his lapel. Behind him, there's visible signage for what appears to be a theater named "Cinescope," as well as other city buildings in the background. A parked truck can also be seen behind him on the street.

New Zealand Academy of the Fine Arts, Wellington. From the series: Notes on the country I live in

#NewZealandAcademy #theFineArts #Wellington #second #moe_tahurangi #Kōtuia #Paintings #Agedpersons #Sculpture #silver #photographicgelatin #photographicpaper #workprints #gelatinsilverprints #undefined

http://api.digitalnz.org/records/40736746/source

The image captures a candid moment within an art gallery. There are two individuals seated on black benches, with the person in the foreground wearing glasses and dressed in a dark coat over a lighter-colored shirt, holding what appears to be a notebook or journal. This individual gazes off to their right side, seemingly lost in thought amidst the artwork around them.

In contrast, the second person sits slightly behind but remains engaged in contemplation as well; they are clad in black and hold onto a briefcase on their lap. Their attention seems directed towards something outside of the frame or possibly at an art piece not fully captured by this camera angle.

The gallery is well-lit, with several framed paintings hanging on white walls throughout the space. Some large sculptures can also be seen placed strategically within the room. Other visitors are partially visible in the background; one appears to examine a painting closely while another walks away from their perspective view of an art installation or piece leaning against the wall.

The entire scene exudes a quiet, reflective atmosphere typical of such cultural spaces where individuals come together to engage with and appreciate various artistic expressions.

Westport. From the series: Notes on the country I live in
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#Westport #third #American #America #moe_tahurangi #Kōtuia #Girls #Agedpersons #Residentialstreets #silver #photographicgelatin #photographicpaper #workprints #gelatinsilverprints #undefined

http://api.digitalnz.org/records/40737058/source

The image depicts a candid street scene with four individuals standing on the sidewalk, engaging in conversation. The subjects are presented in black and white, which lends an air of timeless realism to the composition.

Two men stand prominently at either end of the group; one is wearing a hat adorned with feathers, while his counterpart has a more classic fedora. Their attire suggests casual elegance - trousers and button-up shirts that evoke a sense of past decades' fashion sensibilities.

A third man in the center appears engaged in conversation as he holds what seems to be a cigarette or pipe between fingers which, along with another hand visible by his side, is caught mid-motion suggesting an interaction. His ensemble includes glasses perched on a hat and striped shirt tucked into trousers - typical of a leisurely day out.

Lastly, there's a young girl in the group; her presence adds a touch of domesticity to this otherwise urban tableau. She appears absorbed with something just outside the frame, perhaps distracted from or curious about what is transpiring around her.

The setting includes parked cars and buildings indicative of an American suburban environment during daylight hours as evidenced by visible windows, shadows cast on the ground indicating sunlight overhead but not directly hitting them head-on.

A lone child stands nearby, seemingly part of this narrative too. Her stance suggests she might be waiting [...]

Images of New Zealand - Women

#moe_tahurangi #Kōtuia #Agedpersons #Women #Automobiles #Fences #Trees #Sitting #photographicgelatin #photographicpaper #silver #workprints #gelatinsilverprints #NewZealand

http://api.digitalnz.org/records/40789878/source

The image depicts a vintage black and white photograph of an older woman sitting on top of a wooden fence. She is wearing what appears to be period clothing, including a floral dress with lace details, which suggests the picture was taken many years ago. The woman wears a large hat and seems relaxed as she looks away from the camera towards something outside of the frame.

In the background, there are several parked vehicles, possibly indicating that this photo is at an outdoor event or gathering. Trees can be seen in the distance, suggesting a rural setting. There's also a signpost visible behind her but it’s not legible in the image provided.

The photograph has been cropped into two separate panels from what appears to be larger pictures; these have borders indicating their separation as part of a collection. The style and content hint at a candid moment captured during an event, possibly related to country or horse racing traditions given the attire of the woman which is reminiscent of styles worn by attendees in such events.

This photograph can serve as historical documentation reflecting fashion trends from earlier decades, social practices relating outdoor gatherings, and perhaps even hints towards cultural aspects like rural life. The specific context beyond what's visible within this image might require additional information or knowledge about its provenance to [...]

Spectators at a rugby pre-game procession, Wellington. From the series: Notes on the country I live in
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#Wellington #HUNTINGTON #moe_tahurangi #Kōtuia #Spectators #Agedpersons #Women #silver #photographicgelatin #photographicpaper #workprints #gelatinsilverprints

http://api.digitalnz.org/records/40773326/source

The image is a black and white photograph depicting three individuals standing together outdoors. Two of the people are wearing hats with "HUNTINGTON" written across them, suggesting they may be part of an event or organization related to this name. The person in the foreground appears elderly, donning what seems like a fur coat, while the other two wear coats and scarves indicative of cold weather attire.

The background is nondescript, with overcast skies providing muted lighting conditions that contribute to the grayscale tone of the photo. There are no clear indicators of movement or activity beyond these three individuals' standing positions. The image's composition centers on capturing expressions of contentment or anticipation among those present.

Early Settlers' Museum, Dunedin
View of a room with many photographic portraits of early settlers on the walls. A man sits on a chair in the foreground and a woman stands nearby.

#EarlySettlersMuseum #Dunedin #moe_tahurangi #Matapihi #Kōtuia #Portraitphotographs #Agedpersons #Galleries&museums #photographicgelatin #photographicpaper #silver #matboard #gelatinsilverprints #worksofart #Contemporary

http://api.digitalnz.org/records/274447/source

This black and white photograph captures a moment within the Early Settlers' Museum in Dunedin. The room is filled with numerous framed photographs of early settlers, which are arranged on walls that form two perpendicular sides creating an L-shaped display area.

In the foreground, we see a man seated on a chair engrossed in examining one of these portraits closely through his glasses. His posture suggests deep interest or contemplation as he focuses intently on the image before him.

Beside him stands a woman who appears to be gesturing with her right hand and holding what seems like a pair of sunglasses, possibly pointing out something specific about the portrait they are discussing. She is dressed in period attire indicative of early 20th-century fashion: she wears a tweed coat over a darker dress paired with knee-high stockings and dark shoes.

The room's wooden flooring adds to the historical ambiance of this setting, enhancing its authenticity as a repository for preserving memories from past generations. The overall atmosphere conveyed by this image is one of quiet reflection on history and heritage.

Waiwhetu marae, Lower Hutt
This essay originally appeared in New Zealand Art at Te Papa (Te Papa Press, 2018). In Waiwhetu marae, Lower Hutt, Ans Westra records the rituals that were part of the opening of the whare whakairo, or carved meeting house, Arohanui ki te Tāngata. But, unlike the woman with the camera in the front row, who is a participant as well as a photographer, Westra is an outsider, an observer. Answering a question about how Māori viewed her activities in the 1960s, Westra said, ‘The Maori would often say they couldn’t visualise that any of their people would work in this kind of isolation because I had to very much stay on the outside and be uninvolved to get my pictures. They said, “We couldn’t visualise a Maori girl doing this because it is too lonely”.’1
The terms of documentary photography were established in the early part of the twentieth century. The photographer was, as Westra suggests, a discreet witness of humanity, the truth of his or her visual record guaranteed by distance and objectivity. Yet the presence of the camera, a stand-in for Westra’s activity, and the way in which the two women (one on the left, the other in the second row) return the camera’s gaze, breaks the illusion that is an integral part of documentary photography — that the protagonists are not aware of being photographed and are therefore not changed by the act. Waiwhetu marae, Lower Hutt is so rich because it suggests the various dynamics and interactions that attend any documentary image but which are often left out of the frame.
Westra arrived in New Zealand from the Netherlands in 1957 and quickly became interested in documenting Māori people and culture. As she says, Māori culture ‘seemed to be the most interesting thing here [in New Zealand], and also there was this strong feeling that things were going to change, that here was something historical that needed recording’.2 In part this explains the power of Westra’s photographs, in which the old and new worlds make contact. Customary Māori social practices survive, even as they are transplanted to new environments.
Damian Skinner
1 Ans Westra, quoted in Damian Skinner, ‘The eye of an outsider: A conversation with Ans Westra’, Art New Zealand, no. 100, Summer 2001, p. 100.
2 Ibid., p. 99.

#Waiwhetu #LowerHutt #NewZealandArt #TePapa #LowerHutt #AnsWestra #Arohanuiki #Tāngata #Westra #Māori #Maori #lonely” #NewZealand #Netherlands #DamianSkinner #1AnsWestra #DamianSkinner #AnsWestra’ #first #third #second #moe_tahurangi #Matapihi #Kōtuia #Women #Agedpersons #Ethnicgroups #Cameras #Woodcarvings #photographicgelatin #photographicpaper #silver #gelatinsilverprints #worksofart #Contemporary #Rites&ceremonies

http://api.digitalnz.org/records/274395/source

A black and white photograph showing four elderly women sitting closely together. They appear to be at an event, with the woman in the center holding a camera and looking through its viewfinder.
From left: The first woman is wearing glasses and has dark hair pulled back under a headscarf; she wears a heavy coat over a lighter garment adorned with flower patterns, possibly brooches or badges. Next to her sits another older woman also wearing a dark jacket over a floral-patterned dress or skirt, accessorized with what appears to be pins or jewelry on the lapel and chest.
The third person is younger; she has light brown hair pulled back into an updo under a headscarf like those worn by the other women. She wears glasses and her coat has flower patterns similar to that of the second woman's garment, suggesting they are wearing traditional attire suitable for cultural events or gatherings.
Finally, on the far right is another elderly woman with white or grey hair; she wears a dark jacket over what looks like a floral-patterned shawl draped around her shoulders. She gestures towards something outside this frame with an open hand and appears to be speaking or emphasizing a point in conversation among herself and others at this event.
Behind them, we can see part of the ornate wooden interior of a structure that could possibly suggest they are seated on traditional seats or bench [...]

Maoritanga - Scenes from Maori Life, Opening Pipitea marae, Wellington.
View focusing on two older women (kuia) in attendance at Pipitea marae so as to witness the unveiling of the meeting house sited there - the woman seen to the right is wearing a white hat and a fur coat, the woman featured at left is dressed (predeominantly) in black.

#Maoritanga-Scenes #MaoriLife #Pipitea #Wellington #moe_tahurangi #Matapihi #Kōtuia #Women #Agedpersons #Furcoats #Necklaces #Māori #photographicgelatin #photographicpaper #silver #workprints #gelatinsilverprints #Ethnicgroups