Lmst

#Noteson

Children, New Zealand. From the series: Notes on the country I live in

#NewZealand #Children #Noteson #moe_tahurangi #Kōtuia #Masks #Shrubs #Cities&towns #silver #photographicgelatin #photographicpaper #workprints #gelatinsilverprints #undefined

http://api.digitalnz.org/records/40755554/source

The image depicts a black and white photograph of an elderly woman tending to what appears to be a sheep lying on the ground. The scene is set outdoors with lush greenery in the background, suggesting it might be taken in a rural or pastoral area. In the distance, there's a view of houses and buildings nestled among hills, indicating that this location could be near an urban setting.

The woman has curly hair tied up loosely and wears dark clothing as she bends over to examine the sheep closely with her hands on its side. The posture suggests concern or care for the animal’s well-being. There is no direct indication of distress from either party; however, it might imply a moment where assistance was needed.

In terms of context provided by the alt text and additional information in "Children, New Zealand," this image appears to be part of a series titled "Notes on the country I live in" that captures various aspects or moments within New Zealand. The photographer seems interested in portraying everyday life and activities, particularly those involving animals like sheep.

This photograph can serve as an insightful look into rural lifestyle practices concerning animal care and possibly reflects on human-animal interactions specific to regions such as New Zealand where agriculture plays a significant role.

Outside library building, Wellington. From the series: Notes on the country I live in

#Wellington #NewZealand #Noteson #moe_tahurangi #Kōtuia #Women #Strawhats #Smiling #silver #photographicgelatin #photographicpaper #workprints #gelatinsilverprints #undefined

http://api.digitalnz.org/records/40755372/source

Education and schools. From the series: Notes on the country I live in

#Noteson #moe_tahurangi #Kōtuia #Students #Classrooms #Newspapers #NewZealand #silver #photographicgelatin #photographicpaper #workprints #gelatinsilverprints #undefined

http://api.digitalnz.org/records/40737398/source

The image is a black-and-white photograph depicting two individuals engaged in what appears to be an educational or collaborative activity. The person on the left, wearing dark clothing including a sweater and pants with a backpack visible beside them, seems focused as they look down at a large piece of paper spread out on a flat surface which could possibly represent a floor plan or some form of artistic creation.

The individual on the right is dressed in a sleeveless vest over short sleeves and shorts. This person is pointing to something specific within the layout with their index finger, indicating an interactive discussion might be taking place. Both individuals appear absorbed in examining details of what's laid out before them.

In the background, another figure can be seen standing by a desk or table, seemingly engaged in work at that station but not interacting directly with the two primary subjects. The environment suggests this may take place within a school setting or perhaps an informal learning space given its utilitarian furniture and general disarray of items which could include books or papers.

The photograph is part of a series titled "Notes on the country I live in," as indicated by the caption, suggesting these images might be documenting aspects of daily life, education system, local culture, or community interaction.

Education and schools. From the series: Notes on the country I live in

#American #America #Noteson #moe_tahurangi #Kōtuia #Students #Classrooms #Newspapers #Girls #NewZealand #silver #photographicgelatin #photographicpaper #workprints #gelatinsilverprints #undefined

http://api.digitalnz.org/records/40737400/source

A black-and-white photograph captures a moment inside an American classroom, likely from around the 1970s or '80s. A young person is seen standing over newspaper pages spread out on a table, suggesting they may be involved in some form of journalism club activity or learning about media and current events.

The environment appears to be a typical school setting with other students seated at desks visible in the background engaged in their own activities, such as studying or reading. The focus is sharp on the person looking down at the papers while others are out of focus which emphasizes the main subject's engagement with the newspaper material.

Additional context about this image can be found under "Education and schools" where it likely discusses educational practices during that era, particularly in America around 1970s-80s. This photograph is part of a series titled "Notes on the country I live in," which may reflect various aspects or perspectives regarding American culture and society as seen through different lenses.

The grayscale color scheme adds to the historical atmosphere of the photo while also highlighting contrasts that bring out details such as wrinkles, shadows, and textures visible on surfaces like newspaper print.

Recreation - Children playing in water. From the series: Notes on the country I live in

#Noteson #moe_tahurangi #Kōtuia #Play(Recreation) #Beaches #NewZealand #silver #photographicgelatin #photographicpaper #workprints #gelatinsilverprints #undefined

http://api.digitalnz.org/records/40736764/source

The image is a black and white photograph depicting an adult lying prone on a beach, facing the ocean. They appear to be either resting or engaging in some form of activity close to the shoreline where gentle waves are visible near their feet. The sky above shows clouds with hints of sunlight piercing through. In one corner, there's a small inset image showing what seems to be an out-of-focus object on land, but it is not clear due to its size and lack of detail in this context.

This photograph comes from the series titled "Notes on the country I live in," as noted by the caption provided. The focus appears to capture both solitude and engagement with nature simultaneously through a single moment captured at the beach setting during what seems like daytime, considering the lighting conditions present in the sky above.

Wellington. From the series: Notes on the country I live in

#Wellington #Noteson #Dutch #AnsWestra #moe_tahurangi #Kōtuia #Automobiles #Parking #Coats #Commercialstreets #silver #photographicgelatin #photographicpaper #workprints #gelatinsilverprints #undefined

http://api.digitalnz.org/records/40807188/source

The photograph depicts a person with curly hair standing next to an old-style van parked on the side of a street. They are dressed in a long coat, striped socks, and dark shoes, giving off a retro vibe reminiscent of past decades. In the background, there's another vintage car and a parking meter, adding to the nostalgic feel of the scene. The overall black-and-white tone adds to its timeless quality.

This image is part of a series titled "Notes on the country I live in," which likely explores aspects or stories related to Dutch culture as seen through the lens of photographer Ans Westra. This particular photograph captures an individual who stands out against their urban backdrop, possibly hinting at themes like identity and belonging within society. The reference to Wellington suggests that this image may be part of a publication or exhibition connected with that city's cultural context.

In summary, it is a black-and-white photo showcasing a person in vintage attire standing next to an old van on the street, evoking nostalgia for earlier times and possibly reflecting themes related to identity and societal belonging.

Yachts, Wellington harbour. From the series: Notes on the country I live in

#Wellington #Noteson #AnsWestra #NewZealand #moe_tahurangi #Kōtuia #Yachts #Hills #silver #photographicgelatin #photographicpaper #workprints #gelatinsilverprints #undefined

http://api.digitalnz.org/records/40807100/source

The image displays a black and white photograph featuring several sailboats navigating through water, possibly within Wellington harbour. The boats are seen from various angles as they catch the wind with their sails fully unfurled. One prominent boat has its sail marked with the number '10', suggesting it may be participating in a race or regatta. In the background, there is land that appears to rise gently against an overcast sky filled with clouds, which could indicate early morning or late afternoon lighting conditions.

The photograph captures both motion and stillness simultaneously; while some boats seem actively sailing forward, others are seen from angles indicating movement through calm waters. The composition of this image reflects the leisurely pace associated with sailboat activities in a natural setting like Wellington harbour. This monochromatic depiction emphasizes contrasts between light and shadow without the distraction of color.

This photograph is part of a series titled "Notes on the country I live in" by Ans Westra, as indicated by additional information provided about this image. The specific details regarding the exact location or event are not clear from the given context but suggest that it's related to personal reflections or documentation associated with life and landscapes within New Zealand.

Protest against the American base at Woodbourne. From the series: Notes on the country I live in

#American #Woodbourne #VIETNAMESE #Vietnam #Noteson #AnsWestra #Vietnamese #theVietnamWarera #moe_tahurangi #Kōtuia #Activists #Agedpersons #Banners #Cameras #Women #silver #photographicgelatin #photographicpaper #workprints #gelatinsilverprints #NewZealand #undefined

http://api.digitalnz.org/records/40807184/source

The image is a black and white photograph of an individual holding up a vintage camera to their eye, presumably taking a photo. The person wears glasses and has headphones or ear protection around their neck. They are dressed in layers with what appears to be a jacket over a hooded garment.

In front of the photographer's chest, there is a handwritten sign that reads "NEW ZEALANDER NEW ZEALANDER VIETNAM VIETNAMESE FOR THE VIETNAMESE." This suggests that they might have been participating in some form of protest or demonstration related to Vietnam. The background shows other individuals and what seems like an outdoor setting, indicating the presence of a group event.

The photograph is part of a series titled "Notes on the country I live in" by Ans Westra, as indicated at the source link provided. It captures a moment that likely relates to anti-war sentiment or solidarity with Vietnamese people during the Vietnam War era.

Chinese child, Wellington. From the series: Notes on the country I live in

#Chinese #Wellington #Noteson #moe_tahurangi #Kōtuia #Girls #Ribbons #silver #photographicgelatin #photographicpaper #workprints #gelatinsilverprints #undefined

http://api.digitalnz.org/records/40773214/source

A sepia-toned photograph shows a young child with short hair and pigtails tied together, wearing what appears to be a school uniform. The child is slightly out of focus but has expressive facial features that suggest she might be singing or speaking cheerfully.

The background behind the child consists mainly of blank white space on one side, creating an almost square-like cutout effect where her figure exists prominently against this backdrop. It seems like part of a larger image cropped for presentation with additional negative space around it which could indicate another photo being overlaid above but not visible in its entirety.

This photograph is sourced from 'Chinese Child,' Wellington and belongs to the series titled "Notes on the country I live in." The overall tone suggests an intimate, possibly candid capture meant to portray a slice of life or cultural context.

Children, New Zealand. From the series: Notes on the country I live in

#NewZealand #second #Children #Noteson #AnsWestra #moe_tahurangi #Kōtuia #Animals #Bottles #silver #photographicgelatin #photographicpaper #workprints #gelatinsilverprints #undefined

http://api.digitalnz.org/records/40773092/source

The image is a black and white photograph capturing an intimate moment between two young individuals, possibly siblings or close friends. One child with blonde hair sits on the ground, leaning forward to pet a small furry animal that appears to be either a rabbit or another similar creature. This child's focus seems entirely on interacting tenderly with the animal. The second individual, whose gender is indiscernible from this angle due to long blondish-hued curly hair and casual attire, sits beside them in a supportive posture.

They are both seated outdoors on what looks like gravel or dry grass, suggesting an informal setting such as a backyard or rural area. In the background, there's minimal detail visible but some indication of open space with possible structures further away. The absence of color emphasizes textures and shapes rather than specific hues or details in their clothing.

The photograph is labeled "Children, New Zealand" indicating its origin and subject matter within that context. It belongs to a series titled "Notes on the country I live in," suggesting it may be part of an ongoing project reflecting aspects of life there as observed by Ans Westra.

Highway One near Tokoroa. From the series: Notes on the country I live in

#Tokoroa #Noteson #NewZealands #moe_tahurangi #Kōtuia #Automobiles #Trees #Roads #Tokoroa(NewZealand) #silver #photographicgelatin #photographicpaper #workprints #gelatinsilverprints #NewZealand #undefined

http://api.digitalnz.org/records/40749922/source

The image depicts a group of people gathered around an older model car and its open door, parked on the side of a rural road. The individuals appear to be in casual attire with some wearing jackets or vests over their clothing, suggesting it might be cool weather. There are five visible adults: three men standing by the vehicle's doors and two women sitting inside.

They seem engaged in conversation or an activity together as they stand near the car door where a dog is perched on top of its roof. Another dog with longer fur stands closer to the ground, looking around. The setting includes a backdrop of dry trees and brush indicative of a rural area, possibly during autumn due to some foliage changes.

The image has a black-and-white vintage feel, adding to its overall nostalgic atmosphere. This photograph is part of a series titled "Notes on the country I live in," which may suggest reflections or documentation related to regional landscapes or cultural experiences within New Zealand's countryside, as inferred from references such as 'Highway One near Tokoroa'. The absence of color focuses attention on textures and shapes while evoking a sense of timelessness.

Anti Vietnam war protest. From the series: Notes on the country I live in

#anti-Vietnamwar #Noteson #moe_tahurangi #Kōtuia #Activists #Banners #Crowds #NewZealand #silver #photographicgelatin #photographicpaper #workprints #gelatinsilverprints #Wellington #undefined

http://api.digitalnz.org/records/40755096/source

The image is a black and white photograph capturing a moment from an anti-Vietnam war protest. The crowd consists of young people, possibly in their twenties or thirties, sitting on the ground with some standing behind them holding flags that read "19". Their expressions range from serious to reflective as they engage with one another.

The composition shows multiple layers within the group; individuals are visible at various distances creating a sense of depth. Some appear engaged in conversation while others have their attention directed elsewhere, possibly towards something or someone outside of the frame. The overall atmosphere conveyed by this image suggests unity and determination among the protestors despite potential challenges ahead.

This photograph is part of a series called "Notes on the country I live in" and was likely taken during an event that sparked significant social change at the time it occurred.

Rivers, New Zealand. From the series: Notes on the country I live in

#Rivers #NewZealand #Noteson #NewZealand #NewZealands #moe_tahurangi #Kōtuia #Women #Trees #Agedpersons #Mountains #silver #photographicgelatin #photographicpaper #workprints #gelatinsilverprints #undefined

http://api.digitalnz.org/records/40755388/source

The image depicts a serene lakeside scene with four individuals seated under trees, seemingly enjoying the peaceful ambiance. They appear relaxed and contemplative as they gaze toward the tranquil waters of the lake in front of them.

In the background, another individual stands at the water's edge, adding depth to the composition and suggesting that others are partaking in this leisurely activity. The backdrop is dominated by a majestic mountain range with gentle slopes and sparse vegetation, contributing to the sense of calmness and isolation from urban life.

The overall tone of the photograph conveys a timeless quality, possibly due to its sepia-toned palette which evokes nostalgia. This particular image seems to be part of a series titled "Notes on the country I live in," as indicated by the provided reference link. It captures an idyllic moment that invites viewers to reflect upon their own connection with nature and tranquility.

The identifier 'Rivers, New Zealand' suggests this scene might take place along one of the many rivers found throughout New Zealand's picturesque landscape, offering a glimpse into life in or around such natural environments within the country.

Lorneville saleyards, Invercargill. From the series: Notes on the country I live in

#Lorneville #Invercargill #Noteson #moe_tahurangi #Kōtuia #Sheep #Yards #Fences #Pointingfingers #silver #photographicgelatin #photographicpaper #workprints #gelatinsilverprints #undefined

http://api.digitalnz.org/records/40736726/source

The image is a black and white photograph depicting three men standing outdoors. They are all dressed casually, wearing hats, shirts with ties or bowties, trousers, and various accessories such as suspenders and pocket watches. The two standing men on the back platform appear to be gesturing animatedly towards something outside of frame; one has his hands raised in a 'stop' motion while the other seems to be talking emphatically. In contrast, the man sitting at the bottom appears more subdued, with his hand resting as if he is listening or waiting for someone's command.

The men seem to exude an air of authority and camaraderie, possibly indicating their roles within a professional context such as animal market stewards overseeing livestock sales in Lorneville saleyards Invercargill. The backdrop consists only of the sky with no discernible landmarks or buildings that could provide further location-specific information.

The photo is part of a series titled "Notes on the country I live in," and it carries an identification number (6690f4c63c8dcd5ca3a70b78), suggesting it may be stored within a larger collection or archive.

Children and adults. From the series: Notes on the country I live in

#AfricanAmerican #Noteson #moe_tahurangi #Kōtuia #Infants #Mothers #NewZealand #silver #photographicgelatin #photographicpaper #workprints #gelatinsilverprints #undefined

http://api.digitalnz.org/records/40737414/source

The image is a black-and-white photograph featuring an African American woman smiling gently while holding her sleeping baby. She has voluminous curly hair and wears a white collared shirt, which suggests the photo may have been taken in a casual outdoor setting or during leisure time.

In terms of context for visually impaired users, this image captures a tender moment between mother and child that evokes feelings of love, care, and family bonding. The photograph is part of a series titled "Notes on the country I live in," possibly indicating it was captured as a documentation project aimed at portraying various aspects or experiences within an African American community.

The photo has been tagged with metadata to assist users who rely on alternative descriptions for better understanding. It's important to note that this description aims to provide detailed context and information, such as the cultural significance of motherhood depicted in black-and-white photography during a specific time period (likely mid-20th century).

Library building, Wellington. From the series: Notes on the country I live in

#Wellington #British #Noteson #NewZealand #moe_tahurangi #Kōtuia #Police #Sitting #Gardens #silver #photographicgelatin #photographicpaper #workprints #gelatinsilverprints #undefined

http://api.digitalnz.org/records/40737050/source

The image is a black and white photograph featuring two individuals sitting side by side on what appears to be a ledge or curb. The person on the left has long, unkempt hair, wears casual attire including a jacket with visible buttons, jeans, boots, and seems relaxed in posture leaning slightly forward against their right arm. The individual on the right is dressed more formally, wearing dark trousers, black shoes, white socks, and a brown shirt paired with an older style of police or security officer's uniform complete with a peaked hat indicative of certain historical British law enforcement attire. They are both facing to the left but looking straight ahead in what seems like a contemplative stance.

The background is minimally detailed but shows foliage which could indicate urban greenery, possibly bushes and flowering plants typical for city landscaping. The lighting suggests an overcast day due to the lack of strong shadows on their figures or surroundings.

In terms of context provided by metadata, this image appears part of a series titled "Notes on the country I live in," from Library building, Wellington. This could suggest that it was taken within New Zealand and likely reflects aspects of life there during its time period which is not clearly indicated but potentially ranges anywhere from mid-20th century based on attire to more contemporary times given the casual nature versus formal uniformed presence.

The [...]

Canoes, New Zealand. From the series: Notes on the country I live in

#NewZealand #Noteson #moe_tahurangi #Kōtuia #Canoes #Rivers #Women #Safetyequipment #silver #photographicgelatin #photographicpaper #workprints #gelatinsilverprints #undefined

http://api.digitalnz.org/records/40736730/source

The image is a black and white photograph depicting two individuals paddling a canoe on water. The person in the foreground, presumably female due to their posture and attire, wears a life jacket with straps over her shoulders, suggesting safety measures while engaging in an activity such as kayaking or canoeing. She has a headband holding back hair and is wearing what appears to be a long-sleeved garment that could serve as protection against the sun's rays.

The individual at the stern of the boat seems to be male; his attire includes a wide-brimmed hat, which may indicate sunlight exposure for some time or preparation for outdoor activity. He grips an oar with both hands and extends it into the water, indicating motion. The canoe is narrow but broad in its beam and appears constructed from wood.

The background shows calm waters reflecting light at different angles, creating a pattern of bright spots on the surface. It's difficult to ascertain the environment beyond this as no distinctive landmarks or scenery are visible; however, what can be seen suggests an open body of water extending into the distance with gentle undulations in the landscape along its far bank.

The image is part of a series titled "Notes on the country I live in," which might imply it's connected to New Zealand given the reference and context provided. This could signify cultural or personal significance, possibly capturing moments from daily lif [...]

Dancing, New Zealand. From the series: Notes on the country I live in

#NewZealand #Noteson #moe_tahurangi #Kōtuia #Women #Dance #Houses #silver #photographicgelatin #photographicpaper #workprints #gelatinsilverprints #undefined

http://api.digitalnz.org/records/40736752/source

The image depicts a group of women outdoors, engaged in what appears to be an outdoor activity or event. The main subject is a woman wearing glasses and standing with her left hand raised as if waving at someone off-camera. She's dressed casually in a striped sweater vest over a light-colored shirt paired with a plaid skirt that matches the pattern on another of the women visible in the image, suggesting they might be part of a group or event together.

The woman is also wearing an apron and holding onto what looks like a coiled rope, indicating she may have been involved in some kind of outdoor activity such as skipping rope. Other people are captured mid-motion; two others to her left with their hands raised, possibly dancing or playing along with the rhythm suggested by the waving hand.

The group is standing on grass and there appears to be part of a building structure behind them, including what might be a chimney, indicating they could be in a rural setting. The photo has a candid quality, capturing an informal moment among friends or community members engaged in leisure activity.

It's important to note that the image carries some historical context as it seems taken from a series titled "Notes on the country I live in," suggesting it might have been part of a larger documentation project about daily life and culture. The black-and-white nature of the photo adds an element of timelessness, evoking nostalgia for si [...]

Cuba Mall, Wellington. From the series: Notes on the country I live in
null

#CubaMall #Wellington #first #EFARM #Catholic #Noteson #moe_tahurangi #Kōtuia #Newspapers #Commercialstreets #silver #photographicgelatin #photographicpaper #workprints #gelatinsilverprints #undefined

http://api.digitalnz.org/records/40791517/source

The image is a black and white photograph showing two women dressed in religious habits, likely nuns. One of the women appears to be gesturing with her hands while smiling or laughing, as she looks at something off-camera on her right side. The other woman stands nearby, also smiling and engaging in conversation with the first nun.

The setting seems to take place outdoors during daytime near a building labeled "E FARM." There is some visible architectural detail of what appears to be residential buildings behind them. Both women are wearing white habits typical for Catholic nuns; one has a veil over her head, while the other's hairline and face appear visible.

The photograph was taken in Cuba Mall, Wellington as part of a series titled "Notes on the country I live in."

Anti Vietnam war protestor, Parliament steps, Wellington. From the series: Notes on the country I live in

#Parliament #Wellington #NewZealand #American #second #anti-Vietnamwar #Noteson #LonnekeAnsWestra’s #anti-Vietnam #AntiVietnam #moe_tahurangi #Kōtuia #Activists #Police #Capitols #silver #photographicgelatin #photographicpaper #workprints #gelatinsilverprints #undefined

http://api.digitalnz.org/records/40790984/source

The image is a black and white photograph capturing an intense moment between two individuals. One person, presumably a protester, sits on the steps of what appears to be a government building in Wellington, New Zealand. They are wearing glasses and holding American flags draped over their body; one flag is wrapped around them while another holds up high.

The second individual, dressed in dark clothing with distinctive white gloves, leans forward with an expression of concern or curiosity. This person's attire suggests they might be a security officer or law enforcement agent, given the presence of what appears to be part of a badge or identification on their jacket and authoritative stance.

In this photo, tensions seem palpable as if captured mid-sentence in conversation between these two individuals during an anti-Vietnam war protest. The building's architectural details include large columns, indicative of official government structures commonly found across countries like New Zealand.

The photograph is part of a series titled "Notes on the country I live in," suggesting it was taken within Lonneke Ans Westra’s home environment or experiences there. It captures both personal and social elements reflecting broader historical contexts related to activism and civil rights during that era, specifically focusing on anti-Vietnam war protests which were prevalent worldwide from 1964 until the late '70s.

The caption "Anti [...]

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