#DevilInDisguise

2026-01-01

Interview: Creatures (Brazil)

7–11 minutes

The Nwothm

From smoky bars in Paraná to stages across Brazil, Creatures bring the grit of ’80s hard rock into a heavy metal sound that is raw, dark, and alive. Led by guitarist Mateus Cantaleäno, the band has evolved from instinctive riffs into a reborn force with Creatures II, proving their beast is only getting stronger.

Interview

TheNwothm: Introduce us to Creatures as if we were meeting you in a smoky bar in Paraná — who’s in the band, and what’s the vibe?

Creatures / M. Cantaleano: Well, Creatures is a Heavy Metal band with strong influences from mid-’80s Hard Rock. You know albums like Under Lock and Key or Icon’s first record? That’s the vibe!
Right now, the band has four members: me, Mateus Cantaleäno (guitar), Marc Brito (vocals),
Ricke Nunes (bass), and Sidnei Dubiella (drums).

TheNwothm: What was the moment you knew this band had to exist? Was it a riff, a night out, or something stranger?

Creatures / M. Cantaleano: I’ve always played in bands since high school which, frighteningly enough, was a long time ago — but the first time I had a truly serious band was one called Murdeath, which existed before Creatures. That’s when I realized that playing guitar, writing songs, and playing shows were essential things in my life. After a while, Murdeath started to fall apart, each member began focusing more on other areas of life, and I knew I couldn’t stop making music. That’s when I decided I needed to create something “of my own.” Creatures was born that way. The very first riff that gave life to the band was the main riff of “Dressed to Die.” When I wrote that riff, I knew this new band would become what Creatures is today.

TheNwothm: “Creatures” is a name that could mean anything from seductive vampires to cosmic wanderers. What’s the real story behind it and how does it tie into your sound?

Creatures / M. Cantaleano: One of the most drastic, confusing, and annoying moments when starting something new is
choosing a name! I went through several options before finally landing on Creatures. Basically, I wanted something that sounded “wild,” “dark,” simple, a single word, easy to say. Creatures checked all those boxes. I honestly don’t even remember exactly where it came from. I think it was a mix of many things — it’s a word that appears in a lot of songs, movies, and series I like, so it’s hard to say exactly where it originated.

TheNwothm: How does living in Paraná, Brazil shape your music — are there local legends, landscapes, or late-night scenes that sneak into your riffs?

Creatures / M. Cantaleano: Honestly, I don’t think the region we live in influences the band that much in terms of inspiration. Brazil isn’t really a country where Heavy Metal is very popular, except for the big mainstream names.
So most of my inspirations come from outside sources like movies, music, and things from other places.

TheNwothm: If each member had to describe themselves using only a song title from your own discography, what would they pick and why?

Creatures / M. Cantaleano: That’s a pretty different question, huh? Haha. It’s hard to say, but I think mine would be “Dreams,” which is a very introspective song about my relationship with music. Marc would probably choose “Nothing Lasts Forever.” Sidnei would go with “Pure Madness,” and Ricke, I think, would choose “Dreams” as well.

TheNwothm: When you’re not writing riffs or playing shows, what’s your go-to escape? Books, games, food, chaos?

Creatures / M. Cantaleano: Well, music itself is usually my escape, since I spend most of my time involved with another job. But besides music, I’d say movies/TV shows and shawarma! (Even though I don’t get to enjoy
those as much as I’d like.)

TheNwothm: You’ve got a fantasy theme running through your music! If each member had a magical power, what would it be and how would it affect the band dynamic?

Creatures / M. Cantaleano: I think we’d all agree on having the power to instantly teleport home after a tiring show or trip!
Haha. The road and the trips to the shows are usually amazing — fun, everyone excited — but at the end
of a gig, when everyone is tired, sweaty, and dealing with tons of gear, there’s no better magical
power than being teleported straight to your own bed.

TheNwothm: Let us turn to the music! Your 2021 debut “Creatures” landed with a bang. How did it come together and what’s one detail in that album that fans often miss but you’re proud of?

Creatures / M. Cantaleano: I always say this album wasn’t something heavily planned. I just started doing it with what I had in mind. The first two songs were recorded even before I contacted the first vocalist. One thing I’m really proud of, and that not everyone knows, is that I was writing songs while we were recording. It was an extremely organic process in that sense. This album taught me how to write songs and turned me into the musician I am today (not that that’s a big deal, haha). But it was where I truly understood how the process of writing and recording an album works, and it helped me prepare to make Creatures II better and more well-
crafted.

https://www.youtube.com/watch?v=2RPzfEgh62g

TheNwothm: “The ‘Demon’ Tapes” came out in 2023. What possessed you to compile those tracks and what kind of demon are we talking about here?

Creatures / M. Cantaleano: It had been a while since we released anything, and the process of starting the recording of the second album was complicated. We were still looking for the right studio and the right way to record. So, not to leave the people who liked the band with nothing, I decided to capture some of the earliest versions of the first songs we recorded — still very raw, some of them even with drums and riffs recorded or programmed on a cellphone. As a fan of a band myself, I’d love to have access to that kind of material, so that’s why I decided to release it for those who enjoy Creatures.

TheNwothm: “Creatures II” dropped in November. If the first album was the birth of the beast, what phase of the creature’s life are we in now?

Creatures / M. Cantaleano: For me, this album is a fresh start, because everything here — except me — is new. It was our first experience recording as a band, with Marc on vocals, and with what I believe is a huge level of maturity compared to the first release. That’s why we decided to call it simply Creatures II. To me, it feels like this is the first album of the band we are now, and a rebirth of the Creatures name.

TheNwothm: How does your latest record step up from what you have previously written? Are there any tracks you’re particularly fond of?

Creatures / M. Cantaleano: As I mentioned before, this time I had a much clearer understanding of how to do things. Most of the demos for this album were finished years ago and kept being adapted and improved over time. On top of that, each member put a bit of themselves into their performances. That’s one of the main differences and one of the most talked-about aspects of the album — how in sync the band sounds.

TheNwothm: Your album covers feel so alluring! Who’s behind the artwork and how do you decide what visual world matches each release?

Creatures / M. Cantaleano: As I mentioned, I have another job — I work as a photographer. So the photo-based covers are
usually done by me, with help from my fiancée, who’s responsible for the hands and nails on the covers. The artwork is generally done by a long-time friend named Jean Antunes, who also works with other bands. The cover of the second album was painted by Velio Josto, but the entire concept was created by me.

TheNwothm: What’s the wildest venue you’ve played so far — bonus points if it involved fire, fog, or a goat?

Creatures / M. Cantaleano: It’s hard to point to one specific venue, but the city that has welcomed us the best so far is São Paulo — and Curitiba as well. Those are our favorite places to play at the moment.

TheNwothm: When you’re prepping for a show, what’s the one ritual that gets you in the zone?

Creatures / M. Cantaleano: For me, I need at least about 30 minutes before the show to isolate myself with my guitar and just play randomly to get into the vibe. I hate going on stage “cold” — it gives me the feeling that I’m not delivering what I really could. So being alone with the guitar, just playing, messing around, and warming up is what gets me ready for a show.

TheNwothm: What shows do you have coming up in the near future?

Creatures / M. Cantaleano: In February 2026, we’ll release Creatures II live with two consecutive shows alongside Enforcer in Curitiba and São Paulo. After that, we’ll play a few shows around Brazil and possibly tour the rest of Latin America and Europe in 2027.

TheNwothm: How can our readers buy your music and merch?

Creatures / M. Cantaleano: If you’re in Europe, you can find our releases through the High Roller web shop. If you’re in Brazil, creaturesheavymetal.com.br. If you’re in the US, I honestly don’t know yet, thanks to the high tariffs imposed by the president on the rest of the world, but I hope that gets sorted out soon.

TheNwothm: Where can fans follow you online?

Creatures / M. Cantaleano: @creaturesheavymetal on everything — Instagram, Facebook, YouTube — and of course creaturesheavymetal.bandcamp.com.

TheNwothm: Anything else you would like to mention?

Creatures / M. Cantaleano: I’d just like to deeply thank everyone who supports us — whether by listening to our music, buying our albums and merch, or sharing it with friends. All of that means a lot to us and motivates us to keep going, because we’re seeing the most important thing happen: making music that connects with people. And of course, thank you, Rob, for the constant support since our very first album! Heavy Metal Above It All,
Cheers

https://www.youtube.com/watch?v=ThyqkYgoHU4

#brazilianHeavyMetal #creatures #creatures2 #creaturesBand #DevilInDisguise #MateusCantaleäno #NewAlbum #NewWaveOfTraditionalHeavyMetal #NWOTHM #thenwothm #thenwothmCom

David Anthonytheactivistuk
2025-12-23
2025-11-08

Review: Creatures – “Creatures II”

Release date: 14th November 2025

Label: High Roller Records Formats: CD / LP / Digital

10 minutes

The Nwothm

Creatures formed in Curitiba during the summer of 2019, stepping into a local scene largely shaped by extreme metal. Despite that dominance, a few bands continue to champion traditional heavy metal, and Creatures—alongside Trovão—have proven themselves among the most distinctive.

After releasing several singles, the band caught the attention of Bart Gabriel, who offered them a deal through his former label Iron Oxide Records. Their debut arrived in 2021, and the follow-up, Creatures II, is now set for release via High Roller Records.

The new album was recorded between September 2024 and March 2025 at Heavy Tron Studio, engineered by Arthur Migotto (Hazy Hamlet) and co-produced with guitarist Mateus Cantaleano. Cantaleano wrote all music and lyrics. The line-up features Marc Brito on vocals, Cantaleano on guitar, Ricke Nunes on bass, and Sidnei Dubiella on drums. Guest appearances include Caio Vidal on keyboards and additional vocals from Migotto.

Cantaleano describes the sound as a blend of heavy metal and hard rock, with a darker, more sinister tone. He highlights the band’s focus on dynamic songwriting, combining riffs and arpeggios with minor-key melodies and memorable choruses.

Often compared to Dokken, Ratt, and Judas Priest, Cantaleano welcomes the reference. He cites those bands—especially Dokken and Priest—as major influences, though he’s careful to draw inspiration rather than imitate.

Looking back at their debut, Cantaleano sees Creatures II as heavier, darker, and more refined. While the first album was recorded as a duo, the new release benefits from a full band dynamic. Both records share the same foundation: energetic tracks, power ballads, layered harmonies, and fiery solos. For Cantaleano, “Beware the Creatures” best captures the band’s musical direction.

Cover artwork by Mateus Cantaleano.

Review

Inferno is the opening track of the album and straight away from the first few moments i got total goosebumps.It starts with some some atmosphere, quiet notes playing before majestic harmonised guitars come in. The tones, the “firework display”of melodies is just magnificent, and the low rumble of toms that comes in to close just rounds the track of perfectly.

Devil In Disguise kicks off with a bright and uplifting panned guitar. We are then welcomed by a huge metal scream and the rest of the instruments join in. Straight away this feels so classic. The production just helps to make the music feel so nostalgic, so retro and I just love it. It thunders along with passion and integrity and the vocals of Marc Brito just add to that fire that Creatures just feeds. There are moments where things just break down to “that riff,” airy synths nd bass twangs. But a massive highlight is the solo section where you get an out of body experience. And the big chants towards the end tie it all together.

Night Of The Ritual creeps in with some spooky riffs and attitude. The playfulness of the song where the guitars come in and out just leaving bass, drums and vocals is excellent. The vocal chants are guaranteed to get fans singing along if they play this at shows. I especially love the galloping feel of the drums and guitars which just add a level of electricity to the song. The chorus like the vocal chants will provide even more opportunities for people to join in and have sining along! And just like “Devil In Disguise” you will get to enjoy another vibrant solo section. Towards the end there is a slight breakdown and buildup where everything charges towards another huge chorus to take the song out.

Beware The Creatures is next up and the riffs speak out from the sounds of the night. This is one of those colossal stompers where the music just throws its weight around and you can pump your fists to the skies. For some reason I just felt some Rob Halford running through this at moments. The backing ahs combined with the lead vocals work so well together and just feel magic. One thing I particularly love about this record so far is the airiness, how spacious the tracks feel. As if your standing in a big temple of the gods. The moments where things break down to the background synths, even if they are quiet in the mix somehow shine through. Again adding so much texture to to the song.One thing to note is Mateus Cantaleäno’s guitar work. In my opinion absolutely outstanding both in rhythm and lead forms and something I really feel is a highlight of Creatures sound. Another killer track!

Dreams fires up with an exciting and enticing riff before the song gets up and going. This is a slow to mid tempo track that once again plays with adding and subtracting instruments to the song. The soft moments of acoustics and just vocals to the fully charged sections create interest and balance. Ricke Nunes on bass and Sidnei Dubiella on drums are so locked in you can see how tight and focused Creatures are as band. This is one of those tracks where the passion shines through as if everything is being taken straight from the heart.As the song progresses we reach a flicking, stuttery riff before the vocal work ignites even further adding some height to the mix. This is before the solo section comes swooping in delivering even more flurries of notes. The song continues in similar fashion with breaks in the music putting focus on teh vocals to take the song out!

https://www.youtube.com/watch?v=2RPzfEgh62g

Queen Of Death turns everything up to eleven. If you put your face to close to the amp you will get a burning smell and perhaps see some smoke. The quality of the music on this album has not fallen short once. Queen of Death is another example of a song which feels warm, exciting and something that will lift your feet. The riffs are bright, beautiful and the harmonies are even more delightful. The bass licks and pounding drums really push the song forward with ease. And about half way through there are some “stabs” where there is a cascading guitar passage.This all comes before the song moves into another unworldly solo. This is accompanied I think by a harpsichord in the background but only briefly. The bass licks are also most excellent. Yet soon enough the solo picks up a little more and gives us a short yet smoking section before we roll back into another chorus to take us out!

Pure Madness Get ready as this one comes in with swagger and flair. It starts off a little rockier but finds its groove as it builds. The drums stick to a solid 4/4 beat, with breaks that strip things back to just kick, tom, and snare for added tension. It’s mid tempo, easygoing, and deceptively simple — but it hits hard. Silky chorus lines and woah-woahs tempt listeners to sing along. Like earlier tracks, this one is riff-a-licious, and that remains one of the band’s strongest assets. Honestly, there’s not much more to say. It’s a solid, straightforward number where the madness creeps in slowly and takes hold.

Danger rocks in with a single guitar and some vocal attitude before the song digs in with no messing around. The vocal lines are brief before we hit a chorus.Soon enough it pulls back some layers to acoustic dreamy acoustic guitars and tasty bass licks. It feels creamy and smooth but its not long before the vocals come back in for a brief moment. Then some lead guitar play arrives and it is delicious. It transitions into a sexy solo section before dropping down to some big tom hits and vocal calls of “danger.” Danger proves to be another solid track that doesn’t mess around getting down to business!

Nothing Lasts Forever changes things up for a moment as it starts off with some delicate, sweet acoustic guitars and pads before coming into contact with powerful rhythms that take control.These are backed with sift pads that add to the atmosphere. Everything feels steady and I almost get this feeling that there should be wind blowing through my hair while the warmth of the sun beats down on my face. This feels pure and just beautiful in so many ways. There are so many little intricacies like how guitar scales lock with the rest of the instrumentation. The choruses feel smooth yet bittersweet. The loose drum patterns let the lead guitar soar and cut through the mix aiming for the heavens. I have to say I think this is certainly one of my favourite tracks on the album. Eventually it heads towards some acoustics once agin before gradually building up towards a huge chorus and outro section. Just magnificent!

Path Of The Night returns to that slight eerie vibe with an intro of harmonised guitars that sets the mood.The licks themselves just crawl down your spine. The song then transitions into a spooky instrumental section which would be fitting for halloween or a horror move.The vocals kick in whispering with a single guitar before soon bringing up the volume. The music in the meantime punches along, full of rawness and grit. We do get to revisit the spookiness of the intro section before the track continues with another ballsy verse and and bridge section. The choruses use long drawn out and layered ideas to have a real impact. Once we hit the solo section, your not in for a trick but certainly a treat with infectious riffs (which I can imagine being played with eyes closed while faces are being pulled.) The lead riffs continue to sing while a disco style beat gradually fading the song out.

Perfect Illusion (Bonus Track) is the second bonus track on the album and opens with some glistening emotion through the guitars and synths playing. Soon enough the match is lit and the heavy guitars ignite. This stomps along with fiery riffs yet there are moments where your dropped into brief dream like states. The lyrics of “It was enough” that repeat over and over at certain moments will certainly be etched in your mind by the end of the song. And when you reach the solo section Mateus does it once again. Temperatures rise and he leaves your mind burning with infection scales. And even on the calls of the title there is no doubt in my mind that you will want to sing along.

* There is also an extended version of Beware of the Creatures

Conclusion

Creatures have delivered a powerful and cohesive album that blends classic metal spirit with fresh energy. From the soaring opener Inferno to the haunting Path of the Night, every track stands out with passion and precision. The musicianship is outstanding, with Mateus Cantaleäno’s guitars, Ricke Nunes and Sidnei Dubiella’s tight rhythm work, and Marc Brito’s commanding vocals all shining throughout. The production feels warm and spacious, giving each song room to breathe while keeping the energy high. Overall, this album is a thrilling journey filled with strong riffs, memorable melodies, and pure heavy metal heart.

TheNwothm Score: 9/10

Links

Bandcamp:https://creaturesheavymetal.bandcamp.com/

Facebook: https://www.facebook.com/creaturesheavymetal

Instagram: https://www.instagram.com/creaturesheavymetal/?hl=en

Label: https://www.hrrecords.de/CREATURES

https://www.youtube.com/watch?v=ThyqkYgoHU4

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#BewareOfTheCreatures #creatures #DevilInDisguise #HeavyMetal #highrollerRecords #NewAlbum #NewWaveOfTraditionalHeavyMetal #NWOTHM #Review #thenwothm #thenwothmCom

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TrixStarT.Comtrixstart
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For stupid men with greedy eyes,
See not the hell in my disguise
They welcome in the serpent's art
And think the devil has no heart.

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youtu.be/0GN0aALClVA

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2025-08-14

📸 Soap Opera Weekly, Possession Issue

Father Black, torn between faith and desire, gazes at Marlena—possessed, yes, but still the woman he’s always wanted.

Deidre Hall as MarDevil was a masterclass in camp, charisma, and chaos.

She didn’t need horns to tempt him. Just earrings and a knowing smile.

#MarDevil #DeidreHall #DaysOfOurLives #SoapOperaWeekly #PossessionStoryline #SoapHistory #JohnBlack #MarlenaEvans #1990sSoaps #DevilInDisguise
#Jarlena #FatherJohnBlack #MarlenaEvans

Close-up from the Soap Opera Weekly possession issue: Father John Black in clerical collar gazes longingly at Marlena Evans, possessed by the Devil but dressed in divine glamour. Her earrings sparkle, her expression is seductive and knowing. The tension is palpable—lust, guilt, and supernatural chaos collide in one unforgettable frame.
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Fee Katrin Kanzlerfkkanzler
2025-06-03

Mit diabolischem Grinsen behext sie ihr Publikum. Der Heiligenschein ein Fake, rein elektrisch.

Foto: @thomasbjones

Fee am Lesungstischchen, Lampenschein über der Frisur. Sie ist weit nach vorn gebeugt und hat ein breites, leicht fieses Grinsen im Gesicht. Am Bildrand eine Zuhörerin von schräg hinten, es sieht aus, als würde sie mit Fee flirten.
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