Writing Flawed Mothers: Guilt, Grace, and the Space Between
There’s a particular ache that lives in the space between what a mother intends and what a child receives. That ache is what I try to capture when I write mothers—especially the complex ones, the ones who get it wrong before they get it right, or maybe never get it fully right at all.
Reading The House of the Spirits by Isabel Allende changed something in me. Clara, with her quiet magic and spiritual detachment, and later Blanca and Alba—each woman layered in pain, power, protection, and silence. That novel didn’t offer easy maternal archetypes. It gave me mothers who hurt and healed, who sometimes protected their children by leaving them or letting them go.
https://haveacupofjohanny.com/the-devil-that-haunts-them-series/
It helped me realize that sometimes love and damage sit in the same room. That sometimes a mother keeps secrets because she thinks silence is safer. That sometimes her survival instincts look a lot like abandonment, and her fear of being seen too clearly makes her disappear before your eyes.
When I started writing Under the Flamboyant Tree, Bianca emerged from that space. She isn’t an evil mother. She’s a woman who chose self-preservation over staying. She’s sharp, emotionally inconsistent, sometimes loving, sometimes absent. Writing her was hard. It meant I had to look at the wounds that shaped her and resist the urge to fix her.
https://haveacupofjohanny.com/the-ordinary-bruja/
Josefina in The Ordinary Bruja is different. Her silences are protective. Her distance is survival. She carries guilt and love in equal measure, but her choices—and omissions—still leave a mark on Marisol. She’s a mother who did her best while being chased by her worst fears. And her daughter is left to untangle what that love really meant.
But I couldn’t have written them—not truthfully—until I turned inward.
Starting therapy taught me to step outside of my past and stop clinging to every hurt like a proof of injustice. It helped me learn to say, this happened, and then ask, what did it teach me?
That shift broke something open in me. I stopped reliving my story as a victim and started observing it as a student. I looked at the mothers in my life—and then at myself.
I saw the ways I’ve failed. The moments I snapped when I should’ve softened. The walls I built to protect myself that also blocked my kids (both my biological child and my stepkids) from seeing my love clearly. And it made me weep—not just for the times I got it wrong, but for the incredible chance I have every day to do better.
So now, when I write mothers, I let them be messy. I let them love in broken ways. I let them reflect the reality that healing is nonlinear. That protection can look like control. That silence can scream with meaning. And most importantly, that redemption—when it comes—is a choice, not a guarantee.
Writing flawed mothers helped me become a better one.
And maybe, just maybe, reading them can help someone else see that love and imperfection have always coexisted. That being loved badly doesn’t mean you weren’t loved. And that the healing starts the moment you look at the wound without flinching.
If this reflection resonated with you, share it with someone who’s still untangling their own mother story. Leave a comment and tell me: What book helped you see motherhood—or yourself—differently? Let’s talk about the hard, honest, beautiful middle.
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