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#NeoclassicalMetal

Aldi80s đŸ‡ŻđŸ‡” ă‚ąăƒ«ăƒ‡ă‚Łaldi80s
2025-07-05

CASSETTE SESSIONS
Artist: JEFF SCHEETZ [USA]
Title: Dig!
Genre: Neoclassical Metal / Heavy Metal / Blues / Guitar Virtuoso
Release: Pure Metal Records, 1992, USA.

Aldi80saldi80s@minidisc.tokyo
2025-07-05

CASSETTE SESSIONS
Artist: JEFF SCHEETZ [USA]
Title: Dig!
Genre: Neoclassical Metal / Heavy Metal / Blues / Guitar Virtuoso
Release: Pure Metal Records, 1992, USA.

#NowPlaying #HeavyMetal #NeoclassicalMetal #CassetteCollector #CassetteTapes #KCT #AudioTape #Cassette

Aldi80s đŸ‡ŻđŸ‡” ă‚ąăƒ«ăƒ‡ă‚Łaldi80s
2025-07-05

CASSETTE SESSIONS
Artist: JEFF SCHEETZ [USA]
Title: Woodpecker Stomp
Genre: Neoclassical Metal / Heavy Metal / Blues / Guitar Virtuoso
Release: Pure Metal Records, 1990, USA.

Aldi80saldi80s@minidisc.tokyo
2025-07-05

CASSETTE SESSIONS
Artist: JEFF SCHEETZ [USA]
Title: Woodpecker Stomp
Genre: Neoclassical Metal / Heavy Metal / Blues / Guitar Virtuoso
Release: Pure Metal Records, 1990, USA.

#NowPlaying #HeavyMetal #NeoclassicalMetal #CassetteCollector #CassetteTapes #KCT #AudioTape #Cassette

El Pregoner del Metallpregonermetall
2025-05-31

PATRICK RONDAT (França) presenta nou Ă lbum: "Escape from Shadows"

Relax Milano 😮📍relaxmilano
2025-05-25

đŸ€Ÿ - The Magic of the Wizard's Dream
youtube.com/watch?v=Z93SdirnzTw

In those silent shades of grey
I will find a place
to escape the endless night
to find a new sun

I know which is my fate
bond to Erian's old tale
I'll be always there
fighting the ancient sin
Moon shine in this eternal night

ANGELS ARE CALLING
FROM DIVINE LOST CRYSTAL REALMS
RIDING FROM HEAVEN
FOR THE MAGIC OF THE WIZARD'S DREAM

[...]

DerVolleMontyDerVolleMonty@metalhead.club
2025-05-18

Just stumbled over this Taiwanese guitarist #NowPlaying Canon Rock

song.link/t/59900354

#guitar #Neoclassicalmetal #metal

Alexconstancies@metalhead.club
2025-01-21

Hey friends, what are your favorite #neoclassicalmetal bands? It’s a genre I’d really like to get into.

#metal #metalhead #music #band #recommendations

BC BY-NC-SABCBYNCSA
2024-12-06

First Fragment – The Afterthought Ecstasy

CC BY-ND ( Attribution No Derivatives)
firstfragmentqc.bandcamp.com/a

Angry Metal Guyangrymetalguy@www.angrymetalguy.com
2024-11-06

Impellitteri – War Machine Review

By Dolphin Whisperer

As the eponymous outfit of American shredhead Chris Impellitteri, Impellitteri has wielded the heavy metal chorus call and neoclassical solo response for near forty years. Though presenting a style that rollicks about Malmsteen-like fretboard gymnastics in a 80s rockin’ manner in the ballpark of the flamboyant Racer X or rough ‘n’ riffy Chastain, Impellitteri has maintained a workmanlike vigor in their long-standing songcraft. Virtuosity in runs and power chord progressions call the shots in this well-attended line of fire-fingered, efficient attacks. And though times are different than when Rob Rock (of his own eponymous works and ex-Axel Rudi Pell), first joined the Impellitteri crew, his continued presence alongside the nimble band leader aims to find that same consistency with this newest War Machine.

Understandably, War Machine veers little from the Impellitteri way. Though the American stalwarts materialized in 1988 as an affair similar to the Rainbow-on-shred names popular of the time, debut Stand in Line even featuring ex-Rainbow, ex-Alcatrazz vocalist Graham Bonnet, Impelliterri grew to thrive less on AOR shakin’ and more on power metal adjacent triumph on successive releases.1 And with the introduction of Rock on mic, Ken Mary (Fifth Angel, ex-Chastain) on kit, and Ed Roth (Driver) on keys, 90s peaks Screaming Symphony and Eye of the Hurricane offered a thrilling and overloaded version of a sound that already possessed much flexing force. Though low on variation, Impellitteri’s style through to War Machine remains classic and guitar-forward, a combo that to lovers of the olde and solo-wild will rarely be displeasing.

Despite the similar nature of everything, both to past Impellitteri works and within its own walls, War Machine comes stacked with bombastic guitar work against ridiculous themes. Reaching for a standard-issue bag of neoclassical tricks, along with spacey phasers that give whiffs of Van Halen party energy (“Superkingdom,” “Just Another Day”), Impellitteri’s licks endure as swift and truly heavy metal. And relying on the intensity of a post-Painkiller world, tracks like “Hell on Earth” and “Light It Up” find an extra rhythmic propulsion that keeps the horns raised high against double-kick assaults.2 Testament to Rock’s not-ageless but studied bravado, his performance, while not striking the highest highs of his younger days, lives in full commitment against campy themes of AI takeover (“Superkingdom”) and getting rowdy in the mosh pit (“War Machine,” “Light It Up”). Adding that all-too-important warmth and earnestness to the smoky stage romp that Impellitteri embodies, Rock persists as a link vital to keeping the War Machine on course.

When Impellitteri fires on all the cylinders still at their disposal, War Machine lives up to its name. But that makes up only about half of its forty-three-minute runtime. At this point in the Impellitteri catalog, the line between filler and iterated event runs thinner than the cutting tone Mr. Impellitteri loves so to highlight his lightning-speed scale laps. In that sense, it shouldn’t matter that “War Machine” is another “Turn of the Century” (Crunch, 2000) shred-laced groove that sets a marching tone, nor should it be a bother that “Beware the Hunter” utilizes one of the most common riff patterns that Impellitteri has ever put to tape. The War Machine versions of these tested sounds should land on their own merit—at cranking speeds (“Wrath Child,” “Light It Up”) and proudest arpeggio (“Superkingdom,” “Just Another Day”) they do, and Impellitteri shows they have ideas left in the tank. But when all eleven tracks don’t show this same fervor at this stage of their career, Impellitteri needs to spend a little more time in curation than creation.

If a younger Dolph had written this review, some of War Machine’s issues of repetition may not have stuck out in as flagrant a stumbling manner. However, Impellitteri, since first entering the fold of cetaceous enjoyment in the mid-00s, has released album after album of lowering differentiation with infrequent flashes of a former shining self. When the past was more recent, less littered by minds who wanted the same 11-dialed Marshall and scalloped Strat in the limelight, Impellitteri’s recursive ideas were more forgivable. But at our current juncture in time, growing every year closer to four decades of Impellitteri occupation, the War Machine must stand against those who preceded and inspired its existence, those who grew shoulder-to-shoulder in shred, and those who have raised themselves on the entirety of that history. And that’s all more fight than War Machine gives.

Rating: 2.0/5.0
DR: 6 | Format Reviewed: 320 kbps mp3
Label: Frontiers Music
Websites: impellitteri.net | instagram.com/chrisimpellitteriofficial
Releases Worldwide: November 8th, 2024

#20 #2024 #Alcatrazz #AxelRudiPell #Chastain #FifthAngel #FrontiersMusic #HeavyMetal #Impellitteri #NeoclassicalMetal #Nov24 #PowerMetal #RacerX #Rainbow #Review #Reviews #RobRock #Shred #WarMachine #YngwieMalmsteen

Döbbie03dobbie003@fosstodon.org
2024-09-06

#deathmetal #thrashmetal #blackmetal #powermetal #doommetal #stonermetal #progmetal
#groovemetal #heavymetal #vikingmetal #warmetal #blackeneddeathmetal #deathnroll #melodicdeathmetal #symphonicmetal #deathdoommetal
#funeraldoommetal
#sludgemetal #folkmetal #paganmetal #glammetal
#gothicmetal #grindcore #deathcore
#deathgrind #goregrind #industrialmetal #postmetal #mathcore #dissonantdeathmetal #dissonantblackmetal #neoclassicalmetal
#speedmetal #crossovermetal #nwothm #nwobhm #djent #metalcore

Bauer Winter :misskey:Bauer_Winter@misskey.de
2024-07-21

#DenTagStarten

Heute mit #NeoclassicalMetal

Book of Reflections - You're Not Alone

https://yt.artemislena.eu/watch?v=fGiDkZc0NrU

氆a9_shou
2024-06-10

235 VIEWS THANK YOU !

youtu.be/brwzZX_xOfc

follow me ▶ pixelfed.social/a9_shou
DONATION ▶ linktr.ee/a9_shou
Patreon ▶ patreon.com/a9_shou

đŸ€˜ The Metal Dog đŸ€˜TheMetalDog
2024-03-28



“Neoclassical metal wouldn’t have happened if I hadn’t heard Selling England By The Pound”: Genesis’ Tony Banks is Yngwie Malmsteen’s prog hero
Swedish guitar virtuoso hails keyboardist’s Bach-style playing (and he also has soft spots for ELP, Kansas and UK)

loudersound.com/features/yngwi

FelicityKjev@defcon.social
2024-03-20

#KeygenChurch finally released the #album â€čNel Nome del Codiceâ€ș

youtu.be/PcnOipgMo4Q

#Ultrakill #MasterBootRecord #NeoclassicalMetal #BaroqueMetal #Church #Metal #Music

Dadlyambitions :mastodon:Dadlyambitions
2023-10-30

day 102

youtu.be/6sfGiv7yw9w?si=43da47

End to end bangers on this one

đŸ€˜ The Metal Dog đŸ€˜TheMetalDog
2023-09-09



Perpetual Burn
Altitudes

YouTube Search:
youtube.com/results?search_que

Lyrics:
genius.com/Jason-becker-altitu

LastFM:
last.fm/music/Jason+Becker/_/A

đŸ€˜ The Metal Dog đŸ€˜TheMetalDog
2023-07-02



The Yngwie Malmsteen Collection
I'll See the Light Tonight

YouTube Search:
youtube.com/results?search_que

Lyrics:
genius.com/Yngwie-malmsteen-il

Song Link:
youtube.com/watch?v=JD-v7vVxJ4U

đŸ€˜ The Metal Dog đŸ€˜TheMetalDog
2023-06-22



Perpetual Burn
Altitudes

YouTube Search:
youtube.com/results?search_que

Lyrics:
genius.com/Jason-becker-altitu

Ca_GiCa_Gi@mastodon.bida.im
2022-12-03

Non posso trattenermi: dopo un post su Mariah Carey sento l'urgenza di bilanciare con sonoritĂ  piĂč mie. E quindi ecco:

Anna Von Hausswolf
Ugly and Vengeful

Sentita la prima volta anni fa che apriva un concerto degli #Swans e da lĂŹ mai smesso di seguirla. Difficile definirne il genere. Wikipedia scrive "#Darkwave, #NeoclassicalMetal #DoomMetal #GothRock " e nel complesso un'idea riesce a fornirla.

youtube.com/watch?v=Bp2VfPAhnO

#mastoradio #bidasounds #annavonhausswolf

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