Free download codes:

The Utter - Arne and the Ankas

"Melodic grind tales of disorder"

https://getmusic.fm/l/4n6Omb

#progressiverock #contemporarydeathjazz #melodicgrindcore #music

@50501Houston #LiveMusic #Southeast #Houston #ProgressiveRock from Audioversion!

New #review today: "Time really flies; it seems like just a few years ago that #Zhongyu released their debut album "Zhongyu" Is Chinese For "Finally" on #MoonjuneRecords, but in truth it’s been a full nine years. During that time the band has shrunk from a quintet to a trio — though in fact “Super Z Attack Team” was used as the band name any time they would play live in a trio configuration." #ExposeOnline #RightBrainRecords #ProgressiveRock #AvantProg #MathRock http://expose.org/index.php/articles/display/zhongyu-super-z-attack-team-3.html

Ooh, large backlog means more reviews! Eight albums this time, by exo-X-Xeno, Galahad, La Nouvelle Musique, Leap Day, Enric Pascual, Sistra, The Sorcerers, Uragh.
https://www.dprp.net/reviews/2025/062
#prog #ProgRock #ProgressiveRock

Released today 46 years ago:

🇬🇧 Pink Floyd "The Wall" – 1979

A monumental journey into isolation, rebellion and fractured identity. Delivered with theatrical force and haunting precision across its sprawling narrative arc...

#pinkfloyd #progressiverock #artrock #conceptalbum #70smusic #rockclassics #vinyl #music #vinylrecords #vinylcollection #vinylcollector #nowspinningonvinyl #nowspinning #nowlistening

Here’s the YouTube live stream of our show this evening, Saturday 29 November 2025:

https://www.youtube.com/watch?v=cpJQ7Oz7lzM

#alazarinmobius #theinvisibleband #interplanetaryliberationfront #progressiverock #spacerock #secondlife #cubase #livestream #bandcamp #youtube #music #progrock #livestreammusic #scifi #spaceopera #mastomusic #musodon

📻 🎵 🎙️ 🎸

𝗦𝗘𝗜 𝗥𝗜𝗠𝗔𝗦𝗧𝗢 𝗔 𝗖𝗔𝗦𝗔？ ．．．𝗠𝗔 𝗖'𝗘' 𝗨𝗕𝗜𝗞 𝗖𝗢𝗡 𝗧𝗘！

La compagnia senza prezzo... della buona musica...!!!

𝗜𝗡 𝗢𝗡𝗗𝗔 𝗔𝗗𝗘𝗦𝗦𝗢... 𝗳𝗶𝗻𝗼 𝗮𝗹𝗹𝗲 𝟮𝟮:𝟬𝟬... 𝘀𝘂 𝗥𝗮𝗱𝗶𝗼 𝗘𝗹𝗲𝘁𝘁𝗿𝗶𝗰𝗮.𝗶𝘁

Ascolta direttamente dal pop-up sul sito:
https://www.radioelettrica.it

📻 🎵 🎙️ 🎸

#radio #webradio #musica #music #sabato #saturday #mastoradio #radioelettrica #LaMusicaCiSalva #UnoRadio #NowPlaying #live #diretta #OnAir #streaming #sound #rock #progressiverock #underground #indie #newmusic #ubik

@spettacoli

#musica #rock #rockmusic #progressiverock #symphonicrock
#YES 💀🎸🤘🎸💀
El 28 de noviembre de 1974 se publicó el álbum «Relayer» de la banda británica "Yes", que cumple 51 años.
«Relayer» es el séptimo álbum de estudio del grupo británico de rock progresivo "Yes" , lanzado en 1974 por 'Atlantic Records'. Es la única grabación de estudio en la que participa el teclista *Patrick Moraz*, sustituyendo a *Rick Wakeman*, quien había abandonado "Yes" el año anterior.
Después del ambicioso álbum conceptual «Tales from Topographic Oceans», *Wakeman* salió de "Yes" para proseguir su carrera como solista. La banda audicionó a varios sustitutos potenciales, incluyendo al teclista griego *Vangelis*, pero terminaron eligiendo al suizo *Patrick Moraz* como reemplazo con el álbum en plena producción.
Con «Relayer», "Yes" retomó el formato de «Close to the Edge» (una extensa canción épica en un lado del LP, y dos piezas de nueve minutos en el otro), pero con un estilo musical muy diferente. «The Gates of Delirium» es una composición sofisticada de 20 minutos inspirada en la famosa novela de *León Tolstói*, «Guerra y Paz». La pieza es un soberbio óleo que expone en 3 partes los elementos del conflicto bélico, con arreglos musicales que grafican escenas de batalla. La exposición temática de *Anderson* es seguida de una sección instrumental en la cual puede oírse la guitarra de Howe emulando musicalmente la pirotecnia bélica mientras el bajo de *Squire*.
«Relayer» constituye una obra única en el rock e instrumentalmente adelantada a su tiempo, tanto por la imaginería de la guitarra como por el uso instrumental del bajo como una voz rítmica y melódica impresionista, en un estilo que posteriormente fue seguido por diversos grupos, entre ellos "Dream Teather" . Al mismo tiempo, la técnica compositiva que subyace a esta obra requiere un acabado cuyo proceso es sumamente complejo. Luego, a la par del trabajo instrumental, la sección final, «Soon», constituye el perfecto cierre emotivo de la pieza, a la vez de haberse convertido en un clásico en sí misma de la banda. En efecto, esta sección final de la obra en la que la agresividad de los primeros 16 minutos es sustituida repentinamente por una melodía suave y letras sobre paz, fue lanzada en los Estados Unidos como un sencillo titulado «Soon» a principios de 1975. «Sound Chaser» es una pieza mayormente instrumental y cercana al jazz fusión de esa época , que remite al trabajo de grupos como "Return to forever" . «To Be Over» es la canción más tranquila del álbum, con arreglos complejos de guitarra y sitar.
La complejidad musical de «The Gates of Delirium» no fue comprendida en su momento, lo que se evidencia en las ambiguas críticas de algunos medios: la reacción de la crítica hacia «Relayer» fue relativamente tibia, después de la controversia levantada por su predecesor. Sin embargo, el disco fue un éxito comercial, alcanzando el puesto N° 4 en las listas de popularidad del Reino Unido y el N°5 en Estados Unidos.
Es curioso que actualmente se comprenda mejor esta obra, tanto por su innovación, la libertad musical que profesa, el virtuosismo y, por sobre todo, la forma en que el contenido es desarrollado comunitariamente. «Relayer» sigue siendo un hito y una referencia obligada de muchos músicos actuales del progresivo, del heavy metal y del metal progresivo, lo cual nos señala que en efecto se trata de una obra maestra tardíamente reconocida.
El arte de tapa fue realizado por *Roger Dean*, quien creó un formato de portada similar al de «Fragile», con dos pinturas adicionales y una fotografía de la banda en el interior.
- Tracklist:
Todos los temas escritos por "Yes" .

- Lado A:
1) «The Gates of Delirium»

- Lado B:
2) «Sound Chaser»
3) «To Be Over»

- Bonus tracks 2003:
4) «Soon»
5) «Sound Chaser»
6) «The Gates of Delirium»

- Integrantes:
▪︎ *Jon Anderson*: vocales.
▪︎ *Chris Squire*: bajo, vocales.
▪︎ *Steve Howe*: guitarra y vocales.
▪︎ *Patrick Moraz*: teclados.
▪︎ *Alan White*: batería.

Here’s the YouTube live stream of our show this evening, Friday 28 November 2025:

https://www.youtube.com/watch?v=apD7oa-tZzo

#alazarinmobius #theinvisibleband #interplanetaryliberationfront #progressiverock #spacerock #secondlife #cubase #livestream #bandcamp #youtube #music #progrock #livestreammusic #scifi #spaceopera #mastomusic #musodon

#rock #musica #rockmusic #progressiverock
Marillion - Seasons End (Screen Media)
https://youtube.com/watch?v=rdUGyZEyGz0&si=Ih8MhT6NaE6r60Ph

"Maybe I always #GNU
My fragile dreams would be broken
For you"

#Anathema #RockProgresivo #progressiverock #progressive #progrock #progrockmusic #annekevangiersbergen
https://song.link/y/8O6iePmspaM

So, damit wäre auch das Album endlich draußen und von mir auf Bandcamp gekauft:

Moron Police - Pachinko

Ich feiere schon alles, was sie davor gemacht haben und das neue Album ist wieder mit so vielen verrückten Ideen vollgestopft. Dazu diese unwiderstehliche Stimme.
Prädikat = Goil!

Zum Reinhören:
https://www.youtube.com/watch?v=PdaUhPVeigY

#music #progressive #rock #pop #progressiverock #moronpolice

Today's music:

GAUPA - Ten Of Twelve

https://youtu.be/5cHaWp6CtVI

#rock #StonerRock #ProgressiveRock #sweden #music #np #NowPlaying #MastoMusic

Lilac Vegetal – The Accursed Share

When a band decides to tackle the heavy end of the spectrum, they usually pick a lane, either the lumbering, monolithic groove of doom or the sharp, chaotic noise rock intensity. On their new monolithic release, The Accursed Share, Lilac Vegetal refuse to choose. They build a towering, structurally unsound monument by welding these disparate styles together, making an intellectually challenging and wildly overwhelming album. From the first abrasive seconds, it’s clear that The Accursed Share is designed to reconfigure your expectations. The sound is thick, dense, and powerful, rock-solid, downtuned sludge and stoner doom providing the rhythmic cement. But this foundation is merely the platform from which the band launches into wild, fully experimental, and progressive territories. This is the crucial, complex balancing act that defines the LP. They give you the satisfying pleasure of a massive, slow-motion riff, only to shatter that groove with sudden, angular shifts and moments of outright virtuosity. The truly exceptional guitar works act as the primary agent of chaos and complexity. The guitarist demonstrates an uncanny ability to pivot between two extreme modes. On one hand, you have the profoundly heavy riff, sludgy, downtuned, chest-caving power that defines the genre. These moments are tight, focused, and designed to generate maximum physical impact. But just as you settle into the hypnotizing rhythm, the guitars transform entirely. They shed their sludgy skin to engage in intricate, progressive themes, threading complex melodies, harmonies, and even moments of outright, breathtaking virtuosity. This is intelligent, thematic soloing and complex counterpoint that injects a strong sense of progressive rock identity into what could otherwise be pure sonic mud. The guitar is a significant tool here, unlocking primal aggression and the advanced musical thought that characterizes this band.

The basslines are also sludgy, raw, and abrasive, but depending on the song’s mood, they levitate towards warm, dense, heavy notes. The tone is dialed up to the maximum, emitting a sound that brings immense heaviness and a profound sense of depth to the mix. It operates as a massive, grinding engine, contributing essential power and a noticeable rawness, even rarely heard or seen in a doom world. Even when the guitars are spiraling into noise rock abstraction, the sludgy bassline keep moving forward, making sure that the listener remains grounded in the physical reality of the rhythm. And no discussion of Lilac Vegetal’s mastery would be complete without highlighting the magnificent drumming performance. In an album that transitions wildly from tight, downtuned sludge to experimental frenzy, the drummer serves as an ultimate anchor and source of dynamic control. This is far beyond basic timekeeping. The beats perfectly pair with guitar themes, showcasing a constant flow of dynamic shifts. Whether delivering a crushing, half-time sludge beat or executing frantic, surprising breaks and fills, the drummer always enhances the energy. These percussive acrobatics, unexpected rolls, sudden dynamic drops, and complex polyrhythms make sure that the rhythm section constantly challenge the listener, yet holding the entire structure tightly together. The vocals cut through the dense sonic layering with such confidence. The delivery is uncompromised, using ultimate force and intensity to channel the thematic weight. These raw, abrasive, aggressive vocal harmonies serve as a powerful focal point to the instrumental complexity. They are projected with fury that matches the album’s most aggressive passages and play a significant role in maintaining the hardcore edge in their sound.

The Accursed Share is a piece of art that understands the value of tension. The moments of crushing, monolithic doom are made heavier by the preceding noise rock textures, and the experimental, progressive segments feel all the more sharp against the familiar comfort of the sludgy, stoner groove. Lilac Vegetal navigates this difficult terrain with the skill of seasoned sonic cartographers, delivering a developed and realized album. It’s an immersive experience that pulls you through cycles of hypnotic heaviness and frantic intellectual release. The shift from the tight, rock-solid segments, where the band locks into a unified, head-nodding rhythm, to the moments of open-ended experimentation and noisy exploration, is handled with such precision and finesse. This fluid movement between structure and chaos is the hallmark of truly great heavy music that aims for something more than just volume. The Accursed Share is a landmark album that demands to be studied and played loudly. It exemplifies a vision of a band unafraid to take the heaviest, dirtiest elements of doom and sludge and elevate them with the intellectual curiosity and demanding technique of progressive rock. It’s a sludgy, abrasive, and magnificent piece of work that establishes this band as essential listening for anyone who wants their heavy rock served complex, raw, and crushing. Head to Grazil Records for more information about ordering this gem on vinyl.

#doom #hardcore #lilacVegetal #metal #noiseRock #progressiveRock #reviews #sludge #stoner

"Learning to Fly" is a song by the English #progressiveRock band #PinkFloyd, written by #DavidGilmour, #AnthonyMoore, #BobEzrin, and #JonCarin. It was the first single from the band's thirteenth studio album #AMomentaryLapseOfReason. It reached number 70 on the U.S. #Billboard Hot 100 chart and number one on the Billboard Album Rock Tracks chart in September 1987, remaining three consecutive weeks at the top position in the autumn of the same year. Meanwhile.
https://www.youtube.com/watch?v=u7avQhoYNEg

Here’s the YouTube live stream of our show this evening, Wednesday 26 November 2025:

https://www.youtube.com/watch?v=T68UftdEAOY

#alazarinmobius #theinvisibleband #interplanetaryliberationfront #progressiverock #spacerock #secondlife #cubase #livestream #bandcamp #youtube #music #progrock #livestreammusic #scifi #spaceopera #mastomusic #musodon

New #review today: "Six years after releasing their debut album, the Italian heavy #ProgMetal band #LaJanara released their second full length album, Le Donne Magiche, in May 2025. Over the years La Janara has matured their sound, distancing themselves from the dark evil atmosphere of Tenebra, as well as moving away from #BlackSabbath, though some hints remain. They now favor more of a folk influence mixed with heavy metal and prog." #ExposeOnline #ProgressiveRock http://expose.org/index.php/articles/display/la-janara-la-donne-magiche-6.html

Review of PROG magazine 🤩
"Oddleaf play their first-ever show outside of their homeland, and the audience's response is pretty much summed up by the punter who exclaims "Wow!" loudly at the end of opening number "Life".
It's a stunning set of classy melodic prog that wins the band many new fans - "best band of the weekend" is a phrase Prog hears more than a few times."
#ProgressiveRock #ProgRock #RockProgressif #ProgressiveMusic #SymphonicProg #RockProgresivo #RockProgressivo

COMPACT DISC SESSIONS

Artist: KANSAS [USA]
Title: The Best Of Kansas
Genre: Progressive Rock
Release: CBS Records, USA, 1984.

#NowPlaying #USA #ProgressiveRock #1980s #CompactDiscCollector #CompactDisc #CD

COMPACT DISC SESSIONS

Artist: KANSAS [USA]
Title: The Best Of Kansas
Genre: Progressive Rock
Release: CBS Records, USA, 1984.

#NowPlaying #USA #ProgressiveRock #1980s #CompactDiscCollector #CompactDisc #CD