#RachelCusk

Verwundungen – Die Schriftstellerin Rachel Cusk – Von Thomas David

 Ö1 – Dienstag, 15. April 2025 um 16:05 Uhrhttps://oe1.orf.at/player/live

Seit Erscheinen ihrer gefeierten ‚Outline‘-Trilogie gilt Rachel Cusk als eine der innovativsten Schriftstellerinnen weltweit. Auch in ihrem jüngsten Buch ‚Parade‘ zeigt sie, was ein Roman im 21. Jahrhundert leisten kann.

Rachel Cusk wurde 1967 in Kanada geboren. Heute gehört sie zu den ganz Großen in der internationalen Gegenwartsliteratur. Ihre Bücher sind zutiefst persönlich, ohne dem Trend der Autofiktion zu folgen. Sie sind politisch in der Bloßstellung überkommener männlicher Privilegien, durch ihre authentische weibliche Stimme. Thomas David hat Rachel Cusk zu Hause in Paris besucht und sie in Alltagssituationen mit ihrem Ehemann, dem Maler Siemon Scamell-Katz, und der befreundeten Schriftstellerin Sheila Heti begleitet. Aus teils beiläufigen Gesprächen ergeben sich wesentliche Einblicke in Cusks Leben und Werk.

#Ö1 #Hören #Kanada #Literatur #RachelCusk #Schriftstellerin #ThomasDavid #Wissen

2025-03-25

Sort en tenim que les biblioteques graven i publiquen aquestes presentacions, perquè vam tenir la #RachelCusk a Barcelona i em va passar per alt.

youtube.com/watch?v=ENBK0XBFlL

Olen viime vuodet ollut suuri Rachel Cusk -fani, mutta nyt kyllä särähti. Mitä te ajattelette kritiikistä ja sen merkityksestä?

Lisäksi tuo mieskriitikoiden niputtaminen.

Binäärinen jako naisiin ja miehiin on kyllä tuottanut mulle ennenkin tuskaa Cuskin seurassa, mutta olen sen asian kanssa häntä lukiessani jotenkin uiskennellut.

quote
Cusk sanoo, ettei lue kritiikkejä tai anna niille mitään painoarvoa. ”En usko, että kukaan enää edes välittää kritiikeistä”, hän sanoo ja jatkaa:

”Miksi ketään pitäisi kiinnostaa, mitä joku mies kirjoittaa New York Timesissa? Aika on ajanut sellaisen ohi.”
unquote

#kirjamastodon #kritiikki #RachelCusk

hs.fi/taide/art-2000011066151.

2024-12-04

“Yazar […] Ne anlattığı hikâyenin içinde ne de şimdi bizimle. O iki zaman arasındaki boşluğun tam ortasında. Bana sorarsanız kadınca bir yerde ve özgür.”

—Ezgi Alkan’dan: Rachel Cusk’a Teşekkür manifold.press/rachel-cusk-a-t

Cassandra House of PriamCassandraHouseofPriam@tech.lgbt
2024-07-08

Sometimes you start to read something and the power of it hits you in the gut. #RachelCusk 's books create mixed reactions, but I don't think you can deny the amazing technical assurance she has, her willingness to expand writing structures and forms, the sheer ability to use language at its highest levels and the seriousness of her intent. I have just read the first part of her new novel #Parade (the section called The Stuntman which you can also read for free on the #NewYorker website) and its bravura examination of violence, misogyny, the act of creation, the nature of representation and abstraction in art and the novel, all told in symmetrical formations at the micro and macro level, has just floored me. @bookstodon

Book cover showing the title Parade,the author name Rachel Cusk, the publisher's logo FF all on a cream coloured background with an image of an art work just below centre representing a monolithic structure against a blue background.
2024-01-25

Another inspiring quote for #WritingQuoteThursday! This week's quote is from Rachel Cusk's captivating book Transit. Let these words ignite your creativity! #WritingInspiration #RachelCusk #BookQuote #ThursdayMotivation #Creativity

The 2015 Women’s Prize for Fiction shortlist is out and there are some wonderful books on the list this year.

I’m particularly interested in Laline Paull’s The Bees as I’ve mentioned in earlier posts.

Outline by Rachel Cusk

A woman writer goes to Athens in the height of summer to teach a writing course. Though her own circumstances remain indistinct, she becomes the audience to a chain of narratives, as the people she meets tell her one after another the stories of their lives.  Beginning with the neighbouring passenger on the flight out and his tales of fast boats and failed marriages, the storytellers talk of their loves and ambitions and pains, their anxieties, their perceptions and daily lives. In the stifling heat and noise of the city the sequence of voice begins to weave a complex human tapestry. The more they talk the more elliptical their listener becomes, as she shapes and directs their accounts until certain themes begin to emerge: the experience of loss, the nature of family life, the difficulty of intimacy and the mystery of creativity itself.’ (GoodReads)

The Bees by Laline Paull

Born into the lowest class of her society, Flora 717 is a sanitation bee, only fit to clean her orchard hive. Living to accept, obey and serve, she is prepared to sacrifice everything for her beloved holy mother, the Queen. Yet Flora has talents that are not typical of her kin. And while mutant bees are usually instantly destroyed, Flora is reassigned to feed the newborns, before becoming a forager, collecting pollen on the wing. Then she finds her way into the Queen’s inner sanctum, where she discovers secrets both sublime and ominous. Enemies roam everywhere, from the fearsome fertility police to the high priestesses who jealously guard the Hive Mind. But Flora cannot help but break the most sacred law of all, and her instinct to serve is overshadowed by a desire, as overwhelming as it is forbidden…’ (GoodReads)

A God In Every Stone by Kamila Shamsie

July 1914. Young Englishwoman Vivian Rose Spencer is running up a mountainside in an ancient land, surrounded by figs and cypresses. Soon she will discover the Temple of Zeus, the call of adventure, and the ecstasy of love. Thousands of miles away a twenty-year old Pathan, Qayyum Gul, is learning about brotherhood and loyalty in the British Indian army.  July, 1915. Qayyum Gul is returning home after losing an eye at Ypres, his allegiances in tatters. Viv is following the mysterious trail of her beloved. They meet on a train to Peshawar, unaware that a connection is about to be forged between their lives – one that will reveal itself fifteen years later, on the Street of Storytellers, when a brutal fight for freedom, an ancient artefact and a mysterious green-eyed woman will bring them together again.’ (GoodReads)

How To Be Both by Ali Smith

How to be both is a novel all about art’s versatility. Borrowing from painting’s fresco technique to make an original literary double-take, it’s a fast-moving genre-bending conversation between forms, times, truths and fictions. There’s a Renaissance artist of the 1460s. There’s the child of a child of the 1960s. Two tales of love and injustice twist into a singular yarn where time gets timeless, structural gets playful, knowing gets mysterious, fictional gets real—and all life’s givens get given a second chance.’ (GoodReads)

A Spool of Blue Thread by Anne Tyler

‘It was a beautiful, breezy, yellow-and-green afternoon…’  This is the way Abby Whitshank always begins the story of how she and Red fell in love that day in July 1959. The whole family on the porch, relaxed, half-listening as their mother tells the same tale they have heard so many times before.  And yet this gathering is different. Abby and Red are getting older, and decisions must be made about how best to look after them and their beloved family home. They’ve all come, even Denny, who can usually be relied on only to please himself.  From that porch we spool back through three generations of the Whitshanks, witnessing the events, secrets and unguarded moments that have come to define who and what they are. And while all families like to believe they are special, round that kitchen table over all those years we see played out the hopes and fears, the rivalries and tensions of families everywhere – the essential nature of family life.’ (GoodReads)

The Paying Guests by Sarah Waters

‘It is 1922, and London is tense. Ex-servicemen are disillusioned; the out-of-work and the hungry are demanding change. And in South London, in a genteel Camberwell villa — a large, silent house now bereft of brothers, husband, and even servants — life is about to be transformed as impoverished widow Mrs. Wray and her spinster daughter, Frances, are obliged to take in lodgers.  With the arrival of Lilian and Leonard Barber, a modern young couple of the “clerk class,” the routines of the house will be shaken up in unexpected ways. Little do the Wrays know just how profoundly their new tenants will alter the course of Frances’s life — or, as passions mount and frustration gathers, how far-reaching, and how devastating, the disturbances will be.’ (GoodReads)

What are your thoughts on this year’s shortlist? Visit the Women’s Prize website for more info about this year’s nominated books.

https://lilolia.wordpress.com/2015/04/16/2015-baileys-womens-prize-for-fiction-shortlist/

#AliSmith #AnneTyler #Fiction #KamilaShamsie #LalinePaull #LiteraryFiction #RachelCusk #ReadingList #SarahWaters #WomenSPrizeForFiction #WomenSPrizeShortlist

Willemijn DickeWillemijndicke
2023-08-18

Ik las dan eindelijk mn eerste Rachel Cusk. Het werd de bejubelde roman Outline.
Werkelijk virtuoos geschreven, op elke bladzijde wel een geweldige metafoor of scherpe observatie, maar de verhalen van deze passanten konden me niet raken.
@boeken

2023-07-30

I finished #TheVampireLestat and moved to #Outline by #RachelCusk . Both books have Greece as a setting. Both depend on characters telling the narrator stories about themselves. Cusk is writing #metafiction though. Both books do however focus on the nature of love and the ways love serve as the centrality of identity. #Rice book reminds me on this second reading of #TheMagus : an elite with its administrative centre in Greece that has located for itself a prehistoric origin tied into old religious forms. #bookstodon

2023-07-20

My vacation reads. #AnneRice, The Vampire Lestat. #RachelCusk, The Outline trilogy. #bookstodon #novel

2023-05-08

#RachelCusk, dolore su tela

Chiedersi quale sia il proprio posto nel mondo e, una volta individuato, assestarcisi accettando di soffrirne la eventuale marginalità; venire a patti con la propria immagine, quando non coincide con
The post #RachelCusk, dolore su tela first appeared on il manifesto.

#RachelCusk, pain on canvas

To ask oneself what one's place in the world is and, once identified, to settle down accepting to suffer its eventual marginality; to come to terms with one's image, when it does not coincide with
The post #RachelCusk, pain on canvas first appeared on il manifesto.

7-5-2023 0:4 #il manifesto cms.ilmanifesto.it ilmanifesto.it/rachel-cusk-dol

2023-04-09

"Michelle had to get up with her now when she had to go."
first sentence of "The Lucky Ones" by #RachelCusk on #isbnmaschine
isbn-maschine.de/978-0-00-7163

2023-03-20

"An astrologer emailed me to say she had important news for me concerning events in my immediate future."
first sentence of "Transit" by #RachelCusk on #isbnmaschine
isbn-maschine.de/978-1-910-702

2023-03-09

"There was no romance in it, no place that was covered up and that you weren't allowed to see."
middle sentence of "Outline" by #RachelCusk on #isbnmaschine
isbn-maschine.de/978-1-784-702

2023-03-03

"It was while in this state that she had walked past the gallery and seen the reproduction of Marsden Hartley's painting on the poster."
middle sentence of "Transit" by #RachelCusk on #isbnmaschine
isbn-maschine.de/978-1-910-702

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