#RayEames
"California Arts & Architecture began in 1929 as a magazine for residential design featuring a wide range of styles from Tudor to Mediterranean. When it declared bankruptcy in 1938, the magazine was purchased by John Entenza who transformed it into a modernist haven for design. When Charles and Ray Eames relocated to Los Angeles in 1941, they became friends with Entenza. Ray designed twenty-six covers for Arts & Architecture between 1942 and 1947. Her cover designs highlighted her interest in collage, biomorphic and geometric forms, and pops of color. See “California Modernist Women: Groundbreaking Creativity” on display, post-security, in Harvey Milk Terminal 1. https://bit.ly/CaliforniaModernistWomen" This was posted to our Instagram account on April 12, 2023 – https://millsfield.sfomuseum.org/instagram/1880151023/
"Eames plywood chairs exhibit a functional and sculptural, harmoniously simple design that flexes to fit the sitter through pivoting rubber shock-mount connections. Developed from 1943–48 by Evans Products’ Molded Plywood Division, the project was based initially on a conventional, single-piece seat and back. A two-piece design proved more practical and cost effective, with separate seats and backs formed from sheets of wooden veneer that were glued and pressed between heated steel and plaster molds. Molded plywood chairs were available in ash, birch, rosewood, and walnut veneers in natural, red, or black finishes, or upholstered in a variety of animal hides, fabric, leather, or Naugahyde vinyl." This was posted to our Instagram account on March 03, 2017 – https://millsfield.sfomuseum.org/instagram/1729359763/
Team retreat at the Eames Archives and Ranch
Last week, the Eames Institute Digital Product team got together at the newly-opened Eames Archives in Richmond, CA and the currently-under-renovation Ranch in Petaluma, CA. Llisa Demetrios – one of the Eames grandchildren, a founder of the Eames Institute, and our Chief Curator – gave DP a private tour of the Archives, and we walked from one end of the Ranch to […]
https://piperhaywood.com/team-retreat-at-the-eames-archives-and-ranch/
#agriculture #Ambrook #BayArea #California #CharlesEames #Eames #EamesArchives #EamesInstitute #failure #LetterformArchive #PetalumaCA_ #RayEames #RichmondCA_ #sheep #sustainability #TempleGrandin
Visit the Eames Archives
The Eames Archives is open! 🎉
Visit the Eames Institute website to book a tour.
The new Visit page on the site hints at our major overhaul of EI’s digital presence and tooling, currently in progress under the direction of Eric Li. More to come…
https://piperhaywood.com/visit-the-eames-archives/
#CharlesEames #development #Eames #EamesInstitute #RayEames #website #work
When you hire smart designers to do something original, you might get as lucky as #Polaroid did when it hired the #EamesOffice in 1972 to promote its newest product, the #SX70 #camera
🔴 The Daily Heller: Hold Onto Your Seat for Steinberg and The Eameses
Feat.: @EamesInstitute exhibit “Steinberg Meets the Eameses.”
By Steven Heller @thedailyheller at @printmag
#RayEames #CharlesEames #SaulSteinberg #design
I just published a profile on the designer Ray Eames last night while trying to get over jet lag. While not an interaction designer, Eames and her husband, were quintessential mid-century designers working across media. Ray thought about data, about making models to work through concepts, making information clear, and if digital had been around, I am sure they would have worked in that media as well.
#HCIHistory overview by @boris: Menus, Metaphors and Materials: Milestones of User Interface Design https://borism.medium.com/menus-metaphors-and-materials-milestones-of-user-interface-design-f3f75481c46c
» Industrial designers are aware of the work by #DieterRams, #RayEames and #EttoreSottsass. Communication designers are aware of the work by #PaulaScher, #OtlAicher and #AprilGreiman. So it only makes sense that user interface designers should be aware of the work by #CordellRatzlaff, #SusanKare and #KaiKrause.«
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