#SAXON

2026-02-27

Review: Severe OVerbite “Evil Minds”

Release date: 17 April 2026

Label: Independent

3–4 minutes

Gage J. Tolin

Swedish duo Severe Overbite returns stronger and heavier with a four track EP “Evil Minds” set for release April 17 2026. The EP is a major step forward for the band delivering a more mature and powerful sound than the 2024 debut album. The songs show a more mature side of the band with power, heavy riffs and catchy melodies still with the NWOBH influence. The album was filled with songs written in the 80’s and the EP contains an old song as well. The heaviest song , Deep Cut, was first
demoed 40 years ago in February 1986. Lyrically the EP explores war, love from a distance and that you should seize the day.

LINE-UP:
Håkan Mårtensson- Vocals
Jonas Öhlund: Guitar, bass and keyboard

Review

“Evil Minds” featured an incredibly bass forward approach to its production that I deeply appreciated, it gave the track a very satisfying ‘chugging’ quality. The Iron Maiden influence instrumentally speaking was pretty strong, but more geared toward the “Flight of Icarus” side of things. Håkan’s vocals sound both raw and polished at the same time, and there’s a maturity and methodical nature in the way he delivers each lyric. To build on that maturity, the band is an almost entirely two-man project, with the pair handling all mixing, production, and songwriting, themselves. That DIY ethos and no frills sort of stance is what heavy metal is all about.

“Walk Your Own Way” had a nice Sabbath-like bend to kick off before the main riff let loose into a nice groove. While the tempo remains at the same chugging as the prior track, it didn’t feel repetitious in the slightest. Once more, Håkan’s vocals are delivered in a way that is only moderately different from the opener, but just enough to give this one some extra juice. On top of that, I found the self-reflective and empowering nature of the lyrics to be a serious bright spot for the song.

“Deep Cut”, the one the promo lauded as ‘the heaviest’ song opened up with a hell of a riff to back up that claim. Jonas is letting loose some insanely grooving basslines. Vocally, Håkan reminded me a lot of golden age Saxon here, as did this whole song in fact. While in comparison to their other work, the lyrics here can seem a bit barebones (after all they wrote it 40 years ago!), I think that gives the track a sort of retro-adjacent charm.

“Roll With the Punches” had an ever so slightly more upbeat tempo that the rest of EP, but not enough that I could or would call it ‘speedy’. While I did love the overall melody of the chorus, and the delivery therein, I couldn’t help but feel that the song needed an extra bit of something to really polish it off. It’s an earworm of a chorus, and the groove of the song has a nice amount of headbanging quality behind it, but something felt missing here. Not sure what it is though.

Conclusion

Severe Overbite’s latest EP shows that their debut album wasn’t just a flash in the pan, and that the Swedish duo has a bit more left in their tanks. While it doesn’t break new ground or shatter the sky, it isn’t trying to, this is two dudes just playing rock n roll for the sake of rock n roll, and that should always be commended. As a sucker for DIY projects, I say “hats off!” to Severe Overbite for putting out another solid release.

TheNwothm Score: 8/10

Links

Bandcamp: https://severeoverbite.bandcamp.com/

Facebook: https://facebook.com/SevereOverbite

Instagram: https://www.instagram.com/severeoverbite/

Label: Independent

Read More Reviews

#EP #HeavyMetal #IronMaiden #NewAlbum #NewWaveOfTraditionalHeavyMetal #nwobhm #NWOTHM #Review #saxon #SevereOverbite #supportIndependentBands #SwedishHeavyMetal #thenwothm #thenwothmCom #unsignedBand
2026-02-27
Rozario – Northern Crusaders Review By Holdeneye

After removing my clothes, I wade into the promo sump. Yes, nakedness is advised for such a foray, as any loose material can get you ensnared by the bog’s filtration and disposal machinery or by the foul denizens that reside within the sludge. I enter herein with a single purpose in mind: to find a promo that will restore my credibility as a reviewer, if I ever had any to begin with. Since my return to the hall, I’ve written 3.5 after 3.5, and I am in search of something that will bring my average down before I am made to “non-suspiciously” disappear again. I reach down and grasp a promising prospect. Pieces of congealed n00b meat and 16-year-old promo remains fall from the cover, revealing a band name that sounds like some guy’s last name and a photo of several dudes in various tough-guy poses. I smile, allowing myself to hope that I’ve found what I’m looking for. Further investigation reveals Rozario’s Northern Crusaders to be a 50-minute-long heavy/power metal album, and I tell myself that this has 2.5 written all over it. Yep, this’ll do.

My confidence grows when I see that these Norwegians have picked the album’s first two songs as singles. “Fire and Ice” starts things off with some energetic power metal-infused heavy metal that brings Dream Evil immediately to mind. After a huge earworm chorus and some killer riffing and leads, the song winds down, and I’m horrified to realize that I’ve been involuntarily smiling and headbanging the whole time. Fear not, I say to myself. The next single can’t be as good. “We are One” takes the momentum of the opener and runs with it. I hear Brainstorm. I hear Dio. I hear more Dream Evil. I hear an even bigger chorus. Shit.

Not to worry! I’m sure they’ve simply stacked the singles at the front because they’re the best tunes. A qualitative drop-off is sure to come! Just as those foolish words finish leaving my mind-lips, “Down Low” slaps me across the face with a down-tuned chug that I didn’t see coming. This PED-enhanced version of Rozario, also seen on “Sleepless” and “Betrayed,” fits the Brainstorm mold alluded to above, and even ventures towards Mystic Prophecy levels of heaviness. “Crusader” and “Die Like Warriors” both see the band putting their Saxon pants on, their quality daring me to add them both to my “SWOARDS” playlist of battle-ready metal.

I finish Northern Crusaders for the first time and am surprised at just how fast the album’s 50 minutes flew by. I play it again. I like it even more. I am totally fucked. Sure, I can look across the album’s track list and pick out two songs that I don’t absolutely love (“Coming Home” and “The Warning”), but they’re still good songs whose place in the runtime almost totally mitigates any potential impact they could have had on the overall flow. I’m rather pissed that singer David Rosario puts in a journeyman performance with his weathered voice, and I’m even more upset that he’s filled his near-eponymous band with so much talent, particularly on guitar. The duo of Stein Hjertholm and Taran Lister has filled these tracks with muscular riffs, beautiful leads, and face-melting solos, and this is a huge reason that Northern Crusader feels so effortless and easily replayable. Even the production is fantastic. Gah! What a catastrophe!

It’s now been several weeks since I plucked this from the sump. As I put the finishing touches on the review and prepare to enter the final rating, I am suddenly aware of a presence in the room with me. I look up from my laptop screen to see 3.5 glaring at me with a sinister smile on its face. “You couldn’t live with your own failure,” it says. “Where did that bring you? Back to me.” I type the score, realizing it is futile to resist, fully aware that I’ve made the mistake of judging Rozario’s Northern Crusaders by its cover. I slam my computer screen down, stand up, and walk away, naked and full of shame.1

Rating: 3.5/5.0
DR: 10 | Format Reviewed: 320 kbps mp3
Label: Pride & Joy Music
Websites: rozarioofficial.com | facebook.com/rozarioband
Releases Worldwide: February 20th, 2026

#2026 #35 #Brainstorm #Dio #DreamEvil #Feb26 #HardRock #HeavyMetal #MysticProphecy #NorthernCrusaders #NorwegianMetal #PowerMetal #PrideJoyMusic #Review #Reviews #Rozario #Saxon
2026-02-23

Zeit für einen Klassiker

song.link/y/hr5rroJqE0I

#Saxon

" #Punkrock war immer sehr modebewusst, es kostete viel Geld, sich wie ein echter #Punk zu kleiden. Unser Publikum stammte aus der Arbeiterklasse, unsere Klamotten kauften wir in Oxfam-Läden. Wir sahen aus wie Rebellen." #Saxon #NWOBHM #DeninAndLeather #BiffByford classicrock.net/saxon-jeans-...

Saxon - Jeans und Lederjacke -...

2026-01-28

For some reason I listened to a Manfred Mann's Earth Band album and for some another reason my music player suggested Saxon's Solid Ball of Rock next and I'm like... 🆗

🎵 Solid Ball of Rock by #Saxon
💿 Solid Ball of Rock, 1990
▶️ song.link/y/rlt4vltmOeo

#MittwochMetalMix #TomsMusic

MonkeybreadSoftwareMonkeybreadSoftware
2026-01-28

Use Saxon to query details from FileMaker's Save as XML files

Did you know that you can use our functions in MBS Plugin to run XPath Queries against the XML file that wrote with the Save as XML script step?

mbsplugins.de/archive/2026-01-

2026-01-21
Beyond the Black – Break the Silence Review By ClarkKent

Beyond the Black play the sort of female-led symphonic metal that seems to get a bit of traction in Europe. Since Jennifer Haben formed the band in 2014, they have recorded five LPs that climbed the charts in her home country of Germany as well as those of neighboring countries. They’ve also gone on European tours in support of popular acts like Aerosmith, Scorpions, Korn, Saxon, and Within Temptation. Break the Silence, their sixth record, finds them at their peak. It’s a concept album revolving around themes of communication and connection. This concept materializes in the form of international guest collaborators— from Germany, Bulgaria, and Japan—and diverse languages—English, French, and German. Considering the poor reception symphonic bands like this have received on the blog (see Within Temptation), I can sense your skepticism. What Beyond the Black needs to break in order to win over this readership isn’t the silence but the mold.

Similar to Elettra Storm and Darkyra, Beyond the Black plays a form of symphonic metal that falls somewhere between hard rock and power metal, leaning a little more into the heavier stuff. Tracks follow a pretty standard formula with catchy choruses, above-average riffs, and plenty of solos. The symphonic portion is surprisingly muted, but it does add some emotional depth to songs like “The Art of Being Alone” or even distinctive hooks (“Let There Be Rain”). At the heart of the music is Haben’s vocal performance. Her voice has a poppy, clean character, and Beyond the Black forgo the beastly growls that typically balance out the beauty. This type of performance could easily become sterile, but she shows some range on tracks like “Ravens,” where her voice switches from somber to a soaring chorus that could find a home on the KPop Demon Hunters soundtrack. Her strength is most apparent on the finale, “Weltschmerz,” a gentler, symphonic-led tune that allows Haben to take charge with a moving performance.

Despite the mostly close adherence to the same formula from song to song, Beyond the Black add enough variety to keep things from growing stale. Collaborators help in this regard, and they have two really good ones. Chris Harms (Lord of the Lost) lends his charismatic baritone on “The Art of Being Alone,” an entertaining bit of gothic metal that includes rather dramatic symphonic instrumentals and keyboards. My favorite track, “Let There Be Rain,” gets a boost from its collaboration with The Mystery of the Bulgarian Voices, a cheerful all-female choral group, as well as a nifty symphonic hook that puts a smile on my face. Break the Silence has a consistently high energy throughout—reaching near-thrash levels on “The Flood”—but a few songs break up the pace to avoid monotony, such as the more sober, arpeggio-driven “Ravens,” and the melodic adult rock of “(La Vie Est Un) Cinéma.” The consistently catchy hooks that permeate this varied record highlight just how talented this group is.

Unfortunately, some nagging issues and a weak-ish back half keep this from reaching the heights of fellow symphonic/pop group, Lord of the Lost. “The Flood” is a terrific tune hampered by an unfortunate decision to include prominent robo vocals that are more grating than cool, or whatever they’re meant to be. The two songs that follow, however, sink the record even further, as they lack any hooks to raise them above the fray. One of these is an unfortunate waste of the talents of Asami (Love Bites) in a bit of synth-pop on “Can You Hear Me” that had me wondering if I was listening to a cover of a Pink tune. The last couple of tracks do end Break the Silence on a stronger note, with the catchy chorus of “Hologram” and the aforementioned showstopper of “Weltschmerz.” These keep the record safely in the solid territory despite a brief weak streak.

Admittedly, I had no prior history with Beyond the Black, but based on the time I spent with their previous two albums, Break the Silence is a marked improvement. This is yet another pleasant surprise in the realm of symphonic metal released by the larger metal labels, along with last year’s two Lord of the Lost records. If this genre is in your wheelhouse, or you’re a fan of Beyond the Black’s prior work, you’re in for a treat. Fortunately, Break the Silence proves to be better than the soulless dreck that often floods this genre. It has heart, a powerful message, and, best of all, good music.



Rating: 3.0/5.0
DR: 6 | Format Reviewed: 256 kbps mp3
Label: Nuclear Blast Records
Website: Bandcamp | Facebook | Official Site
Releases Worldwide: January 9th, 2026

#2026 #30 #Aerosmith #BeyondTheBlack #BreakTheSilence #Darkyra #ElettraStorm #GermanMetal #HardRock #HeavyMetal #Jan26 #Korn #LordOfTheLost #LoveBites #NuclearBlastRecords #Pink #PowerMetal #Review #Reviews #Saxon #Scorpions #SymphonicMetal #TheMysteryOfTheBulgarianVoices #WithinTemptation
2026-01-15

" You just have to have a lot of luck — a lot of talent and a lot of luck."

Happy 75th birthday to Biff Byford, Born today 15th January 1951

#saxon #photography #biffbyford #music #photography

Hooked On Musichookedonmusic
2026-01-08
*** NEWS *** - VENGER suchen den Weg durch das Labyrinth

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