Slowdive(band) - Pygmalion
(Shoegaze, Experimental, Electronic / Sony Music Entertainment)
"Mit ihrem dritten Album "Pygmalion", das zwei Jahre nach "Souvlaki" im Jahre 1995 erschien, schlugen Slowdive einen völlig neuen musikalischen Weg ein."
Wie dieser neue musikalische Weg klingt hat @oranje1986 euch in der review beschrieben.
https://vinyl-keks.eu/slowdive-pygmalion/
#slowdive #pygmalion #shoegaze #experimental #electronic #sonymusic #fleetunion #neuauflage #vinyl #review
1:40pm Sugar for the Pill by Slowdive from Slowdive
#KJAC #TheColoradoSound #Slowdive
Slowdive(band) - Souvlaki
(Shoegaze, Dreamwave / Sony Music Entertainment)
"Nach ihrem starken Debütalbum "Just For A Day" 1991 veröffentlichten Slowdive 1993 ihr zweites Album "Souvlaki". Es gilt heute als ihr bekanntestes und einflussreichstes Werk – ein Album, das den Sound des Shoegaze-Genres entscheidend mitgeprägt hat und weltweit den Bekanntheitsgrad hochgeschraubt hat."
Review von @oranje1986
https://vinyl-keks.eu/slowdive-souvlaki/
#slowdive #souvlaki #shoegaze #sonymusic #fleetunion #vinyl #review
2:32am Sing by Slowdive from Souvlaki
#KJAC #TheColoradoSound #Slowdive
11:58am Alison by Slowdive from Souvlaki
#KJAC #TheColoradoSound #Slowdive
Slowdive(band) - just for a day
(Dreamwave, Shoegaze / Sony Music Entertainment)
Es ist ein Album, das in der Musikgeschichte einen bleibenden Eindruck hinterlassen hat und das auch heute noch als ein Grundpfeiler des Genres gilt.
Das erste von drei neu aufgelegten Slowdive Alben hat Stephan @oranje1986 für euch besprochen.
https://vinyl-keks.eu/slowdive-just-for-a-day/
#slowdive #fleetunion #dreamwave #shoegaze #Sony #sonymusic #neuauflage #musikgeschichte #1991 #justforaday #FleetUnion
Don't Know Why 🤷
#Slowdive
https://www.youtube.com/watch?v=qd_kYNbiTcU
She Calls 🤙🏿
#Slowdive
https://www.youtube.com/watch?v=AEQrZbeFqdM
🇺🇦 #NowPlaying on #BBC6Music
Slowdive:
🎵 Celia's Dream
https://theblogthatcelebratesitself.bandcamp.com/track/li-f-e-celia-s-dream
https://open.spotify.com/track/58LwagSpbHNBrIr6kyb0cD
Please 🔁 BOOST to share what you like
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#NowPlaying Chapterhouse - Whirlpool (Expanded Edition) 🎶 An underappreciated band from the 90s. I'd definitely recommend them to fans of #Slowdive and #Ride. This is like the original album but longer. I'm a font of knowledge. #shoegaze #alternative #dreampop #spacerock
Mi Dios es el sol: 12 canciones que claman por un poco de solcito en este crudo invierno | vía #NaciónRock
#chriscornell #deftones #especiales #nirvana #pinkfloyd #queensofthestoneage #rageagainstthemachine #slowdive #swans #thebeatles #violentfemmes
Slowdive / Just For A Day (1991); Ein flirrendes, verträumtes Debüt, das Slowdive als zentrale Kraft des Shoegaze etabliert. Gitarren verschwimmen zu dichten Klangteppichen, über denen schwebender Gesang liegt – melancholisch, hypnotisch, fast körperlos. Songs wie „Celia's Dream“ oder „Spanish Air“ wirken wie Erinnerungen an Gefühle, die nie ganz greifbar waren. Kein Album für Eile – sondern für das Versinken. #Slowdive #DreamPop #IndiePop #IndieRock #Shoegaze #Reading #RachelGosell
Souvlaki Space Station 🚀
#Slowdive
https://www.youtube.com/watch?v=oMAJ7RsuYUs
Sylvanshine – The Offering Review
By Killjoy
The contrast of opposites is fundamentally important in art, and Sylvanshine is an apt name to illustrate this principle. As I just learned from Wikipedia, “Sylvanshine is an optical phenomenon in which dew-covered foliage with wax-coated leaves retroreflect beams of light, as from a vehicle’s headlights. This effect sometimes makes trees appear snow-covered at night during summer.” Fittingly, Ion Ureche’s blackgaze project from Bucharest, Romania, deals with opposing themes, specifically “love and loss, hope and desperation.” Not exactly uncommon themes in blackgaze, but how clearly does Sylvanshine’s debut full-length album portray them?
The Offering oscillates fluidly between the “black” and the “gaze” at a moment’s notice. Crystalline post-black tremolo riffs shimmer and dance to and fro, intertwined with distorted guitar chords and blast beats. The dreamier guitarwork is not unlike that of Alcest’s debut Souvenirs d’un Autre Monde, with plenty of Shelter-era influence also thrown in the mix. What sets Sylvanshine apart from many of its blackgaze peers is the heavy reliance on delicate acoustic guitar plucking and strumming in the vein of early Slowdive. There are three tracks entirely dedicated to this instrument, and it features prominently in the bridges of several others to counterbalance the moody aggression with an intimate touch.
It’s clear that Ureche is a guitarist first and foremost.1 The Offering’s crisp, clear, and poignant lead guitar lines are where the emotional duality alluded to in the promo material shines. The ringing, sorrowful melodies in “Cri de Coeur” and “Rebirth” grow more hopeful as the songs progress, like sunlight breaking through cloudy fissures. If the vocals were similarly expressive, Sylvanshine would be onto something special. They remind me of Sergio Catalán’s deep growls in Winds of Tragedy, but, unfortunately, with more croak than roar. At best, they sound flat (“The Moon and Stars Above,” “Cri de Coeur”) and, at worst, they clash with the guitars (“The Offering”). To his credit, Ureche plays to his strengths by allocating the majority—if not entirety—of each song to instrumental performances.
However, this songwriting decision could have benefited from further refinement in execution. This is particularly true of the tracks that are solely instrumental. It would have been fine to start the album with one acoustic track (“Dirge for a Love”), but the placement of another (“Nothing Will Ever Be the Same”) immediately after the first proper song, “Cri de Coeur,” causes a major pacing stumble. The acoustic guitar bouquet “Reverie” that later follows is gorgeous, but repeats for too long and should have either been fleshed out or trimmed. By the time 5-minute closer “Rebirth” rolls around, instrumental fatigue has set in. Some of the other short songs, “Running from Myself” and “The Offering,” show promise but feel disjointed and underdeveloped. The latter briefly dips into gothic territory midway through, with darker riffs and a haunting organ which sounds slightly out of context here, but the style could fit Sylvanshine very well given more time and attention.
Sylvanshine has all the makings of a young artist in the process of finding his voice, both figuratively and literally. Ion Ureche has a natural talent for composing and performing guitar melodies that mirror the ever-changing spectrum of human emotion. That said, further vocal training—or the addition of a more practiced vocalist—would do wonders for the project. He also has room to grow as a songwriter, and I get the sense that his skill ceiling is high. The Offering is a respectable debut album, but improvement in these main areas will help Sylvanshine to truly stand out amongst the crowd.
Rating: 2.5/5.0
DR: 8 | Format Reviewed: PCM
Label: Self-Release
Websites: sylvanshine.bandcamp.com | facebook.com/sylvanshineMusic
Releases Worldwide: May 23rd, 2025
#25 #2025 #Alcest #BlackMetal #Blackgaze #May25 #PostBlackMetal #Review #Reviews #RomanianMetal #SelfRelease #Shoegaze #Slowdive #Sylvanshine #TheOffering #WindsOfTragedy
9 tracks in and there are no duds; this album keeps surpassing itself in grooviness, with the dopamine hits coming with every key change, buildup, breakdown. I think #Stereolab have done a #Slowdive here and outdone the first, legendary phase of their career. #InstantHologramsOnMetalFilm
🇺🇦 #NowPlaying on #KEXP's #VarietyMix
Slowdive:
🎵 Star Roving
