#Visualeffects

FanthaTracks | Star Wars Newsfanthatracks
2026-03-05

98th Academy Awards: Visual Effects - Meet The Nominees

 #StarWars  

Check out some of the incredible work on display in the VFX category at the 98th Academy Awards.

Read the whole story at the below link:

fanthatracks.com/news/film-mus

2026-02-28

VFX Artists React to 2026 Oscar-Nominated CGI

yt.lostpod.space/w/biiAUjqXwe6

malducinmalducin
2026-02-26

The took place last night, and Avatar: Fire and Ash was the big winner, taking 7 awards including Outstanding in a Photoreal Feature. Sinners won for supporting VFX. KPop Demon Hunters dominated the animation category. On the TV side, awards were more spread out but Andor season 2 took 2 awards. Congrats to all the winners and hard working cre3ws

variety.com/2026/artisans/news

NVIDIA (@nvidia)

2026년 기술 공로 아카데미상(Technical Achievement) 수상자로 Andrea Weidlich와 Luca Fascione가 선정되었습니다. 이들은 WetaFX에서 레이어드(material) 시스템을 발전시켜 포토리얼리스틱 소재 모델링을 혁신적으로 개선한 공로를 인정받았습니다.

x.com/nvidia/status/2027083731

#visualeffects #materialmodeling #vfx

el.cine (@EHuanglu)

Seedance 2.0이 한 장의 사진과 10분 만으로 John Wick과 함께 $10M 규모 씬을 생성할 수 있다고 주장하며 '할리우드를 뒤흔들었다'고 소개합니다. 고도화된 합성/시각효과 생성 도구로 보이는 혁신적 응용 사례입니다.

x.com/EHuanglu/status/20265063

#seedance #generativeai #deepfake #visualeffects

malducinmalducin
2026-02-23

The BAFTA for Special Visual Effects is awarded to Joe Letteri, Richard Baneham, Daniel Barrett and Eric Saindon for Avatar: Fire and Ash

The BAFTA for Special Visual Effects is awarded to Joe Letteri, Richard Baneham, Daniel Barrett and Eric Saindon for Avatar: Fire and Ash.

Min Choi (@minchoi)

‘Hollywood VFX will never be the same...’라는 문구와 함께 Seedance 2.0을 언급. Seedance 2.0 출시(또는 메이저 업데이트)가 VFX 분야에 큰 변화를 예고한다는 내용의 짧은 발표/홍보성 트윗.

x.com/minchoi/status/202317087

#seedance #seedance2 #vfx #visualeffects #ai

Luma AI (@LumaLabsAI)

Ray3.14을 이용해 네이티브 1080p로 VFX(예: 공중부양, 염력 등)를 생성할 수 있다는 제품/기능 안내입니다. 클립을 불러와 불가능해 보이는 장면을 연출할 수 있으며 현재 Dream Machine에서만 이용 가능하다고 홍보하고 있습니다.

x.com/LumaLabsAI/status/202234

#ray3.14 #vfx #dreammachine #generativevideo #visualeffects

malducinmalducin
2026-01-27

The nominees for Best Special are:

Avatar: Fire and Ash
F1
Frankenstein
How to Train Your Dragon
The Lost Bus

Congrats to all the crews

The BAFTA image card showing the VFX nominees
malducinmalducin
2026-01-22

The nominees for Best are:

Avatar: Fire and Ash
Joe Letteri, Richard Baneham, Eric Saindon and Daniel Barrett

F1
Ryan Tudhope, Nicolas Chevallier, Robert Harrington and Keith Dawson

Jurassic World Rebirth
David Vickery, Stephen Aplin, Charmaine Chan and Neil Corbould

The Lost Bus
Charlie Noble, David Zaretti, Russell Bowen and Brandon K. McLaughlin

Sinners
Michael Ralla, Espen Nordahl, Guido Wolter and Donnie Dean

Congrats to all crews

Phantastik-News.dephantastiknews
2026-01-21
malducinmalducin
2026-01-15

BAFTA also announced their long lists for their awards. The ten finalists for Best Special Visual Effects, out of 71 films submitted for consideration, are:

Avatar: Fire and Ash
F1
Frankenstein
How to Train Your Dragon
Jurassic World Rebirth
The Lost Bus
Mickey 17
Superman
Tron: Ares
Wicked: For Good

bafta.org/stories/longlists-20

2026-01-04

Re-watching #TheWizardOfOz movie for the first time in years, I kept an eye out for the transition from black-and-white to colour.

It is quite clever and low tech. It's not an in-camera effect. It's not a film splice, or done via printing.

It's very simply a double dressed in a black-and-white version of the Dorothy costume, in a low light, back to the camera, and opening a black-and-white door, who steps out of shot for the coloured-costume Garland Dorothy to step back into shot and pass through the door.

There are some slight differences in the costume, in the lines of some of the folds, that give this away.

One can also just about make out the trap door that the WWOTW drops through in order to disappear in a cloud of smoke and flame from Munchkin City.

#SpecialEffects #VisualEffects #VFX #WizardOfOz

AI Daily Postaidailypost
2025-12-25

Hollywood poured billions into AI tools in 2025, betting on generative magic from OpenAI, Google and startups like Asteria. Yet post‑production pipelines and visual‑effects studios still wrestle with buggy models and unmet promises. What’s really changing on set, and what’s still hype? Dive into the full analysis.

🔗 aidailypost.com/news/hollywood

Deadlinedeadline
2025-12-16

Oscar Shortlists In 12 Categories Revealed: ‘Sinners’, ‘Wicked: For Good’, ‘One Battle After Another’, ‘Avatar: Fire And Ash’ & More

deadline.com/2025/12/oscars-sh

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