#cubism

Hotspur🏳️‍🌈🇺🇦Vagrarian@vivaldi.net
2025-05-14

"Guitar with Inlays," Juan Gris, 1925.

And hello again to my favorite Cubist, Juan Gris (1887-1927). I've talked about him before so I won't repeat myself. He's been described as perhaps the purist Cubist; he died young and thus never moved away from the style.

Like many Cubists, he was fascinated by musical instruments, and being a Spaniard, it seems natural he'd be drawn to the guitar. Here we have a still life that's fairly representational but still undeniably Cubist, with a bowl of grapes, a pipe, a book (or is it sheet music?), and of course, the inlaid guitar.

This is an example of what became known as Synthetic Cubism, where they became more representational, but would also depict objects as being broken into component shapes, often asymmetrical and out of perspective, so while they're recognizable, they're still off-kilter. Gris does a good job with it.

From the Museo Nacional Centro Des Arte Reina Sofia, Madrid.

#Art #Cubism #SyntheticCubism #JuanGris #Guitar #StillLife

A Cubist painting, depicting a still life with a recognizable guitar with black-and-white inlays, a footed bowl, a pipe, some sort of manuscript, and another bowl with grapes, on a table covered with a blue-and-black striped cloth. While more representational than some other Cubist works, it's still undeniably in that style.
Delirium Fusiondeliriumfusion
2025-05-13

Cuando tuvimos que hacer un retrato de nuestro profesor y director Roberto Orallo. He sido afortunada de tenerle de ambos.

dibujo a tinta y lápices acuarelables, retrato de Roberto Orallo inspirado en estilo cubista
Ele Willoughby, PhDminouette@spore.social
2025-04-29

Happy birthday #mathematician Henri Poincaré
(1854-1912), here in my Cubist #linocut portrait.

This print is about how movements in art can be connected with contemporary #math & #physics. Specifically, the way #Cubism breaks from a single favoured perspective or absolute frame of reference & breaks down subjects into geometrical shapes from multiple points of view can be tied to advancements in non-Euclidian geometry in math & special 🧵

#printmaking #sciart #Poincaré #MastoArt

Cubism inspired linocut portrait of Henri Poincaré. The background is grey with brown, white and orange and lines and curves in dark blue. He wears a suit with bow tie in dark blue, has a beard and monocle and everything is broken into shapes and planes and his face in particular looks like it’s viewed from multiple perspectives simultaneously
Yucan Sparkle 🫧💖👀YucanSparkle
2025-04-28

Dreamy minecraft makeover, become cube now!

Minecraft but a frog double is taking over for a makeover
2025-04-27

#Caturday:
Jean Metzinger (France, 1883-1956)
Homme assis au chat (Seated Man with #Cat ), 1917-18
Oil on canvas, 12 3/5 x 16 1/10 in.
On display at Nassau County Museum of Art NY
#CatsInArt #Cubism

photo: closeup of the cat in the painting, black / grey / white in seated face forward posephoto of artwork in in gold lined white mat on display at museum - Jean Metzinger “Seated Man with Cat” oil painting in landscape orientation, colorful Cubist composition, cat in lower rightgallery label: “Jean Metzinger (1883-1956) Homme assis au chat (Seated Man with Cat), 1917-18 Oil on canvas 12 3/5 x 16 1/10 inches Collection of Arlene and Arthur S. Levine French painter and theorist Jean Metzinger contributed to the promotion of Cubism to the general public, more so than his contemporaries Georges Braque and Pablo Picasso. He combined the Pointillist technique of Georges Seurat and Henri- Edmond Cross with the colorful Fauve aesthetic of Henri Matisse and Andre Derain, producing innovative compositions with modeled forms and multiple angles. Metzinger passionately advocated against traditional artistic approaches in such publications as Du cubisme (On Cubism), which he wrote with Albert Gleizes. Through his writing, he became one of the foremost theoreticians of the new avant-garde language, laying the theoretic foundations for Cubism. Through such paintings as this colorful composition, Metzinger captured a sense of pictorial dynamism and explored multiple perspectives, helping to bring about a shift in attitudes toward avant-garde art. ACM”
2025-04-24

Beek - 14-04-25

Available as original (if not sold), prints & printable. DM me for more info.

Click here to see this artwork on my website and read the full art statement: corneakkers.com/beek-14-04-25/

Pitt Graphite Matt pencil (Faber-Castell, 14B) drawing on Hahnemühle Bamboo Sketch paper (21 x 29,7 x 0.1 cm)
Artist: Corné Akkers

#artcollector #artprint #artposter #art #graphite #pencil #drawing #beek #beekubbergen #printondemand #impressionism #cubism #roundism #artdeco

Natte Beek

This graphite pencil drawing ‘Beek – 14-04-25’ depicts a slighty cubist interpretation of an eponymous landscape. There’s this house called the ‘Natte Beek’ (‘Wet Rivulet’) which is funny. All rivulets, creeks or waters in general are wet, aren’t they? This actual spot is very well known to locals because it is a striking scenery. When you pass it via the Rijksstraatweg you’ll easily spot it. That’s because it is situated in an open field in the bushy hills of Beek. Many times I have seen it with childish curiosity sitting in a bus towards my grandmother in the Ooij. Especially in winter it looks like a gothic fairytale, looking forelorn in the woods. In summer it looks less threatening when meadows are all green. Spring has arrived and my outdoors sketching inclinations are growing. Therefor I thought it would be a good start using this spot as artistic motif.

Paper Strucure

Quite a while now since I made a last landscape really. My last one of Beek showed the old and the new Bartholomeuskerk in a cubistic approach. This time I had it in me to combine impressionism with cubism. This feeling appeared to exactly match the presupposition I had with regard to this Hahnemühle Bamboo sketch paper. Rather grainy of structure reacting to my pencil made me think of Ingres paper of the same brand. It happened to be that my soft 14B pencil scratched across the paper like a knife cuts through soft butter. Even rubbed out with a stump the structures still looked broken.
2025-04-22

Berg en Dal - 21-04-25

Available as original (if not sold), prints & printable. DM me for more info.

Click here to see this artwork on my website: corneakkers.com/berg-en-dal-21

Pitt Graphite Matt pencil (Faber-Castell, 14B) drawing on Talens Bristol paper (21 x 29,7 x 0.1 cm)
Artist: Corné Akkers

#artcollector #artprint #artposter #art #graphite #pencil #drawing #bergendal #beek #beekubbergen #printondemand #impressionism #cubism #roundism #artdeco

My Favorite Spot

This graphite pencil drawing ‘Berg en Dal – 21-04-25’ is my next landscape endeavour after the previous one, called ‘Beek – 14-04-25’. Cubism meets impressionism once more. The title is a bit arbitrary because I think it might also be part of Beek. Ubbergen, Berg en Dal, Groesbeek, Beek and even Ooij are all part now of the bigger municipality Berg en Dal. Therefor it doesn’t matter really. Since I gave a couple of drawings and pastels the same title I think it’s fair enough. They are made in the same area as this one, which offers a view on the Boterberg positioned to the left. In fact ‘Berg en Dal – 25-10-23’ is a vista on hill in the center to the right. This must be my favorite spot. Probably since 1980 when I visited it for the first time with my parents.

Not Fully in Leaf Yet

The reference photo I took some weeks ago when the trees were not in leaf yet. Only some pines on the Boterberg show some darker leafy planes. Even though there weren’t many leaves yet, tree branches show subtle bifuractions. Especially when the outer ends already show buds their outlines tend to appear as beautiful bulged structures. Certainly, similar to abstract geometric shapes and I simply love those. When trees are fully in leaf often they block the view too much. You simply can’t suggest depth between trees too much anymore. My aim though was to depict the structures of the hilly slopes and treescapes altogether. So was right on time.
2025-04-21

Veere – 24-03-20

Website link: corneakkers.com/veere-24-03-20
Print: corneakkers.com/print-veere-24
Printable: corneakkers.com/product/printa

Graphite pencil drawing (Pentel 0.5 mm, 3B) on Canson Bristol paper (21 x 29.7 x 0.1 cm - A4 format)
Artist: Corné Akkers

#veere #zeeland #nederland #netherlands #treescape #cubism #impressionism #art #kunst

Typical Zeeland

This graphite pencil drawing ‘Veere – 24-03-20’ is the third I drew of this place. I delved into some pictures of tours I took last yea. Then I found one appealing picture of the Grote Kerk at Veere, Zeeland, Netherlands. Too early for trees to show leafs really. However, the light already brings the promise of Spring. I kept the drawing rather sketchy, especially in the background. By that I managed to keep the Grote Kerk towering over Veere rather airy. Consequently the bare tree in the foreground contrasts the church more than in my graphite pencil drawing Rijswijk – 04-12-15. The latter was meant to create a rhythym of straight and curved lines entwined with lesser need to suggest depth. This one needed more though. Both drawings show the branches with a touch of roundism styling. On the other hand the cobblestones turned out rather impressionistic for some reason.

Strange Days Indeed

These unusual Corona times cause people to search for new ways to keep their minds busy. Some told me they binge watch or take virtual tours online, others turn to books still waiting for them. As an artist I just turn to what I do best for all these years: drawing and painting. Surely I feel blessed that what I usually do (creating) still is the core business I can continue. Selling art is a different story though. I hope there will still be a market for my works of art in times of lockdowns and fear for the pandemic.
2025-04-17

Sans Titre - 07–04-25 (Greta Garbo)

Website link: corneakkers.com/sans-titre-07-
Print: corneakkers.com/print-sans-tit
Printable: corneakkers.com/.../printable-

Available as original (if not sold), prints and Printable Art

Colored pencil drawing on Aurora Coloured Drawing paper (21 x 29.7 x 0.1 cm - A4 format)
Artist: Corné Akkers

#cubism #neodeco #art #yellow #vintage #artcollector #artcollection #interiordesign #artprint #coloredpencil #pencil #realism #drawing #gretagarbo #celebrity #fanart #moviestar #1930s

Enigmatic Star

This colored pencil drawing ‘Sans Titre – 07-04-25’ depicts Swedish celebrity moviestar Greta Garbo. Enigmatic, illusive, lonesome yet strong, intriguing and even bestowed with comic talent in Ninotchka. She halted her movie carreer in 1941 only to live her life in obscurity until her death in 1990. Most fascinating! Consequently her name carries many mysteries. Then again, a great mystery why I didn’t came to draw her before. I don’t know really. Always on my bucket list for sure. Postponing yes until I came acrosss this very iconic photograph taken in the 1930s I think. That was the one I was looking for. Full of chiaroscuro and heavily art deco style driven one could say. Unfortunately these kind of photography doesn’t exist anymore today and I don’t now superstars personally. Time to dare taking on Greta’s Portrait.

Color Combinations

Last of Jean Muir was in yellow. This time I picked pink. You know, I had it in me to do this one in straight cubist planes right from the start. Dire green or freezing blue only would make her portrait more stern than it had to be. Pink would soothe her elegant yet strict appearance a bit. Next to this, I also knew I had to do this one in green, black and white colored pencil right away. Green would gray against the pink in a suiting manner. The idea was to search for a right combination of pink and green mostly whereas black would block them both in.
2025-04-12

Chagall

The Poet (Half Past Three), 1911

#OldMasters #Painting #Caturday #cubism

A rather akimbo and abstract composition in this painting, even for Chagall. The subject, presumably the poet in the title, has a green head that is upside down. There is an akimbo bottle, so perhaps drink is the situation. A tuxedo cat sits next to the man.
2025-04-04

The Hague Forest (Haagse Bos) - 21-06-18

Website link: corneakkers.com/the-hague-fore
Print: corneakkers.com/print-the-hagu
Printable: corneakkers.com/product/printa

Graphite pencil drawing (Pentel 0.5 mm, 3B) on Strathmore Bristol paper (21 x 29.2 x 0.1 cm – A4 format)
Artist: Corné Akkers

#denhaag #thehague #surrealism #cubism #graphite #pencil #drawing #roundism

A Mixture of Cubism & Surrealism

This graphite pencil drawing ‘The Hague Forest - 21-06-18’ is a mixture of cubism, roundism and surrealism. After Roundism 12-06-18 I wanted something different. Nothing more boring than to do the same kind of motif over and over again. It’s not the first time I tried out such a mixture. Perhaps you remember a previous drawing called ‘Strange Goings on at ‘t Meertje - 10-02-16 (Sold)’. That may have been the first attempt to employ such a combination of styles. Now I felt it was about time to try it out again and see what may stem from my pencil. You see, there was a special event that inspired me to do so.

Just Around The Corner

Normally, riding my bike through The Hague Forest (Haagse Bos) just around the corner I see only beauty. On a sunny day and in season it usually is a leafy light and shadow play. But one time I happened to bike through it at 3 AM in the dead of night. You see, I was coming from a party in Benoordenhout. The shortest yet the creepiest way back home was through this forest with no street lights at all. Wouldn’t you just love the challenge of overcoming deep fears for the darkness in such woods? Then I came across the central lake in the forest and creatures big and small came out. I tried to capture this feel during daytime. 

A Forest

As such, a forest is a archetype for all our fears. Because behind every tree perverts, notorious highwaymen and other strange folks can dwell. So you better be aware.
2025-04-03
Hotspur🏳️‍🌈🇺🇦Vagrarian@vivaldi.net
2025-04-02

"Seated Woman," Juan Gris, 1917.

I've posted about Gris before, so I won't reiterate much aside from his being my favorite Cubist.

Cubism is a school that runs hot and cold with me. Sometimes I find it intriguing, sometimes offputting, but Gris' work is the only constant; I find it fascinating and appealing. Here an almost random jumble of shapes and colors coalesces in to a woman sitting on a chair. The strength of his line, and how you can see the elements through each other, make Gris a joy to behold for me.

From the Museo Nacional Thyssen-Bornemisza, Madrid.

#Art #Cubism #JuanGris #WomenInArt

A Cubist painting. Although appearing to be a cacophonous assemblage of shapes and colors, it does resolve into an image of a woman sitting in a chair.
Luis Pita | photographerLuisPita@pixelfed.social
2025-04-02
2025-04-01

Sans Titre - 31-03-25 (Jean Muir)

Website link: corneakkers.com/sans-titre-31-
Print: corneakkers.com/print-sans-tit
Printable: corneakkers.com/.../print-sans

Available as original (if not sold), prints and Printable Art

Colored pencil drawing on Aurora Coloured Drawing paper (21 x 29.7 x 0.1 cm - A4 format)
Artist: Corné Akkers

#cubism #neodeco #art #yellow #vintage #artcollector #artc
ollection #interiordesign #artprint #coloredpencil #pencil #realism #drawing #jeanmuir #celebrity #fanart #moviestar #1930s

Monotyping-like

This colored pencil drawing ‘Sans Titre – 31-03-25’ depicts American celebrity moviestar Jean Muir from the 1930s. Cubism meets art deco glory in yellow. After my latest drawing endeavours on colored Aurora paper I thought I’d try one out for my Sans Titre Series. Somewhere I had a vague idea to do a very styled monotyping-like art deco styled image. Another reason is that such coloured paper is very striking and I like what it did to Neo Deco – 24-03-25. Finding a classic deco actress wasn’t too difficult. For years Ms Muir was on my waiting list and soon I found a great picture as artistic motif.

Measuring Out

Finding the right proportions of the head was easy. Just about 1.3 cubes in height to box in the total face. Calculating fingers was a bit more difficult. So many forms and of course some needed styling. What I wanted was to keep forms open. The strong yellow background I found pleasantly compelling enough not to hatch things up to a total blackness. The reference picture was one where Jean came popping out of the darkness. That wasn’t my choice though. However pleasant these chiaroscuro overloaded pictures appear in my tonally trained eyes, not this time! Instead I chose to keep planes open. Therefor I drew some slanted powerlines on the sides of her head. If you look carefully I let them approach to the point of singularity to the curve of her head.

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