#liminalcities

2025-02-28
The subeditor in me is just itching to stick a caret in there.

I'm endlessly fascinated by how we use the city as a substrate not just for art, but for communication and raw human expression. When I first started this project I made separate IG accounts for what I saw as different aspects of the project: @ if.these.walls was for stuff like this, @ it.must.be.a.sign was for weird and funny signs, and my main account was for the more traditional urban landscape photography. I've done away with that compartmentalisation here, partly because it was a hassle but more because the parts feel like they want to be a whole.

Anyway. Expect more landscapes and less graff as I work my way forward through the archives. But for now enjoy Melbourne's sharehouse dramas writ large on laneway walls.

Image: Fitzroy, June 2015

@psychogeography@a.gup.pe @melbourne@a.gup.pe

#graff #graffiti #laneways

#melbourne #australia #psychogeography #humangeography #speculativegeography #marginalspaces #liminalcities #hiddencities #invisiblecities #urbanphotography #streetphotography
Graffiti in black marker on a turquoise brick wall reads "Patrick is a rat". The word "thieving" is written underneath and between "a" and "rat" with the implication that it should be inserted between the two words. Additional graffiti shapes in various colours are visible at the edges of the shot.
2025-02-26
Look, I can't say I'm having a whole lot of fun right now – what with the collapse of democracy in my country of birth and its repercussions for the entire world.

But at the peak of the AIDS epidemic, activists had a saying: "In the morning we bury our friends, in the afternoon we protest, and at night we dance." Because joy is freedom. Laughter is freedom.

Doing my best to keep dancing.

Image: Fitzroy, June 2015

@psychogeography@a.gup.pe @melbourne@a.gup.pe @streetart@a.gup.pe

#graff #graffiti #streetart #wordsonwalls #funclub

#melbourne #australia #psychogeography #humangeography #speculativegeography #marginalspaces #liminalcities #hiddencities #invisiblecities

#visualpoetry #urbanphotography #streetphotography #photography
Graffiti on a cement wall reads FUN CLUB in black spray paint. Next to the text in green spray paint is a drawing of a human eye, with lines emanating from the top of the eye that are suggestive of a crown. Sparse vines spread across the upper part of the wall.
2025-02-18
Un/intentional street poetry.

(Sticker text, for those with small screens and/or old eyes like mine: "Every single person you pass is a constellation of memory and perception as huge and rich and unique as whatever is inside of you. The terra incognita of every gaze, Saul Bellow calls it.")

Brunswick East, June 2015

@psychogeography@a.gup.pe @melbourne@a.gup.pe @streetart@a.gup.pe

#melbourne #australia #streetart #graff #graffiti #tags #slaps
#psychogeography #humangeography #speculativegeography #marginalspaces #liminalcities #hiddencities #invisiblecities

#visualpoetry #urbanphotography #streetphotography #photography
A close-up photo of an exterior wall in a laneway. The wall is covered in spray-painted graffiti and numerous torn and faded paper stickers featuring the tags of graffers. At the top is a sticker printed with the following text: "Every single person you pass is a constellation of memory and perception as huge and rich and unique as whatever is inside of you. The terra incognita of every gaze, Saul Bellow calls it."
2025-02-10
Nothing profound to say about this one; I've just always liked how it looks more like a painting than a photo. No filters or post-processing, aside from the most basic tweaks to black point and tone curve to fix some murkiness.

Brunswick East, June 2015

@psychogeography@a.gup.pe @melbourne@a.gup.pe

#melbourne #australia #psychogeography #humangeography #speculativegeography #marginalspaces #liminalcities #hiddencities #invisiblecities

#visualpoetry #urbanphotography #streetphotography #photography #fineartphotography
The word "Cool" is spray-painted in white on a weathered brick wall next to a rusting, corrugated metal sheet.
2025-02-08
This humble image will always be special to me. It marks a crucial turning point in the perceptual game that I've been playing for more than a decade now; an evolution of my relationship to place and to self.

When I began this project I was an immigrant trying to find myself in my new country, which at that point had already been my home for seven years. But even after all those years I still felt fractured and disjointed. And so I started walking, retracing my relatively short history here in hopes that I could walk myself from the past into the present and arrive home with a more coherent sense of self.

To my surprise, it worked. But I had wrought this magic with tools that ceased to serve me once their job was done. The existential, autobiograpical lens through which I had been filtering my walks grew cloudy and dull. I got bored.

And then, as will happen with boredom if you're able to sit with it long enough, something new emerged. As I wrote some time ago:

"Perhaps it was this very boredom that made my attention more available for other frequencies ... [which offered] an expression of something inexpressible; something that only this moment could convey, yet which seemed inextricable from so many other moments that might be ...

... I found that these frequencies often communicated through a language of composition. Not just this broken plate, but its particular pattern; the precise lines of its break. The two halves stacked together just slightly askew. An arcane geometry of shadow, light and texture that seemed to hint of things beyond itself."

More on this experience, including a meander into Georges Perec's theory of the endotic: https://dissertation.the-parallaxis.com/part-four/bricks-concrete-glass/

Image: Brunswick, May 2015

@psychogeography@a.gup.pe @melbourne@a.gup.pe

#melbourne #australia #psychogeography #humangeography #speculativegeography #marginalspaces #liminalcities #hiddencities

#visualpoetry #urbanphotography #streetphotography
Two halves of a small, broken ceramic plate lie stacked one on top of the other, the top half slightly askew. The plate has a decorative border, and is resting on rough, textured concrete step. A deep shadow cuts across the top half of the step, just above the top curve of the plate. The rest of the concrete shimmers in bright sunlight.
2025-02-04
I've always had a complex relationship with this photo. Not so much love/hate, but maybe pull/push? The aesthetics appeal, but the situation frustrates. Heaps of high-end building materials just dumped and rotting, most likely intended for "luxury" apartments (ie overpriced dog boxes) that were never built. Or they were tossed because somebody who could afford to change their mind did so after an order was placed.

Anyway, #eattherich

Brunswick, April 2015

@psychogeography@a.gup.pe @melbourne@a.gup.pe

#melbourne #australia #psychogeography #speculativegeography #marginalspaces #liminalcities #hiddencities #invisiblecities #junkyard #visualpoetry #urbanphotography #streetphotography #photography
2025-02-03

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