#DigitalCreativity

WBCOM DESIGNSwbcomdesigns@me.dm
2025-07-22

How do the best websites feel so smooth, fast, and clear?

They're not lucky. They're designed with strategy.

Here's a full guide on how to study elite sites, learn their patterns, and build better with WordPress tools.

🔗 buddyxtheme.com/how-to-learn-f

#WebDesign #WordPress #UX #DigitalCreativity

2025-07-18
The album cover for 12 Bit Spit by Jazz Spastiks is a vibrant, retro-futuristic illustration that blends elements of 8-bit/16-bit video game art with a bold, energetic design. The central figure is a robot-like character with a cheerful face, wearing a helmet and holding a joystick, suggesting a connection to gaming culture. The robot is surrounded by colorful, cartoonish characters, including a pink creature and other whimsical figures, all set against a cosmic background with stars, planets, and explosions. The title "JAZZ SPASTIKS" is prominently displayed in large, eye-catching letters at the top, with "12 BIT SPIT" written below in a smaller font. The overall aesthetic is playful, nostalgic, and futuristic, reflecting themes of creativity, nostalgia, and digital art.

https://jazzspastiks.bandcamp.com/album/12-bit-spit

#bandcamp #rap #hiphop #albumartwork #albumcover #AlbumArt #MusicArtwork #vinyl #buyvinyls #nowlistening #art #drawing #JazzSpastiks #RetroFuturism #AlbumCoverArt #VideoGameInspiration #NostalgicMusic #DigitalCreativity #nowplaying
The album cover for 12 Bit Spit by Jazz Spastiks is a vibrant, retro-futuristic illustration that blends elements of 8-bit/16-bit video game art with a bold, energetic design. The central figure is a robot-like character with a cheerful face, wearing a helmet and holding a joystick, suggesting a connection to gaming culture. The robot is surrounded by colorful, cartoonish characters, including a pink creature and other whimsical figures, all set against a cosmic background with stars, planets, and explosions. The title "JAZZ SPASTIKS" is prominently displayed in large, eye-catching letters at the top, with "12 BIT SPIT" written below in a smaller font. The overall aesthetic is playful, nostalgic, and futuristic, reflecting themes of creativity, nostalgia, and digital art.
2025-07-09

معرض الألعاب الإلكترونية بالرباط: حيث يلتقي الإبداع المغربي بالعالمية
pixelarab.com/2025/07/09/%d9%8
في قلب العاصمة المغربية الرباط، وتحديدًا في القاعة المغطاة لمركب مولاي عبد الله، شهد اليوم الثاني من معرض Moroccan Game Industry Expo تظاهرة رقمية فريدة جمعت بين الإبداع المغربي والطموحات العالمية. الحدث،

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Muntaha Zafarmuntaha321
2025-06-13

If you’re looking for a quick and hassle-free way to download videos directly from any URL, I highly recommend checking out this free online tool by A2Z.tools. It supports platforms like YouTube, Instagram, Facebook, Twitter, and more nd downloads in HD. Give it a try here:
a2z.tools/download-video-from-

download video from url
Mide mikemikeemikeee
2025-06-13

Create stunning artwork in seconds — no brushes, no boundaries. Explore 10 free AI art generator tools redefining how we express creativity in the digital age.
Unleash your imagination: aimartz.com/blog/top-10-free-a
.com

aimartz.com/blog/top-10-free-a

The Internet is Cracktheinternetiscrack
2025-06-07

The most serious investment you’ll ever make? Your time.
Shaun Steingold joins The Internet is Crack to talk about the years we risk on startups, art, or ideas—and how time is the only currency without a refund policy.
We also explore AI, connection, and the shifting boundaries between tech, health, and human control.

🎧 Full episode:
youtu.be/_Zwn3e8sC-s

N-gated Hacker Newsngate
2025-05-31

Ah, the joys of spending countless hours building an to turn a robotic turtle into the next Picasso 🎨🐢. Because clearly, that's what the world was missing: a digital reptile doodler with a penchant for abstract . Bravo on reinventing finger painting for machines! 🤡
github.com/Yutarop/turtlesim_a

The Internet is Cracktheinternetiscrack
2025-05-18

🎙️We Can Coexist
Professor Kembrew McLeod shares a hopeful take on AI’s role in the future of creativity. From algorithms to activism, art may survive—and even thrive.
🎧 Listen here: youtu.be/WY4TpzCfGU0

The Internet is Cracktheinternetiscrack
2025-05-14

From passive consumers to pocket-sized producers.
Professor Kembrew McLeod shares how smartphones turned us into creators—and how AI is reshaping what creativity means.

🎧 Listen here:
youtu.be/WY4TpzCfGU0

Michaël | HouseStationLive.comhsl@hear-me.social
2025-05-05

YOUTUBE'S BENCH
May 5, 2025

I spent 18 months trying to make it on YouTube: livestreams, editing, shorts, chaptered reviews, commentary, no shortcuts. I got silence in return. This is not a rant. Not a thread. Just a text — written at 5:09 AM, on May 5, 2025 — when I realized the algorithm had never planned to let me play.
¯

_
5:09 AM

I can’t sleep. These past few days have been chaotic. My dream of becoming a YouTuber has collapsed. Eighteen months of relentless work, only to realize: insisting any further would just be a waste of time. I don’t have the right profile. I don’t meet the criteria. I bring no fame to the table, and I can’t afford to build it. YouTube doesn’t want me. My videos are online, I follow all the rules, but I’m playing alone in a corner. No one’s looking for me. No one’s finding me. The algorithm put a dunce cap on my head. But YouTube doesn’t humiliate people individually. That’s the magic of the system: no one is more important than the platform itself. The logo is huge. Your channel name? Tiny. Your avatar? Hidden. Your link? Buried. Your calls to action? Ignored. You’re not at home on YouTube. You’re on their turf. YouTube is the only star. And to keep it that way, it rotates the faces in the spotlight. No YouTuber is bigger than YouTube.

The algorithm decides. The algorithm selects. The algorithm benches you like a football coach who makes five billion players believe they’re all starters. You’re on the bench. You stay on the bench. And you can’t leave. Two views. Three. Sometimes twelve. Rarely seventeen. Everyone sees you sitting there, waiting for your moment. But it never comes. Even when another player gets injured and there’s five minutes left in the game, you don’t go in. You’ve become a vagrant of the system. You sit there, stuck in humiliation. And the worst part is, your failure is public. Your “3 views” are carved in stone. Everyone sees them. Like a giant sign saying: “Look at this loser.”

So I ask myself: what did I do to YouTube? Did I kill their mother? Did I insult their religion? No. It’s just how they operate. A massive filtering strategy. Let everyone in, hoping to spot one Samuel Étienne, tired of French public TV, one Jamy, bored with his retirement. YouTube is like a spoiled child who got a billion toys for Christmas and can’t pick one — so he chooses no one. He opens them, discards them, sighs, and moves on. He doesn’t need to choose. He’s no longer capable of it. So he stops choosing. And we, we stay there, hoping to be picked. Still believing in the miracle. Because despite everything, YouTube has a baby face. A familiar face. You can’t really hate it. That sweet face is what makes the trap perfect.
¯

_
|| #HSLdiary #HSLmichael

#YouTube #Algorithm #ContentCreators #Shadowbanning #Burnout #PlatformCapitalism #DigitalCreativity #Fediverse #HSLtv

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