#DigitalRecording

Em-squaredemsquared
2024-05-24

Think I mentioned The Nightfly album recently which I see was an album recorded (and almost abandoned due to technical difficulties) digitally before we could really listen digitally (pre CD) . Interesting to read the history of digital recording and was amazed to see the first albums recorded digitally occurred in 1972.

en.m.wikipedia.org/wiki/Digita

Erika Autumnerikaautumn
2024-05-08

Even if it's impossible to upsample the actual (yeah, if you record in 44.1kHz, you can't magically add the detail to make it 96kHz or 192kHz), but your effects/processing plugins at least have a better clarity in the final product.

This also applies if you use that have the capability for higher sample rates. For example, in the has a Quality selector that can be set to Ultra.

Erika Autumnerikaautumn
2024-05-08

Despite the debate about whether listening to at particularly high sample rates has diminishing returns, and at the highest sample rate possible still has benefits, especially for time-based processing effects such as delay (which I use a lot of)

It makes sense, since the master version is higher quality, so the best source possible gives even lossy formats like mp3 a better chance.

7sleepersmusic7sleepersmusic
2024-02-14

talks about the early days of in the latest magazine 🎶 👍 😁

A blurry photo of musician Kim Deal, smiling with her eyes closed) in from of a console in her recording studio, which looks like a living room in her home. Inset is a quote from a magazine article that says 'It was horrible. When The Breeders started out in Dayton, when we first started doing our demos, the studio in town had a Hi8 digital tape. And I'm just like, "This is not a good sound at all." They were telling me how this is a better, cleaner sound. This is '92. So, 50,000 sampling rate. But what they don't say is if the sample sounds shitty, you get 50,000 shitty samples and you're going to sound like shit. It was horrible sounding. Honestly. I was happy to do demos there. It's just when somebody tells me it sounds good, and it doesn't, I was like, "Digital sucks!"'
Museum of Portable Soundmuseumofportablesound@toot.community
2023-01-03

One of the world’s first digital recording systems: the Denon DN-023R (1972), an 8-channel system with 13-bit resolution at a sampling rate of 47.25kHz, which recorded onto Hitachi 4-head open-reel broadcast videotape in low-band (black & white) mode (it was cheaper & had fewer dropouts than colour) – seen here with Dr. Takeaki Anazawa, one of the system’s inventors.

#DenonDN023R #DigitalAudio #DigitalRecording #DrTakeakiAnazawa

In black & white: a Japanese man in a black suit stands in front of a large recording console with multiple large components including two large videotape reels, each nearly half a metre across.
AJ Kohnajkohn
2022-11-30

Death of The Key Change

"So what is going on? Both of the shifts can be tied back to two things: the rise of hip-hop and the growing popularity of digital music production, or recording on computers."

I find it fascinating that cultural and technology changes have created a different soundtrack.

The explanation of the latter makes me a bit uneasy but also leads me to believe that additional advances could create another change.

tedium.co/2022/11/09/the-death

Line graph titled Percentage of Billboard Hot 100 Number One Hits with a Key Change that shows a marked decline in keychanges from 1961 to present day.

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