#Mothman

𝐊𝐚𝐢𝐧𝐨𝖍cainomura@socel.net
2026-01-27

A quick doodle I made of mothman
Based on the song Butterfly by Marina

#artwork #drawing #illustration #painting #mothman #cryptids #kainoh #cainomura #character art #original character #character design #orange #art #my art #digital art #digital painting #moth

2026-01-26

I have to find these!!! I need them! Is there anyone out there who has seen these in the flesh? Or in the moth? #mothman #potatochips #wva

RE: https://bsky.app/profile/did:plc:baz3nw2zdnyfllf2prg76ukv/post/3mcn62zm56s2l

scottymarinarascottrossi
2026-01-25

pray for the dead fight like hell for the living

meme showing mothman hollding a dead gadsden flag snake and a boot saying "pssst yall... theyre treading on you!"
2026-01-22

CRYPTID MINI PLUSH Has now LAUNCHED! Love #cryptids? want cute #plush well help us fund a small collection of plush and pins! www.backerkit.com/c/projects/b...

2026-01-04

Finally, the official portrait for Mircea Clendenin! Isn't he adorable? Mircea is practically impossible to kill, whether he wants to or not: his body automatically responds to attacks, forming energy shields or passing through solid objects, like a ghost.

fantasydiario.blogspot.com/202

#MirceaClendenin #Mothman #OC #NewDarkWorld

Digital portrait of a man with some moth characteristics, like the big majestic antennae. The man has also solid red eyes, long gray hair and a goatee.
2026-01-04

Some sketches of expressions and possible hairstyles for our mothman, Mircea Clendenin. On the top row he's on second stage, on the bottom row he's on the third (or last) stage, when he finally has the complete mane.

#OC #NewDarkWorld #Mothman #MirceaClendenin

Illustration showing Mircea Clendenin, a mothman, with different hairstyles.
2026-01-04

He has pretty wide wings.

#MirceaClendenin #Mothman #OC #NewDarkWorld

Illustration of moth-man with very wide, open wings. He's wearing only underwear.
2026-01-04

Just a quick little sketch of our Mothman, Mircea Clendenin.

fantasydiario.blogspot.com/202

After his transformation, Mircea began to consume almost exclusively sugary liquids. The mere smell of this type of food is enough to make him start salivating.

#NewDarkWorld #OC #Mothman #MirceaClendenin

Quick digital sketch illustration of the head of a mothman-like creature, Mircea Clendenin. His head is drawn two times: the first he has a kinda normal expression and the words "you got..." are written near to him. The second time he has his antennae up, and the word "... sugar?" written near to him.
2026-01-04

He's our personal weird Mothman, Mircea Clendenin!

fantasydiario.blogspot.com/202

During his hours of rest, the laboratory staff restrains Mircea with a straight jacket and with chains: this might seem like a way to protect the scientists from him, but in reality it is to prevent him from hurting himself.

His eyes no longer have eyelids like human ones, but only a semi-transparent nictitating membrane; even during sleep, Mircea's eyes appear fully open unless examined closely. All his body fluids, including saliva and tears, are of a more or less intense red color.

#DigitalArt #OC #OriginalCharacter #NewDarkWorld #Mothman

Illustration of a man wearing a straitjacket, sitting with his legs spread on the floor in a dimly lit cell. He has long gray hair, a matching goatee, and glowing red eyes. Two antennae sprout from his head. His expression is neutral, yet slightly menacing. A pair of large moth-like wings are spread behind him, but they touch the ground and look dirty and unused. Fluid drips from his mouth: it looks like blood, but it's actually saliva, as all his bodily fluids are red.Illustration of a man wearing a straitjacket, sitting with his legs spread on the floor inside a dimly lit cell. He has long gray hair, a matching goatee, and bright red eyes. Two antennae sprout from his head. His expression is neutral, yet slightly menacing.

The Tragedy of the Cryptids

Why are many cryptid tales associated with tragedy? Or, why are certain tragedies linked to cryptids? Some might say a cryptid is a curse, but it more likely is a symbol of the things we fear or about which we are anxious or guilty. There are plenty of examples.

Blaming the cryptid

It was Christmas, 2024. Two Oregon men “failed to return from a trip to look for Sasquatch” in the Gifford Pinchot Forest in Washington, authorities said. Rescuers spent Christmas facing dangerous conditions during the search until the men were found deceased. From the news reports, the two apparently were not equipped for the cold and wet weather.

It was never made clear if they were on a Bigfoot hunting excursion or just out for a short Holiday hike. The Bigfoot connection may have just been a flippant comment they made regarding their trip, or perhaps they were cryptid enthusiasts who hoped to glimpse the creature in an area with reported encounters. The unfortunate outcome was subsequently linked with the cryptid, often in headlines, which seemed to be out of proportion, as if belief in Bigfoot was the cause of death. Several commenters on the news stories, unsurprisingly, were cruel, mocking the men based on speculation about their behavior. Worse than that, some people took the tragedy even farther by saying that the men didn’t die from exposure, but from some other cause that officials are covering up. This is one of several examples of cryptids connected to tragedy.

There are various examples of cryptids associated with curses, death or destruction. This is unsurprising considering that cryptids are legends, and legends often have morbid twists as part of the drama. But the more surprising cryptid connections occur when the creature is celebrated in spite of or as part of the tragedy. The primary examples of these are stark: Mothman and the Pope Lick Monster. As noted in previous posts in this series, Mothman is the enigmatic, winged humanoid and the Pope Lick Monster is a Goatman. Let’s start with the cursed, evil, but maybe useful, highly-celebrated, harbinger of doom: Mothman.

AI art screengrabbed from a bad TikTok. (Not sorry.)

Mothman and the Silver Bridge

On December 15, 1967, the Silver Bridge across the Ohio River, connecting Point Pleasant, WV to Gallipolis, OH collapsed. Most people know this terrible story: rush hour, forty-six people perished as their cars plunged into the icy water. The official investigation pegged the eye-bar failure. Lack of engineering redundancy meant the structure failed with it. However, the legend evolved to either blame the Mothman or its curse, or credit the creature as a warning of approaching doom.

Many people also know that the Mothman Festival is a big deal, drawing over 10,000 vistors to the small town every year to celebrate the big bird-moth-like being. How did we get from such heart-breaking tragedy to a giant town party with cosplayers and a shiny fantastical statue in the center square?

In 2008, Joseph Laycock, a scholar of religious studies, and sometimes of monsters, wrote about the weird acceptance by Point Pleasant of a legend that caused the town such pain and gave it a dark reputation. (Cite: Fieldwork in Religion, 3.1, 2008) To start, we must consider the context of the town of Point Pleasant.

So frequently, cryptid tales are backdated to the time when white settlers encountered the indigenous peoples. (That’s it’s own tragic tale – the lands haunted by Mothman and many other cryptids belonged to indigenous people who often were misappropriated by a manufactured legend, or erased entirely.) During the Revolutionary War times, a battle between the Virginians and the natives resulted in the death of the Shawnee Chief Cornstalk, who was murdered as a result of a diplomatic mission to Fort Randolph. Legend is that he cursed the land. Eventually, Cornstalk and Mothman legends were associated.

Prior to the bridge tragedy, the town suffered an economic downturn, flooding events, and a nearby mining disaster.

In the “Year of the Garuda” as labeled by The Mothman Prophecies author John Keel, the town was plagued by not only the monster, but by UFO sightings and the appearance of strangers, dubbed Men In Black by Keel. The MIB reportedly intimidated, threatened, robbed and assaulted the locals. If you lived in Point Pleasant at this time, you may have been threatened more by the UFO reports than the “monster”. Newspaper reporting leans much less on the “Big Bird” and more on the rash of UFO claims during this time. Keel’s book, from 1972, reframed the Mothman-UFO flap as a time and place of “high strangeness” with the Mothman as the star. (Cite: Dr. Jeb Card, personal comm.) [Addition: Corroborated by Richard Estep who said locals did not connect the bridge disaster to the “Big Black Bird” at the time, either. See MonsterTalk.]

With the collapse of the Bridge, the Mothman essentially disappeared from sight. The community, left in shock, tried to make sense of the disaster. Laycock notes that Mothman would have remained “a local demon” if the bridge collapse didn’t happen. But the association propelled Mothman from a mysterious menace to a supernatural death messenger – like that of the Irish Banshee. Mothman perhaps helped to fill in the vacuum of meaning felt by the residents as they struggled to move past the disaster.

In later decades, Mothman moved from being a threat to being a symbol of the town’s identity – its “monstrous patron”. While the Mothman now has a gleaming anthropomorphic statue in a prominent location in town, and its own museum, festival, and traditions, the people who died at the Silver Bridge are less commemorated. The bridge event was situated in service to the Mothman, who became the spirit of the town. With a boost from the 2002 film that rejuvenated the tale, and the growing embrace of Pop Cryptids nationwide, Point Pleasant treated the winged monster much like a religious icon that was viewed with sacred meaning. Mothman symbolized events that shook their town beyond their control.

I would gladly become a monstrous patron of a capable scholar who could write the definitive bio of Mothman and his impact – it’s crazy stuff.

Pope Lick Monster

The Fisherville area of Louisville, Kentucky, location of the train trestle associated with the Pope Lick monster, has a love/hate relationship with the infamous goatman. Legend tripping teens and tourists bypass the fences and warnings in an attempting to traverse the active train trestle bridge (which is 90 feet high and 772 long) to have their own experience. I could not get an accurate count of the dead, but, since 1968, it appears that at least 10 people have been killed by trains crossing the bridge or falling from the bridge to avoid a train. Several more were injured or nearly killed.

As with Mothman, a film boosted the legend. The 1988 short film The Legend of the Pope Lick Monster by local Ron Schildknecht put it into an easily relatable package, introducing the idea that the goatman can hypnotize you, and suggesting that you can hang from the bridge while the train passed (few people have the strength to do this). Thanks to worldwide connectivity networks, the legend spread beyond the town, becoming an attraction for thrill seekers.

Some sources say that Schildknecht regrets that the film added to the lore and that he didn’t intend to make dangerous trespassing a fad. But I’m getting mixed messages. In what seems like a brazen affront to those that have been hurt or killed, the filmmaker’s website features quotes by the Norfolk Southern Railroad about the film,

“It undermines our efforts on behalf of safety when movies like this are made.”
— spokesman for Norfolk Southern Corp.

The festival to celebrate the Pope Lick Monster legend is fairly new. There is also a Halloween attraction (that mentions the Schildknecht name associated with the sensationalized origin story). This all feels disrespectful to the memory of those who died and perhaps increases the odds that more people visit and venture into harm’s way. Supporters of the events say they don’t celebrate the darkness. I’m not sold. Imagine if you were part of an affected family witnessing a yearly entertainment event centered on the legend and location where your child met their demise. This controversy seems to be dividing the community. Sadly, cryptid capitalism will likely win out.

Because of its location, the area around the creek is said to be cursed land because of the bloodshed that occurred from removal of the native people. Do these communities still struggle with the guilt of history, past and current? Does the heavy weight of industrialism and depression help create the “monster” that haunts the town? By using monstrous symbols, communities try to find a way to compartmentalize, process, and move on.

The Pope Lick Monster appears to be the cryptid with the highest death count. Of course, no one was really killed by the goatman. It is a choice to make the effort to put oneself in harms way.

I recommend checking out Episode 3 of Out There: Crimes of the Paranormal, a recent series that covered the despair of those left to deal with the Pope Lick reputation.

Linking cryptids

Cryptid legends, when examined in depth, can reveal tragic connections that the casually interested person would not typically notice. I’ve collected more examples.

  • People who disappear in rugged areas, particularly in National Parks of the US have been exploited by Bigfoot writer David Paulides under the umbrella of his book series “Missing 411”. Paulides doesn’t explicitly say that the people may have been taken by Bigfoot, serial killers, aliens, or something even more outrageous. He misleads the reader and lets your imagination fill in the gaps by mystery mongering, playing fast and loose with facts, and framing the incidents as cover-ups. It’s non-credible, mean-spirited, and ghoulish, and should be dismissed as such.
  • It’s not uncommon to see news stories about people who do heinous things linked to their seemingly outlandish beliefs about aliens, conspiracies, demons, or their interest in cryptids. Sometimes the media makes spurious connections that the audience latches onto. The Christmas 2020 suicide bomber of Nashville, Tennessee supposedly believed that “Reptilians” or “Lizard People” were in charge of the government – an idea made popular by David Icke. I’d recommend, again, the Out There: Crimes of the Paranormal episode that linked the paranoid idea of Reptilians to the legend of Lizard Man of Bishopville/Scape Ore Swamp.
  • The Not Deer legend of Appalachia is the relatively recent tale of deer that behave weirdly with the speculation that they are not actually normal deer but shapeshifters trying to lure you into the woods. The legend has been influenced by the spread of a prion disease or other typical deer illnesses that cause the animal to suffer and eventually die. The supernatural explanation is far more popular than than natural one.
  • Ol’ Greeneyes, while a debatable “cryptid”, has its own festival now in the town where the Battle of Chickamauga took place. The creature is said to be a ghoul or a ghost of a dead soldier who haunts the battlefield. It seems a strange mascot for a cryptid celebration but the event has been successful. As with other cryptid festivals – the cryptid is the excuse to gather round the town center and re-experience the historical past.
  • The legend of Zana, the wildwoman, has been completely misconstrued by those who believe that she was not a modern human but possibly an Almas (a cryptid hominid) captured in the late 1800s. It is far more likely that she was of African decent, captured, kept in slavery in Abkhazia. White male cryptozoologists treated this story of her life as a mystery for them to solve and show that relict races existed.
  • The Beast of the Land Between the Lakes is a story based on fiction. But the truth of the project that formed the park lands was tragic to many families. Starting in 1964, the Tennessee Valley Authority (TVA) began to condemn the 170,000 acres that would later be flooded. Some 800 families were forcibly removed by eminent domain. They sacrificed their land and livelihoods, their communities were ruined, and their ancestors’ graves abandoned. The consequences of that destruction still reverberates. Is the “beast” a manifestation of revenge for this callous treatment?
  • The eruption of Mt. St Helens in 1980 is one of the first national disasters I recall as a child watching the news. It resulted in the death of a USGS geologist, Harry Truman, a resident to refused to leave his homestead, and 55 others who perished from the mudflows, hot ash and gas. Tales were told of Bigfoot around the mountain. After the eruption, someone started the story that the Bigfoot population had been decimated, an entirely baseless story. In the late 90s, the story of the Batsquatch encounter apparently prompted another piece of creative fiction – that the Batsquatches were let loose from their underground abodes via the volcanic eruption.
  • The tale of the Wendigo (and its many variations) from Algonquin-speaking first nations in Canada and US, has been heavily appropriated in fiction, films, and as a cryptid. The brutal association with murder and cannibalism has been changed drastically for use in various media and commercial purposes. I’m not qualified to speak about its traditional use but the Wendigo wasn’t a Bigfoot, it didn’t have antlers, it doesn’t imitate human voices or shapeshift and it’s not part of Appalachian folklore. It is a spirit creature that embodies the threat of starvation for northern peoples who faced this circumstance. Yet, the creatures has become so popularized and commodified, an offensive stench rises from the fictionalized garbage content of awful fan art, horror flicks, and AI generated TikTok shorts.
The traditional vs new version of Wendigo.

Capitalizing on tragedy

There are not unreasonable arguments on both sides of the debate regarding capitalizing on past tragedies via cryptid festivals. Are cryptid festivals like those in Point Pleasant, WV and Fisherville, KY capitalizing on the deaths of others? Or are they serving as complex social means of moving beyond the haunted town histories? There likely are some instances where the intent was positive, to memorialize the tragedy in a respectful way, that later got out of control. And I have inklings that this conflict also occurs in other cultures, where monsters represent real tragedies.

The list above certainly has additional examples. Ghost stories are frequently a means of remembering a death or an unresolved tragedy or crime. Another example of banking on dark history is the commercialization of the town of Salem, where 25 people suffered and died in the witch trials that became the basis of a tourism branding as the tasteless and tacky “witch city”.

It’s difficult and often entirely inappropriate to police or suppress art (including books, films, etc.) and social responses to trauma. People will attempt to rationalize a disaster even via seemingly irrational scapegoats.

It can be difficult to reject participating in an interesting modern event because it is tainted by the events of the past. Culture evolves where we recreate or reenvision the past with a new framing. I don’t know that there is a right answer here – each person will have their own response. It’s imperative, however, that we not let the history of the tragedies be ignored, forgotten, or overtaken entirely by cryptid legends.

This is post 8 of the 12 Days of Cryptids.

#12DaysOfCryptids #Bigfoot #cryptidFestival #LandBetweenTheLakesBeast #Missing411 #mothman #PopeLickMonster #tragicCryptids #wendigo

Jake in the desertjake4480@c.im
2025-12-30
Art of Mothman by Oliver Hamlin. Perspective upward, mothman at night sitting on a bridge, its talons have ripped through the bridge metal

Winged Humanoids

It’s hard to see details of an object that is flying in the sky. It is difficult to determine if it is a typical crow-sized bird close by or a monstrously large thing far away. Yet, there exist many claims of winged humanoids. They are not birds, witnesses say, but man-birds, or man-bats. In this piece, I’m skimming the surface of the several infamous reports of large humanoid figures with wings.

In terms of zoological cryptids, there aren’t many options we can consider as explanations. Flying things can only get so big. Flying mammals get no larger than flying foxes, which are not close to human size. It takes an incredible amount of energy to get a body airborne, especially a muscular human form, as some have described these “winged weirdos”. Birds, and ancient pterosaurs which were the largest flying creatures ever, have a lighter skeletal structure, and used wind to give them lift.

The logical associated categories to this topic is that of giant birds or claims of prehistoric survivors. But I’m sticking to the human-like winged figures because it challenges the boundaries of zoology-based cryptozoology, and it has become incredibly popular in terms of culturally-relevant cryptids.

Mothman

What hasn’t been said about Mothman? Probably nothing new. But all of it hasn’t been distilled into one place. (Mothman could sure use a comprehensive biography!)

Mothman is an enigma that frightened the first witnesses in 1966. Disputed as a proper “cryptid” because it is so deeply associated with paranormal and “high strangeness” themes, only in the early days was it potentially explained as a crane or owl.

John Keel, the Fortean writer, transformed the Mothman of Point Pleasant, WV into the spooky superstar it eventually became, by publishing The Mothman Prophecies. The story woven around the emblematic winged humanoid included UFOs, otherworldly beings, unusual physical and mental phenomena, and eventually a tragedy in the collapse of the Silver bridge in Point Pleasant, West Virginia at the end of 1967.

Note: The Mothman was not originally described by witnesses as having moth features, but was clearly said to be bird-like.

The movie from 2002, loosely based on Keel’s book, not only re-popularized the legend, but also added manufactured pieces to it that people now accept as genuine. The Internet culture, particularly the LGBTQ and cosplay communities, have embraced Mothman as an icon. The town of Point Pleasant itself hosts a popular statue of a muscular, man-like, insectoid creature at a prominent place in town, a local museum for Mothman memorabilia, and an extremely popular town festival. The outrageous success of the festival was the impetus for dozens of other cryptid town festivals worldwide.

These photos appeared in local WV news in November 2016, close to the day of the 50th anniversary of the first Mothman witnesses coming forward. They appear to show a bird-sized creature possibly carrying something with its feet. But the media wanted to believe that it was the Mothman returning for a visit.

In 2011, another Mothman flap, fueled by the media (and astoundingly uncritical paranormal websites), took off in the Chicago area. The incidents failed to carry the spooky seriousness of the original.

Mothman became the poster cryptid for the commodification of a town monster (no matter the associated tragedy). Its popularity translated to online forums, art/craft sites, and merchandise sales, making it the perfect Pop Cryptid. The question of what the Mothman phenomenon was is now secondary to its commercialization. No one currently seems to focus on a naturalistic explanation because the character of Mothman and the lore has blown past the bounds of mystery solving. The mystery is the sole point.

Owlman

In Cornwall, England, the Mawnan churchyard was the location for two sightings of an Owlman. In April 1976, two young sisters described a feathered birdman hovering around the church steeple. Three months later, a different pair of young girls, camping nearby, also saw a bird man, the size of a full-grown human. Similar to the Mothman accounts, the creature was said to rise “straight up”. These encounters were reported to the local press. Two years later, two other incidents were reported of bird-men around the Mawnan churchyard.

Janet and Colin Bord actively collected and wrote about these kinds of strange events, mostly in the UK. Their angle was to portray the incidents as related to earth energies or ancient sacred sites that somehow allowed the manifestation of strange creatures and happenings. They were helped along by others who injected ideas of magic and supernatural ideas into the tales.

When we are dealing with human-bird hybrid creatures, it’s difficult to continue serious discussion in a zoological sense. Thus, the winged humanoid themes have veered into the category of “zooform” phenomenon – supernatural entities in a superficially animal form.

A more folkloric version of a giant owl man comes from Canada, related over a century before that of Cornwall. The first written account of a winged man with tiny features, but huge luminous eyes appeared in Sault St. Marie, 1811. Newspapers reported farmers and girls encountering the creature. The stories of an owl man in Canada may have been influenced by Native tales of giant owls, or shamans that could change into owls.

Batsquatch

“While there are many tales of Batsquatch, they are all a bit hazy on the details,” says the website for Rogue’s Batsquatch Hazy IPA (beer). The Batsquatch is a hairy flying humanoid from the Pacific Northwest typically described as big and muscular with yellow eyes, sharp teeth, tufted ears, clawed feet and bright blue fur. So, yeah, we’ve definitely taken an extreme left turn out of zoology with this one that sounds more like a comic villain or cartoon character than anything else.

As many of these tales go, we begin with a teen driving at night in an isolated area. Brian Canfield, 18, had an encounter near Tacoma, Washington, in 1994. Reported in the News Tribune, it kicked off the Batsquatch legend. The engine in his pickup truck failed while driving around 9:30 PM. Illuminated in the headlights, he saw a monstrous figure land on the dusty road ahead. It didn’t approach and ultimately flapped away. Then the engine miraculously restarted. Upon reaching home and telling his parents, they could see he was upset. They drove back to the location but found nothing. According to researcher Linda Godfrey (American Monsters), Canfield said he coined the name Batsquatch, a drawing of which accompanied his initial newspaper interview.

After this, other people claimed they saw a similar or smaller creature in the west and even in the Midwestern US. I’ve seen it mentioned as showing up at Mt Shasta and Mt Rainier. These stories, however, aren’t coming from sources I can readily find. They seem to be showing up on monster TV shows, or websites without attribution. A particularly retro take seems entirely manufactured – that of the bat creatures being ejected from their home around Mt St Helens when the volcano erupted in 1980. From the Pacific Sentinel:

…with ash clouds still drifting through the air, stories began to emerge of a strange winged beast seen flying around the eruption site. Witnesses described an apelike body with large, leathery wings and a pair of glowing red eyes.

The above is an unsourced claim. And non-credible. I cannot find any document that tells of this legend. It appears to have been manufactured after Canfield’s incident. (If anyone has a source that exists prior to the 1994 coining of the term, please let me know.) Later reports claimed Batsquatch looked like winged vampires from modern movies. Batsquatch is now a darling of the Pop Cryptid world – right where he belongs.

Conclusion

Flying humanoid stories exist around the world. I can’t even begin to describe the numerous terrifying and gruesome ones that are known from Asia. So I’ll leave to your own research if so inclined.

Janet and Colin Bord logged some episodes that predated Mothman:

  • 1877, Brooklyn and 1880 Long Island, New York
  • A man with wings in Vladivostok, Russia, 1908
  • A pair of human-like birds in Pelotas, Brazil in the early 1950s.
  • A man with bat wings flying around Houston, Texas in 1953, called the Houston Batman
  • A man-shaped thing sprouted wings and flew off after being sighted in West Virginia in 1960 or 1961.

And, one that postdated: Three US Marines saw a glowing, flying bird-woman in the summer of 1969 while stationed in Vietnam. There have since been many more. I doubt we will ever be free of them in some form. The idea of a flying magical human or animal hybrid seems innate to human cultures.

George Eberhart, cryptid librarian extraordinaire, deliberately excluded angels from his Mysterious Creatures double volume encyclopedia, so I didn’t include them here either. Yet, if some people are considering flying humanoids as demons, how can we exclude the angels? However, people who report winged humanoids are doing so in, at least, a semi-objective context. That is, in terms of weird encounters, not religious ones. But, really, we can’t know anything for sure about what people really saw.

Flying humanoids don’t make any sense. So, for believers, the only logically illogical turn is towards a non-natural explanation.

This post is part 4 of the 12 days of Cryptids.

#12DaysOfCryptids #Batsquatch #flyingHumanoids #mothman #mysteriousCreatures #owlman

possum shark (comms open)spycyshark@yiff.life
2025-12-23

Mothman doodle inspired by chat last stream

#mothman #sketchbook

Mothman looking longingly and reaching for a lava lamp that is sitting on a table.
Shawn Langleyshawnlangley
2025-12-21

Don't miss out on your chance to get some really cool gifts! My 2026 calendars are only available for a limited time at shawnlangley.myshopify.com, and you can also get some of my playing cards there! Each features my original art of various creepy cryptid creatures!

2025-12-18

So, @blockforest , I had been saving your #MothMan block print card for a special occasion, and now that occasion is here. The International #Cryptozoology Museum is moving to #BangorME, so I am donating your lovely card as well as a Moth Man plush to the museum for their new digs! (They are currently in #PortlandME, but are moving next year). I'm sure they will find a nice spot in the Moth Man exhibit for these new items!

#MothManCards #BlockPrints #Art #MothManPlush #Squishables #InternationalCryptolozoologyMuseum

A block-printed card in red and black, depicting a smiling Moth Man who is waving. "You're a legend!" reads the text in red.A MothMan plush toy in a plastic bag, waiting to go to their new home.The Mothman plush toy unpackaged and in someone's hand. It has fuzzy black fur and glowing red eyes.Part of the Mothman exhibit at museum. There are various figures depicting Mothman, as well as a drawing of Mothman.
Shawn Langleyshawnlangley
2025-12-17

One of my : Blood Moon illustrations, now a featured page in my 2026 calendars! Available at shawnlangley.myshopify.com
The original art was created using Pentel brush pens, Yasutomo inks and acrylic paint on canvas, and this reproduction captures that look perfectly.
Also available as a personally signed 11x17" print!

Shawn Langleyshawnlangley
2025-12-13

in 3D ! Now also a featured page in my 2026 calendars! Go get some while they last at shawnlangley.myshopify.com !

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