#SLUDGE

Sangue – Sangue EP

As you probably know, sometimes rock music may seem repetitive and bland, with many good bands working hard to get to the top of the music chain, but with little to no avail of reaching greater audiences, mainly because their music offers nothing new. It’s due to the fact that many of those bands are trying to reinvent the same old wheel by overly mimicking something the greats recorded and performed decades ago, experimenting too much, or simply lacking qualities that will draw the crowd to their music. Thankfully, there are music outlets that know how to deliver fresh, unique, innovative music while still paying homage to the era when heavy rock music ruled the airwaves. Sangue, an exceptional Brazilian rock unit, is one of those bands that know how to deliver emotionally resonant yet profoundly heavy music that tackles all the senses. With their recently released self-titled extended play release, Sangue evoke the glory days of alternative rock music, adorned with only the finest properties borrowed from heavy rock, grunge, stoner, sludge, hard rock, and post metal. But the way they assembled these tracks is what impresses the most. Each composition arrives with a particular set of genres, while the heavy alternative rock remains their primary sonic direction. Depending of the song’s mood, Elvis Suhadolnik Bonesso and Atila Viggiani craft a clever, thoughtful, fascinating sonic and lyrical narrative that guides your listening apparatus from scratch to finish. Each composition arrives entirely packed with sincere emotion, conveyed through bold, heavy, powerful guitar riffs, groovy basslines, and dynamic rhythmic performance that will immediately force you to spin this epic sonic journey all over again.

Photo courtesy of the band.

This epic sonic journey commences with calm, soothing, relaxing notes of “Ghost Town,” a perfect introductory piece that gradually pulls you into Sangue’s sonic whirlwind. At first, the interplay between instruments showcases almost ghostly, psychedelic, ethereal sound, but the band slowly evolves its sound into a profoundly heavy grunge soundscape, built upon exceptional guitar riffs, groovy basslines, and excellent drumming performance. The downtuned guitars deliver all the necessary aggression, rawness, and heaviness you need, while the intricate low-ends offer groove, detail, and clarity. In the meantime, the tastefully assembled beats, breaks, fills, and other percussive acrobatics dictate groove and pace while keeping the remainder of the band in line. The vocals are soulful, passionate, sincere, confident, emotional, and yet pack a lot of power and aggression that complements all the orchestrations. Such an incredible piece that promises a wild ride through the heavy rock universe. With the introductory arpeggiated chord progressions and beautiful leads, “Leash” is also one of those tracks that immediately pulls you in. Evoking some of the finest nineties grunge maneuvers, this composition resonates with soulful vocal harmonies, perfectly blended through multiple vocal layers and recorded to the ultimate perfection. The colossal slab of well-articulated noise, delivered through powerful guitar riffs and another dosage of detailed basslines, acts as a perfect backdrop for all the vocals to shine upon. With each new segment, the guitar and bass works become even heavier, aggressive, and intricate, showcasing two exceptional musicians doing their best. It’s nearly mindblowing how those drumming patterns articulate here. Each splash over the cymbal, accentuation over hi-hats, kick of the bass drum, and hit of the snare has its place and purpose here, propelling this track to new heights. But wait until you hear “Dull.” This composition exemplifies what happens when you blend late-nineties or early noughties grunge with sludge and stoner music. Although Sangue prioritizes aggression, abrasion, heaviness, and ultimate power throughout the entire composition, you’ll still notice a somewhat softer, mellower, calmer chorus serving as a counterweight to all the power these folks deliver through those extremely addictive verses. The band demonstrates how even those soothing and relaxing moments may sometimes seem enormously heavy, despite their mellowness. These are the moments where Sangue’s songwriting, composing, arranging, and producing abilities shine in the limelight, as the duo showcases their skills, creativity, talent, knowledge, and experience to the max. This marvelous extended play comes to an end with “Tainted,” another fine piece of sonic artistry that may seem like a rock ballad at first, but you’ll hear how the band gradually adds more details, rawness, and aggression through another dosage of catchy, memorable, engaging guitar riffs, harmonies, melodies, and other sonic maneuvers. In the meantime, the bass guitar rumbles beneath the guitar works, contributing warmth, depth, clarity, and more groove. The moderate rhythm keeps all the orchestrations grounded, locked into the groove with those well-accentuated beats. It’s such a perfect closure of an exceptional material that will, as soon as it comes to an end, force you to repeat it over and over again.

This self-titled extended play release will immediately transport you to an era when heavy rock, grunge, and alternative ruled the airwaves, yet it also vividly depicts two brilliant musicians offering some of the finest songs that go way beyond anything you could hear on the music scene nowadays. Sangue is an outstanding music outlet capable of delivering profoundly emotional, soulful, and ultimately heavy rock tunes without sounding predictable, repetitive, or bland. Their songwriting and composing abilities are beyond comprehension, and you’ll immediately get hooked on this material as soon as you press play. Head to your favorite streaming platform and check out this masterpiece.

https://open.spotify.com/album/2i1ccTOkb9sHn2fdJqt4ib

#ALTERNATIVE #GRUNGE #HEAVYROCK #METAL #MUSIC #POSTMETAL #REVIEWS #SLUDGE #SNAGUE #STONER
Sangue - Sangue EPSangue
Fearskaperfearskaper
2026-02-17

@bernard_dub Ok, we did, and to , , and ;) Cheers!

2026-02-17
Cattle Hammer – Dark Thoughts with Lights Out By Spicie Forrest

English is fairly adequate for basic communication, but it falls short for niche communities. In the same way that skiers repurpose “powder” or “carve” and gamers repurpose “own” or “sweaty,” metal fans break and contort language to suit our needs. We talk about “filthy” guitar tones and “razor sharp” riffs, discuss “cavernous” production and “suffocating” weight, and use violent imagery—bleeding ears, caved in skulls—to denote quality. So when I read phrases like “slow, painful march,” “soporific1 dirge,” and “empty decades between chords” on the promo sheet for debut Dark Thoughts with Lights Out, I thought Cattle Hammer was just employing a little dialectical variance, speaking the lingo. Joke’s on me, though. They weren’t.

Based in Birmingham, UK, Cattle Hammer was formed by vocalist/guitarist Duncan Wilkins (Fukpig, Mistress) in 2023. He’s joined by I Cartwright on drums, J Wyles on guitar, and D Von Donovan on bass. Together, they mix a caustic brew of drone, doom, and sludge, but each track on Dark Thoughts with Lights Out has its own identity. “Gloomsower” leans stony, and Wilkins oscillates between deep roars and strangled croaks reminiscent of Weedeater. “Rotting” features short tremolos, although they don’t do much besides check the “blackened” box on the PR sheet. The ambient, noise-tinged intro to “Watchmen, Alone” caught my attention, but repetition of the vocal sample stunts its ability to build tension. Similarly, “Body Puzzle” ends on some interesting synths, but it’s a tough sell so late in the album. If you can’t tell, I’m really reaching for positives here, but there’s not a one that isn’t ultimately a disappointment.

Dark Thoughts With Lights Out by Cattle Hammer

Every time I thought Cattle Hammer might do something interesting or better texturize Dark Thoughts with Lights Out, they shrank from the occasion. The early lead guitar in “Gloomsower” is a bright change of pace amidst thick, doomy passages, but instead of playing a countermelody or variation on the theme or literally anything else, it just plays the same fucking riff in a higher register. This same-riff-different-instrument/key tactic is fairly common (“Rotting,” “Watchmen, Alone”). Organ (“Watchmen, Alone,” “Body Puzzle”) and piano (“Rotting”) make appearances, but fail to deliver anything justifying their inclusion. Static and feedback crop up frequently, but in Cattle Hammer’s hands, they are merely unpleasant and banal. While I was intrigued by the first sample2 and always appreciate Sheri Moon Zombie,3 Cattle Hammer’s sample usage is ham-fisted and melodramatic. Each of these ornaments gave me hope that I might soon feel something besides boredom and frustration, but invariably, Dark Thoughts with Lights Out dashed my hopes and shuffled on.

What astounds me most on Dark Thoughts with Lights Out is how avoidable many of these blunders seem. Percussion is a little lackluster, and the instruments seem a bit compressed in the mix, leaving the vocals too far in front. These aren’t deal breakers, but playing fewer riffs—I’m being generous, calling them that—in 45 minutes than I have fingers is. Structuring the front half of a song to sound like a narrative climax with no build-up or release is (“Watchmen, Alone,” “Body Puzzle”). Rhythmic density rivaling the emptiness of space is. Ambient, feedback-laden outros enough to compile an EP is. This album is ostensibly meant to convey misery and suffering, but devoid of creativity or artistic abstraction, it misses the mark that acts like Primitive Man, The Body, or Sumac hit so well. It’s as if Cattle Hammer has crafted some misguided meta experience, in which the act of listening to the music imparts the misery normally communicated through the music itself.

If there’s one thing Cattle Hammer truly excels at, it’s squandering potential. Every criticism in this review is a place where I saw an opportunity for Dark Thoughts with Lights Out to get better, only for it to stay the course. What’s even more frustrating is that, if any one of these problems weren’t a problem, it could have at least partially salvaged the album. Amidst deeply uninteresting riffs played slow enough for inter-note naps, song constructions that fail to launch, underutilized instrumentation, an impressive lack of variation, repetition ad nauseum, and a totally unjustified runtime, Dark Thoughts with Lights Out isn’t simply unremarkable or uninteresting; it’s a literal chore to listen through. Based on the promo sheet, maybe that’s the point, but whether Cattle Hammer achieved their goal is irrelevant.4 Dark Thoughts with Lights Out is a bad album.

Rating: 1.0/5.0
DR: 10 | Format Reviewed: 320 kbps mp3
Label: Road to Masochist
Websites: Bandcamp | Ampwall | Facebook | Instagram
Releases Worldwide: February 6th, 2026

#10 #2026 #BlackMetal #BritishMetal #CattleHammer #DarkThoughtsWithLightsOut #DoomMetal #Drone #Feb26 #Fukpig #Mistress #PrimitiveMan #Review #Reviews #RoadToMasochist #Sludge #Sumac #TheBody #Weedeater
MONTREAL Ask A Punkshows@montreal.askapunk.net
2026-02-16

Ressac + Witherer + Drofnosura + Black Market Fossil

Turbo Haüs, Friday, February 20 at 08:00 PM EST

Ressac : Atmospheric Black Metal from Montreal
https://ressacmtl.bandcamp.com/album/vague-l-me

Witherer : Atmospheric Black Metal from Toronto
https://withererblackmetal.bandcamp.com/

Drofnosura : Black Sludge from Toronto
https://drofnosura-label.bandcamp.com/.../ritual-of-split...

Black Market Fossil : Experimental Black Sludge from Montreal
https://blackmarketfossil.bandcamp.com/album/-

Tickets presale at 15$
https://thepointofsale.com/tickets/ijh260220001?lang=en

Doors at 8pm / 20$
18+

Booking par Green Matter Presents
https://www.instagram.com/green_matter_presents/

montreal.askapunk.net/event/re

Ressac + Witherer + Drofnosura + Black Market Fossil
2026-02-16

Voici quelques photos prise par L'Alias au #CrazyPub avec son objectif chelou.

C'était super, merci à toustes d'être venus nous soutenir. 🤠 🤘🏿

On vous tient au courant de nos prochains aventure canine. 🦷💣

#concertphotography #AnarcoChien #sludge #laride #SiLaTerre? #lePoidDuFrigo #MineDeCharbon #ClostoPunk #SuisseMetal

Le grand et vénérable chanteur de chien en plain hurlement.Le batteur et sa concentration extrême, EXTRÊME !Notre bassiste en traîne faire une note.Olus qui simule des bruits de pioche avec le manche de sa guitare. Ça fait chluiggg, chluiggg !

Bristol’s Sugar Horse Shares Politically-Charged Single “Secret Speech”

Bristol experimentalists SUGAR HORSE have officially announced their third album, Not A Sound In Heaven, arriving April 10, 2026, on Fat Dracula Records. To lead the charge, the band shared the “bruising” single “Secret Speech” on February 12th. Frontman Ash Tubb describes the track as a vitriolic critique of the West’s geo-political industrial war machine.

The album explores the “maddening” weight of living at the center of a global empire, blending philosophical insight with heavy musical substance. Along with the new music, the quartet has announced a run of UK headline tour dates for April 2026 and an appearance at the StrangeForms Festival. Tickets are now on sale for what promises to be one of the most intellectually and sonically intense tours of the year.

https://youtu.be/_uZe30Qc-DE?si=JNXShPjGETHJPBAD

#EXPERIMENTALROCK #METAL #MUSIC #NEWS #ROCK #SLUDGE #STONER #SUGARHORSE
Sugar Horse

The Wright Valley Trio Drops Relentless Doom/Sludge LP ‘Leben ist Schmerz’

Photo courtesy of the band.

Released on February 6, 2026, The Wright Valley Trio’s latest offering, Leben ist Schmerz, is a formidable statement in the world of Doom and Sludge Metal. Comprising only two tracks—the title track and the instrumental “Steineschmelzer”—the album spans over 47 minutes of slow, repetitive, and deliberately exhausting soundscapes.

Lyrically, the album is a stark confrontation with the realities of bipolar and borderline personality disorders, using the imagery of a black hole to symbolize the pull of despair. Musically, the trio utilizes low-tuned bass, stoic percussion, and crushing guitars to create a psychological space that demands the listener’s full endurance. Recorded at Iron Bar Studio, the record rejects traditional accessibility in favor of a dense, meditative, and uncompromising atmosphere.

#DOOM #MUSIC #NEWS #SLUDGE #THEWRIGHTVALLEYTRIO
The Wright Valley Trio
Ask a Punk Netherlandsshows@calendar.askapunk.nl
2026-02-14

Anker Studio

Anker Studio, Saturday, March 7 at 07:00 PM GMT+1

Komatsu, Patserbak, Nevels.

19u

€12,50

calendar.askapunk.nl/event/ank

Anker Studio
El Pregoner del Metallpregonermetall
2026-02-14
2026-02-14

newstuff2026-07

(Post-)Punk/Hardcore/Rock/Metal and associates

Featuring new (sometimes also live and re-released/remastered) songs/videos by:
@paddelnohnekanu , The Taxpayers, Good Riddance, ROACH SQUAD, Schmutzhund, Our Souls, Pyogenesis, Scary Hours, Rats Will Feast, Stonus, Angel Du$t, Filth Is Eternal, Melonball, Snailmate, Mariachi El Bronx, Dead Pioneers, Guhn Twei, Lip Critic, Knocked Loose, Asthma Kids, Sharkswimmer, Deutsche Laichen, Melvins & Napalm Death, The S.E.T., Crim, Jacob The Horse, Lui Surreal, Sebastian Krumbiegel, Krigsstigen, Coilguns, Heckspoiler, BONSAI KITTEN, The Feelgood McLouds feat. Fiddler´s Green, Technopolice, War On Women, New Age Doom, A Wilhelm Scream, Blisterhead, Jupiter Jones, Riot City Radio - and some more... ;-)

New concerts/sessions by:
Glassing...

Youtube playlist (by date, ascending):
youtube.com/playlist?list=PLZN

Info page including links (by date, descending):
inoreader.com/stream/user/1005

Concerts/Sessions2026 (newest on top, updated continously):
youtube.com/playlist?list=PLZN

Concerts/Sessions 2026 info page (also newest on top):
inoreader.com/stream/user/1005

Download 18+(/blocked) videos: yt5s.biz/ (does not always work, but trying again/later might)

Social media / Fediverse account(s):
punkstodon.de/@aintjustmusic
f.freinetz.ch/profile/aintjust
"Blog" (Down atm): paper.wf/aintjustmusic/

@punk #Punk #Hardcore #HardcorePunk #AnarchoPunk #DeutschPunk #SkaPunk #SkaCore #Screamo #PowerViolence #GrindCore #77Punk #GaragePunk #PunkRock #PostPunk #SynthPunk #IndiePunk #AlternativePunk #PostHardcore #RABM #ZeckenRap #PunkRap #Rock #Metal #Postrock #Postmetal #Doom #Sludge #StonerRock #MathRock #StimPunks

[cc-by-nc-sa](creativecommons.org/licenses/b)

Ask a Punk Netherlandsshows@calendar.askapunk.nl
2026-02-12

Modder / CCHHRRIISSTTOODD / Afgrond

Resistor Leiden, Saturday, February 28 at 09:00 PM GMT+1

Modder are returning to Resistor to present their new album "Destroying Ourselves For A Place In The Sun" with support coming by industrial hip-hop artist CCHHRRIISSTTOODD and Haarlem's post-sludgers Afgrond!

Modder (BE):

MODDER is a five-piece sludge & doom formation hailing from Ghent, Belgium. With riffs designed to make your neck break, supported by thundering basslines, grooving drums, industrialist samples and synths, they forge a unique sound in the sludge landscape.

With their third full length: 'Destroying Ourselves For A Place In The Sun’, (October 2025) Modder has once again pushed the boundaries for themselves.
Building upon the previous and widely praised album 'The Great Liberation Through Hearing', the new work is perhaps an even bigger statement.
And in doing so, the combination of 'Sludge' (and by extension all sorts of metal variants) with the even more refined electronic Psy elements comes awfully close to a perfect symbiosis!

https://modder.bandcamp.com/

CCHHRRIISSTTOODD (BE):

CCHHRRIISSTTOODD (pronounced “Christ O.D.” with a stutter) is the solo project of Ghent-based tattoo-artist-turned-musician Berry Bleck. His distinctive beats provide a bed for eclectic lyrics covering topics ranging from his struggles with depression and apathy to dreamlike descriptions of drug-fueled psychedelic trips.

A multidisciplinary artist, Bleck meticulously curates the project’s aesthetic himself, incorporating pieces of his own artwork and distinct style into each release. Constantly shifting between two worlds — the physical and the fantasy — CCHHRRIISSTTOODD has proved to be an undoubtedly unique blend of industrial
hip-hop, rap, witch house, and even rave. Live, his shows incorporate even more of this duality than ever: he draws his energy from the crowd, his mood shifting from euphoria to downright fury, each word dripping with intent to deliver a convincing
performance.

https://cchhrriissttoodd.bandcamp.com/

Afgrond (NL):

Vile and earthshaking Post-Sludge/Doom Metal from Haarlem. Originally formed as an instrumental three-piece in a former abbattoir, AFGROND really came together when their vocalist joined. Creating high volume, low tuned riffs combined with growling dutch vocals, the Haarlem based band released their debut album Verdronken Hemelen (Drowned Heavens) on 21 March 2025 via Geertruida Records. Inspired by the likes of Tesa, ISIS, Amenra, Ufomammut etc, AFGROND will guide you down into the abyss that awaits all.

https://afgrond.bandcamp.com/

Doors: 21:00
Damage: €9

calendar.askapunk.nl/event/mod

Modder / CCHHRRIISSTTOODD / Afgrond

The Melvins & Napalm Death Form Hybrid Band For “Savage Imperial Death March” 

The Melvins and Napalm Death join forces for Savage Imperial Death March (April 10, Ipecac Recordings), a true collaboration – not a split, but a new album featuring members of both bands.

The album shares its name with the bands’ Savage Imperial Death March tours from 2016 and 2025, but marks their first full-length studio collaboration under the moniker.

Yesterday, the first track from the album, “Tossing Coins Into The Fountain Of Fuck,” premiered with Jose Mangin on SiriusXM’s Liquid Metal.

The album was recorded at the Melvins’ Los Angeles studio, with Buzz Osborne (vocals/guitar) and Dale Crover (drums) joined by Napalm Death’s Barney Greenway (vocals), Shane Embury (bass), and John Cooke (guitar).

“I have loved the Melvins forever and their outlook on music,” Embury explains. “A chance to make an album of eclectic musical madness with them was truly an honour and a whole lot of fun, which surely is the whole point! Let’s do another one soon.”

“Napalm Death are one of my favorite bands ever,” Osborne says. “It was an absolute pleasure and a dream come true to do this collaboration with them. We wrote songs together. I would write a riff and we would learn it and record it right there. They wrote stuff and we would learn it immediately as well. It was truly a 50/50 partnership.”

“Funny how life turns out sometimes… collecting hard-to-find Melvins 7-inches on Bleecker Street in 1989 and then touring twice and doing an album with them within the following 35 years,” Greenway adds. “Had a great time with it all, and nice to work with fellow travellers in the Melvins who also couldn’t care about pandering to ‘demographics.’ I felt myself almost babbling lyrically during the recording, and that alone made for very fun recording times.”

Savage Imperial Death March pre-orders are available now https://themelvins.lnk.to/savage

https://youtu.be/keJ3HDQgYDw?si=dS3eLGnizYp-oOUY

#DOOM #GRINDCORE #GRUNGE #MELVINS #METAL #MUSIC #NAPALMDEATH #NEWS #SLUDGE #STONER
The Melvins & Napalm Death - Savage Imperial Death March
Ask a Punk Netherlandsshows@calendar.askapunk.nl
2026-02-12

Throwing Bricks / Ontaard / Ruona Neida

ACU, Friday, March 27 at 08:00 PM GMT+1

calendar.askapunk.nl/event/thr

Throwing Bricks / Ontaard / Ruona Neida
Ask a Punk Netherlandsshows@calendar.askapunk.nl
2026-02-12

Modder / Spit for the Masses

ACU, Friday, February 27 at 08:00 PM GMT+1

Rotten Tooth Presents

Modder (Sludge / Belgium)
Modder is a five-piece sludge & doom formation hailing from Ghent, Belgium. With riffs designed to make your neck break, supported by thundering basslines, grooving drums, industrialist samples and synths, they forge a unique sound in the sludge landscape.
https://modder.bandcamp.com
https://www.instagram.com/modder_sludge/

Spit for the Masses (Blackened Hardcore / NL)

Netherlands based quartet Spit for the Masses blends elements of black metal, grindcore, post-punk and shoegaze into a hard-hitting and energetic sonic whirlwind.

Expect lightning-fast blast beats, raw vocals and a hefty portion of guitar madness, drenched in effects, interspersed with more melodic, dancy parts

https://spitforthemasses.bandcamp.com

Art: Jordi van Putten

calendar.askapunk.nl/event/mod

Modder / Spit for the Masses
2026-02-10

Splitting Arrows, Age/Out, Key of Evil

Uptowner, Saturday, February 28 at 08:00 PM CST

8pm, Free, 21+

mkeshows.com/event/splitting-a

Splitting Arrows, Age/Out, Key of Evil

Client Info

Server: https://mastodon.social
Version: 2025.07
Repository: https://github.com/cyevgeniy/lmst