Moose Cult â Book of the Machines Review
By Kenstrosity
UK progressive heavy/doom metal troupe Moose Cult should sound familiar to fans of the blog. Featuring members of Bull Elephant, Conglaciation, Monsterworks, The Anchoret, and ThĆ«n, Moose Cult constitute a new installment in the Eat Lead and Die canon of artists that weâve covered over the last decade. This project focuses on generalized environmental issues and human folly, justifying somewhat the bandâs self-assigned moniker of âEnvirometal.â While that does a poor job of illustrating what it is that Moose Cult plays beyond the scope of lyrical theme and content, sophomore record Book of the Machines wonât puzzle listeners nearly as much as the bespoke genre tag might.
Moose Cultâs closest living relative in the metalverse is very clearly Bull Elephant. Wild combinations of gritty heavy metal, aggressive doom, progressive metal and a touch of the extreme characterize Book of the Machinesâ thirty-eight minutes. Gruff vocals reminiscent of Boss Keloid fused with BĂŒtcher passionately deliver lyrics that tackle a wide array of uniquely human quandaries. Meanwhile, lurching guitars and pounding skinsâalong with an impressive variety of different blast beat variationsâprovide the muscle to move that kind of potentially weighty messaging. Moose Cult arenât the first band to concern themselves with environmental matters, but their more vague, generalized approach to that theme differs greatly from the more story-driven, niche nature of Bull Elephantâs material. Whether that is a boon or a detractor is up for debate. However, I maintain that using a near-carbon copy of Bull Elephantâs blueprint to unleash a shotgun blast against human greed and mankindâs disregard for the environment, rather than crafting a more distinct sound to enact a focused attack on a specific environmental issue, works against Moose Cultâs favor.
Book of the Machinesâ greatest fumble extends beyond plagiarism of sister projectsâ style and application. A more damning lack of memorable songwriting leaves me with little of consequence to hold on to after the record concludes. Enjoyable and entertaining in the moment, stronger cuts like âErewhon,â âCurse of Creation,â âEarth(l)ing,â and âBook of the Machinesâ do offer small nuggets worth preserving. âCurse of Creationâ in particular features a beautiful, psychedelic ambience in its midsection that immerses me in vivid, kaleidoscopic light, only to bring me crashing back down to a ruined Earth a minute later. Highly effective puts it mildly. However, these moments arenât strong enough to carry any song on its own, let alone an entire album filled with solid lyrical ideas that never got the development they deserved. Across Book of the Machinesâ runtime, passages shift and shimmy with an arbitrary sort of movement that jostles arrangements enough to destabilize them. Put another way, this record is not a smooth one, and consequently feels disjointed and unsteady.
Despite its awkward songwriting and flimsy messaging, Book of the Machines holds potential. Throat singing embellishments and fantastic soloing help elevate tracks like âGateway to Evolving Thoughtâ and âHeadless Cultâ almost enough to establish a trademark sound for the band. Closer âBook of the Machinesâ accomplishes a similar feat, albeit with a completely different approach that evokes a more extreme variant of Killing Joke. If Moose Cult buckles down and unifies these more differentiated elements into a unique, but cohesive, palette that better stands on its own, all the better for future efforts. On the other hand, Moose Cult nailed the production with Book of the Machines. Rich, warm, textured, and dynamic, this record blooms with vibrant color and its varying instrumentation strikes an ideal clarity that deftly avoids an over-polished sheen.
Overall, I am disappointed with Moose Cult so far. I am a longtime fan of Bull Elephant and have heard good things about several of these artistsâ other projects, but this record isnât what it couldâve been. Between the sparse substance behind its theme and the plagiaristic nature of its musical content, Book of the Machines offers a substandard proof of concept that makes it difficult to buy in. Without focusing its message and finding a uniqueâor at least more creativeâvoice with which to express it, this record fails to make an impact. Therefore, I recommend passing on it, hanging tight, and waiting to hear where Moose Cult go from here.
Rating: Disappointing.
DR: 11 | Format Reviewed: 320 kb/s mp3
Label: Eat Lead and Die Music
Website: moosecult.bandcamp.com
Releases Worldwide: September 6th, 2024
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