Lmst

Have you heard of the Southern Arterial Route? I hadn’t either – but you won’t be able to unsee the scar through Ultimo, Chippendale, Redfern and Waterloo. Here’s a ~12,000-word Wikipedia article with 153 references – with page numbers, for every sentence – to bring you and your search engine up to speed!

If you find errors please edit it! Isn’t Wikipedia wonderful.

https://jakecoppinger.com/2026/02/have-you-heard-of-the-southern-arterial-route/

#sydney #ultimo #chippendale #redfern #waterloo #nsw #auspol #urbanism #history #localhistory #wikipedia

cafeculture ☕️ warm lighting, neat shelves, and the promise of a good brew. the cozy, urban retreat of tobys estate.

#Sydney #Coffee #CoffeeShop #CafeCulture #TobysEstate #Chippendale #Urban #CozyVibes #photography

The interior of Toby's Estate coffee shop. Warm light highlights shelves packed with coffee bags and a person standing nearby

Maurice Leblanc - Arsene Lupin Part 18 of 99

CHAPTER V A LETTER FROM LUPIN

The Duke stood for a while staring thoughtfully at the door through which Sonia had passed, a faint smile playing round his lips. He crossed the hall to the Chippendale bureau, took a cigarette from a box which stood on the ledge of it, beside the morocco case which held the pendant, lighted it, and went slowly out on to the terrace. He crossed it slowly, paused for a moment on the edge of it, and looked across the stretch of country with musing eyes, which saw nothing of its beauty. Then he turned to the right, went down a flight of steps to the lower terrace, crossed the lawn, and took a narrow path which led into the heart of a shrubbery of tall deodoras. In the middle of it he came to one of those old stone benches, moss-covered and weather-stained, which adorn the gardens of so many French châteaux. It faced a marble basin from which rose the slender column of a pattering fountain. The figure of a Cupid danced joyously on a tall pedestal to the right of the basin. The Duke sat down on the bench, and was still, with that rare stillness which only comes of nerves in perfect harmony, his brow knitted in careful thought. Now and again the frown cleared from his face, and his intent features relaxed into a faint smile, a smile of pleasant memory. Once he rose, walked round the fountains frowning, came back to the bench, and sat down again. The early September dusk was upon him when at last he rose and with quick steps took his way through the shrubbery, with the air of a man whose mind, for good or ill, was at last made up.
When he came on to the upper terrace his eyes fell on a group which stood at the further corner, near the entrance of the château, and he sauntered slowly up to it.
In the middle of it stood M. Gournay-Martin, a big, round, flabby hulk of a man. He was nearly as red in the face as M. Charolais; and he looked a great deal redder owing to the extreme whiteness of the whiskers which stuck out on either side of his vast expanse of cheek. As he came up, it struck the Duke as rather odd that he should have the Charolais eyes, set close together; any one who did not know that they were strangers to one another might have thought it a family likeness.
The millionaire was waving his hands and roaring after the manner of a man who has cultivated the art of brow-beating those with whom he does business; and as the Duke neared the group, he caught the words:
“No; that’s the lowest I’ll take. Take it or leave it. You can say Yes, or you can say Good-bye; and I don’t care a hang which.”
“It’s very dear,” said M. Charolais, in a mournful tone.
“Dear!” roared M. Gournay-Martin. “I should like to see any one else sell a hundred horse-power car for eight hundred pounds. Why, my good sir, you’re having me!”
“No, no,” protested M. Charolais feebly.
“I tell you you’re having me,” roared M. Gournay-Martin. “I’m letting you have a magnificent car for which I paid thirteen hundred pounds for eight hundred! It’s scandalous the way you’ve beaten me down!”
“No, no,” protested M. Charolais.
He seemed frightened out of his life by the vehemence of the big man.
“You wait till you’ve seen how it goes,” said M. Gournay-Martin.
“Eight hundred is very dear,” said M. Charolais.
“Come, come! You’re too sharp, that’s what you are. But don’t say any more till you’ve tried the car.”
He turned to his chauffeur, who stood by watching the struggle with an appreciative grin on his brown face, and said: “Now, Jean, take these gentlemen to the garage, and run them down to the station. Show them what the car can do. Do whatever they ask you—everything.”
He winked at Jean, turned again to M. Charolais, and said: “You know, M. Charolais, you’re too good a man of business for me. You’re hot stuff, that’s what you are—hot stuff. You go along and try the car. Good-bye—good-bye.”
The four Charolais murmured good-bye in deep depression, and went off with Jean, wearing something of the air of whipped dogs. When they had gone round the corner the millionaire turned to the Duke and said, with a chuckle: “He’ll buy the car all right—had him fine!”
“No business success of yours could surprise me,” said the Duke blandly, with a faint, ironical smile.
M. Gournay-Martin’s little pig’s eyes danced and sparkled; and the smiles flowed over the distended skin of his face like little ripples over a stagnant pool, reluctantly. It seemed to be too tightly stretched for smiles.

#CHAPTERV #Sonia #Chippendale #French #Cupid #M_Gournay-Martin #M_Charolais #Charolais #eighthundredpounds #thirteenhundredpounds #Jean #M_Gournay-Martin’s #ArseneLupin #MauriceLeBlanc #mystery #booktoot

Maurice Leblanc - Arsene Lupin Part 13 of 99

“Oh, come! what on earth do you mean?” said the Duke. “You’re getting quite incomprehensible, my dear girl.”
“Well, I’ll make it clear to you. One morning papa received a letter—but wait. Sonia, get me the Lupin papers out of the bureau.”
Sonia rose from the writing-table, and went to a bureau, an admirable example of the work of the great English maker, Chippendale. It stood on the other side of the hall between an Oriental cabinet and a sixteenth-century Italian cabinet—for all the world as if it were standing in a crowded curiosity shop—with the natural effect that the three pieces, by their mere incongruity, took something each from the beauty of the other. Sonia raised the flap of the bureau, and taking from one of the drawers a small portfolio, turned over the papers in it and handed a letter to the Duke.
“This is the envelope,” she said. “It’s addressed to M. Gournay-Martin, Collector, at the château de Charmerace, Ile-et-Vilaine.”
The Duke opened the envelope and took out a letter.
“It’s an odd handwriting,” he said.
“Read it—carefully,” said Germaine.
It was an uncommon handwriting. The letters of it were small, but perfectly formed. It looked the handwriting of a man who knew exactly what he wanted to say, and liked to say it with extreme precision. The letter ran:
“DEAR SIR,”
“Please forgive my writing to you without our having been introduced to one another; but I flatter myself that you know me, at any rate, by name.”
“There is in the drawing-room next your hall a Gainsborough of admirable quality which affords me infinite pleasure. Your Goyas in the same drawing-room are also to my liking, as well as your Van Dyck. In the further drawing-room I note the Renaissance cabinets—a marvellous pair—the Flemish tapestry, the Fragonard, the clock signed Boulle, and various other objects of less importance. But above all I have set my heart on that coronet which you bought at the sale of the Marquise de Ferronaye, and which was formerly worn by the unfortunate Princesse de Lamballe. I take the greatest interest in this coronet: in the first place, on account of the charming and tragic memories which it calls up in the mind of a poet passionately fond of history, and in the second place—though it is hardly worth while talking about that kind of thing—on account of its intrinsic value. I reckon indeed that the stones in your coronet are, at the very lowest, worth half a million francs.”
“I beg you, my dear sir, to have these different objects properly packed up, and to forward them, addressed to me, carriage paid, to the Batignolles Station. Failing this, I shall Proceed to remove them myself on the night of Thursday, August 7th.”
“Please pardon the slight trouble to which I am putting you, and believe me,”
“Yours very sincerely,” “ARSÈNE LUPIN.”
“P.S.—It occurs to me that the pictures have not glass before them. It would be as well to repair this omission before forwarding them to me, and I am sure that you will take this extra trouble cheerfully. I am aware, of course, that some of the best judges declare that a picture loses some of its quality when seen through glass. But it preserves them, and we should always be ready and willing to sacrifice a portion of our own pleasure for the benefit of posterity. France demands it of us.—A. L.”
The Duke laughed, and said, “Really, this is extraordinarily funny. It must have made your father laugh.”
“Laugh?” said Germaine. “You should have seen his face. He took it seriously enough, I can tell you.”
“Not to the point of forwarding the things to Batignolles, I hope,” said the Duke.