🎤 @ludomire a présenté be-BOP aux @jdll@framapiaf.org : une solution libre, auto-hébergeable et éthique pour la monétisation.
Si vous cherchez des alternatives aux plateformes centralisées ou mieux comprendre ce que permet déjà notre solution et son future proche, cette vidéo est pour vous !
📽️ À voir sur l'instance #peertube @jdll@videos-libr.es : https://videos-libr.es/w/nKZm1eVTBnwKydY1KPLQCJ
#LogicielLibre #bebop #p2p #pos #crowdfunding #peerfunding #ecommerce #foss
The Brain DJ skitters sideways, and we wake to find ourselves in the Players Club, listening to something by Monk –
Aaron Diehl Trio, " 'Round Midnight" (live at the Players Club, NY, 21 April 2010)
piano: Aaron Diehl
bass: David Wong
drums: Quincy Davis
They cover Thelonious Monk's 1943 composition " 'Round Midnight", which was released in 1944 as a 78 rpm 10-inch by Cootie Williams and His Orchestra. Thelonius Monk's 21 Nov 1947 studio recording " 'Round About Midnight" was released on "Genius of Modern Music, Volume One" in 1956. There's a good reason this became a jazz standard.
Free Blown Jazz by Tony Scott and Jimmy Knepper, released on Carlton Records in 1959.
"Tony Scott was one of few clarinettists to play bop and his cool tone separated him from the crowd and the harder, more driving playing of Buddy DeFranco.
Listen to 'Free Blown Jazz' and hear the group as they emphasize free blowing, achieving spontaneity unhampered by time limits on tunes like, 'There Will Never Be Another You', 'Gone With The Wind' and 'If I'm Lucky'." - Jasmine Records
https://www.youtube.com/watch?v=aLJ2UB5wzsk
#tonyscott #clarinet #jazzclarinet #bebop #jazz #jimmyknepper
The Mundell Lowe Quartet by The Mundell Lowe Quartet, released on Riverside in 1955.
At AllMusic, Scott Yanow gave the album four stars and said, "Most of this set is essentially straight ahead bebop with guitarist Mundell Lowe heard in top form".
https://www.youtube.com/watch?v=L_OH1cbjRaM&list=OLAK5uy_lKypCL1tvWH5kqS56ih2UcxI9ZRkE3INw&index=1
#mundelllowe #bebop #guitarjazz #riversiderecords #1955inmusic
“The true powers of music are still unknown. ... I’m passionate about understanding these forces. ... It’s in that direction that I want to commit myself and to go as far as possible."
JOHN COLTRANE
#jazz #art #quotes #jazzmusic #swing #bebop #jazzlegends
"I Got Rhythm" is a piece composed by #GeorgeGershwin with lyrics by #IraGershwin and published in 1930, which became a #jazzStandard. Its #chordProgression, known as the "#rhythmChanges", is the foundation for many other popular jazz tunes such as #CharlieParker's and #DizzyGillespie's #bebop standard "Anthropology (Thrivin' on a Riff)".
https://www.youtube.com/watch?v=v4hI-xhGZug
Jazz Day! Fuse ‘n Flow on bigeradio.com; 11am Alberta, 1pm ET, 6pm UK, 7PM Germany, 8pm Ukraine
Today's episode is all about Be Bop, Hard Bop & Post Bop. There are many Bops to celebrate, from the likes of Kenny Clarke, Sonny Rollins, Mary Lou Williams, Clifford Brown, Allison Neale, Charlie Parker & many more
#jazz #bebop #yeg #nowspinning
This, Ladies and esteemed Gentlemen, is #Bebop
https://www.youtube.com/watch?v=6VwLymEOaSI
1. #ProgRock / #MathRock / #MathMetal / #ArtRock / #Djent
2. #PopRock
3. #BluesRock
4. #PostPunk
5. #PostHardcore / #Metalcore / #HardcorePunk
top 5 #pop
1. #DancePop / #ElectroPop / #SynthPop / #Hyperpop / #NewWave
2. #ProgressivePop / #ArtPop
3. #FolkPop
4. #IdolPop
5. #BalladPop
top 5 #jazz
1. #SmoothJazz / #BossaNova
2. #Bebop
3. #JazzFusion
4. #SwingMusic
5. #NuJazz
top 5 #electronic / #dance
1. #Eurodance / #Eurodisco / #Italodisco
2. #HardcoreTechno / #Gabber / #HappyHardcore / #Hardstyle / #HardHouse
3. #IntelligentDanceMusic
4. #AcidTechno / #AcidHouse / etc.
5. #Dubstep / #Brostep / #Complextro
top 5 #HipHop
1. #Phonk
2. #JerseyClub
3. #Chillhop
4. #Grime
5. #TrapMusic
Today (15 May) marks the seventy second anniversary of the recording of Jazz at Massey Hall, featuring Charlie Parker, Dizzy Gillespie, Bud Powell, Charles Mingus and Max Roach. Each of whom could easily be considered a musical genius.
My copy of the record (from the 1970s) is called "The Greatest Jazz Concert Ever", and I wouldn't disagree. It marks the standard for bebop. An absolute classic!
Six jazz greats. Check out Kenny Clarke starting at the 32m mark.
European Episode is an album by American jazz saxophonist Lee Konitz and French pianist Martial Solal recorded in Italy in 1968 and released on the Campi label.
Fred Bouchard wrote for All About Jazz:
"..Fleet meets phlegmatic in this exquisite 1968 meeting during a Konitz tour of Europe with Algerian-born pianist Martial Solal and le plus grand rhythm section in all Europe back then: drummer Daniel Humair and bassist Henri Texier.
The kaleidoscopic, Tristano-esque (often bitonal) "Collage on Standards rambles over one-third of disc one, not merely touching but massaging Tin Pan Alley ("Please Be Kind, "Johnny One Note, "My Funny Valentine ), Rodgers & Hammerstein ("The Song Is You, "People Will Say We're In Love, "Old Man River ) and Euro-faves ("Come Back To Sorrento, Chopin licks)..."
https://www.youtube.com/watch?v=gQvhY__7hss&list=OLAK5uy_nGn5LGPK7-aiT__cMbYA32OvpbYzS3FNY&index=1
The New Continent is an album by trumpeter Dizzy Gillespie's Big Band featuring performances arranged and composed by Lalo Schifrin and conducted by Benny Carter. It was produced by Quincy Jones in 1962 and released on the Limelight label.
https://www.youtube.com/watch?v=fM4ukzU1XV0
#dizzygillespie #bennycarter #bebop #jazz #quincyjones #laloschifrin
Questa frase di tre quarti si ripete per sei volte, collocata in modo obliquo sul tempo di 4/4 del brano, creando un effetto di poliritmia che ci fa perdere ogni riferimento ritmico. Ecco l'analisi di "Tempus Fugit".
Leggi di più 👉 https://go.leoravera.it/4eCM2Op
Moody (also released as Moody's Workshop) is an album by saxophonist James Moody composed of sessions from 1954 with a septet arranged by Quincy Jones. The LP was released on the Prestige label.
Scott Yanow, writing for AllMusic, stated: "In the mid-'50s James Moody led a four-horn septet that played music falling somewhere between bop and rhythm & blues. The danceable rhythms and riffing made its recordings somewhat accessible but the solos of Moody (on tenor and alto) and trumpeter Dave Burns also held listener's interests".
https://www.youtube.com/watch?v=crGB-Vac6ko
#jamesmoody #flutejazz #quincyjones #prestigerecords #jazz #modernjazz #bebop #hardbop
“The true powers of music are still unknown. ... I’m passionate about understanding these forces. ... It’s in that direction that I want to commit myself and to go as far as possible."
JOHN COLTRANE
#jazz #art #quotes #jazzmusic #swing #bebop
Al Minton's un manipolo di musicisti sperimentava il nuovo linguaggio jazz. Charlie Parker, Kenny Clarke, Thelonious Monk e altri si trovavano per amore della musica, spesso dopo aver suonato in altri locali, per lavoro.
Al Minton's potevano suonare quello che volevano, esplorare nuovi territori.
Vai all'articolo 👉 https://go.leoravera.it/4ee10KN
Roy Hargrove - Nothing Serious
Nell'introduzione, ripresa poi per il finale, possiamo apprezzare uno stilema tipico della musica di Dizzy Gillespie: l'uso della quinta diminuita. Ecco l'analisi completa di "Salt Peanut".
Leggi di più 👉 https://go.leoravera.it/3ZxKLE6
Bebop Revisited!, is the debut album led by American jazz alto saxophonist Charles McPherson recorded in 1964 and released on the Prestige label.
Allmusic awarded the album 4½ stars with its review by Scott Yanow stating, "McPherson and Jones make for a potent frontline on these spirited performances, easily recommended to fans of straightahead jazz"
#CharlesMcPherson #bebop #hardbop #jazz #prestigerecords
https://www.youtube.com/watch?v=ULfMsWyWGbs&list=PLG9TegFIbw1Yfoxjt3YJ1VvAM0-axDqRn&index=1
