Witchrot â Soul Cellar Review
By Tyme
Before snagging their new album out of the sump pit, I knew next to nothing about Ontario, Canadaâs Witchrot. It turns out the band gained a fair amount of notoriety in 2018, after releasing just one EP, when co-founder and original bassist Peter Turik posted an unexpected message on Facebook announcing the band was taking an âextended hiatus,â revealing his girlfriend of seven years had slept with the guitarist. And that, oh, yeah, in a grave, Spinal Tapish post-script, Witchrotâs drummer had died.1 After soldiering on and bouncing back with 2021âs revenge platter Hollow, Witchrot recorded its live-in-the-studio and Fuzzed and Buzzed Records debut Live In the Hammer in 2023, which generated more buzz in the doom scene. Thatâs a ton of drama for such a relatively young band, which brings us to 2025. With a newly solidified lineup, Witchrot sets out to release their third album, Soul Cellar. Will this be the record that sees Witchrot break through to the other side or revert to a state of doom anonymity?
If âFuzzy Wuzzy Was a Bear,â2 then Witchrotâs Soul Cellar is a grizzly. Drenched in reverberant haze and heavily Windhanded, Turikâs fat nâ fuzzy, mid-paced riffs serve Witchrot well, and whether theyâre bruisinâ (âSpinelssâ) or bluesinâ (âTombstonedâ), douse the whole of Soul Cellar in sheets of sludgy, sonic sleaze. John Ferreiraâs weighty bass lines, often aswarm with bees, buzz hard enough that even Will Rahmer3 might take notice (âSoul Cellarâ). Myles Deck (Cauldron) keeps Witchrot in check and on track with his doom-hearty drumminations, deftly weaving ground-pounding beats with a reservedly soft touch that adequately wrangles Soul Cellarâs sonic situations. Freshly added keyboardist Patrick Sherrard carves a new wrinkle into the Witchrot sound, expanding the instrumental palette with some well-crafted Hammond cheese. And, of course, one canât forget the star of the Witchrot show as Lea Reto turns in another stirring performance, her dynamic range on full display. Soul Cellar finds Witchrot broadening its scope and widening the path by which it continues to march toward doom dominance.
The crushing, sludgy doom Witchrot is known for remains intact, but thereâs a softer, more soulful side to Soul Cellar thatâs as effective. From the beginning strains of album opener âPossession Deepensâ to the magical mystery of the too-short âGreen River,â Sherrardâs impact is evident. Whether itâs the uncommonly smooth, silky bass lines and psychedelically patchouli-scented keys of the former or the shimmery strums and couch-crashing, laid-back attitude of the latter, both are perfect vehicles for Reto to show off her huskily hypnotizing octave, a clone of Dorthia Cottrell. On the flip side of Retoâs range, however, is an amazingly Danzig-esque croon and wail, manifested most in her cadence and choice of vocal progressions that take deeper root the more I listen (âTombstoned,â âTongue Cutter,â âSpinelessâ).
Soul Cellarâs biggest problem is that there are no problems, for as much as Witchrot does nothing overtly bad, neither do they accomplish anything that stands out from the rest of the fuzz-doom crowd. If I had to poke at something, I suppose the rather loud production tips the scales of Retoâs higher, more manic vocals into the shrill category at times, but not so much as to cause pain, and God forbid we deduct for production. And I suppose Witchrot could stand to shave a minute or two, here and there, to tighten things up, but Soul Cellar clocks in at a respectably edited forty minutes, so there arenât even glaring issues of bloat to whinge on about at least not for a doom album that could have easily suffered from such a malady. I dig the stoner-rock, dust-desert, and sex vibe of the cover art, courtesy of ZZ Corpse, which fits in nicely with everything else on Soul Cellar, and that is, itâs all just perfectly fine.
Soul Cellar is a collection of decently executed doom that does neither too much nor too little to warrant patent praise or critique; it simply is what it is. Fans of this fuzzed-out style should have fun with Soul Cellar, even though I donât plan on returning to it once free of the review. However, this five-piece version of Witchrot is the bandâs most effective iteration, and I hope no more instances of infidelity or faux-deaths prevent them from coalescing further and releasing something top-notch.
Rating: 2.5/5.0
DR: 5 | Format Reviewed: WAV
Labels: Fuzzed and Buzzed Records (USA) | Majestic Mountain Records (EU)
Websites: Bandcamp | Facebook
Releases Worldwide: May 23rd, 2025
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