#ensign

Chuck Darwincdarwin@c.im
2026-01-02

Trump's Weird Definition of
'#Alien #Enemies'

Trump's invocation of the
"Alien Enemies Act" was dubious from the beginning.

That rarely used 1798 statute applies when
"there is a declared war"
between the United States and a
"foreign nation or government"
or when a
"foreign nation or government"
has "perpetrated, attempted, or threatened"
an "invasion or predatory incursion against the territory of the United States"
(even when a war has not been declared).

In those circumstances,
the AEA authorizes
"restraint, regulation, and removal"
of "natives, citizens, denizens, or subjects of the hostile nation or government,"
provided they are at least 14 years old.

In a proclamation published on the evening of Saturday, March 15,
Trump implausibly claimed that members of the Venezuelan gang "Tren de Aragua"
qualified as
"alien enemies" under that definition.

In addition to dubiously asserting that Tren de Aragua had "perpetrated, attempted, or threatened" an "invasion or predatory incursion against the territory of the United States,"
the proclamation counterintuitively implied that the gang was a
"foreign nation or government."

Trump further stretched the language of the statute by implying that alleged Tren de Aragua members were
"natives, citizens, denizens, or subjects" of the gang.

His initial use of the AEA was clearly designed
šŸ’„to avoid judicial review altogether.

By the time he published his proclamation,
the Department of Homeland Security was already in the process of removing detainees and sending them to CECOT.

Lawyers at the American Civil Liberties Union got wind of the pending proclamation
and filed a complaint on behalf of five detainees in the U.S. District Court for the District of Columbia.

They also sought protection for a class consisting of similarly situated detainees,

and they filed an urgent motion for a temporary restraining order (TRO),
noting that the plaintiffs were
"at substantial risk of immediate, summary removal from the United States"
under the AEA.

In light of "the exigent circumstances," #James #Boasberg, the district's chief judge, promptly granted a TRO aimed at
"maintain[ing] the status quo until a hearing can be set."

That hearing convened via Zoom at 5 p.m. that Saturday,
which was still three hours before Trump's proclamation appeared on the White House website.

In response to the concern that airplanes bound for El Salvador were about to take off,
Boasberg repeatedly asked Deputy Assistant Attorney General #Drew #Ensign what was happening.

Ensign never gave Boasberg a straight answer.
reason.com/2026/01/01/3-areas-

2025-08-23

The Waterboys, This is the Sea, 1985 on Ensign / Chrysalis

This was the third studio album from The Waterboys, produced by Mike Scott and Karl Wallinger with John Brand and Mick Glossop. Includes one of my favorite Waterboys songs ā€œThe Whole of the Moonā€ but the entire album is wonderful.

It’s a bit hard to see in the photos but the Waterboys emblem / logo is imprinted on the cover as kind of glossy mask.

My copy is a 1986 reissue on Chrysalis labels – in the UK it came out on Ensign, which was sold to Chrysalis in 1984 – but it was also released in 1985 in the US on Island Records labels. Via Slipped Disc at a Mill No. 5 record fair.

#1980s #1985 #Chrysalis #Ensign #IslandRecords #KarlWallinger #LowellMA #MikeScott #MillNo5 #Reissue #SlippedDisc #TheWaterboys #vinyl #vinylcollection #vinylfinds

2025-08-04

The Waterboys, Fisherman’s Blues, 1988 on Chrysalis / Ensign

The fourth studio LP from Mike Scott, Steve Wickham, Anthony Thistlehwaite, Trevor Hutchinson, Peter McKinney et al. Marked a bit of a shift toward Irish and Scottish music, but including covers of Van Morrison’s ā€œSweet Thingā€ and (briefly) ā€œThis Land is Your Land.ā€

My copy – a Carrollton Georgia US pressing from 1988 – via Vinyl Destination in Lowell. I’m pretty certain I had a copy of this in the 80s but who knows where it ended up – and maybe it was on cassette?

#1980s #1988 #AnthonyThistlewaite #Chrysalis #Ensign #LowellMA #MikeScott #PeterMcKinney #SteveWickham #TheWaterboys #TrevorHutchinson #vinyl #VinylDestination #vinylcollection #vinylfinds

Chuck Darwincdarwin@c.im
2025-04-22

It is notable that #Drew #Ensign is the only one signing these papers

It is unusual for someone in his position to be directly litigating at all (he’s supposed to be a supervisor)

It is likely that everyone else (correctly) thinks someone is going to lose their license over this

bsky.app/profile/joshuajfriedm

2024-10-31

SinĆ©ad O’Connor, The Lion and the Cobra, 1987 on Chrysalis / Ensign

This was SinĆ©ad’s debut album and is still just astonishingly great. The spoken word intro in gaelic by Enya before ā€œNever Get Oldā€ is Psalm 91:

For He will give His angels charge over thee, To keep thee in all thy ways.

They shall bear thee upon their hands, Lest thou dash thy foot against a stone.

Thou shalt tread upon the lion and asp; The young lion and the serpent shalt thou trample […]

#1980s #1987 #BeverlyCoinJewel #BeverlyMA #Chrysalis #Ensign #SinƩadOConnor #vinyl #vinylcollection #vinylfinds

wp.me/p4tTZ-6HM

SinƩad O'ConnorAlbum rear with track listinner sleeve with credits
2024-05-25

Generally, I love old photographic adverts. They're weird and charming.

This one, though... erm...

An old advert from 1916 advertising Ensign's roll film as "British film for British people".

A couple of weeks ago I posted on social media that now I have the Polaroid Big Shot there’s no other cameras that I really need. And then I came across what is undeniably the oldest camera in my collection, the Ensign Ensignette No. 1. Definitely falling under the Kamerastore’s ā€˜not passed’ category, the body is worn, the insides are full of rust, dirt and fungus and the bellows have large holes in them, so why on earth would I want this?

Well, for a start it’s the oldest working camera (well, ā€˜working’ in the sense that the shutter fires, but that’s about it) I’ve ever seen on the website. From the little bit of research I did before adding it to my basket I’ve dated this camera to about 1909-10, making it about 114 years old. It also takes a long defunct film stock called 128 film, which was made specifically for this camera and it was so popular that even Kodak produced film for it.

To date the camera I looked at the front plate for a start. The plate of the early Ensignette cameras were plain, with the name of the camera and other parts embossed on the front. According to Camera-Wiki, ā€˜Pre-1911 cameras have a flat front plate with the ā€œN-signā€ trademark engraved on the bottom corner. Post-1911 cameras have embossed circles on both ends of the front plate where [the tabs] begin.’ (http://camera-wiki.org/wiki/Ensignette) In addition, later cameras have a four digit serial number while this model has a serial number of E263, suggesting that it really is an early model. Since the camera was launched around December 1909, I reckon that this camera was either from this first batch or from some time in 1910. Of course, I could be completely wrong, but it’s nice to dream.

As mentioned, the condition of this camera is horrible. Usually, when the Kamerastore describe an issue with a camera they are quite harsh in their description, but it’s an overstatement. This time, however, it was completely fair. Outside was not too bad, the body was worn, of course,  but that’s expected for a 100-year-old camera. The marks for shutter speed (ā€˜I’ and ā€˜T’) and the aperture were completely worn off and will need repairing. Also the shutter selector, for instant or bulb, and a little leg were completely missing. I reckon that at some point someone had tried to repair this camera and lost these pieces.

Upon opening the camera the real horror was revealed. The inside of the camera is full of dirt and rust. Surprisingly there is a meta 128 spool remaining but it’s completely rusted and stuck inside the body. Inside the bellows is full of dirt and a blue fungal growth, or it’s copper rust, I’m not really sure. The lens is full of haze and will have to be removed for cleaning. I can’t really describe how awful it is, but the photos show what I’m up against. 

If you look at the bottom plate you can see that there is one screw missing, reinforcing my view that a repair had been attempted. Despite all of these challenges, I’m still going to try to get the camera working again. If I can cobble together another spool I can make a six-exposure paper backed roll of 35mm film, and with an original frame size of 57x38mm, this might make a nice little panoramic camera.

If you are on Mastodon, you can now follow this blog directly. Just go to Mastodon and follow my WordPress account at @keithdevereux.wordpress.com@keithdevereux.wordpress.com. All new posts will be automatically updated to your timeline on Mastodon. 

https://keithdevereux.wordpress.com/2024/03/28/a-step-too-far-the-ensign-ensignette-no-1-28-mar-2024/

#128Film #Bellows #Camera #Ensign #Ensignette #Experimental #Film #FrugalFilmProject #Oldcamerachallenge #Panoramic #Retro #Shittycamerachallenge #Vintage

An Ensign Ensignette No. 1 camera from c.1909.
Lisa Hamilton3x10to8mps@vmst.io
2023-12-17
2023-07-26

Photograph of #SineadOConnor on the back of her Universal Mother CD on #Ensign from 1994
youtu.be/lfUdGECG3EY

Photograph of Sinead O'Connor on the back of her Universal Mother CD

Client Info

Server: https://mastodon.social
Version: 2025.07
Repository: https://github.com/cyevgeniy/lmst