#manhattan

2025-12-09

The wooden pallets on 9th at 45th are gone but one remains at 46th.
In good shape, looks new.
#dumpster #dive #sidewalk #shark #Manhattan #NYC

gtbarrygtbarry
2025-12-08

"Nobody told me there'd be days like these"

𝗝𝗼𝗵𝗻 𝗟𝗲𝗻𝗻𝗼𝗻 (𝟭𝟵𝟰𝟬-𝟭𝟵𝟴𝟬)

Karen E. Lund 💙💛Karen5Lund
2025-12-08

Turns out it really was a *de-congestion* plan that could reduce traffic and speed travel in Manhattan's busiest districts, not just a way to make money.

Traffic congestion grew this year in U.S. cities, but NYC saw no increase | Smart Cities Dive
smartcitiesdive.com/news/inrix

My picture/art from a fast moving car as we entered Manhattan last night. I got this great effect on the buildings with just my camera and some speed. The surroundings are my digital art to round up the effect. #art #fediart #photography #manhattan

2025-12-05
My picture/art from a fast moving car as we entered Manhattan last night. I got this great effect on the buildings with just my camera and some speed. The surroundings are my digital art to round up the effect. #art #fediart #photography #manhattan
2025-12-05

"Manhattan drivers: Had a fender-bender? Quick checklist to get back on the road fast.

Choose your own shop (not your insurer). Get a written estimate with teardown notes.

DM if you want a read on an estimate.

autobahncollisionny.com/collis

"

Travolax | Travel for Lesstravolax
2025-12-04

Sunrise over the Brooklyn Bridge, New York.

Gottscho-Schleisner CollectionGottschoSchleisner@mastodon.ozioso.online
2025-12-04

New York city views. Trinity churchyard III 1932 Sept. 10.
Gottscho, Samuel H. (Samuel Herman), 1875-1971
1 negative : safety ; 5x7 in.

#NewYork #Trinity #SamuelH #SamuelHerman #NewYorkCity #TrinityChurchyard #Manhattan #NewYorkCitys #Churches #NewYork #NewYork(State) #UnitedStates #architecture #photography

loc.gov/item/2018739324/

This black and white photograph depicts a scene from New York City, specifically Trinity Churchyard in 1932. The image shows the iconic skyline of Manhattan with prominent buildings such as the Empire State Building visible in the background.
In the foreground, there's an expansive graveyard filled with numerous gravestones that create a patterned landscape across the area. Some tombstones are closely packed together while others have more space between them. A few trees and shrubs can be seen scattered throughout the cemetery grounds, adding to the overall scenery. The sky above is clear, indicating good weather conditions during the time of capture.
The photo captures the contrast between the historical graveyard setting and the modern skyscrapers that define New York City's skyline. This image offers a glimpse into both the past and present urban landscape of Manhattan.
2025-12-03

Ich habe einen Stollen und ich werde ihn verputzen! 😋

#Stollen #Manhattan

Bäcker Hansens Manhattan StollenDer aufgeklappte Beipackzettel mit etwas BlaBla und dem Rezept für Föhrer Manhattan:

⅓ Bourbon-Whiskey
⅓ Martini Rosso
⅓ Martini Bianco

und eine Cocktailkirsche pro Drink
Gottscho-Schleisner CollectionGottschoSchleisner@mastodon.ozioso.online
2025-12-03

New York city views. Central Park West, with lake reflections II 1932 June 4.
Gottscho, Samuel H. (Samuel Herman), 1875-1971
1 negative : safety ; 5x7 in.

#NewYork #CentralParkWest #SamuelH #SamuelHerman #CentralPark #SanRemo #LexingtonTowers #Manhattan #SamuelHGottsch #NewYork(State) #Parks #UnitedStates #architecture #photography

loc.gov/item/2018739308/

The image depicts a black and white photograph of Central Park, showcasing the iconic skyline reflected on the tranquil waters. The scene captures tall skyscrapers like San Remo and Lexington Towers in Manhattan across the lake's reflective surface. In the foreground are trees with branches reaching into the water, adding texture to the composition. A bridge spans over part of the park's pond, connecting two green spaces amidst urban buildings. This historical photo is credited to Samuel H. Gottsch from June 4th, 1932, as detailed in New York city views collection.
2025-12-03

The winter party was a big success. We were full but not crowded (this pic was later, after many had left). Warm space, great decor, sweet staff.
#NYC #Manhattan #midtown #winter #party #nineteen #days #until #Solstice

Myself and a friend posing for a selfie in a holiday decorated restaurant.A group of people near a Yule tree, in a restaurant, posing for a photo.
Gottscho-Schleisner CollectionGottschoSchleisner@mastodon.ozioso.online
2025-12-03

New York city views. Sutton Place 1932 Apr. 12.
Gottscho, Samuel H. (Samuel Herman), 1875-1971
1 negative : safety ; 5x7 in.

#NewYork #SuttonPlace #SamuelH #SamuelHerman #NewYorkCity #ArtDeco #theEastRiver #HudsonRiver #Manhattan #SantaFe #GottliebCo #SamuelHGottscho #NewYork(State) #UnitedStates #architecture #photography

loc.gov/item/2018739291/

The image is a black and white photograph depicting an urban skyline, presumably of New York City. The scene shows tall skyscrapers in the background with various architectural styles indicative of early 20th-century construction, such as Art Deco designs. Notable buildings like the Empire State Building are visible among others.

In the foreground, there is a body of water that could be part of the East River or Hudson River, which meanders through Manhattan. The skyline appears to overlook this river with numerous industrial structures and rooftops at lower elevations in the immediate vicinity, including what seems to be old warehouses or manufacturing facilities bearing signs like "Santa Fe" and "Gottlieb Co."

The sky is filled with clouds, suggesting an overcast day or possibly early evening light. The overall atmosphere of the photograph conveys a sense of urban life during that period.

This image is part of a collection titled 'New York City views,' which includes various photographs depicting different aspects of New York from around 1932 to the mid-20th century. Samuel H. Gottscho, whose name appears alongside this image, was known for his work as an architectural photographer and real estate developer in New York during that era.

The reference provided indicates a specific date—April 12, 1932—which might be relevant to the context or significance of the photograph within its collection. The negative dimension [...]

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