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#peinturealhuile

Florenceduprelatour
2025-10-13

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Portrait à l'huile d'une jeune fille qui tient le portrait d'une femme
Florenceduprelatour
2025-10-11

Famille et banane

Portrait à l'huile d'un jeune homme qui tient une banane
Florenceduprelatour
2025-10-10

Mise en abyme

Portrait à l'huile d'un homme qui tient un portrait de lui-même
Allium - آلِيومAllium@pipou.academy
2025-10-05

Je continue ma peinture à l'huile. C'est chouette et nouveau. Cerveau content.

#art #peinture #peinturealhuile

Selfie avec ma peinture en fond (enfin le début). On voit un portail vert et de la glycine
Florenceduprelatour
2025-10-05

Amis

Guus Brugmangbrugman
2025-09-30

Samuel van Hoogstraten – Letter Board, 1664

Rembrandt’s pupil pioneered illusionistic ‘letter boards’: lifelike still lifes of personal objects behind leather straps.

The scene looks casual, but each item is carefully chosen to highlight texture and realism.

A 17th-century trompe-l’oeil still life: an array of letters, combs, scissors, medals, and personal items appear strapped behind three brown leather straps on a board. Each object is rendered with striking realism and detail, set against a dark background. Via https://kunstvensters.com/2017/05/18/onbekende-pareltjes-uit-de-musea-van-de-gouden-eeuw/
Guus Brugmangbrugman
2025-09-29

Vincent van Gogh - The Irises, 1889

“The lightning rod for my illness,” Van Gogh said about this work, which he painted shortly before his first admission to a psychiatric institution. The canvas reveals a great sense of tension and restlessness.

Vincent van Gogh - The Irises, 1889 “The lightning rod for my illness,” Van Gogh said about this work, which he painted shortly before his first admission to a psychiatric institution. The canvas reveals a great sense of tension and restlessness. The painting depicts vibrantly blooming irises with dynamic brushstrokes. The flowers are a mix of deep blues and violets, contrasting with lush green leaves, red-orange earth, and yellow flowers in the background. Van Gogh's characteristic impasto technique adds texture and movement within the painting, creating an energetic and expressive feeling. The overall cropped composition of Irises, includes broad areas of vivid color and monumental rippled irises overflowing the borders of the canvas which helps moves the viewer's eye throughout the canvas. Via Meisterdrucke.nl Via https://en.wikipedia.org/wiki/Irises_%28painting%29
Florenceduprelatour
2025-09-28

Peinture du dimanche

Guus Brugmangbrugman
2025-09-25

Lee Campbell - Ammonite II (2020)

Ammonite is the fossilized shell of an extinct species of squid.

This painting perfectly captures its brilliance and iridescence. Red, green, and yellow sparkling splendor.

Colorful painting of an Ammonite fossil, a spiral shell with vibrant reds, oranges, greens, and blues on a dark background. The piece evokes a sense of wonder and natural beauty. Via Meisterdrucke.nl
Irfan Ajvaziirfanajvaziart
2025-09-23

"untitled“
40x40 cm
Oil pastel on paper
2025

See also my works at
tumblr.com/irfanajvaziartist
behance.net/irfanajvazi1

Irfan Ajvaziirfanajvaziart@pixelfed.social
2025-09-23
"untitled“
40x40 cm
Oil pastel on paper
2025

See also my works at
https://www.tumblr.com/irfanajvaziartist
https://www.behance.net/irfanajvazi1

#art #artwork #painting #contemporaryart #contemporarypainting #peinturecontemporaine #privatecollection #artmuseum #peinture #figurativeart #zeitgenössischekunst #contemporarydrawing #johncurrin #davidhockney #peinturecontemporaine #peinturealhuile #oilpainting #oiloncanvas #oiloncanvaspainting #fineartpainting #beeldendekunst #konst #kunstenaar #malerei #artistepeintre #stilllife #irfanajvazi #irfanajvazistudio #fineartportrait #contemporarypainter #impressionism

Dm for inquiries
Guus Brugmangbrugman
2025-09-22

John Atkinson Grimshaw–Liverpool Docks (1892)

Grimshaw often painted on a wet surface called 'grisaille' to create the luminous effect seen here. His attention to atmospheric detail earned him the nickname 'Painter of Moonlight.'
It’s easy to lose yourself in this scene: glimmering gaslights, distant silhouettes, softly lit windows.

John Atkinson Grimshaw, 'Liverpool Docks,' 1892. The painting depicts a misty evening at Liverpool’s docks, with the wet street reflecting the glow of gas lamps and shop windows. The left side of the image shows the tall masts of docked ships, their rigging silhouetted against a hazy greenish sky. Figures move through the mist—some alone, others in pairs—and a dark horse-drawn carriage traverses the shiny street. In the right foreground, tightly packed buildings display softly lit windowpanes. The entire scene is bathed in a mysterious, atmospheric light that suggests both the bustle and solitude of the Victorian waterfront. Via Meisterdrucke.nl
Guus Brugmangbrugman
2025-09-21

Pierre-Auguste Renoir - Young Girls and Boy in a Landscape (1893)

Soft brushwork and pastel hues invite you to a tranquil afternoon by the water, surrounded by lush trees and serene countryside. Renoir’s mastery of light shines throughout the scene.

A late-19th-century Impressionist oil painting by Pierre-Auguste Renoir, titled “Young Girls and Boy in a Landscape” (1893), depicts two young girls seated together next to a lying boy, outdoors on a sun-dappled grassy area. The trio, dressed in late 19th-century attire with elaborate hats, sits beneath tall, twisting trees that gently frame the composition. In the background is water, reflecting the pale blue of the sky, while vibrantly brushed shrubs and foliage blend harmoniously with distant white villas dotting the rolling hills. Renoir’s characteristic soft brushstrokes, delicate color transitions, and luminous palette convey a dreamy, peaceful atmosphere, capturing both the innocence of childhood and the timeless tranquility of the French countryside. Via Imgur.com
KatelKateldepenarbed
2025-09-21

Équinoxe
Peinture à l'huile - 30x30
2025

Équinoxe Peinture à l'huile - 30x30 2025
Guus Brugmangbrugman
2025-09-20

Stefano Torelli – The Coronation of Empress Catherine II of Russia (1762–1777)

Light pours through high windows, catching on silk and chandeliers, gilding the empress at the centre.
Nobles in gold-threaded robes stand in witness. A ceremony turned into spectacle.

Large 18th-century oil painting by Stefano Torelli showing the coronation of Catherine II of Russia. The scene unfolds inside a vast cathedral-like hall with soaring arches and tall windows that let in dramatic shafts of light. Catherine, richly dressed in a voluminous sage green gown with gold embroidery, stands at the centre of the composition, illuminated as if chosen by the light itself. Around her, noblemen in silks and clerics in ceremonial robes form a semi-circle, their gazes directed at the empress. Multiple pewter chandeliers glimmer overhead, catching the daylight. Rows of courtiers, dignitaries, and guests fill the space, emphasizing the grandeur and importance of the moment. The overall impression is one of theatre, splendour, and imperial authority.
Guus Brugmangbrugman
2025-09-18

Henri Gaston Darien – The Parisian Bird Market (ca. 1900–1910)

A Golden Age slice of city life: people gather around songbirds for sale, every head covered with a hat.
The low sun paints the background rose, while a dog noses curiously through the crowd.

A Belle Époque winter market scene painted by Henri Gaston Darien. The canvas is filled with people in heavy coats and hats, gathered around birdcages filled with small yellow birds. Some men carry cages on their arms while others bend to inspect the wares set on the ground. A brown dog sniffs between the crowd. At the right, a fountain sprays into the cold air. Tall, nearly leafless trees rise above, their branches etched against the sky. Through them, a low pink sun casts a warm glow onto the pale stone façade of a large building in the background, suffusing the wintry atmosphere with a soft rose light. The combination of busy detail and delicate color creates a vivid glimpse of everyday Parisian life around 1900. Via Meisterdrucke.nl
Irfan Ajvaziirfanajvaziart@pixelfed.social
2025-09-18
"untitled“
40x40 cm
Oil pastel on paper
2025

See also my works at
https://www.tumblr.com/irfanajvaziartist
https://www.behance.net/irfanajvazi1

#art #artwork #painting #contemporaryart #contemporarypainting #peinturecontemporaine #privatecollection #artmuseum #peinture #figurativeart #zeitgenössischekunst #contemporarydrawing #johncurrin #davidhockney #peinturecontemporaine #peinturealhuile #oilpainting #oiloncanvas #oiloncanvaspainting #fineartpainting #beeldendekunst #konst #kunstenaar #malerei #artistepeintre #stilllife #irfanajvazi #irfanajvazistudio #fineartportrait #contemporarypainter #impressionism

Dm for inquiries
Florenceduprelatour
2025-09-14

Famille

Guus Brugmangbrugman
2025-09-14

Nazmi Ziya Güran - Lady in Pink on a Chaise Longue (ca. 1904–1917)

A woman reclines in her garden chair, sunlight flickers through foliage, roses and trees frame the fields. A Turkish impressionist moment that somehow feels intimate, like catching someone mid-daydream.

A painting by Turkish impressionist Nazmi Ziya Güran (1904-1917), Lady in Pink on a Chaise Longue. A woman reclines in a chaise longue, wearing a light-pink blouse and a white skirt. She has on a brimmed sun hat, and a soft cushion supports her neck. Overhead is a canopy of foliage; dappled sunlight filters through leaves, casting light spots over the bushes, grass, her clothing, and parts of the chaise. Around her are light-pink roses in bloom; some leaves nearly touch her hat. In the distance, through the greenery, fields stretch. The colour palette is tender: lush greens from blue-greens to olive and deeper forest tones, pale whites, soft pinks. The atmosphere is tranquil, dreamy, a moment of leisure and quiet warmth, as if the breeze and sun conspired to lull her into peace. Light and shade interplay subtly, bringing texture to fabric, softness to skin, coolness beneath shade, warmth in the sunlit spots. Via Meisterdrucke.nl
Florenceduprelatour
2025-09-13

Portrait de famille

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