JuJu is the fifth album by American jazz saxophonist Wayne Shorter. It was released in July 1965 by Blue Note Records. It features a rhythm section of pianist McCoy Tyner, bassist Reggie Workman and drummer Elvin Jones, all of whom had worked extensively with Shorter's fellow tenor saxophonist John Coltrane.
Writing a retrospective review in AllMusic, Stacia Proefrock avers that the use of Coltrane's rhythm section "bolstered" criticism that Shorter was "a mere acolyte of John Coltrane". Proefrock goes on to say that "The truth is, though, that Elvin Jones, Reggie Workman, and McCoy Tyner were the perfect musicians to back Shorter." Proefrock concludes that the album "blooms with ideas, pulling in a world of influences and releasing them again as a series of stunning, complete visions." - Wikipedia
https://www.youtube.com/watch?v=5dyzF3CuLeA&list=OLAK5uy_k5e_QuK5uzqlq51I2VgKwyVphlE9syZ-M
#WayneShorter #McCoyTyner #ReggieWorkman #ElvinJones #BlueNote #ModalJazz #Jazz #Music #PostBop #HardBop






![The Real McCoy is the seventh album by jazz pianist McCoy Tyner and his first released on the Blue Note label. It was recorded on April 21, 1967, two years after Tyner's departure from the John Coltrane Quartet and during a difficult period in which Tyner considered leaving jazz and taking a day job as a cab driver.[6] It features performances by Tyner with tenor saxophonist Joe Henderson, bassist Ron Carter, and former Coltrane Quartet drummer Elvin Jones. Producer Alfred Lion recalls the recording session as a "pure jazz session. There is absolutely no concession to commercialism, and there's a deep, passionate love for the music embedded in each of the selections."](https://files.mastodon.social/cache/media_attachments/files/115/690/474/469/162/593/small/fc35c7fbf4e475ca.jpg)




