By Samguineous Maximus
If you’re like me, then your experience with German industrial metal largely revolves around Rammstein, the fun, if not inconsistent, institution that still somehow sells out arenas worldwide with their patented brand of simple riffs, simpler grooves, and deep-voiced German monotone “singing.” If you’re also like me, then listening to Rammstein became a lot less appealing when allegations surrounding frontman Til Lindemann arose, tainting my ability to enjoy the band. Thankfully, Germany is nothing if not efficient, and for every aging industrial Goliath there’s a newer, sleeker unit revving up on the assembly line. Erdling is one such machine, and they’ve been honing their brand of Neue Deutsche Härte since 2014. 1 My simian overlord, Steel Druhm, found their 4th record, 2020’s Yggdrasil, to be competent enough, if not a tad underwhelming. Since then, the Krauts have kept busy, releasing 2 albums in quick succession and garnering a respectable (and I presume mostly German) following. Now, they’re back with Mana, a lean collection of 11 tracks readymade to soundtrack a Berlin nightclub. Has Erdling crafted a delectable enough display of dance-inducing industrial to fill the void?
Mana is what happens when Rammstein and Crematory’s industrial template slams into the glossy, market-tested sheen of Amaranthe. No, Erdling doesn’t have over-processed female vocals or cringe-inducing rap parts (thank Wotan); instead, they take the clear craftsmanship and studio-minded sheen of a more commercial-oriented Euro sound and apply them to a beefy industrial metal core. The result is a batch of sleek, pop tunes that feel precision-engineered to get your fist pumping and stick in your head for days afterwards. The essential ingredients—straightforward Nü-tinged riffing, simple but danceable grooves, and monotone but charismatic German spoken vocals are all here—but they’re arranged in razor-tight formation and often spruced up with garish synth leads or autotuned choirs. Nearly every track on Mana sits around the 3-minute mark, featuring absolutely zero fluff or overlong vibe-killing sections. We have the tried-and-true methodology of ABABCB 2 applied throughout with just enough variety to keep things interesting. For most albums, this slavish devotion to formula would turn me away, but luckily for Erdling, they’re incredibly proficient in their execution.
A full listen of Mana delivers industrial metal banger after banger in rapid succession. The single “Dominus Omnium” showcases Erdling’s command of the style, skillfully building from eerie, restrained verses that highlight vocalist Neill Freiwald’s sinister delivery, into massive, synth-drenched choruses backed by layered guitars. Throughout the album, Erdling nods to various major European metal acts, adding variety and keeping the tracklist feeling fresh. “Los Los Los,” for example, is driven by an Amon Amarth-style melodeath riff but leans more into dance territory, complete with a flashy EDM lead that shines throughout and, of course, an earworm of a chorus. “Miasma” draws from the folk metal playbook, centering its chorus around a natural minor progression you’ve probably heard in dozens of Alestorm tracks. Another element that sets Erdling apart from many of their industrial peers is their lead guitarist. Ole Anders delivers several impressive solos and tasteful lead melodies across the album, adding a dynamic edge to even the more traditional cuts. Tracks like opener “Aurora” are pulled out of complacency by fiery, harmonized guitar work that keeps things from feeling too safe.
Now, it’s not all glühwein and glowsticks. Mana is a formulaic record by design and by limitation. Erdling commit to their template with near-militant discipline. There are no breathers, no tempo shifts, no moody detours. If you’re hoping for a left-field ballad or something vaguely introspective, keep walking. That said, the B-side introduces some welcome variations, like the blast beats and blackened vocals on “Alles dreht sich,” or the somber clean guitar textures on the closer “Sternenschimmer.” The album doesn’t evolve so much as it sprints headfirst into your chest for 37 minutes straight. But that also makes it endlessly re-listenable. Where most industrial albums sag under the weight of their own cyberpunk cosplay, Mana just keeps throwing punches. It’s the kind of record that’s over before you notice, only for your body to demand you hit play again like some kind of blood sugar-crashing dancefloor junkie.
At the end of the day, Erdling aren’t here to challenge the genre’s boundaries; they’re here to perfect it. Mana is a polished, addictive blast of industrial metal that would feel equally at home in a sweaty Berlin club or as fuel for your next deadlift PR. The songwriting is tight, the hooks hit hard, and the band understands exactly what kind of experience they’re delivering: 100% efficiency, zero filler. Is it deep? No. Is it innovative? Not really. Is it a blast and addictively replayable? Absolutely. Until Rammstein either implode or redeem themselves, Erdling just might be the Neue Deutsche Härte fix we need.
Rating: 3.5/5.0
DR: 7 | Format Reviewed: 192 kbps mp3
Label: Out of Line Records
Websites: erdling.rocks |erdling.bandcamp.com
Releases Worldwide: October 17th, 2025
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