#TechCriticism

2025-05-21

What a marvel!
Let’s hope no semiologist gets hurt reading this piece :)

Art is becoming increasingly essential in asserting our cultural autonomy against a technological determinism that, more often than not, exists solely in the minds of those who take the Gartner Hype Cycle as gospel and the marketing of major consulting firms as sacred writ.

The space of critique is our salvation.
The future is a space for self-determination.

[Link to article: Meet the Artist Using Ritual Magic to Trap Self-Driving Cars – Vice]

vice.com/en/article/meet-the-a

#ArtAsResistance #CriticalDesign #TechnologicalDeterminism #CulturalAutonomy #SpeculativeArt #AIArt #TechCriticism #FutureIsNow #SelfDrivingCars #RitualMagic #ContemporaryArt #AutonomyVsAutomation #DigitalCulture #PostDigitalArt

Michaël | HouseStationLive.comhsl@hear-me.social
2025-05-07

UNPAID LABOR, ALGORITHMIC DENIAL, AND SYSTEMIC SABOTAGE
May 7, 2025

YouTube built an empire on our free time, our passion, our technical investments—and above all, on a promise: “share what you love, and the audience will follow.” Thousands of independent creators believed it. So did I. For ten years, I invested, produced, commented, hosted, edited, imported, repaired—with discipline, ambition, and stubborn hope, all in the shadows. What I discovered wasn’t opportunity. It was silence. A system of invisible filters, algorithmic contempt, and structural sabotage. An economic machine built on the unpaid, uncredited labor of creators who believed they had a chance. A platform that shows your video to four people, then punishes you for not being “engaging” enough. This four-part investigation details what YouTube has truly cost me—in money, in time, in mental health, and in collective momentum. Every number is cross-checked. Every claim is lived. Every example is documented. This is not a rant. It’s a report from inside the wreckage.
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INVISIBLE COMMENTS: 33,000 CONTRIBUTIONS THROWN IN THE TRASH

As part of my investigation, I decided to calculate what I’ve lost on YouTube. Not an easy task: if all my videos are shadowbanned, there’s no way to measure the value of that work through view counts. But I realized something else. The comments I leave on channels—whether they perform well or not—receive wildly different levels of visibility. It’s not unusual for one of my comments to get 500 likes and 25 replies within 24 hours. In other words, when I’m allowed to exist, I know how to draw attention.
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33,000 COMMENTS... FOR WHAT?

In 10 years of using the platform, I’ve posted 33,000 comments. Each one crafted, thoughtful, polished, aimed at grabbing attention. It’s a real creative effort: to spontaneously come up with something insightful to say, every day, for a decade. I’ve contributed to the YouTube community through my likes, my reactions, my input. These comments—modest, yes, but genuine—have helped sustain and grow the platform. If each comment takes roughly 3 minutes to write, that’s 99,000 minutes of my life—60 days spent commenting non-stop. Two entire months. Two months talking into the void.
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ALGORITHMIC INVISIBILITY

By default, not all comments are shown. The “Top comments” filter displays only a select few. You have to manually click on “Newest first” to see the rest. The way "Top comments" are chosen remains vague, and there’s no indication of whether some comments are deliberately hidden. When you load a page, your own comment always appears first—but only to you. Officially, it’s for “ergonomics.” Unofficially, it gives you the illusion that your opinion matters. I estimate that, on average, one out of six comments is invisible to other users. By comparing visible and hidden replies, a simple estimate emerges: over the course of 12 months, 2 months’ worth of comments go straight to the trash.
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TWO MONTHS A YEAR WRITING INTO THE VOID

If I’ve spent 60 days commenting over 10 years, that averages out to 6 days per year. Roughly 12 hours of writing every month. So each year, I’m condemned to 1 full day (out of 6) of content invisibilized (while 5 out of 6 remains visible), dumped into a void of discarded contributions. I’m not claiming every comment I write is essential, but the complete lack of notification and the arbitrary nature of this filtering raise both moral and legal concerns. To clarify: if two months of total usage equal 24 hours of actual writing, that’s because I don’t use YouTube continuously. These 24 hours spread across two months mean I spend about 24 minutes per day writing. And if writing time represents just one-fifth of my overall engagement — including watching — that adds up to more than 2.5 hours per day on the platform. Every single day. For ten years. That’s not passive use — it’s sustained, intensive participation. On average, this means that 15 to 20% of my time spent writing comments is dumped into a virtual landfill. In my case, that’s 24 hours of annual activity wiped out. But the proportion is what matters — it scales with your usage. You see the problem.
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THE BIG PLAYERS RISE, THE REST ARE ERASED

From what I’ve observed, most major YouTubers benefit from a system that automatically boosts superficial comments to the top. The algorithm favors them. It’s always the same pattern: the system benefits a few, at the expense of everyone else.
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AN IGNORED EDITORIAL VALUE

In print journalism, a 1,500-word exclusive freelance piece is typically valued at around €300. Most YouTube comments are a few lines long—maybe 25 words. Mine often exceed 250 words. That’s ten times the average length, and far more structured. They’re not throwaway reactions, but crafted contributions: thoughtful, contextual, engaging. If we apply the same rate, then 30 such comments ≈ €1,500. It’s a bold comparison—but a fair one, when you account for quality, relevance, and editorial intent. 33,000 comments = €1,650,000 of unpaid contribution to YouTube. YouTube never rewards this kind of engagement. It doesn’t promote channels where you comment frequently. The platform isn’t designed to recognize individuals. It’s designed to extract value—for itself.
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||#HSLdiary #HSLmichael

#DigitalLabor #InvisibleWork #ContentModeration #PlatformCapitalism #TechCriticism #UserEngagement

2025-04-25

SNFL’s Offline 📚 Club is an ⏲️ of 💬 about the role 💻 plays in our 🌎. Each 📆 will 🎁 a different 📕 on the topic of 📱’s impact on 👥 as well as 🌐, followed by an open discussion to share your 📓 and 🌳🔍.

Register: on.nypl.org/4hHR1P3

#digitaldetox #techcriticism #bigtech #luddite #luddism #bookstodon #reading #libraries #nypl #nyc #socialmedia #doomscrolling #attention

A smartphone screen with a reminder pop up reading: "Reminder: Register for Offline Book Club on nypl.org"
Miguel Afonso Caetanoremixtures@tldr.nettime.org
2025-02-03

"So a lot of my listeners and readers are not tech people. I have people who are from all sorts of walks of life, and everyone is being told artificial intelligence is the future. It’s gonna do this, it’s gonna do that. People are aware that this term is being drummed into them repeatedly.

I think everyone, for a manifold amount of reasons, is currently looking at the cognitive dissonance of the A.I. boom, where we have all of these promises and egregious sums of money being put into something that doesn’t really seem to be doing the things that everyone’s excited about.

We’re being told, “Oh, this automation’s gonna change our lives.” Our lives aren’t really being changed, other than our power grids being strained, our things being stolen, and some jobs being replaced. Freelancers, especially artists and content creators, are seeing their things replaced with a much, much shittier version. But nevertheless, they’re seeing how some businesses have contempt for creatives.

“Why is this thing the future? And if it isn’t the future, why am I being told that it is?” That question is applicable to blue-collar workers, to hedge fund managers, to members of the government, to everyone, because this is one of the strangest things to happen in business history."

slate.com/technology/2025/02/e

#AI #GenerativeAI #AIBubble #AIHype #BigTech #TechCriticism

Miguel Afonso Caetanoremixtures@tldr.nettime.org
2024-12-17

"The tools we use in our daily lives outside of our devices have mostly stayed the same. While buttons on our cars might have moved around — and I’m not even getting into Tesla’s designs right now — we generally have a brake, an accelerator, a wheel, and a turn signal. Boarding an airplane has worked mostly the same way since I started flying, other than moving from physical tickets to digital ones. We’re not expected to work out “the new way to use a toilet” every few months because somebody decided we were finishing too quickly.

Yet our apps and the platforms we use every day operate by a totally different moral and intellectual compass. While the idea of an update is fairly noble (and not always negative) — that something you’ve bought can be maintained and improved over time is a good thing — many tech platforms see it as a means to further extract and exploit, to push users into doing things that either keep them on the app longer or take more-profitable actions.

We as a society need to reckon with how this twists us up, makes us more paranoid, more judgmental, more aggressive, more reactionary, because when everything is subtly annoying, we all simmer and suffer in manifold ways. There is no digital world and physical world — they are, and have been, the same for quite some time, and reporting on tech as if this isn’t the case fails the user. It may seem a little dramatic, but take a second and really think about how many little digital irritations you deal with in a day. It’s time to wake up to the fact that our digital lives are rotten.

I’m not talking about one single product or company, but most digital experiences. The interference is everywhere, and we’ve all learned to accept conditions that are, when written out plainly, are kind of insane."

wheresyoured.at/never-forgive-

#RotEconomy #TechCriticism #Enshittification #Capitalism

Miguel Afonso Caetanoremixtures@tldr.nettime.org
2024-12-14

"A bias in favor of industry assertions is one we’ve seen over and over again — not just from Newton, but from tech journalism more widely. In January of this year, Newton admitted in an interview on his Hard Fork podcast with crypto investor Chris Dixon that he “deeply regret[ted]” trying to “keep an open mind” about crypto because almost everything he wrote was “at best irrelevant or at worst was stuff that people lost a whole lot of money on” when he looked back at it. The skeptics were right about crypto, as he admitted in December 2022, a year after the bubble burst. But just like the industry folks he frequently talks to, Newton wants to assure his readers that this time they’re wrong.

In his paywalled response to the pushback he received, Newton asserts he’s not ignorant to the drawbacks of AI, pointing to some reporting he’s done on subjects like deepfakes — reporting that hasn’t made him rethink using AI-generated images trained on stolen work to illustrate some of his stories. But in asserting AI is “real and dangerous,” Newton is largely echoing the AI safety position — one which effectively asserts that AI will match and exceed human intelligence, and that we need to be worried about the consequences of such a development."

disconnect.blog/dismissing-cri

#TechJournalism #TechCriticism #AI #GenerativeAI #BigTech #SiliconValley #AIHype #Journalism

PUPUWEB Blogpupuweb
2024-12-04

🚨 AI ads often reveal a lack of understanding about what AI is truly good for, while its use in automating tasks that define our humanity raises unsettling concerns. 🤖💭

Chris 🤩 Reinbothephneutral@ruhr.social
2024-10-03
2024-08-05

I work in tech, but just to clear some things up with people: I hate Elon Musk, tech bros in general, cryptocurrency, AI, and consumerist tech that nobody asked for (looking at you Apple Vision). I also think social media largely has ruined the mental health of too many people to say its advent was a good thing.

#techcriticism #tech

Doctor M. Populardocpop
2024-08-01

@parismarx oh hell yeah! Processed World is such an important part of San Francisco punk and culture. I’m particularly fond of the art that folks like @tomtomorrow and Dr Hal Robertson contributed to most of the issues.

Here’s my collection (only missing 1-3, 13, 18-22, and 25-27).

A large collection of Processed World zines laying on the ground. They are laid out in chronological order. With only a few issues missing.
2024-07-21

Recently read "The Metaverse: and how it will revolutionize everything" by Matthew Ball.

It's gotta be one of the worst books I've ever read. If even a tenth of the ideas posed in this book come to pass, we're gonna be in big trouble. #metaverse #ai #technology #techcriticism

2023-10-02

This week’s podcast features Drew Austin, author of the newsletter Kneeling Bus, talking about how digital platforms—from dating and food-delivery apps to Uber and Google Maps—have reshaped our urban environment. He’s great at connecting what he sees in #NYC and elsewhere to enormous technological forces:

magazine.frontier.is/p/drew-au

#urbanplanning #techcriticism

Ahmet Alphan Sabancıadmin@ahmetasabanci.com
2023-09-19
Formulated criticism and flattened futures written on a gradient background from yellow to blue.
2023-08-19

Finally, Paris asked why I keep covering crypto even though the hype has died down, and whether I'm losing interest in the space.

#TechCriticism #crypto #cryptocurrency

2023-08-19

We also talked about the #colonialism of the #Worldcoin project, and how it's so emblematic of the tech industry practice of using the developing world as its testing ground.

#TechCriticism #crypto #cryptocurrency

2023-08-19

I talked to @parismarx on the Tech Won't Save Us podcast about my dilemma in covering #Worldcoin given it's not clear how much they truly intend to follow through on their stated goals vs. just pump the token.

#TechCriticism #crypto #cryptocurrency

Full episode: techwontsave.us/episode/181_po

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