Angeline Le floch - Photographer : Laurent DUFOUR - Please support my instagram feed @laurent.dufour.paris - #2024 #24x36 #3x2 #75mm #Automne #Autumn #Black #Café #Canon #Couleurs #EOS1DsMarkIII #Europe #Femmes #Formatàlitalienne #France #Grisfoncé #Journal #LandscapeFormat #Lecture #Matin #Morning #ObjectifStandard #Paris #Photographiederue #RegardsParisiens #Rouge #StreetPhotography #Terrasse #Tuscan
#Tuscan
An update for LTR Very Bauble! The original characterset was a bit sparse, so I added, oh, let's see, an asterism, at, sterling, questiondown, Eacute, Ohungarumlaut, Icircumflex, Scommaaccent, Lslash, Adieresis.alt and, let's see, about 2500 more of their friends! All animated with lines, thorns and pips. One axis, five masters. These letters were already having a party and now they are having a ball, waving their new flag and banners. #ad #update #tuscan #variablefont https://letterror.com/verybauble/index.html
Leni Jacob - Photographer : Laurent DUFOUR - Please support my instagram feed @laurent.dufour.paris - #110mm #2024 #2025 #24x36 #3x2 #Afternoon #Aprèsmidi #Automne #Autumn #Black #Bordeaux #Canon #Chapeau #Couleurs #DarkVanilla #EOS1DsMarkIII #Europe #Femmes #France #Gris #Modeportrait #Paris #PastelGray #Photographiederue #RegardsParisiens #StreetPhotography #Téléphone #Tuscan
🎙️ ✨ The Art of Being Random – Ravioli in London, Unscripted Conversations, and Writing Magical Short Stories
One moment, we’re talking about hats. The next, it's #London's skyline, ravioli, and why my mom—at 70+—decided to start writing magical short stories for kids and the young at heart.
Welcome to Random and Unscripted #Podcast, where Sean Martin and I embrace the art of wandering conversations.
In this episode, we explore #creativity, #storytelling, and why the best ideas often come from unexpected places.
Storie Sotto Le Stelle started as a small project—just a few whimsical tales blending #Tuscan nostalgia with fantasy. Now, it’s a growing collection of stories where enchanted gardens, talking animals, and #AI #Robots ran #observatories all coexist.
What does it take to be creative? A little madness, a lot of curiosity, and, apparently, a habit of talking to imaginary friends.
📺 https://youtu.be/57WNcH8fdg4?feature=shared
🎧 Tune in and subscribe for never ending randomness: https://randomandunscripted.com/episodes/the-art-of-being-random-ravioli-in-london-having-unscripted-conversations-and-writing-magical-short-stories-for-kids-and-the-young-at-heart-random-and-unscripted-with-sean-martin-and-marco-ciappelli
Storie Sotto Le Stelle: https://www.storiesottolestelle.com/
🔗 The Art of Being Random – Random and Unscripted with Sean and Marco
Let’s talk: What sparks your creativity?
#Storytelling #Creativity #Podcast #Unscripted #StorieSottoLeStelle #travel #music #food #technology #cybersecurity
You know what this wants to say. When the glass is empty, the E looks a lot fancier than you realized. LTR Very Bauble. A touch of the glamour, a sparkle in the eye. Another one of those clever LTR fonts. #fonts #lettering #tuscan #foundry
#Vitruvius defined the single parameter called #module or µ, which is the radius of a column at its base [https://pixelfed.social/p/Splines/790357912719769731].
#Vignola divided µ into 12 parts for the #Tuscan and #Doric orders, and into 18 parts for the #lonic, #Corinthian and #Composite orders. To make it easier to move between the orders, it is helpful to choose a value for µ that is a multiple of both 12 and 18. We could start with module µ = 36, which is the least common multiple of 12 and 18.
However, in classical design, it's a lot easier if minor grid lines are multiples of 8 (as in music 'octaves' and poetry 'octets'). So, I use a grid with minor grid marks at 8 and major grid marks at 32, which leads us to choose µ = 144 as that is the least common multiple of 12, 18, 8, and 32.
This value of µ = 144 is still abstract because we haven't chosen a physical unit like mm or inch, but it does not matter at this point. Once the model is constructed with the chosen value of µ, it can be scaled up or down in software to get the desired column width or order height in physical units.
The total height of columns for the same µ are in the ratio 7:8:9:10 for the #Tuscan, #Doric, #Ionic, and #Corinthian, with #Composite the same as Corinthian. When µ = 144, the diameter is 288. So the height of the Ionic column is 288*9 = 2592 units.
The #pedestal, #column, and #entablature are always in 4:12:3 ratio across all orders. So the height of the Ionic pedestal is 864 and height of the entablature is 648, and the total height of the order is 4104 units.
Remember that in the Ionic order, µ is divided into 18 "parts". So each part is 144/18 = 8 units. With this we can convert between µ and parts in either direction.
Total order height of 4104 units is then 4104/8 = 513 parts. If you are trained in computer science, you will grow despondent that it is 513, not 512. Let go, and everything will be all right.
The pedestal is the easiest component, and we start with that.
#Vignola divided µ into 12 parts for the #Tuscan and #Doric orders, and into 18 parts for the #lonic, #Corinthian and #Composite orders. To make it easier to move between the orders, it is helpful to choose a value for µ that is a multiple of both 12 and 18. We could start with module µ = 36, which is the least common multiple of 12 and 18.
However, in classical design, it's a lot easier if minor grid lines are multiples of 8 (as in music 'octaves' and poetry 'octets'). So, I use a grid with minor grid marks at 8 and major grid marks at 32, which leads us to choose µ = 144 as that is the least common multiple of 12, 18, 8, and 32.
This value of µ = 144 is still abstract because we haven't chosen a physical unit like mm or inch, but it does not matter at this point. Once the model is constructed with the chosen value of µ, it can be scaled up or down in software to get the desired column width or order height in physical units.
The total height of columns for the same µ are in the ratio 7:8:9:10 for the #Tuscan, #Doric, #Ionic, and #Corinthian, with #Composite the same as Corinthian. When µ = 144, the diameter is 288. So the height of the Ionic column is 288*9 = 2592 units.
The #pedestal, #column, and #entablature are always in 4:12:3 ratio across all orders. So the height of the Ionic pedestal is 864 and height of the entablature is 648, and the total height of the order is 4104 units.
Remember that in the Ionic order, µ is divided into 18 "parts". So each part is 144/18 = 8 units. With this we can convert between µ and parts in either direction.
Total order height of 4104 units is then 4104/8 = 513 parts. If you are trained in computer science, you will grow despondent that it is 513, not 512. Let go, and everything will be all right.
The pedestal is the easiest component, and we start with that.
This is a sketch of the top of an #IonicColumn with #scrolls, #volutes, and other embellishments. Before I delve into my modern designs, I want to emphasize that most of them are rooted in classical designs of antiquity but still retain their timeless essence.
Different regions of the world have developed and refined distinct design patterns over thousands of years. Greeks, Romans, Ottomans, Arabs, Moghuls, Hindus, and others — all have something to contribute to what we call #art and #design in human civilization.
My initial focus is on Greco-Roman architecture and design which has five distinct orders: #Tuscan, #Doric, #Ionic, #Corinthian, and #Composite. Of these, the #IonicOrder is of medium complexity. The Doric and Tuscan are simpler, while Corinthian and Composite are more complex.
Because of its moderate complexity, I chose the Ionic Order for a complete and systematic look at its design methodology and proportions of its elements. I use concrete measurements to make concepts easier to understand. Once you understand the Ionic order, it's easy to step down to the Doric and Tuscan orders. It's more work to step up to the Corinthian and Composite orders, but if you follow my methodology with dedication, you will learn the skills necessary to tackle the more complex orders or branch out on your own.
In an earlier post, I mentioned the importance of sticking to proportions and measurements. I'll point out opportunities for variation as we progress systematically.
An additional, but very important point I want to emphasize is that this #digitalArt is not just #art, but #engineering design as well, because the end result is to realize physical artifacts from these designs, whether by #AdditiveManufacturing (#3DPrinting), #SubtractiveManufacturing (#CNC #Carving), #ReliefEngraving, #Printing, or any other physical realization.
You'll need a #CAD tool to practice, but you can also follow along as a reader initially, and come back when you're ready to practice
Different regions of the world have developed and refined distinct design patterns over thousands of years. Greeks, Romans, Ottomans, Arabs, Moghuls, Hindus, and others — all have something to contribute to what we call #art and #design in human civilization.
My initial focus is on Greco-Roman architecture and design which has five distinct orders: #Tuscan, #Doric, #Ionic, #Corinthian, and #Composite. Of these, the #IonicOrder is of medium complexity. The Doric and Tuscan are simpler, while Corinthian and Composite are more complex.
Because of its moderate complexity, I chose the Ionic Order for a complete and systematic look at its design methodology and proportions of its elements. I use concrete measurements to make concepts easier to understand. Once you understand the Ionic order, it's easy to step down to the Doric and Tuscan orders. It's more work to step up to the Corinthian and Composite orders, but if you follow my methodology with dedication, you will learn the skills necessary to tackle the more complex orders or branch out on your own.
In an earlier post, I mentioned the importance of sticking to proportions and measurements. I'll point out opportunities for variation as we progress systematically.
An additional, but very important point I want to emphasize is that this #digitalArt is not just #art, but #engineering design as well, because the end result is to realize physical artifacts from these designs, whether by #AdditiveManufacturing (#3DPrinting), #SubtractiveManufacturing (#CNC #Carving), #ReliefEngraving, #Printing, or any other physical realization.
You'll need a #CAD tool to practice, but you can also follow along as a reader initially, and come back when you're ready to practice
>> Using µ = 288… pedestal height would be… 864 units.
The #Basement and #Cap are each 72 units tall, and the #Dado is 720 units tall, totaling 864 units. Details in Alt text.
Many reference sources will give these measurements in "parts". Remember, in #Tuscan and #Doric, a part is µ/12. In #Ionic and #Corinthian, a part is µ/18. When µ = 288, an Ionic part is 16. With this in mind, you can convert in either direction.
Total height of Ionic pedestal is 54 parts.
⬆️ #ClassicalArchitecture #3DModeling
>> The heights of #Tuscan, #Doric, #Ionic, and #Composite columns are in the ratio 7:8:9:10 for the same column diameter See ➡️ https://graphics.social/@Alankar/113742694767353418
Using µ = 288 as the basis, the height of the #IonicColumn would be 288 * 9 = 2592 units.
>> The pedestal, column, and entablature are always in 4:12:3 ratio (🧵 above).
So pedestal height would be 1/3 of 2592 = 864 units. Entablature would be 1/4 of 2592 = 648 units.
Total = 864 + 2592 + 648 = 4104 units
⬆️ #CAD #3DModeling
>> #Vignola divided the #module 'µ' into 12 parts for the #Tuscan and #Doric orders, and into 18 parts for the #lonic, #Corinthian and #Composite orders.
Even though actual module value will depend on the size of the physical object, it is advantageous to start with a value that is a multiple of both 12 and 18 in the CAD model and let software scale everything later as necessary.
You could start with module µ = 36, which is the least common multiple of 12 and 18.
⬆️ #CAD #3DModeling
>> #Vitruvius called the diameter a "module" — an abstract unit of measure independent of physical units.
#Vignola divided the #module into 12 parts for the #Tuscan and #Doric orders, and into 18 parts for the #lonic, #Corinthian and #Composite orders.
The module value will depend on the size of the physical object (column width or height) you want to realize from the CAD model, whether it for large buildings or small 3D-printed artifacts.
https://babel.hathitrust.org/cgi/pt?id=mdp.39015031201190&view=1up&seq=18
🎙️ I had the absolute pleasure of being a guest on the After 40 Podcast with Dr. Deborah Heiser, PhD, where we discussed something very close to my heart—helping my mom, embrace her passion for storytelling later in life and finding a powerful driving force in her life. 🌟
My mom grew up in a small village in the hills around #Florence in post-war #Italy, filled with memories of enchanting #Tuscan nights and captivating #tales. For years, those stories lived in her imagination—until her 70s, when she decided it was time to share them with the world. Together, we created Storie Sotto Le Stelle—a website and podcast where her stories come to life in Italian and English, connecting generations through the magic of #storytelling.
Writing together has become more than just crafting stories—it’s about discovering joy and purpose, or what the Japanese call #ikigai. It’s proof that it’s never too late to take creative risks, rediscover talents, and connect deeply with loved ones. 🌟
Through storytelling, we’ve built a bridge between generations, where our imaginations meet, and where new possibilities are born. Each moment spent brainstorming, drafting, and laughing over the wild twists our stories take has become a cherished part of our journey. It’s an opportunity to connect in ways we hadn’t before, creating not just stories but memories that will stay with us forever.
The heart of the message is clear: after 40, life offers us the chance to pause, reevaluate, and redefine what truly matters. Whether it’s through storytelling, painting, hiking, or any other pursuit, the key is to embrace what brings you joy and let it guide you toward purpose and connection. 🌟
🖋️ “The #magic isn’t just in the stories we create but in the process of sharing this journey together.”
🎧 I invite you to listen to the episode and discover how we turned her lifelong love of storytelling into a creative journey.
👉 https://after-40-podcast.simplecast.com/episodes/becoming-a-writer-later-in-life-an-interview-with-marco-ciappelli-after-40-podcast-with-dr-deborah-heiser
While you’re at it, check out Storie Sotto le Stelle to discover enchanting tales in both Italian and English. 🎄 Just in time for the holidays, don’t miss our latest story:
🌟 The Fountain of Tales and the Magical Christmas Slippers 🌟
It’s a magical journey where #Christmas wishes and ancient secrets intertwine, bringing an unforgettable adventure to life for readers and listeners of all ages.
“📚✨ Read or listen to our latest magical adventure on Storie Sotto le Stelle.
https://www.storiesottolestelle.com/
What’s your story?
#Storytelling #Ikigai #CreativeJourney or #FamilyStories #Inspiration #Podcast #shortstories #childrenstories #kidsstories #kidspodcast #books #tales #mentoring #aging #purpouse #writing #reading #holidays #ChristmasStories #fantasy
ITSPmagazine Podcasts The Mentor Project
An explosion at a fuel depot in central Italy kills 2 and injures 9
A fuel depot exploded in the central Italian region of Tuscan on Monday, killing at least two people and injuring nine, authorities said.
#explosion #death #injury #Italy #Tuscan
https://www.ctvnews.ca/world/an-explosion-at-a-fuel-depot-in-central-italy-kills-2-and-injures-9-1.7138446
Carl Grenier - Photographer : Laurent DUFOUR - Please support my instagram feed @laurent.dufour.paris - #2024 #24x36 #3x2 #90mm #Afternoon #Aprèsmidi #Arbres #Automne #Autumn #BancPublic #Black #City #Compact #Couleurs #Europe #FeuillesMortes #Formatàlitalienne #France #FUJIFILM #Gris #Hommes #JardinduLuxembourg #JardinPublic #LandscapeFormat #Lecture #Livre #ObjectifStandard #Paris #Photographiederue #RegardsParisiens #StreetPhotography #Tuscan
Le petit chaperon rouge - Photographer : Laurent DUFOUR - Please support my instagram feed @laurent.dufour.paris - #105mm #2024 #24x36 #3x2 #Automne #Autumn #Ballon #Black #Canon #Couleurs #Enfance #EOS1DMarkIV #Europe #France #Gris #Matin #Modeportrait #Morning #Paris #PastelGray #Photographiederue #Pluie #Reflet #RegardsParisiens #Rouge #StreetPhotography #Tuscan
Juliette Guillot - Please support my instagram feed @laurent.dufour.paris - #135mm #2024 #24x36 #3x2 #Afternoon #Aprèsmidi #Black #Canon #CheveuxLongs #Couleurs #DarkVanilla #EOS5DSR #Eté #Europe #Femmes #Formatàlitalienne #France #Gris #JardinduLuxembourg #JardinPublic #LandscapeFormat #Lecture #Paris #PastelGray #Photographiederue #RegardsParisiens #StreetPhotography #Summer #Tuscan
IlPescara by undefined
Pescara-Pianese, Delfino a caccia del primo posto: ultime, probabili formazioni e dove vederla in tv e in streaming
Primo di tre lunedì consecutivi in campo e in casa per la squadra di mister Baldini: è sfida alla matricola toscana
Translated:
Pescara-Pianese, Delfino chasing first place: latest news, probable formations and where to watch it on TV and streaming.
Three consecutive home and away games for mister Baldini's team: a challenge against the new Tuscan team.
#Baldini #Italy #Delfino #Tuscan #PescaraPianese
https://www.ilpescara.it/sport/calcio/pescara-pianese-ultime-probabili-formazioni-arbitro-diretta-tv-streaming.html
Hélène Ferraud - Please support my instagram feed @laurent.dufour.paris - #2024 #24x36 #3x2 #40mm #Afternoon #AnalogPhotography #Analogique #Aprèsmidi #Argentique #Black #CineStill400D #ColorFilm #Couleurs #DarkVanilla #Eté #Europe #EZController #Femmes #FilmCouleur #Formatàlitalienne #France #Gris #LandscapeFormat #Montmartre #NORITSUKOKI #Paris #Photographiederue #RegardsParisiens #Scandenégatif #StreetPhotography #Summer #Tuscan
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