Lippincott's series of select novels, issued monthly c1896.
1 print (poster) : lithograph, color. | Advertisement poster for a series of novels shows a standing woman dressed in a hat and suit, carrying a Lippincott select novel.
#Lippincott #women #books #lithographs #lippincottspress #advertisements #posters #publicrelations #clothing&dress #american #color #photopgraphy #LibraryOfCongress



![The image depicts a vintage advertisement poster for the book "Reine de Joie" by Victor Joze, which translates to "Queen of Pleasure." The artwork is signed at the bottom right corner as Henri Laurens. It shows three stylized female figures in different poses and attire against an ochre background with hints of shadowing.
The central figure appears to be a young woman seated on someone's lap, wearing a black outfit with orange accents around her neck, and she seems content or possibly asleep. To the right stands another women dressed in red, suggesting a sense of liveliness or excitement as indicated by her stance and facial expression; however, it might also reflect tension due to an open mouth that could be interpreted humorously.
The third figure is positioned behind the first woman with dark hair tied up high, wearing what seems like formal attire. She appears more detached from the central scene but still maintains a presence through positioning herself above the main subjects.
The text on the poster reads "Reine de Joie par Victor Joze chez tous les libraires," which translates to “Queen of Pleasure by Victor Joze in all bookstores,” suggesting that it was widely distributed and available for purchase. The mention of Ancourt, Paris indicates where this advertising campaign originated.
This art piece is considered an example of the Art Nouveau style known as "Liberty" or "Art Liberty," characterized by its decor [...]](https://files.mastodon.social/cache/media_attachments/files/115/587/700/068/056/588/small/3d12821d5e84f28d.jpeg)

![The image depicts an advertisement poster for a Parisian chanteuse named Eugénie Buffet, who is featured prominently in the center. She stands with her hands tucked into her pockets on what appears to be a snowy street at dusk or dawn. The artist has rendered her wearing traditional working-class attire: a green coat over a black skirt and leggings, complemented by a striking red scarf wrapped around her neck.
To her right is bold text that reads "EUGÈNIE BUFFET," with additional information beneath it stating "AMBASSADEURS" in larger letters. Beneath this main heading are the words "TOUS LES SOIRS," indicating performances every evening, and smaller print at the bottom states "Ambassadeurs." The poster is signed by Metivet in the upper left corner.
The visual style of the poster suggests an early 20th-century origin with its bold lines, flat colors, and dramatic contrasts. This type of artwork reflects a genre known as Art Nouveau or Modernisme, characterized by ornate decoration and flowing curves inspired by nature. The overall mood conveyed is one of urban sophistication and allure.
The specific date mentioned in the reference source [1893] indicates that this particular poster was created around 1893, placing it within a period when the Art Nouveau movement was prominent throughout Europe, including France where Eugénie Buffet hailed from.](https://files.mastodon.social/cache/media_attachments/files/115/586/724/906/213/929/small/beef42591cac2aad.jpeg)

![The image depicts an advertising poster for Petrole Stella, a petroleum brand that offers oil in metal cans of 5 and 2 liters. The design features three fantastical figures floating against a dark blue background with white streaks radiating outward. On the left side is a figure resembling a fairy or nymph with brownish wings made from butterfly or moth patterns, seemingly suspended in mid-air. In the center is another nude female form lying back on its head with flowing golden hair and pale skin, appearing to be caught between moments of repose and transformation. To the right is an angelic cherub figure also with butterfly-winged extensions, hovering above as if partaking in a celestial dance or journey.
The artwork has a surrealistic quality, blending elements of human anatomy with nature-inspired forms such as wings from insects like butterflies and moths. The text "PETROLE STELLA" dominates the poster's center and is presented in bold red letters outlined by white outlines, making it highly readable against the contrasting background. Additional information includes the oil company's name in French, which reads "LIVRAISONS en bidons plombés de 5 & 2 litres," indicating that they provide deliveries of oil in metal cans with a capacity of 5 and 2 liters.
The artist for this work is H.Gray, credited at the bottom right corner. The poster was published by Courmont Freres located on Rue des Brigues Paris, as stated at [...]](https://files.mastodon.social/cache/media_attachments/files/115/585/647/543/304/983/small/e78e4f4c2118f10a.jpeg)

![This image is of a printed poster featuring artwork and text promoting the film "The Heiress." The dominant visual element on this poster is an artistic representation of a butterfly, bursting from what appears to be a cocoon. This colorful depiction uses shades of purple, pink, blue, yellow, green, and red against a beige background that covers most of the poster.
Below the vibrant butterfly illustration, there's text in various fonts and sizes providing information about the film's cast, crew, production details, and venue where it was showing at the time. The names listed include actors Jane Alexander, Richard Kiley, David Selby, Jan Miner among others associated with the play "The Heiress" adapted by Ruth and Augustus Goetz based on Henry James' novel of the same name.
There's also a mention of Steven Beckler & Thomas C. Smith as presenters for this production directed by George Keathley, who is credited at the bottom along with others such as Broadway Theatre address in New York City, which suggests that it was likely part of an off-Broadway or regional touring show during 1976.
The poster also includes other credits like set design, costume designs, and lighting. Additionally, there's a note about production support by Kennedy Center for the Performing Arts, indicating sponsorship or association with this well-known cultural institution in Washington D.C. The overall aesthetic of the poster is reminiscent of mid [...]](https://files.mastodon.social/cache/media_attachments/files/115/575/431/575/082/643/small/658e17e5e3e54d30.jpeg)

