#modulararchitecture

OrbitwebtechiCreatewebtech
2025-07-04

Unlock explosive growth with PHP Microservices Architecture! Boost scalability, speed up deployments, and future-proof your business with a modular, agile backend. Build smarter, scale faster.

Read More: orbitwebtech.com/business-grow

 PHP Microservices Architecture for Business Growth is helping companies like yours scale fast, stay agile, and serve customers better than ever before.In this article, we’ll walk you through how PHP-driven microservices can help you build a strong, scalable, and future-ready business without needing a tech degree to understand it.
anshul bohreanshulbohre
2025-07-02

Why Everyone’s Talking About 🏕️ Portable Cabins — And How They Could Change Your Life

👉 Discover everything you need to know in our latest blog: anshulbohre.com/blog/

“Portable Cabins Explained: Flexible Spaces for Work, Travel, or Stay”

ArchUpArchup
2025-05-28
Pushkarprabhat Saxenapushkarprabhat
2024-11-14

🌐 𝗧𝗵𝗲 𝗥𝗼𝗹𝗲 𝗼𝗳 𝗠𝗼𝗱𝘂𝗹𝗮𝗿 𝗔𝗿𝗰𝗵𝗶𝘁𝗲𝗰𝘁𝘂𝗿𝗲 𝗶𝗻 𝗦𝗰𝗮𝗹𝗮𝗯𝗶𝗹𝗶𝘁𝘆

Scalability is vital for growth. Modular architecture allows teams to build flexible software solutions that can grow with the business, avoiding costly rework as the product scales.

,

2024-10-24

To my iOS Dev Bubble here: I‘m starting to modularize a big app in 2 weeks and want to prepare with best practices. We want to use the composable architecture by @pointfreeco and if possible also use SPM Modules to make sure we have no unwanted dependencies between parts of our code.

I‘m happy to hear about your experience, tutorials, videos and resources in general. Especially on how to organize stuff and where best to start.

#iOS #swift #composableArchitecture #spm #modularArchitecture

HighWire Presshighwirepress
2024-03-20

Excited to share our new blog post!

We talk about modular architecture, and dive deep into the benefits of modular architecture, offering flexibility, scalability, and easier integration of functionalities.

highwirepress.com/blog/modular

Amusement LogicAmusementLogic
2023-07-10

Modular design or flexibility in architecture
Predefined modules are configured and reconfigured to create spaces tailored to users' needs. ✍

👉 READ or either SUBSCRIBE to our summary of news and updates through link: amusementlogic.com/company-new

#

Anand Pilania :verified:AnandPilania@phpc.social
2023-07-04

📣 Calling all JavaScript enthusiasts! 🚀

Introducing the Pure JavaScript Plugin Skeleton with a modular architecture. Build custom plugins to extend core functionality, manipulate DOM elements, and handle AJAX requests effortlessly. Unlock the power of modular design in your JavaScript projects! ✨

🔗 Check out the code on GitHub:
gist.github.com/AnandPilania/3

#JavaScript #PluginDevelopment #ModularArchitecture #AJAXHandling

Anand Pilania :verified:AnandPilania@phpc.social
2023-07-04

📣 Exciting news for jQuery developers! 🎉

Introducing the jQuery Plugin Skeleton, a modular architecture that simplifies plugin development. Easily extend core functionality, manipulate DOM elements, and consume AJAX with the included plugins. Supercharge your jQuery projects! 💪

🔗 Grab the code from the Gist:
gist.github.com/AnandPilania/3

#jQuery #PluginDevelopment #ModularArchitecture #AJAXHandling

Inautiloinautilo
2023-05-11


10 years of email marketing rules · What has changed in the past decade, and what can we expect in the future? ilo.im/12qvrf

_____

Amusement LogicAmusementLogic
2023-02-14

✍️ Bubble Reef 🏛

Ecological and adaptive modular architecture for public entertainment and relaxation, with multiple uses.

👉 You may READ or either SUBSCRIBE to our summary of news and updates through link: amusementlogic.com/company-new

dezeen (unofficial)dezeen@ծմակուտ.հայ
2022-05-02

Cosmic ADU is a “self-powered home” that uses no fossil fuels

US startup Cosmic has created a solar-powered accessory dwelling unit that is built using a special construction process and generates far more electricity than it needs.

Based in San Francisco, Cosmic was founded by Sasha Jokic, an entrepreneur, inventor and trained architect who has worked in the design and construction field for over 14 years. Previous ventures include Formdwell, a startup company that is creating new construction tools powered by intelligent robots.

For his latest project, Jokic and his team at Cosmic have developed an efficient construction system and an all-electric, zero-emissions home that is meant to be "a new, bold step in solving the housing and climate crisis".

"We've developed a unique, self-powered home platform that enables us to build carbon-neutral, healthy and incredibly efficient homes at high speed and lower cost," the company said.

Cosmic Studio was designed to use no fossil fuels

The Cosmic buildings diverge from the norm in a few ways. According to the company, they are constructed using a streamlined process that is faster, more economical and less wasteful than typical methods.

Moreover, the buildings are designed to generate their own power while using minimal energy and no fossil fuels. Plus, they can generate extra power that is stored and redistributed.

Cosmic created accessory dwelling units in a variety of sizes

The team has completed its first model unit, an ADU called Cosmic Studio, which has one level and totals 350 square feet (33 square metres). The compact dwelling holds a bathroom and an open area for sleeping, living, dining and cooking.

While this initial unit was conceived as housing, the company emphasized that the buildings could be used for other functions, such as playrooms and offices. The need for flexible buildings has become amplified due to the coronavirus pandemic.

"The ‘American Dream' 2.0 is a home where we live, sleep, work, school and play – a flexible space that keeps us and the planet healthy," the company said.

The building can be used as a residential space or office

Cosmic creates its units via a "hybrid prefab approach", with parts of the building made in a factory and other components built on-site.

The frame, or chassis, is a modular system made of standardized components.

The modules come in different sizes – ranging from 18 to 45 square feet (1.7 to 4.1 square metres) – and modules are combined to form buildings of varying scales. Fourteen standard modules were used to create the chassis for the Cosmic Studio unit.

Fourteen standard modules were used to create the chassis for the Cosmic Studio unit

"The chassis is both exceptionally strong for greater structural performance and highly adaptable to accommodate a wide range of home layouts," said Jokic.

The chassis is made of metal and wood. The joists, joints and decking are fabricated using thin sheet metal and tubes, while other structural elements are made of sustainably sourced wood. The roof is standing-seam metal.

The module's components are built in a factory, put into flat-pack containers and then transported to the site via a flatbed truck. A module's maximum weight is 600 pounds (272 kilograms), making it relatively easy to offload and assemble with a small telehandler. No cranes are required.

The home is made with sustainably sourced woods

"Unlike other prefab ADUs companies that deliver pre-assembled big and bulky modules, making them expensive and difficult to ship, Cosmic is transporting chassis modules as a flat-pack on a small-size flatbed," said Jokic.

Also delivered to the site are roof underlayment, facade and interior walls, and doors and triple-glazed windows that are manually attached using Cosmic's "click-in joinery system". These elements are built on-site.

Some aspects of the dwelling are created in a factory while others are assembled on site

"We drive significant cost and performance improvements on the chassis, leaving less expensive and simpler components, such as walls and finishings, to be done by professional builders on site, in the relatively cost-effective way they already do," the team said.

The home sits atop a proprietary foundation that consists of underground anchors, above-ground legs and self-levelling joints. Screw threads or concrete footing can be used for the underground portion, depending on the soil type.

Wall panels are made of cross-laminated timber and different types of plywood, while flooring is made of engineered hardwood. Cladding options include stained cedar – in black, grey or natural – or composite panels in a copper hue.

Different options for the cladding can be selected

Units with kitchens are fitted with quartz countertops and premium cabinetry. Bathrooms have tiled shower walls and high-end fixtures. Other features include high-efficiency LEDs, a smart thermostat and an accompanying app to monitor electricity usage.

The home is designed to minimize energy consumption through features such as continuous insulation and air-tight windows and doors.

While designed to tie into public water and sewage systems, the Cosmic ADU is able to generate all of its own electricity.

The units come with pre-assembled systems for mechanical, engineering and plumbing, which includes a sizable battery pack for lithium-ion and thermal energy storage.

The unit is delivered on a flatbad and constructed on site

The units are also equipped with a rooftop solar array that can generate from seven to 20,000 kWh per year in the California region – much more than the ADU is expected to need.

The team envisions the extra energy being stored and then distributed to the main home on the ADU's property, or to an electric vehicle.

"The ADU is able to generate and store both electricity and thermal energy when it's most efficient and cheapest, and then distribute it into the household when it's needed," said Jokic.

Owners can purchase the solar array and battery pack or borrow them from Cosmic. In the latter scenario, Cosmic owns the excess energy generated by the ADU.

[

Read:

Precht creates four cartoonish "treehouses" for Austrian restaurant

](https://www.dezeen.com/2022/04/03/precht-bert-treehouses-austria/)

Cosmic is presently housed at the Autodesk Technology Center in San Francisco, where it will produce the chassis modules for its first batch of homes. It also works with local material suppliers and manufacturers.

It currently takes four to six months to build and deliver a Cosmic ADU. The company is not releasing pricing at this time.

Cosmic's ultimate aim is to transform the building industry.

Different anchors are used depending on the ground

"Our homes are changing," the company said. "Climate warming and the global pandemic have reshaped our living environment, and we are not going back."

Other revolutionary building ideas include customized backyard dwellings by the design-build firm Cover that are created using computer algorithms, and "nomadic" hotel units by the startup Moliviing that are prefabricated and intended to be moved around.

The photography is byMilos Martinovic. Renderings are by Edit.

The post Cosmic ADU is a “self-powered home” that uses no fossil fuels appeared first on Dezeen.

#all #residential #architecture #green #modulararchitecture #prefabricatedbuildings #crosslaminatedtimber #accessorydwellingunits #sustainability #us

imageprefab home with windowcosmic ADU
dezeen (unofficial)dezeen@ծմակուտ.հայ
2022-04-08

Shigeru Ban builds modular partitions to offer privacy to Ukrainians in emergency shelters

Pritzker Prize-winning architect Shigeru Ban has installed his Paper Partition System across temporary shelters in Europe that are housing Ukrainians fleeing the Russian invasion.

Installed by Ban with the Voluntary Architects' Network non-governmental organisation (NGO), which he founded in 1995, the modular system offers privacy to people seeking refuge in the hastily constructed refugee centres.

Shigeru Ban has installed his Paper Partition System in refugee shelters housing displaced Ukrainians

The Paper Partition System (PPS) is quickly and easily constructed using cardboard tubes as structure and textiles as partitions. One unit takes approximately five minutes to build with the help of three people.

Since the war began in the early hours of 24 February, the system has been used in shelters in Lviv in western Ukraine, in Poland and France. It is due to be rolled out in refugee centres in Germany and Slovakia too.

One of the installations is in Wroclaw Railway Station. Photo is by Maciej Bujko

PPS was created by BAN in 2011 as a deliberately simple solution to increase privacy in vast evacuation centres housing people made homeless by natural disasters.

It was first used in shelters following the Great East Japan Earthquake (2011) and has since been repurposed for Covid-19 vaccination booths and now refugees escaping conflict.

They have also been used in a pair of gymnasiums in Paris

Ban presented the project last week in a webinar hosted by the EU's New European Bauhaus – an interdisciplinary initiative with a focus on the European Green Deal – for which he is a key member and with whom he has collaborated on the rollout in Poland.

During the event, he said he felt compelled to help after seeing refugees gathering in shelters that offer little in the way of privacy.

The system offers privacy to refugees by dividing up the shelters

"After the war started, I saw the situation of refugees gathering, staying under the big roof of a gymnasium without any privacy," Ban explained.

"I believe that privacy is a basic human right," he stated. "I saw my solution of paper partitions, which I developed for the earthquake and tsunami in Japan, as appropriate."

The system requires a team of three people to build

The PPS system makes use of round cardboard tubes as a structure, over which paper or fabrics are draped.

Fastened with a safety pin, the fabric forms the partitions and divides a space up into sections similar to shared hospital wards.

The main framework is based on cardboard tubes used to store paper

The tubes that make up the structure are the same as those used to roll up and store fabric or paper but in longer lengths. They are also made in two diameters to form posts and beams.

When combined, the units vary between two by two metres or 2.3 by 2.3 metres depending on the size of beds they contain.

The tubes come in two different sizes

Ban's eponymous studio is currently funding the scheme, while a number of companies are donating fabric and cardboard tubes.

The first installations were in Chełm and Wrocław in Poland. Through the networks of the New European Bauhaus, they were built by Ban in collaboration with a number of Polish architects, students and volunteers.

[

Read:

Shigeru Ban builds temporary shelters from paper for Japan flooding victims

](https://www.dezeen.com/2018/07/31/shigeru-ban-temporary-shelters-paper-japan-flooding-architecture/)

In Chełm – the first stop in Poland for train lines from central and northern Ukraine – the system was deployed in a vacant supermarket, while in Wrocław, they helped transform a rail depot into a shelter.

Over in Paris, the system has been used to compartmentalise two gymnasiums housing refugees.

The fabric is folded over the poles and secured with a safety pin

Kyiv practice Balbek Bureau is another architecture studio to develop a modular system for people made homeless during the war in Ukraine. Named Re:Ukraine, the blueprint proposes "temporary but dignified" refugee villages based on a standardised timber-framed box that can be fitted with different interiors.

Other notable architects and studios who have responded to the war include David Chipperfield, Foster + Partners, MVRDV and Herzog & de Meuron – all of which have withdrawn from their projects in Russia.

Elsewhere, Latvian studio OUTOFBOX and London studio Adam Khan Architects are among the companies rallying to help Ukrainian refugees find work across Europe.

The photography is byNicolas Grosmond unless stated.

The post Shigeru Ban builds modular partitions to offer privacy to Ukrainians in emergency shelters appeared first on Dezeen.

#all #architecture #news #modulararchitecture #shigeruban #shelters #ukrainewar

imageShigeru Ban in refugee shelterPaper Partition Systems by Shigeru BanRefugee shelter for displaced Ukrainians
dezeen (unofficial)dezeen@ծմակուտ.հայ
2022-04-03

Precht creates four cartoonish treehouses for Austrian restaurant

Shingles and large round windows animate the four Bert treehouses that architecture studio Precht has crafted from bent cross-laminated timber in Austrian woodland.

The four cartoonish structures, which each have a unique form, serve as accommodation for guests and staff at the Steirereck am Pogusch restaurant in the rural village of Pogusch.

Precht has create a series of CLT treehouses in Austria. Photo is by Tom Klocker

They are the first four iterations of Bert, a modular treehouse conceptualised by Precht with tiny-homes startup BaumBau in 2019 with the intention of designing a building with a minimal footprint.

Each structure is assembled from prefabricated components that were made from cross-laminated timber (CLT) in a factory offsite before being combined in situ.

They contain accommodation for guests and staff at the Steirereck am Pogusch restaurant

Precht's co-founder, Chris Precht, recently presented the project as part of our Architecture Project Talk series in partnership with the Forest Stewardship Council.

During the event, the architect explained that Bert evolved out of an ambition to create a structure with a minimal environmental impact, but with otherworldly forms that look as though they belong in a fairytale.

They feature modular tube-like structures

"We looked at this project through the naive eyes of children, and asked ourselves, what would the building look like if it would be designed by this unfiltered imagination of a kid?" he explained.

"So building that almost comes out from a fairy tale," he continued. "But on the other hand, it also resulted in very serious questions, so how does a building that stands on a very minimal and small footprint look and work?"

The structures sit on small concrete footings

Hidden in woodland at the restaurant, each treehouse is positioned on a circular concrete base with the tube-shaped modular elements stacked above them.

These modular elements contain kitchens, living spaces, bedrooms and bathrooms and are made from bent CLT, cut using a CNC machine. They were quickly built on-site over a few days.

The big windows and balconies are intended to evoke cartoon eyes

"The first Bert took around seven days and the last Bert took around one day," Precht said.

"So, there was also a lot of learning by doing and experimenting in what is the fastest way actually to build Bert."

Precht hopes the treehouses look as though they belong in a fairytale. Photo is by Tom Klocker

The modular components that make up each treehouse derive a catalogue of possible elements and configurations for Bert that Precht and BaumBau developed in 2019.

These give rise to curved forms, engineered to balance on their small footings while withstanding strong winds. Precht explained that this closely resembles "a tree in the forest", suiting their woodland setting.

Shingles cover the exteriors

The four treehouses are unified by their large windows and wooden shingle-clad exteriors that are designed to weather and change colour over time.

Large round windows and balconies are intended to resemble the eyes of cartoon characters, such as those in Sesame Street or the little yellow Minions from the animated film series Despicable Me.

The interior fit-outs are also modular to align with the curved structures

Inside, the Bert treehouses are designed to feel dark and cosy, with the structural wood left visible.

"For the interior spaces, we wanted to keep it a bit darker, to have a contrast with the wood building that surrounds the interior," Precht explained.

[

Read:

Peter Pichler designs Tree House hotel rooms for forest in the Italian Dolomites

](https://www.dezeen.com/2019/03/06/peter-pichler-treehouses-italian-dolomites-architecture/)

All the interior furnishings, which are also modular, are adapted to the roundness of the structures. These are teamed with black textiles and illuminated indirect lighting that appears as though it is seeping through cracks in the building.

Precht added that beyond its "​​naive and childish intentions", the project is also hoped to highlight the importance of interacting with nature to its occupants.

Dark furnishes feature throughout

"Most people, especially in the future, will spend their entire lives in cities," Precht said.

"But if you going to a forest or to a mountain, you're surrounded by millions of years of evolution and I think as a person that changes your perspective. Suddenly, you are not the centre of the universe anymore, but just a very small part of, of a much larger story," Precht concluded.

The CLT structure is exposed inside

Precht is the co-founder of Austria-based studio Precht, which he founded with his wife Fei Precht. The studio also recently designed The Farmhouse, a housing concept that combines residences with vertical farms.

Elsewhere, Peter Pichler Architecture has designed a proposal for treehouses in a forest in the Dolomites of northern Italy featuring sharply pointed roofs and blackened wood cladding.

The video is by Imanuel Thalhammer and the photography is byChristian Flatscher unless stated.

The post Precht creates four cartoonish treehouses for Austrian restaurant appeared first on Dezeen.

#hotels #all #architecture #instagram #austria #modulararchitecture #treehouses #shingles #prefabricatedbuildings #woodenarchitecture #crosslaminatedtimber #precht

imageAerial view of Bert treehouses in AustriaTreehouse hotel rooms in Austria by Precht
dezeen (unofficial)dezeen@ծմակուտ.հայ
2022-02-15

Graal Architecture's Orly Festival Hall references residential and industrial buildings

This multipurpose events hall designed by French studio Graal Architecture evokes typical gabled houses as well as the industrial sheds found near to its location beside Paris-Orly airport.

Orly Festival Hall is located on the edge of the airport complex to the south of Paris, and forms part of a suburban neighbourhood made up of residential and logistical buildings.

Graal Architecture has created a festival hall in France

Graal Architecture designed the festival hall as a pavilion consisting of four interconnected gabled volumes that resemble typical houses. Its flexible and modular design allows the building to be used for various events.

Corrugated and perforated metal cladding forms a rectilinear envelope around the pitched-roof volumes, lending it a more industrial appearance that recalls the nearby sheds and warehouses.

The building comprises four interconnected gabled volumes

"Halfway between a low-cost prefabricated industrial structure and an ordinary house, the building unfolds in two cubic volumes of the same dimensions, which attempt to move away from the typology of the shed to approach the domestic scale of the house," the architects explained.

The metal cladding extends beyond the height of the pitched roofs, creating a more visible volume within the suburban streetscape that changes in appearance when viewed from different distances and angles.

The volumes are wrapped by corrugated and perforated metal cladding

"Through its champagne colour, its undulations and perforations, the thermo-lacquered, corrugated iron cladding offers a changing and renewed image of the facility through the play of reflections and transparency," Graal Architecture added.

"Depending on the light, the distance and the viewpoint, which is multiple on this angled plot, the building creates a real kinetic effect."

[

Read:

Graal Architecture adds trio of corrugated metal cabins to a kindergarten in France

](https://www.dezeen.com/2015/09/16/graal-architecture-nursery-school-kindergarten-paris-france-corrugated-metal-cabins/)

The building is separated into two conjoined blocks that are shifted slightly in plan to fit the irregularly shaped plot. The space in the offset area forms an entrance plaza sheltered from the noisy airport.

A block of service areas including the entrances, toilets, offices and technical spaces are arranged along the northern edge of the building so they are direct contact with the car park and a small concrete plaza.

It has a champagne-hued colour

Three entrances along the building's length provide access to different parts of the hall, allowing each space to function independently and enhancing the facility's flexibility.

The building was constructed using a timber frame that is visible inside the hall and is complemented by the exposed timber walls and structural roof panels.

The prefabricated framework is visible inside the hall

The prefabricated framework supports a series of deep beams that span the hall from front to back. Tracks incorporated into the beams allow movable walls to be used to partition the interior into two or three rooms.

The four roof ridges help to visually separate the open, flexible space into smaller bays while also aiding its acoustic properties. Each bay features large windows on its southern facade that look out towards the airport.

Skylights slot into the roof's ridge

Lighting and acoustic baffles that follow the folds of the roof help to break up the overall scale of the internal space. Skylights slotted into the roof's ridge cast natural light onto the timber beams and the concrete floor below.

Graal Architecture was founded by Carlo Grispello and Nadine Lebeau. The firm has previously designed an energy-efficient and economical facility for small children that was longlisted in the civic building category of Dezeen Awards 2021, and a sports hall for a nursery in western Paris comprising three corrugated zinc and galvanised steel cabins.

The photography is byClément Guillaume.

The post Graal Architecture's Orly Festival Hall references residential and industrial buildings appeared first on Dezeen.

#all #architecture #publicandleisure #france #modulararchitecture #corrugatedmetal #perforatedmetalfacades #perforatedmetal #graalarchitecture

imageOrly Festival Hall by Graal ArchitectureHall wrapped in perforated metal claddingOrly Festival Hall exterior
dezeen (unofficial)dezeen@ծմակուտ.հայ
2022-02-14

HHF Architekten uses modular steel and timber structure for mixed-use block in Switzerland

A modular grid of exposed steel creates balconies, terraces and external staircases at this mixed-use development in Weggis, Switzerland, designed by HHF Architekten.

Located close to Lake Lucerne, the Weggishof scheme combines ground-floor commercial spaces with 39 apartments in a variety of sizes.

Weggishof is a mixed-used residential block that was designed by HHF Architects

The project was won by the Basel-based studio following a two-phase study for a mixed residential area that began in 2014, with the project completing in 2020.

Described as a "sustainable hybrid project", Weggishof comprises a concrete base topped with a timber structure built using a system of prefabricated, standardised elements in order to minimise waste and make future recycling more efficient.

It comprises a modular grid of exposed steel which forms a number of balconies, terraces and staircases

Arranged in a U-shape, the apartments range from studios to five-bedroom dwellings. All are dual-aspect, overlooking both a central courtyard at the building's centre and a communal green space to the rear.

"The building nestles into an existing natural U-shaped slope, which allows for structural diversity," said the practice.

The structure is staggered to prevent disrupting mountain views. Photo is by Maris Mezulis

"Storey heights are staggered to let the new building blend in with the surroundings without blocking the view of the lake from existing structures," it continued.

"A digital workflow was crafted to allow for dimensional steering of the prefabrication of the standardised, wood elements, whose surfaces are left raw for visual impact."

[

Read:

Colonnade extends from concrete house on an old vineyard in Switzerland

](https://www.dezeen.com/2020/02/04/concrete-villa-df-dc-switzerland-archtecture/)

While the rear facade presents a plain, wood-clad surface so as not to disrupt the views from neighbouring buildings, the inner facades are animated by a steel grid of balconies that overlook the courtyard.

In this courtyard, a variety of surface finishes, play equipment and concrete benches create a lively public space that also acts as a buffer between the nearby road and the apartments.

Interior spaces are lined in wood. Photo is by Maris Mezulis

"The modular metal facade works as what [we] refer to as soft spaces – the often neglected space where private meets public," said the practice.

"In this case this ambivalent room that receives signals from both directions adds a vivid identity to the public space white adding a layer of privacy," it continued.

Apartments have double-height spaces and large windows

The commercial spaces, which total 1,200 square metres, sit within Weggishof's concrete base, which extends outwards to create ground floor terrace areas and upwards to create stair cores.

The apartment interiors celebrate the building's hybrid materiality, with wooden walls, concrete floors and curved steel sections on the balconies providing sun-shading.

Concrete flooring and wood ceilings create a minimal aesthetic

Both small and large versions of each flat type have been created to provide different spatial characters, with some incorporating double-height areas.

Other recent residential projects in Switzerland include a concrete block near Lake Lugano by DF_DC, with an "exoskeleton" of balconies and terraces, and a house in Villarlod by Index Architectes that features asymmetric gables and a skin of angular clay tiles.

The photography is byIwan Baan unless stated otherwise.

The post HHF Architekten uses modular steel and timber structure for mixed-use block in Switzerland appeared first on Dezeen.

#all #architecture #residential #instagram #steel #switzerland #modulararchitecture #hhfarchitects #balconies #mixeduse

imageThe terraces are constructed from steel and timber
dezeen (unofficial)dezeen@ծմակուտ.հայ
2022-02-03

Rogers Stirk Harbour + Partners completes modular airport terminal in Geneva

British architecture studio Rogers Stirk Harbour + Partners has completed the polychromatic and modular Aile Est airport terminal in Geneva, Switzerland, as part of a consortium called RBI-T.

The 520-metre-long glass and steel building was created by RBI-T, a team composed of Rogers Stirk Harbour + Partners (RSHP), architecture studio Jacques Bugna and engineering firms Ingérop and T-Ingénierie for the La Genève Internationale airport.

Rogers Stirk Harbour + Partners has completed the Aile Est airport terminal in Geneva

Composed of two floors, Aile Est serves six existing aircraft stands at the international airport and comprises departures, arrivals and transfer facilities, alongside border controls and passenger lounges.

It accommodates approximately 2,800 passengers per hour on departure and 3,000 on arrival.

The terminal has a modular structure

The terminal is distinguished by its narrow, elongated form, described by RSHP as an "extruded parallelogram". It measures less than 20 metres in width.

This was designed in response to tight site constraints but it also helps to maximise daylight inside, reducing demand for artificial lighting.

The elongated building comprises six gates

Aile Est has a repetitive modular structure, with its six gates built from four 20-metre-long modules. Their structure is exposed externally and internally.

Designed as a kit of parts, this structure allows the building to be easily disassembled, recycled or extended in the future. It also helped to reduce waste during construction.

Structure elements and services are left exposed

Expressing structural elements is a trademark style of RSHP, as seen in other buildings such as the Leadenhall Building and the Macallan Distillery and, more famously, the Lloyd's building.

"There has been a long-standing approach at RSHP to articulate clearly and truthfully the elements that make up the building," explained the studio's associate partner Douglas Paul.

[

Read:

Rogers Stirk Harbour + Partners designs Shenzhen airport terminal with "natural environment at its heart"

](https://www.dezeen.com/2021/04/28/rogers-stirk-harbour-partners-shenzhen-boaan-airport/)

"The material and structural systems differ greatly on each project, but all have a structure that is carefully detailed and expressed," Paul told Dezeen.

"This is reflected in the expression of all building components but particularly structure and services."

Each gate's ceiling and seating is finished in a unique colour

Aile Est's design was led by the studio's senior design partner Graham Stirk after RBI-T won a competition to create it in 2010.

It was commissioned to replace a technically and environmentally outdated facility at the airport that was built for temporary use in the mid-1970s.

According to associate partner Paul, a key element of the design that led it to win the competition was its layout that maximises outward views.

Passengers are welcomed by large expanses of glass that look out at pilots preparing for departure and further over to the Jura mountains.

The colours are designed to differentiate each gate

"One of the key strategies that led to the RSHP design consortium RBI-T being chosen was the decision to move the arrivals passenger flow from the basement and place it on the airfield side of the building above the departing passengers," Paul said.

"The client had anticipated that passengers on arrival would descend underground to pass along a subterranean tunnel to the baggage hall," he continued. "By contrast, arriving passengers using the Aile Est today enjoy fantastic views across the airfield to the Jura mountains to the north."

Large expanses of glass line the terminal

The large windows that frame these views are also designed to maximise daylight, improve passenger and staff wellbeing and help occupants orient themselves.

Therefore, each of the modules is engineered to minimise the quantity of internal structural elements to ensure views are unobstructed.

[

Read:

Richard Rogers balances his final building over Provence vineyard

](https://www.dezeen.com/2021/02/15/richard-rogers-drawing-gallery-cantilevered-art-gallery-chateau-la-coste-france/)

Occupant orientation is also helped by the colourful baffle ceilings and seating, which break up the structural repetition of the structure and distinguish one gate from another.

This also brightens the building's natural stone flooring and exposed structure, of which the primary components are painted light grey and secondary structural elements dark grey.

Internal structural elements are minimised to maximise views

"An airport can be a stressful environment, particularly if one is unsure where the departure gate is or how long it will take to get there," said Paul.

"The Aile Est endeavours to make wayfinding as simple as possible."

To prevent overheating and solar glare from the large expanses of glass, the services and stair cores are designed to self-shade the building in tandem with fixed louvres.

The windows are also triple-glazed and have colourless coatings that help to maximise daylight while reducing solar gain.

Stair cores help to self-shade the building

According to RSHP, the terminal is designed to produce more energy than it consumes using on-site renewable energy sources such as photovoltaic panels and geothermal piles. From 2024, Aile Est will also link up to GeniLac – a network that uses water from Lake Geneva to reduce the cooling loads for buildings.

There will also be facilities to support the recovery and use of rainwater throughout the building.

RSHP was founded by the late architect and high-tech architecture pioneer Richard Rogers in 1977 who passed away in December aged 88. The studio was known as Richard Rogers Partnership until 2007 but was renamed to reflect the contributions of the studio's partners Stirk and Ivan Harbour.

Elsewhere, RSHP is also currently designing an airport terminal in Shenzhen, China, which will be arranged around a large covered garden.

The photography is byJoas Souza.

The post Rogers Stirk Harbour + Partners completes modular airport terminal in Geneva appeared first on Dezeen.

#all #architecture #infrastructure #geneva #switzerland #modulararchitecture #airports #rogersstirkharbourpartners

imageOrange gate at Aile Est airportGate at Aile Est airport terminalAirport terminal by RSHP
dezeen (unofficial)dezeen@ծմակուտ.հայ
2022-01-27

Atelier Craft and ICI! complete triangular migrant shelter in Paris

French studios Atelier Craft and ICI! have designed a triangular day shelter for migrants and refugees in Paris, with a modular timber frame that allows it to be demounted and moved to different sites.

Called Aire de Repos or Rest Area, the shelter is currently located at La Station Gare des Mines, an arts venue in Porte d'Aubervilliers established by Collectif MU that sits close to the site of a migrant camp dismantled by French authorities in 2020.

Aire de Repos is a triangular day shelter for migrants and refugees in Paris

Supported by a social innovation grant from the Région île de France, Paris-based studios Atelier Craft and ICI! worked with the Coucou Crew, an association supporting young migrants, to design the new flexible activity space.

"The Aire de Repos offers an unconditional welcome for young migrants to come and discuss, benefit from psychological support sessions, have a coffee and initiate or participate in cultural activities," explained a statement from La Station Gare des Mines.

It has a modular timber frame

The simple, modular design of Aire de Repos allowed its construction to be a participative process involving the Coucou Crew, which was documented in a short film.

The nature of the frame also allows the size of the final structure to easily be expanded or reduced, with the intention of it being able to transform to suit a range of different sites or be replicated elsewhere in future.

Externally it is covered with corrugated polycarbonate

"The short timeframe set to build the project in a participative manner led us to imagine a simple shape and prefabricated frame in order to assemble the main structure in less than two weeks," explained Atelier Craft.

"In that sense, the triangular form stems from structural and economic principles but also from a symbolic standpoint – based on this single frame the structure can span out depending on the future needs of its users," it continued.

[

Read:

Refugee shelters could be built from concrete fabric in 24 hours

](https://www.dezeen.com/2019/09/17/cortex-shelter-cutwork-refugee-architecture/)

A small, skylit porch space forms an entrance to the shelter, with the main room left free of any fixings or fittings to be as flexible as possible.

Internally, the high, pitched ceiling of the structure is clad with plywood panels. Externally, it is covered in sheets of corrugated polycarbonate and transparent plastic sheets that are tied to metal poles on the wooden frame.

Plywood panels line the interior

The walls have been infilled with straw insulation. At one end of the structure a rammed earth trombe wall faces the sun, absorbing its heat and slowly releasing it back into the shelter throughout the day.

"The construction as a whole is designed based on bioclimatic principles to regulate the inside temperature in a passive manner," explained the practice.

A skylit porch sits at the structure's entrance

Other examples of structures designed for refugees include a latticed wooden community centre at a camp in Mannheim, Germany, designed by students from the University of Kaiserslautern.

The photography is by Victoria Tanto.

The post Atelier Craft and ICI! complete triangular migrant shelter in Paris appeared first on Dezeen.

#pavilions #all #architecture #france #paris #modulararchitecture #designforrefugees #shelters #reversibledesign

imageAire de Repos shelterShelter with polycarbonate facadeAire de Repos shelter for migrants in Paris
dezeen (unofficial)dezeen@ծմակուտ.հայ
2021-12-12

O'DonnellBrown designs outdoor play shelter for Edinburgh arts centre

The Calton Hill Play Shelter is a modular and demountable structure designed by Scottish practice O'DonnellBrown for the Collective contemporary art centre in Edinburgh, Scotland.

Located at the World Heritage Site of Calton Hill, the 25-square-metre shelter stands in a flagstoned courtyard outside the art venue, which is housed in a 19th-century observatory.

Calton Hill Play Shelter is located at the Collective art centre in Edinburgh

The observatory, which was designed in 1818 by William Playfair to evoke a Greek temple, had previously stood empty until its transformation into an arts centre by Collective Architecture in 2018.

Glasgow-based O'DonnellBrown designed the play shelter to host a variety of activities in Collective's learning programme, including loose parts play and creative events for families.

The shelter was designed to support the centre's outdoor learning programme

Calton Hill Play Centre is the latest in a series of shelters by the studio that is designed to promote outdoor learning during the coronavirus pandemic. The others include the Rainbow Pavilion and the Community Classroom in Glasgow.

"The play shelter demonstrates the adaptability of the design principles employed in our Community Classroom project applied to a highly sensitive location," said O'DonnellBrown co-founder Sam Brown.

The design nods to the classical architecture of existing buildings on the site

The core structural approach used in these previous outdoor learning projects has been applied at the Calton Hill Play Shelter, which is designed to stay in place for a minimum of three years.

"The client has been a joy to work with to knit it into the historic context, creating a harmonious built addition which also follows circular economy principles," Brown added.

It comprises a modular timber structure

O'DonnellBrown drew from the classical City Observatory opposite to determine the proportions of the whitewashed timber frame, which is constructed from bolted columns that can be easily dismantled.

"The rhythm and proportion of the surrounding 19th-century classical architecture determined the spacing of the columns and height of the roof," explained the studio.

[

Read:

O'DonnellBrown promotes outdoor learning with The Community Classroom

](https://www.dezeen.com/2020/04/12/community-classroom-odonnellbrown-outdoor-learning/)

A polycarbonate roof covers the shelter and is slightly elevated to create a clerestory-level gap.

Wooden panels infill some of the gaps between the columns, while others are left open to provide a number of routes into and out of the space.

It is sheltered by a polycarbonate roof

To conceal Calton Hill Play Shelter's steel footings, the courtyard flagstones were temporarily removed and put back in their places to minimise the shelter's impact.

The existing stone wall around the perimeter of the observatory conceals the shelter from view to the outside, as well as protecting its open interior from strong winds on the site.

The shelter's steel footings are concealed

O'DonnellBrown is an architecture studio that was founded in Glasgow in 2013 by Jennifer O'Donnell and Brown.

Its outdoor classroom prototype, first established at the Community Classroom, is now being manufactured by furniture and design company Spaceoasis.

The photography is byRoss Campbell.

The post O'DonnellBrown designs outdoor play shelter for Edinburgh arts centre appeared first on Dezeen.

#publicandleisure #all #architecture #modulararchitecture #pavilions #scotland #edinburgh #woodenarchitecture #shelters #odonnellbrown

imageCalton Hill Play ShelterCollective art centre in EdinburghTimber pavilion for outdoor learning
dezeen (unofficial)dezeen@ծմակուտ.հայ
2021-11-28

Register for our Architecture Project Talk about Bert by Precht

Precht's tree-trunk-shaped modular house Bert is the focus of Dezeen's next Architecture Project Talk, presented in partnership with the Forest Stewardship Council. Register now to watch the webinar at 1:00pm London time on Tuesday 2 December.

During the webinar architect Chris Precht, who founded Austria-based practice Precht with his wife Fei Precht, will present his modular house, four of which have recently been completed at the Steirereck restaurant in Vienna.

Bert is a concept for a modular tree-shaped house by Austrian studio Precht

The online talk is the second of a series of two Dezeen is hosting in partnership with the Forest Stewardship Council (FSC), where architects speak about their projects built using FSC-certified wood. The webinars will count towards continuing professional development (CPD) points for UK architects.

Precht developed Bert in collaboration with Austrian tiny home startup BaumBau, with the intention of creating a building with a minimal footprint. Dezeen revealed early renders in 2019, showing a tree-like cylindrical structure with wooden shingles and large circular windows.

Chris Precht will give the talk

The first iterations of Bert were recently built on the grounds of Steirereck, a restaurant in Vienna that has been named as one of the world's best. There, the structures will be used as accommodation for both restaurant staff and guests.

The buildings sit on circular bases, with tube-shaped modular cells containing kitchens, living space, bedrooms and bathrooms that can be stacked over and around it like the limbs of a tree branching out from the trunk.

Bert's constituent parts are cut from bent cross-laminated timber using a CNC machine and are prefabricated in a factory before being delivered to the site. The buildings are clad in wooden shingles that will weather and change colour over time.

During the talk, Precht will discuss playfulness in architecture and how this attitude can be retained when building at scale, as well as the practical challenges of building a modular cylindrical structure using prefabricated wooden elements.

Architecture Project Talk: Bert will take place at 1:00pm London time on Thursday 2 December 2021.

Register for the webinar ›

Dezeen x FSC Architecture Project Talks

This series of Architecture Project Talks is produced by Dezeen in collaboration withFSC, a non-profit membership organisation created to maintain sustainable and resilient forests.

FSC certification verifies that the wood used in a project has been sourced sustainably. The organisation currently manages over 225 million hectares of certified forests.

Sign up to FSC's mailing list via the webinar registration pages to hear more.

Read more about Dezeen partnership contenthere.

The post Register for our Architecture Project Talk about Bert by Precht appeared first on Dezeen.

#dezeenxfscarchitectureprojecttalks #all #architecture #architectureprojecttalks #modulararchitecture #crosslaminatedtimber #precht #chrisprecht

imageBert by Chris PrechtBert by Chris PrechtChris Precht

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