#Immerse

The Krononaut Moon Project πŸŒ‘KronoMoon@me.dm
2024-09-30

 
#TimeTravelExperiment at home.

Get together with old #friends at a place where you haven't been in a long time. #Immerse deeply. Observe and absorb the sights, sounds, and smells of where you are in the moment, overlaying these with the sights, sounds, and smells in your #memories of being there in the #past.

We can all invite a little Time Travel into our lives.

"On the night of the Total Lunar Eclipse,
Time Travelers descend in their space-time ships."

#Community #TimeTravel #Research

Alex Smithsonalexsmithson
2024-05-28

With various landmarks, such as The National Portrait Gallery, The Shard, The Elizabeth Tower and many more, immerse yourself in London’s sunny architectural landscape!

asterisk15.wordpress.com/2024/

2024-03-25

Acathexis – Immerse Review

By Kenstrosity

At the risk of making light of a serious situation, I’ve been on the struggle bus as of late. My mental health nosedived somewhere in late February, for what reason I still don’t comprehend, and it’s been a trial and a tribulation to claw my way back out. Needless to say, during this difficult time, I haven’t been the best person to be aroundβ€”lashing out against even the smallest jest, forgetfully neglecting my friends when they message to check on me, and isolating myself from everyone and everything out of shame and embarrassment. You’d think that, in the midst of all of this, I would reach for something uplifting to compensate. Instead, I cling to emotionally dour and violently depressive material, as it brings me a specific and rare kind of catharsis. Serendipity bore a cosmic kindness to me, then, when it delivered international depressive atmoblack project Acathexis’ long-awaited sophomore record, Immerse, into my clutches.

After the immensely affecting self-titled debut released at the end of 2018, Acathexis rapidly became one of my more closely watched new acts. A dream team of Mare Cognitumβ€˜s Jacob Buczarski (drums), DΓ©hΓ  (guitars, bass), and Los Males del Mundo’s Dany Tee (vocals, lyrics) comprises the talent, and melancholic black metal rife with weeping melodies and misty atmosphere makes up the content. Long-form epics are the band’s bread and butter, with expansive, tremolo-laden tidal waves crashing down on the listener with devastating impact. If you’re looking for straightforward riffing and pumping rhythms, you won’t find them here. You will, on the other hand, find a trove of soaring leads, smooth blasts and double-bass runs, and a cavalcade of soul-rending wails, heart-wrenching rasps, and subterranean roars.

Over the course of these four songs, spanning across fifty minutes, the wonderfully collaborative nature of Immerse becomes crystal clear. At every turn, a gorgeous, shimmering lead blooms from the record’s core, bearing a conjoined DΓ©hΓ /Mare Cognitum imprint that lights up the spine (β€œDreams of Scorched Mirrors”). Coursing through the record’s veins, an undercurrent of Silver Knifeβ€˜s scathing character coalesces with Slowβ€˜s woeful melody that, in tandem with the aforementioned shimmers, forms a lush and deeply immersive soundscape which handily lives up to the album’s title (β€œAdrift in Endless Tides,” β€œA Slow, Weary Wind”). Dany’s simply unhinged delivery not only marks him as one of the best vocalists in the style, but also often elevates these songs to a higher tier, particularly when unleashing high-pitched howls that seem to contain the tortured cries of a thousand haunted spirits (β€œDreams of Scorched Mirrors,” β€œThe Other”).

Much of my critique for Immerse falls under the same umbrella as that garnered by the majority of atmospheric black metal: overly strict adherence to limited songwriting formulas. Primarily invigorated by Jacob’s brilliant rhythmic pacing and percussive creativity (note the cymbal acrobatics in β€œAdrift in Endless Tides”), DΓ©hà’s uncanny merger of each player’s respective sounds into deeply affecting melodies and sweeps, and Dany’s haunting voice, a lot of this material unfortunately presents a generic interpretation of the genre. Songwriting frameworks that challenge the genre standards or move the field into new territory just don’t occur over much of Immerse’s runtime. Instead, Acathexis banked on emotional immersion, immaculate detailing, and expressive delivery from each performer to bolster material that otherwise feels homogenous (β€œThe Other”) or sounds repetitive (β€œA Slow, Weary Wind”). This is a risky move when playing a style maligned for its lack of dynamics or creativity, and while Acathexis just pulled it off this time, I worry that future efforts won’t fare so well without more concerted effort allotted to robust, evolving songwriting approaches.

Despite my misgivings regarding the continued application of a well-worn set of songwriting structures in this genre, there are precious few I trust more to build it well than those in Acathexis. Immerse doesn’t challenge any standards, and certainly won’t convert any naysayers. At the same time, I consider this record a beautiful, harrowing piece of depressive music. Moreover, it came to me at just the right time to strike at the heart. So, even though Immerse isn’t the game-changing record it could’ve been, that tempered bond I formed with it ensures that even after the fog lifts and the sun shines again, I’ll come back to Immerse without reservation.

Rating: Good!
DR: 8 | Format Reviewed: 320 kb/s mp3
Labels: Amor Fati Productions (Physical) | Extraconscious Records (Digital)
Websites: facebook.com/acathexisband | acathexis.bandcamp.com
Releases worldwide: March 20th, 2024

#2024 #30 #Acathexis #AmericanMetal #AmorFatiProductions #ArgentinianMetal #AtmosphericBlackMetal #BelgianMetal #BlackMetal #DΓ©hΓ  #DepressiveBlackMetal #DSBM #ExtraconsciousRecords #Immerse #InternationalMetal #LosMalesDelMundo #Mar24 #MareCognitum #Review #Reviews #SilverKnife #Slow

2023-11-26

Gig Review: Written By Wolves / Immerse – Satan’s Hollow, Manchester (17th November 2023)

My first impressions of Satan’s Hollow in Manchester were that it’s probably the most unique venue I’ve ever been to. With the demonic dΓ©cor and central platform for the bands to preform, this venue is very distinctiv

moshville.co.uk/reviews/gig-re

#GigReviews #Immerse #WrittenByWolves

2023-11-20

仕事用VR/ARγƒ˜γƒƒγƒ‰γ‚»γƒƒγƒˆγ€ŒVisor」新情報を発葨、PCζŽ₯碚γͺγ—γ§ζœ€ε€§4時間まで使用可に
moguravr.com/visor-update-2023
#moguravr #immerse #Visor

watchpocket πŸ„πŸŒ±watchpocket
2023-02-13

reblogged from the birdsite:
bart plantenga
@bartplantenga
Β·
Feb 7
This ! podcast, The Magnetic Still Point, comes in conjunction with the release of Charlie Morrow’s album [Recital] & the soon-to-be-released 11 LP deluxe box set of 11 LPs from the New Wilderness / Audiographics 1970-80s catalogue on VOD.
immersesoundlightspace.podbean.com
Charlie Morrow: The Magnetic Still Point | iMMERSE! with Charlie...
Charlie Morrow: The Magnetic Still Point [horsserie iMMERSE! podcast]

2022-06-23

Applying a Cognitive Architecture to Control of Virtual Non-Player Characters
(2004) : McCollum, C. and Barba, C. and Santarelli, T. and Deaton, J.
DOI: doi.org/10.1109/WSC.2004.13714
#

2021-04-21

#letsroll

βš„ ⚁ βš„ βš… βš€β†’#saint
βš€ βš… βš„ βš‚ βš€β†’#confetti
βš‚ βš… βšƒ βš… βšβ†’#majority
βš‚ βš„ βš„ βš‚ βš‚β†’#landline
⚁ βš€ βš€ βš‚ βšƒβ†’#cornmeal
βš‚ βšƒ βšƒ βš‚ βš€β†’#immerse

saint-confetti-majority-landline-cornmeal-immerse

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2021-04-15

#letsroll

βš‚ βšƒ βšƒ βš‚ βš€β†’#immerse
βš€ βš€ βš… ⚁ βšƒβ†’#anemic
βšƒ βš‚ βš‚ βš‚ βšβ†’#overtime
βš‚ ⚁ βšƒ ⚁ βšβ†’#goggles
βš€ ⚁ βš‚ βš… βš‚β†’#ascend
βšƒ βšƒ βš„ βš„ βš…β†’#poking

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2021-03-16

#letsroll

⚁ βš„ βš‚ βš€ βš‚β†’#endearing
βš‚ βšƒ βšƒ βš‚ βš€β†’#immerse
βš„ βšƒ βš€ ⚁ βšβ†’#shelve
βšƒ βšƒ βšƒ βš… βšβ†’#pleading
βšƒ ⚁ βš… βšƒ βš€β†’#outmatch
βš‚ βš€ ⚁ ⚁ βš€β†’#flier

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2020-09-03

#letsroll

βš€ βš€ ⚁ βš‚ βšƒβ†’#acts
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βš„ ⚁ βš… βš… βšƒβ†’#sanitizer
βš€ βš„ βš„ ⚁ βš‚β†’#chili
βš‚ βšƒ βš‚ βš‚ βš…β†’#icing

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2020-06-22

#letsroll

βš€ βš‚ ⚁ βš‚ βš…β†’#bankroll
βš‚ βš€ βš… βš… βš…β†’#garter
βšƒ βš„ βš€ βš… βšƒβ†’#precinct
βš‚ βšƒ βšƒ βš‚ βš€β†’#immerse
βšƒ βšƒ βš€ βšƒ βšβ†’#payer
⚁ βš„ ⚁ βš‚ βš€β†’#employed

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2020-06-20

#letsroll

βšƒ ⚁ ⚁ ⚁ βš„β†’#ninth
βš‚ βšƒ βšƒ βš‚ βš€β†’#immerse
βš… βš… βšƒ βš€ βšƒβ†’#wise
βšƒ βš… βš„ βšƒ βšβ†’#recede
βš… βš€ βšƒ ⚁ βš…β†’#sweat
βš‚ βš„ βš„ βš„ βšβ†’#lanky

ninth-immerse-wise-recede-sweat-lanky

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2020-04-17

#letsroll

βšƒ βš„ βšƒ βš„ βšβ†’#projector
βšƒ βš… βš‚ βš… βšβ†’#ramp
βš„ βšƒ βš€ βšƒ βšƒβ†’#shining
βš„ βš‚ ⚁ βš„ βš„β†’#scoff
βš‚ βšƒ βšƒ βš‚ βš€β†’#immerse
βš„ βš„ βš„ βš‚ βš…β†’#spookily

projector-ramp-shining-scoff-immerse-spookily

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2020-01-28

#letsroll

βš… βšƒ βš€ ⚁ βš€β†’#unheard
βš… βš„ ⚁ βš„ βšƒβ†’#upstroke
βš‚ βšƒ βšƒ βš… βšƒβ†’#implant
βš€ βšƒ ⚁ ⚁ βš…β†’#bronchial
βš„ ⚁ βš‚ βš‚ βš…β†’#robe
βš‚ βšƒ βšƒ βš‚ βš€β†’#immerse

unheard-upstroke-implant-bronchial-robe-immerse

Roll your own @ eff.org/deeplinks/2016/07/new-

2019-12-23

#letsroll

βš„ βšƒ βš„ βš… βš€β†’#skype
βš‚ βšƒ βš‚ βš‚ βš…β†’#icing
⚁ βšƒ βš„ βš… βš€β†’#ecosystem
βš‚ βšƒ βšƒ βš‚ βš€β†’#immerse
βš„ βš‚ βš‚ βš… βšƒβ†’#scrunch
βš… βš„ βš‚ βš€ βš„β†’#urgent

skype-icing-ecosystem-immerse-scrunch-urgent

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2019-10-07

#letsroll

βšƒ βš€ βš… βš… βš„β†’#nautical
βš‚ βšƒ βšƒ βš‚ βš€β†’#immerse
βš… ⚁ βš‚ βš‚ βš„β†’#timing
⚁ βš‚ βš„ βš‚ βš„β†’#district
βš‚ βš… βš€ βšƒ βš„β†’#lid
βš€ βšƒ ⚁ βš€ βšβ†’#broadcast

nautical-immerse-timing-district-lid-broadcast

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2019-09-19

#letsroll

βšƒ βš„ βš„ ⚁ βš„β†’#propose
βš… βš„ βš‚ βšƒ βšβ†’#utmost
βš‚ βšƒ βšƒ βš‚ βš€β†’#immerse
βš… βš‚ ⚁ ⚁ βš…β†’#tycoon
⚁ βšƒ βš… βš‚ βšƒβ†’#egotism
βšƒ βš„ βš… βšƒ βš…β†’#punctual

propose-utmost-immerse-tycoon-egotism-punctual

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2019-09-07

#letsroll

βš‚ βšƒ βšƒ βš‚ βš€β†’#immerse
βš€ ⚁ βš… βš‚ βšβ†’#babied
βš‚ βš„ βš„ βšƒ βšƒβ†’#landside
βš€ βš€ βš… βš… βš„β†’#annoying
βš€ βš‚ βš„ βš„ βš€β†’#bogus
⚁ βš„ βš… βšƒ βš€β†’#ether

immerse-babied-landside-annoying-bogus-ether

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