The top 50 NWOTHM albums of all time!
Gage J. Tolin
28â42 minutes
The New Wave of Traditional Heavy Metal is a hard genre to make this sort of list for. It has no definite start point or even any real sound continuity between artists within the movement. In many ways, NWOTHM is less of a genre and more of a movement for bands within the community to say âf*ck you!â to major labels, and over-produced corporate schlock, and return to the DIY ethos that made heavy metal so great and part of what made it appeal to so many. Because of that, you may see some artists on this list who donât quite fit the mold for what you might believe NWOTHM truly is. After painstakingly combing the internet for reviews, mentions, and even little anecdotes for over 500(!) âtrad metalâ albums, I was able to narrow it down to 50. Seriously, this took over a year of work. Please clap!
Obviously, more popular acts were going to get more mentions, so my only major criteria was no more than 2 albums per artist, and for an album to have been released after 2008. Similarly, no reunion albums from veteran bands were considered, despite their quality and importance to the movement. Thatâs a separate list đ
*2008 was chosen as it was the release year for the debut albums for multiple major NWOTHM acts.
With that out of the way, I would like to quickly shoutout the forefathers of NWOTHM; 3 Inches of Blood, Wolf, Twisted Tower Dire, The Lord Weird Slough Feg, and of course the unholy trinity of Manilla Road, Cirith Ungol, and Heavy Load.
All bands and albums included in this list were selected through extensive independent research, drawing on reviews, interviews, mentions, and community discussions across multiple sources.
50. Spirit Adrift- Divided by Darkness (2019)
49. Tanith- In Another Time (2019)
48. Sanhedrin- Lights On (2022)
47. Angel Sword- Rebels Beyond the Pale (2016)
46. Helms Deep- Treacherous Ways (2023)
45. Gatekeeper- From Western Shores (2023)44. The Wizarâd- Subterranean Exile (2020)43. Century- The Conquest of Time (2023)42. Haunt- Mind Freeze (2020)41. Konquest- Time and Tyranny (2022)40. Smoulder- Violent Creed of Vengeance (2023)39. Borrowed Time (2013)38. White Wizzard- Infernal Overdrive (2018)37. Smoulder- Times of Obscene Evil and Wild Daring (2019)36. In Solitude (2008)35. Tower- Shock to the System (2021)34. Skull Fist- Head öf the Pack (2011)33. Portrait- Crimen Laesae Majestatis Divinae (2011)32. Unto Others/Idle Hands- Mana (2019/2021)31. Riot City- Burn the Night (2019)30. Traveler- Termination Shock (2020)29. Triumpher- Storming the Walls (2023)28. Steelwing- Zone of Alienation (2012)27. Pharaoh- Bury the Light (2012)26. The Night Eternal- Fatale (2023)25. Briton Rites- For Mircalla (2010)24. Visigoth- Conquerorâs Oath (2018)23. Sonja- Loud Arriver (2022)22. Herzel- Le Dernier Rempart (2021)21. Luciferâs Hammer- Be And Exist (2024)20. White Wizzard- Over the Top (2010)19. Phantom Spell- Immortalâs Requiem (2022)18. Crypt Sermon- The Ruins of Fading Light (2019)17. Sumerlands- Dreamkiller (2022)16. Steelwing- Lord of the Wasteland (2010)15. Enforcer- From Beyond (2015)14. Blood Star- First Sighting (2023)13. Savage Oath- Divine Battle (2024)12. Traveler (2019)11. Argus- Beyond the Martyrs (2013)10. Atlantean Kodex- The White Goddess (2013)9. Visigoth- The Revenant King (2015)8. Sacred Outcry- Towers of Gold (2023)7. Eternal Champion- Ravening Iron (2020)6. Sacred Outcry- Damned For All Time (2020)5. Satanâs Hallow (2017)4. Eternal Champion- The Armor of Ire (2016)3. In Solitude- Sister (2013)2. Demon Bitch- Hellfriends (2016)1. Enforcer- Diamonds (2010)
50. Spirit Adrift â Divided by Darkness (2019)
Representing a critical point in Spirit Adriftâs history is their 3rd full-length, wherein they begin to more fully shed their doom metal roots in favor of a traditional heavy metal sound. This gives Divided by Darkness a sound unlike the rest of their catalogue, a veritable âbest of both worldsâ sort of album. While the more slow and doomy tracks like âAngel & Abyssâ showcase front man Nate Garrett mastery of the melancholy with his sorrowful sounding words, other tracks, such as the opener âWe Will Not Dieâ are more closer in-line with Spirit Adriftâs later work. Finally, it all culminates in the near-7-minute instrumental triumph that is âThe Way of Returnâ.
49. Tanith â In Another Time (2019)
Reeking of Rush and Uriah Heep influences, plus a bit of Rainbow and Heart thrown in, Tanith might not seem like the typical NWOTHM act, and thatâs true. But thatâs also what makes them such a great part of the movement, their uniqueness. Featuring the awesome dual vocals of Cindy Maynard and Satan/Blind Fury/Pariah guitarist Russ Tippins, and with standouts like âDionysusâ and âCitadel (Galantia Pt.1)â, Tanithâs debut is one that is not to be missed, and one that Iâm very glad I picked up on a blind buy.
48. Sanhedrin â Lights On (2022)
Much like Tanith, Sanhedrin takes a bit more influence from 70s progressive rock than one might expect for a trad metal band, but itâs that aspect that gives the Brooklyn band an easily identifiable sound. On this, their third record, Erica Stoltzâ incredible vocals ring out with tinges of everything from Ann Wilson to Joan Jett to Suzi Quatro, and even some touches of Janis Joplin. I still remember being blown away on my first listen, and thereâs no such thing as diminished returns with this one. Standout tracks like âScythian Womenâ, âLost at Seaâ, âDeath is a Doorâ, and âCorrectionâ make sure of that.
47. Angel Sword â Rebels Beyond the Pale (2016)
The debut record from the Helsinki foursome arguably remains their best. From the rough and ragged vocals, to the thumping of the drums, Rebels Beyond the Pale is as raw as it gets without it undermining the actual music in the slightest. Still present are Angel Swordâs almost uncanny melodies and the strangely blues-like guitar sections, particularly in the track âMidnight Survivorâ. It reeks of NWOBHM influences with riffs straight outta Saxon and choruses like Holocaust, and even the little sprinklings of doom thrown in, but itâs that little jolt of melody that gives it such a cool feel.
46. Helms Deep â Treacherous Ways (2023)
Featuring two members of NWOBHM legends Raven, the perennially underrated John Gallagher and current Raven and former Fear Factory drummer Mike Heller, Helms Deepâs debut offering was a proper shot in the arm at its release. Right away from seeing the cover, I knew we were in for something special, but nothing couldâve prepared me for how perfect this record was. A major boon for this record is undoubtedly its production, something that many trad metal releases can fall short on, but not this one. Each piece of Helms Deep is crisp and clean, but thereâs a still a rawness to the production to give it that nice metal sheen. While having that experienced talent behind the music might turn away some folks looking for fresh blood, Treacherous Ways has all of the freshness that a band of young twenty-somethings could put out but with twice the musicianship and technicality. Also, would you believe that this is somehow the first metal band named Helms Deep to put out a full-length record?
Honorable Mention
#9: Skelator- Agents of Power (2012)
45. Gatekeeper â From Western Shores (2023)
Featuring Jeff Black, who is somehow connected to just about every Canadian trad/power band of the last 15 years, and Odinfist vocalist Tyler Anderson, Gatekeeperâs second full-length had a lot of talent behind it, and a lot of hype to live up to. Right from the start, From Western Shores presents itself in a more epic sense than its predecessor, East of Sun, which is still a banger. Of particular note is the way in which some of Andersonâs verses come off as near bardic, evoking some serious Blind Guardian influence. Nowhere is this felt more than in the 3rd track âShadow and Stoneâ. Similarly, drummer Tommy Tro is absolutely on fire throughout the record. All of these pieces put together bring a monumental record that culminates in the nearly 9-minute- long triumph âKeepers of the Gateâ.
44. The Wizarâd â Subterranean Exile (2020)
Another vanguard of the âdoomed heavy metalâ micro-genre of trad metal, Australiaâs The Wizarâd struck gold with their fourth, and most recent release. With vocals that sound like equal parts Mark the Shark (Manilla Road) and Terry Jones (Pagan Altar), riffs ripped straight from the mid-to-late seventies, think the heavier tracks from Blue Ăyster Cult. All told, these pieces allow for the record to sit somewhere on the more Eternal Champion and Sumerlands side of NWOTHM. In this writerâs opinion, the second half of this record is masterful and worthy of more heavy praise. Itâs a perfect record to listen to while you try to hunt down the evil warlord who killed your family.
43. Century â The Conquest of Time (2023)
I remember being hooked on Century when their âThe Fighting Eagleâ single first dropped in 2022, and their debut full-length certainly did not disappoint. Featuring talents from fellow NWOTHM warriors Lethal Steel and TĂžronto, thereâs an air of experience permeating throughout the otherwise fresh-feeling album. With production to positively die for (seriously the bass-tone in this is immaculate, rivaling Satan âCourt in the Actâ, in my opinion), this stood out from the pack in a very crowded 2023 release lineup. On my relisten for this very list, this one shot up on my personal favorites list.
42. Haunt â Mind Freeze (2020)
Released right at the start of a thoroughly stacked year, Mind Freeze was Hauntâs 3rd full-length in as many years and the Trevor William Church train showed no signs of slowdown or fatigue. In fact, Mind Freeze is arguably the Haunt album to this day, itâs one that every collector of modern traditional heavy metal should own. The introduction of synthesizers/keys did wonders to set it apart from the crowded NWOTHM scene, and those same synths have been adapted by countless artists since then. With standouts like the title track and âDivide and Conquerâ, Hauntâs Mind Freeze is a tour de force of heavy metal goodness.
41. Konquest â Time and Tyranny (2022)
The sophomore release from this Italian one-man project (except for live shows) is a prime example of how metal can remain both raw and melodic without losing any of what makes it âmetalâ, not to mention the exceptional riffage throughout. While the entire album is beyond solid, particularly âThe Travellerâ, itâs ultimately the 8 minute (9 if you include the penultimate intro) closing track âWarrior From A Future Worldâ that steals the show. It presents a very late Golden Age Iron Maiden (Somewhere in Time/Seventh Son) inspired track with all of the gravitas that one would expect from such a comparison.
40. Smoulder â Violent Creed of Vengeance (2023)
One of my personal favorites of recent years, from a niche genre that Iâve grown quite familiar with of late (that of epic doom). Smoulderâs second full-length, features everything that made the original great, exemplary lyrics of sword-and-sorcery, killer album cover, and an insane set of pipes for vocalist Sarah Ann. When many hear the term âdoomâ, that may evoke thoughts of albums that plod along for over an hour or more and donât go much of anywhere. Smoulder bucks that trend tenfold with shorter records that embark on great adventure. In particular, âDragonslayerâs Doomâ must be shouted out as an absolute all-timer.
Hon. Mention
#8: Judicator- The Last Emperor (2018)
39. Borrowed Time (2013)
Somewhat of a forgotten gem of NWOTHMâs juvenility, and one that has retroactively became something of a âsupergroupâ project that featured future talents from Gatekeeper, Viperwitch, Demon Bitch, Syrinx, Traveler, and more. While rife with a youthful rawness that would be refined on the members later projects, Borrowed Timeâs sole full-length offers straight-up Manilla Road worship a few years before such a style became much more commonplace.
38. White Wizzard â Infernal Overdrive (2018)
The bandâs final album before their brief break-up featured the return of vocalist Wyatt âScreaminâ Demonâ Anderson, and in many ways is sort of the White Wizzard equivalent to Judas Priestâs classic âPainkillerâ record. Itâs also one of the more beefy albums on this list, clocking in at over 61 minutes. In fact, that extra meat, combined with the more intricate song structures of earlier albums, gives this one an almost progressive feel at points. If youâre familiar with White Wizzardâs discography, this album is a lot like the second half of their 2011 sophomore album âFlying Tigersâ, wherein the final half of the album is much more progressive and conceptual.
37. Smoulder â Times of Obscene Evil and Wild Daring (2019)
From the moment of the first chord on âIlian of Garathormâ, you know youâre in for something special. This was the album that first turned me onto epic doom, and led to me find the members other projects like Manacle and OlĂłrin, which only dug me deeper and deeper down the dungeon of doom. Ultimately, Smoulderâs debut offers much of the same that its successor would later bring to the table, that being awesome sword-and-sorcery epic doom. Why this one ranked higher than its successor came down to one of the few personal biases I allowed into this list; I slightly prefer the production on this one. Kevin Hesterâs drums and Sarah Annâs vocals just felt like they had a bit more oomph here. But this was a super close one. Smoulderâs EP Dream Quest Ends also deserves a mention, as itâs arguably on par with both full-length records.
36. In Solitude (2008)
The debut from one of the premier acts of the early trad metal revival wasted no time in winning over fans of the old school, with an opening riff ripped straight out of the 80s. Throughout a listen, it becomes clear that In Solitude draws more from the Mercyful Fate/King Diamond side of things as opposed to the Iron Maiden side, but with a bit of the ruggedness of early Bathory or Celtic Frost. Theyâre very much a band whose influence only continues to grow, as more and more artists in the trad scene harken back to them. With most of the members still in their teens, or just about to leave them, at the time of release In Solitudeâs first effort is one that is filled with an angsty youthfulness that is nearly impossible to replicate as a band ages. Itâs rough, itâs raw, and itâs pure heavy fnâ metal.
Hon. Mention
#7: Sölicitör- Spectral Devastation (2020)
35. Tower â Shock to the System (2021)
Released in 2021, a few years after Tower endured a brief breakup, Shock to the System is an achievement in the more hard rockinâ side of trad metal (a la Freeways). I canât discuss this record and not talk about Sarabethâs simple incredible set of pipes, her screams and wails are unlike any other. Seriously, I have no idea how she didnât destroy her vocal chords after the opening track âBlood Moonâ. With additional highlights like âLay Down the Lawâ and âRunning Out of Timeâ This is a record that is definitely an example of âall killer, no fillerâ.
34. Skull Fist â Head öf the Pack (2011)
What a strong start these Canadian lads had! It was very much a coin flip between this one and its follow-up âChasing A Dreamâ. Following in the footsteps of fellow speed/trad metallers Enforcer and Metalian, Skull Fistâs debut presents an onslaught of frenetically paced speed metal with enough melody to leak over into power metal territory. The rip-roaring title track that opens the album is only a tiny taste of the pure and unfiltered speed metal ensemble that awaits further into the albumâs 43 minute runtime. In particular, the final two tracks âNo False Metalâ and the Tokyo Blade cover âAttack Attackâ stand as highlights and a great way to close the record.
33. Portrait â Crimen Laesae Majestatis Divinae (2011)
The sophomore release from these Swedish Mercyful Fate worshippers began a streak that continues to this day; one of consistency. Each of Portraitâs now six albums is good-to-great with not a stinker in the whole lot. Per Karlsonâs incredibly pipes are on full display throughout, and with their own unique cadence to them in a way that makes them not at all derivative of the King himself. Wasting no time with the near 8 minute powerhouse âBeast of Fireâ, CLMD offers more than another MF/KD homage band, the songs are all beefy in length that almost gives them a progressive element. Thatâs not even beginning to mention the absolute thunder behind the drumming from Anders Persson, or the twin riff beatdown behind the axes, or the nonstop thumping of the bass-axe (Are basses also called âaxesâ?). Upon a relisten for this list, I found myself falling deeper in love with this record than before. Definitely check it out!
32. Unto Others/Idle Hands â Mana (2019/2021)
Their only release under their original name of Idle Hands, the debut from Unto Others burst out with a unique brand of trad metal that may sound almost antonymic to the term NWOTHM. With influences permeating from deathrock like Christian Death and Sisters of Mercy, to more contemporary metal influences like Ghost and In Solitude. These influences all come together into something that sounds like a modern-day successor to Danzig and Samhain.
31. Riot City â Burn the Night (2019)
Loud, proud, and loud again. Riot Cityâs debut is as in-your-face as speed metal can possibly get, with frontman Cale Savyâs high-pitched shrieks being reminiscent of some of Cam Pipesâ (3 Inches of Blood) more shrieky moments. No time is wasted, with the opening track âWarrior of Timeâ being a proper blitz of speed metal goodness. The title track which followed was similar, but itâs after that where Riot City gets to truly showcase what they can do. Flirting with slower more ballad-y type moments, and even dances with punk and epic metal. Furthermore, drummer Chad Vallier, who also drummed on all three Traveler releases, is simply on another level on this record.
Hon. Mention
#6: Crypt Sermon- Out of the Garden (2015)
30. Traveler â Termination Shock (2020)
The second record from the Can-Am connection flourished a slightly sharper production and more comprehensive songwriting. âShaded Mirrorâ hits high right out of the gate with its anthemic chorus and locomotive drum and bass, while the title track radiates of glam/AOR influence in its vocal deliveries. The real show-stealer here is âDeepspaceâ which a never ending speed metal assault with some of the hardest hitting drumming Iâve ever heard in trad metal.
29. Triumpher â Storming the Walls (2023)
One of the bastions of trad metal in recent years is that of Greece, and that is in no small part due to the efforts of Triumpher. Though only two records into a great career, theyâve sallied forth as a vanguard of the Hellenic metal scene. Right from the onset of âJourney/Europa Victrixâ, you know youâre in for something a bit more on the epic side than traditional trad metal (trad-trad), as vocalist Mars Triumph lets out some insane Halford-like screams. As the album progresses and the influences become more apparent, including with some growls akin to Cradle of Filth, an even richer tapestry becomes apparent. Triumpherâs debut is truly something special among NWOTHM.
28. Steelwing- Zone of Alienation (2012)
Dearly departed Swedish Steelwing makes their first of two appearances on this list, with their sophomore effort being released right as trad metal was just beginning to erupt from the under-underground. Sci-fi inspired lyrics, an all-time album cover, and all of the youthful vigor that a band could ask for. âFull Speed Aheadâ stands out as a highlight, as well as the first Steelwing track I heard. That one track might mislead you into thinking this was a standard heavy/speed album, but no, its influences stretch even into glam territory. While Steelwing is no more, its members, for the most part, continue in other projects, namely the epic doom band Below.
27. Pharaoh â Bury the Light (2012)
Definitely one that skews much further to the power metal side of the NWOTHM spectrum, but one that should still be viewed as a trad metal masterclass. Featuring former Control Denied vocalist, the late and great Tim Aymar, and Chris Black (High Spirits, Dawnbringer, Aktor) on drums, Pharaohâs penultimate release is a testament to the experience behind the music. The Eric Adamsâ like screams of Aymar are a major piece of why this record is so good, and why his loss continues to be felt deeply within the underground metal community.
26. The Night Eternal â Fatale (2023)
The second full-length from the German goth-infused trad metallers boasts even more of the infectious vocals of Ricardo Baum, who has a truly captivating voice highly akin to Glenn Danzig. After an already strong eponymous EP, and an incredible debut album, The Night Eternal effectively shot into titan status of the trad metal scene. Most impressive is that the otherwise gothic sheen over the music somehow does not lead the music down the path morosity, instead then music skews closer to The Cramps than to Sisters of Mercy or Joy Division. Of particular note is the incredible guitar tone, and of course the lyrics themselves, lending themselves well to scene painting in oneâs own head.
Hon. Mention
#5: Amethyst- Throw Down the Gauntlet (2024)
25. Briton Rites- For Mircalla (2010)
The most straightforward doom metal release on this list by far, but I ultimately felt like Briton Rites was worthy of inclusion (as did a lot of other folks!). With Howie Bentley (Cauldron Born) on bass and guitars and Phil Swanson (Seamount, Upwards of Endtime) on vox, thereâs no denying the experience and talent behind Briton Rites. Donât be put off by that earlier âdoom metalâ, this is less Electric Wizard or Sleep and more Reverend Bizarre or Cathedral (with a lot of Trouble and Pentagram in there). With the shortest of seven tracks still clocking in at nearly 7-minutes, this is a beefy album, and itâs one that needs to be played loud.
24. Visigoth â Conquerorâs Oath (2018)
Boasting the same lineup as all previous releases, Visigothâs sophomore album immediately puts to bed any notions of a slump, as Conquerorâs Oath officially kicks off a hot streak for the band. As the anthemic âSteel and Silverâ begins the album with a bang, one is met with an album that is a bit less D&D lyrically speaking and more straight-up sword and sorcery. Of particular praise is the drumming of Mikey T. which pounds and thunders throughout the album, but in particular on the track âOutlive Them Allâ.
23. Sonja â Loud Arriver (2022)
Another in the lineup of trad metal/goth rock hybrid acts of recent years, Sonja features talents from primarily black and death metal acts like Crosspitter and Absu. The biggest thing this album has going for it is by far the hypnotic vocal stylings of frontwoman Melissa Moore, though thatâs not to take anything away from the remainder of the three-piece. A sense of sensuality infects the music as well, largely from the lustful lyrics, and Melissaâs voice, that gives the entire a album a sort of sleazy/glam vibe to it, that I think truly works wonders and allows Sonja to stand out brightly from the pack.
22. Herzel â Le Dernier Rampart (2021)
Sung entirely in French, Herzelâs debut stands unique among the epic metal crowd with lyrics that primarily focus on history (particularly that of the bandâs native Brittany) as opposed to more fantastical elements. I feel that the French language really lends itself to rock and metal for reasons that I canât quite explain. This is 36 minutes of pure perfection, where every single moment of each of its six tracks is a vital component to the story told throughout the runtime. I also have to shoutout the production on all instruments, and the recurrent leitmotif that later acts as an outro for the record.
21. Luciferâs Hammer â Be and Exist (2024)
Their final record before the horrific murder of frontman AndrĂ©s Adasme âHadesâ was a strong one that now acts as something of a bittersweet epitaph to a titan of the underground metal scene. A highlight of the record is of course the incredible âSon of Earthâ, which begins with an insane wail from AndrĂ©s, and later include some serious NWOBHM inspired soloing and basslines ala Satan. Wonderfully produced, expertly written, and played to absolute perfection, if this is to be the final bow of Luciferâs Hammer, they couldnât have went out stronger. RIP AndrĂ©s.
Hon. Mention
#4: Procession- To Reap Heavens Apart (2013)
20. White Wizzard â Over the Top (2010)
Released back in 2010, just as NWOTHM was beginning to really establish itself as a movement, White Wizzardâs debut featured what one would expect from such a thing: a record practically overflowing with youthful angst and Maiden-isms. With riffs right out of the New Wave of British Heavy Metal, but more crisp production like some late 80s glam (but not the super over-produced stuff), White Wizzardâs sound laid the groundwork for later bands like Hitten, Cobra Spell, and Blizzen. However, White Wizzard does still buck the trend a bit, with the near-prog track âIron Goddess of Vengeanceâ, which features everything from death growls to a Steve Harris bassline.
19. Phantom Spell â Immortalâs Requiem (2022)
One which is infuriatingly not included on Encyclopaedia Metallum, however, I wonât let that stop me from including a modern classic on this list. Brainchild of Seven Sisters guitarist/vocalist Kyle McNeill presents a trad metal album that leans more heavily into progressive rock, a lot like how Saracen was for NWOBHM bands. The vocals remind me of everyone from Brad Delp of Boston to Gary Moore, with a little bit of David Byron (Uriah Heep) and Buck Dharma (Blue Ăyster Cult) in there as well. These influences, compounded by the positively grooving vibe throughout the record make Phantom Spellâs debut record a true masterpiece of NWOTHM, and one with which none sound alike.
18. Crypt Sermon â The Ruins of Fading Light (2019)
Philadelphia is sort of the heavy metal capital of the United States in the 21st century, with a proverbial horde of great bands hailing from the City of Brotherly Love, and chief among them are the epic doomers Crypt Sermon. Their second release includes âKey of Solomonâ, which is honestly reason enough to warrant its inclusion on this list. A sense of rawness seeps throughout the record, but in a way that still manages to sound polished, and a lot of this stems from the incredible vocal performance from Brooks Wilson.
17. Sumerlands â Dream Killer (2022)
Sumerlands sophomore effort, and first with vocalist Brendan Radigan (Savage Oath, Magic Circle), blew me away from the moment it release and it has never once failed to sweep me off my feet. While, of course, Brendanâs vocal talents are at the forefront, giving this record a completely different vibe to it than their debut, the instrumentation offers a sensible meeting of heavy and intelligible, without losing the rawness that makes separates metal from hard rock. The main riff in the opener âTwilight Points the Wayâ is enough to warrant this album a place on this list, but it never loses its luster throughout itâs incredibly brisk 35 minute runtime.
16. Steelwing â Lord of the Wasteland (2010)
Opening with an air raid siren is generally always a good move, and that continues to be true for this album, the debut of Steelwing. This record presents the Swedish five-piece in a slightly more raw form than on Zone of Alienation, but itâs that bit of roughness that gives it a bit of fun character. âRoadkill (âŠor Be Killed)â is the first true standout on the album, and one that reminds me heavily of Mad Max, though that might just be because of the black muscle car on the album cover. From the high pitched vocals to the incredible riff-work on display from the guitar tandem, this is like if Mercyful Fate was on speed.
Hon. Mention
#3: Striker- Armed to the Teeth (2012)
15. Enforcer â From Beyond (2015)
One of particular importance for yours truly, as, not only was Enforcer the first NWOTHM band I heard, this was the first trad metal album that I can recall hearing. I remember being distinctly bewitched by their corny, in a good way, music videos for tracks like âUndying Evilâ, as well as the anthemic wails on âThe Bansheeâ. The freneticism of their speed metal, combined with Olof Wikstrandâs ear-piercing and occasional King Diamond-esque shrieks. This entire record was on repeat for me during my high school years (Iâm only 27 haha) and was what Iâd show my classmates when theyâd ask what kind of music I was into. If this list were solely subjective, expect this one to easily be in the Top 5.
14. Blood Star â First Sighting (2023)
While the debut single/EP from Salt Lake Cityâs Blood Star was my first exposure to the band, their debut full-length was just as mind-blowing. Featuring talents from their NWOTHM kinsmen like Unto Others and Silver Talon, First Sighting struck me first and foremost as more genre-bending than Iâd first thought. Madeline Smithâs vocals are unique and divine, and the track âThe Observersâ, in which guitarist Jamison Palmer takes up the mic was the perfect jolt of versatility to an already great record. Standout tracks like the aforementioned âThe Observersâ, as well as âFearless Priestessâ and âWait to Dieâ, only help to further the growing legend of Blood Star.
13. Savage Oath â Divine Battle (2024)
Brendan Radigan makes another appearance on this list with the spell-bounding debut record from heavy/epic metallers Savage Oath. From the get-go, the stage is set with lions roars and rattling chains, that sense of looming battle drawing near. Of course, Brendanâs vocals are second to none and thatâs not in question here, but Iâd also like to highlight the incredible drumming from Ryan Mower. The tempo he keeps throughout the album is insane, even in just the opening track âKnight of the Nightâ. Of the seven songs, one of which being a 3 minute interlude, there is not a moment wasted, and final trifecta of tracks after that aforementioned interlude are truly something special.
12. Traveler (2019)
The debut album from the Canadian/American band began what would become a great and consistent, albeit brief, run that only just culminated at the top of 2025. Featuring an all-star team of trad metal musicians from bands like Striker, Hrom, Among These Ashes, and Kontact, Travelerâs debut is a testament to the talent behind the music. Wasting no time by ripping out âStarbreakerâ right out of the gate, and not letting up for even a moment during its sub 40-minute runtime. Even the brief intermission track âKonamizedâ has its place on the record as a wonderful dash of savvy instrumental fun.
11. Argus â Beyond the Martyrs (2013)
The third full-length from these Pennsylvania epic doomers builds upon the already masterfully chiseled foundations of their self-titled debut and Boldly Stride the Doomed. Released still during the earlier years of NWOTHM, Beyond the Martyrs stands alongside few others (more on them soon) as the catalyst for the resurgence of epic doom that would be spearheaded by Crypt Sermon, Smoulder, and others. With chuggingly brutal riffs and some proper near-operatic vocals from Butch Balich, Argusâ third record is not only one of the finest releases in trad metal, but also one of the best in epic doom. I must also single out âThe Cowardâs Pathâ as being a true banger!
Hon. Mention
#2: Holy Grail- Ride the Void (2013)
10. Atlantean Kodex â The White Goddess (2013)
One of several albums on this list that I debated including, not for lack of quality, but if it actually qualified as NWOTHM or not. I eventually determined that Atlantean Kodexâs brand of epic heavy/doom counted (deal with it). While their debut record was marvelous, in my opinion, it was on their sophomore release where AK really came into their own and very much became the modern day equivalent of Manilla Road. This is an album that would be difficult to review, as it simply needs to be experienced to fully understand how good it is. Itâs an all-timer, bar none.
9. Visigoth â The Revenant King (2015)
For many, 2015 is the year that they first heard the term âNew Wave of Traditional Heavy Metalâ, and Visigothâs debut is a huge reason why. While not the first âepic metalâ band by a longshot, Visigoth was the first who worshipped at Pagan Altars and Manilla Roads, the latter of which they covered on this record, to achieve some semblance of mainstream success. With lyrics that are equal parts Dungeons & Dragons inspired and just general sword and sorcery themes, the songwriting feels like the perfect blend of nerdy cheesiness and serious musicianship. At no point does the record feel like itâs taking a stab at its own audience (something some nerdy bands should work on), instead it feels like a perfect homage to the earlier days of heavy metal. Also, the track âDungeon Masterâ is an all-timer.
8. Sacred Outcry â Towers of Gold (2023)
Initially active from 1998 to 2004, Sacred Outcry was little more than a footnote in heavy metal history for ages, even after their 2015 reformation. Their debut was a masterclass in old school power metal, and its follow up was just as strong (possibly even stronger, depending on who you ask). With former Lost Horizon vocalist Daniel Heiman on vocals this time around, giving a sense of gravitas to the record. If youâre not familiar, Lost Horizon casually dropped two all-time records in the early 00s before breaking up. On this release, Sacred Outcry has weathered the storm a bit, aging like a fine wine as they hone their already impressive skills even further. Their remains a show-stealing 15 minute title track as the penultimate offering, but not a moment of this album is skippable. The final track, the shortest proper track by far, âWhere the Crimson Shadows Dwellâ is of particular quality. On top of that, there are some seriously incredible riffs to be found throughout.
7. Eternal Champion â Ravening Iron (2020)
Another band who proudly flies the banner previously carried in triumph by Manilla Road and Manowar is Eternal Champion. With loud and rowdy, and yet still tight, instrumentation, combined to perfection with the almost bardic way in which frontman Jason Tarpey delivers each lyric. Every crash of the drums hits with the force of a shield wall, while the thundering basslines throughout boom out like bombs. Much akin to Visigoth, this is perfect music to pillage some coastal villages and slay some slumbering serpents, but itâs also just perfect tunes to chill out and play Skyrim or Witcher.
6. Sacred Outcry â Damned For All Time (2020)
This was a long awaited debut, and one that simply could not have possibly prepared anyone for how good it would be. Since its release, Sacred Outcry have been putting out some of the best old school power metal heard this century. Upon release, this record injected a sense of non-nonsense and no-frills energy into the power metal scene to break it free from the trite clutches of meme bands. Everything about this record, and its sequel we discussed a bit ago, is what power metal should be. With vocalist Yannis from Beast in Black behind the microphone (But not officially a member), thereâs a familiarity with the vocals, yet it still feels somehow retro in a good way. Not even beginning to mention the near 15 minute title track that is assuredly an all-timer.
Hon. Mention
#1: Mirror- Pyramid of Terror (2019)
5. Satanâs Hallow (2017)
Now this is truly an all-star project that featured future members and founds of Black Sites, Midnight Dice, Lethal Shöck, and Fer de Lance, and that backs the eponymous album Satanâs Hallow a true piece of trad metal history. Itâs a pity that itâs out-of-print and, to my knowledge, not available on any streaming service. This is an album that will reach legendary, near mythical, status in the years and decades to come. Mandy Martilloâs vocals have a heavy influence from the Metal Queens of Yore; Doro Pesch, Ann Boleyn, Lee Aaron, Leather Leone, and even a bit of Jan Kuehnemund of Vixen (RIP). Featuring some of the best bass tone ever heard in NWOTHM, courtesy of Lee Smith (Professor Emeritus), and some incredible drumming from Pat Gloeckle (who is also a co-owner of Hoove Child Records). Thatâs not even scratching the surface of the simple immaculate axe-work on display from the duo of Von Jugel and Lethal Beaudette. This record also boasts a Heavy Metal Hat Trick, with an eponymous track on the eponymous album.
4.. Eternal Champion â The Armor of Ire (2016)
From the moment I first thought up this list, I knew that Eternal Championâs monumental debut would be high on it. Even at a first glance, the Adam Burke painted album cover tells you exactly what youâre in for, some proper Manilla Road worship, and while thatâs undoubtedly what Eternal Champion is, this record is much more than a mere homage. Thereâs a doom-tinged bite to the riffing, and the drums crash like army on the march. Given when it released, itâs so easy now to look back and see just how much this record influenced the modern trad metal scene, but back then, there wasnât anything like it out in the mainstream (or close to it). I first heard âLast King of Pictdomâ on Pandora, of all things, back around release, and it was clear then that Eternal Champion was offering something truly special. But even I couldnât have guessed that theyâd effectively kickstarted the revival of epic metal, a microgenre kept afloat for decades by a few dedicated artists and fans, that was now on the frontline in the fight against over-produced corporate schlock.
3. In Solitude â Sister (2013)
Next we go from a triumphant debut to an awe-inspiring swansong, with the final record from Swedenâs In Solitude. Befitting for a last album, Sister shows a maturation of the bandâs sound right out of the gate. âHe Comesâ is slower and almost dissonant track set to sparse, and almost melancholic guitarwork, its almost avant-garde or even post-metal. Building upon that is a gothic sense of atmosphere for the whole album that In Solitude had been gradually leaning toward, with their previous record âThe World, The Flesh, The Devilâ signaling that nicely. Nothing, and I mean nothing, could possibly prepare you though for how damn good âLavenderâ is. Itâs unlike anything In Solitude ever did, thereâs almost a funkiness to it, but also with a touch of horror movie scores and deathrock. From then on, the album drifts into an almost near-progressive quality, with Rush-like basslines and Dream Theater riffing. In fact, the entire back half of Sister is some of the best metal that Iâve ever heard, trad notwithstanding.
2. Demon Bitch â Hellfriends (2016)
Our penultimate entry on the list is the debut record from the Motor Cityâs own Demon Bitch. Clocking at a brisk 35 minutes, Hellfriends is one that both doesnât overstay its welcome and has precisely no filler. Equal parts epic and raw in its production, itâs a record that is without compare in the realm of NWOTHM. Demon Bitchâs unique sound is one that few bands have been able to come close to, and that uncanniness is a part of what gives it such gravitas. Less NWOBHM-worship than most trad metal acts, and more of a natural evolution of what metal couldâve evolved into without interference from major labels and corporate execs. With the brutal punchiness of black metal and the crisp vocal work of power metal, Demon Bitchâs Hellfriends is a totem of what modern trad metal should be, could be, and would become.
1. Enforcer â Diamonds (2010)
The sophomore release from one of trad metalâs biggest bands could very easily be argued as a coming out party for NWOTHM. Produced to absolute perfection, with that familiar Enforcer gnarl from the guitars, a grooving bass tone, and some insane drumming from Jonas Wikstrand, and of course Olofâs banshee shrieks. This record combines all of what makes metal metal, thereâs pieces taken from power metal, speed metal, glam, and even more extreme sides of things like black and death metal. Far more than a flash-in-the-pan Iron Maiden clone, Enforcer not only made their name known, they forced people to scream it from the rooftops. Itâs in-your-face, and unceasing, and yet somehow polished. In short, itâs perfect. From the opening drumroll and bluesy intro guitar of âMidnight Viceâ, all the way through the closing notes of âTake Me to Hellâ, Enforcerâs Diamonds is not just the greatest NWOTHM album, but itâs one of the strongest metal albums of the 21st century, period.
Thanks for reading! If youâve made it this far, Iâll reward you with a little teaser for my next (smaller) list:
NWO_HM. Up the Irons!
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