08.10.1989 DJ TANITH - CYBERTAPE II Tape Side A-B

@Tanith has uploaded a first cassette tape from his collection. Some really old-school techno.

https://youtu.be/nuS5xq0U5mw?si=fztPdIwNkEITseXL

#TechnoTuesday #Techno #House #Tanith #Cassette

Band of the day: Tanith (USA)

https://www.youtube.com/watch?v=LiUJAS0v4_A

Band: Tanith

Country: (USA)

Label: Metal Blade Records

Members: Keith Robinson, Cindy Maynard, Russ Tippins, Dino Destroyer

Album: Voyage

Track Info: 01. Snow Tiger (00:00) 02. Falling Wizard (04:39) 03. Olympus by Dawn (09:15) 04. Architects of Time (13:31) 05. Adrasteia (18:14) 06. Mother of Exile (23:00) 07. Seven Moons [Galantia Pt. 2] (27:35) 08. Flame (33:29) 09. Never Look Back (37:44)

Tanith is a four-piece band rooted in Brooklyn, New York, with members hailing from both Brooklyn and Newcastle, England. Featuring dual lead vocals and twin guitars, the band delivers classic heavy rock inspired by the spirit and imagery of 1970s legends like Blue Öyster Cult, Wishbone Ash, and Uriah Heep.

https://www.youtube.com/watch?v=xPY_Jw-O5k0

Links

Bandcamp: https://tanithnyc.bandcamp.com/

Facebook: https://www.facebook.com/TanithNYC

Instagram: https://www.instagram.com/tanithnyc/

Label: https://www.metalblade.com/us/

#HeavyMetal #metalBladeRecords #NewWaveOfTraditionalHeavyMetal #NWOTHM #Tanith #TanithCitadel #TanithHardRock #TanithHeavyMetal #tanithVoyage #thenwothm #thenwothmCom

The top 50 NWOTHM albums of all time!

Gage J. Tolin

The New Wave of Traditional Heavy Metal is a hard genre to make this sort of list for. It has no definite start point or even any real sound continuity between artists within the movement. In many ways, NWOTHM is less of a genre and more of a movement for bands within the community to say ‘f*ck you!’ to major labels, and over-produced corporate schlock, and return to the DIY ethos that made heavy metal so great and part of what made it appeal to so many. Because of that, you may see some artists on this list who don’t quite fit the mold for what you might believe NWOTHM truly is. After painstakingly combing the internet for reviews, mentions, and even little anecdotes for over 500(!) ‘trad metal’ albums, I was able to narrow it down to 50. Seriously, this took over a year of work. Please clap!

Obviously, more popular acts were going to get more mentions, so my only major criteria was no more than 2 albums per artist, and for an album to have been released after 2008. Similarly, no reunion albums from veteran bands were considered, despite their quality and importance to the movement. That’s a separate list 😉

*2008 was chosen as it was the release year for the debut albums for multiple major NWOTHM acts.

With that out of the way, I would like to quickly shoutout the forefathers of NWOTHM; 3 Inches of Blood, Wolf, Twisted Tower Dire, The Lord Weird Slough Feg, and of course the unholy trinity of Manilla Road, Cirith Ungol, and Heavy Load.

All bands and albums included in this list were selected through extensive independent research, drawing on reviews, interviews, mentions, and community discussions across multiple sources.

50. Spirit Adrift – Divided by Darkness (2019)
Representing a critical point in Spirit Adrift’s history is their 3rd full-length, wherein they begin to more fully shed their doom metal roots in favor of a traditional heavy metal sound. This gives Divided by Darkness a sound unlike the rest of their catalogue, a veritable ‘best of both worlds’ sort of album. While the more slow and doomy tracks like “Angel & Abyss” showcase front man Nate Garrett mastery of the melancholy with his sorrowful sounding words, other tracks, such as the opener “We Will Not Die” are more closer in-line with Spirit Adrift’s later work. Finally, it all culminates in the near-7-minute instrumental triumph that is “The Way of Return”.

49. Tanith – In Another Time (2019)
Reeking of Rush and Uriah Heep influences, plus a bit of Rainbow and Heart thrown in, Tanith might not seem like the typical NWOTHM act, and that’s true. But that’s also what makes them such a great part of the movement, their uniqueness. Featuring the awesome dual vocals of Cindy Maynard and Satan/Blind Fury/Pariah guitarist Russ Tippins, and with standouts like “Dionysus” and “Citadel (Galantia Pt.1)”, Tanith’s debut is one that is not to be missed, and one that I’m very glad I picked up on a blind buy.

48. Sanhedrin – Lights On (2022)
Much like Tanith, Sanhedrin takes a bit more influence from 70s progressive rock than one might expect for a trad metal band, but it’s that aspect that gives the Brooklyn band an easily identifiable sound. On this, their third record, Erica Stoltz’ incredible vocals ring out with tinges of everything from Ann Wilson to Joan Jett to Suzi Quatro, and even some touches of Janis Joplin. I still remember being blown away on my first listen, and there’s no such thing as diminished returns with this one. Standout tracks like “Scythian Women”, “Lost at Sea”, “Death is a Door”, and “Correction” make sure of that.

47. Angel Sword – Rebels Beyond the Pale (2016)
The debut record from the Helsinki foursome arguably remains their best. From the rough and ragged vocals, to the thumping of the drums, Rebels Beyond the Pale is as raw as it gets without it undermining the actual music in the slightest. Still present are Angel Sword’s almost uncanny melodies and the strangely blues-like guitar sections, particularly in the track “Midnight Survivor”. It reeks of NWOBHM influences with riffs straight outta Saxon and choruses like Holocaust, and even the little sprinklings of doom thrown in, but it’s that little jolt of melody that gives it such a cool feel.

46. Helms Deep – Treacherous Ways (2023)
Featuring two members of NWOBHM legends Raven, the perennially underrated John Gallagher and current Raven and former Fear Factory drummer Mike Heller, Helms Deep’s debut offering was a proper shot in the arm at its release. Right away from seeing the cover, I knew we were in for something special, but nothing could’ve prepared me for how perfect this record was. A major boon for this record is undoubtedly its production, something that many trad metal releases can fall short on, but not this one. Each piece of Helms Deep is crisp and clean, but there’s a still a rawness to the production to give it that nice metal sheen. While having that experienced talent behind the music might turn away some folks looking for fresh blood, Treacherous Ways has all of the freshness that a band of young twenty-somethings could put out but with twice the musicianship and technicality. Also, would you believe that this is somehow the first metal band named Helms Deep to put out a full-length record?

45. Gatekeeper – From Western Shores (2023)
Featuring Jeff Black, who is somehow connected to just about every Canadian trad/power band of the last 15 years, and Odinfist vocalist Tyler Anderson, Gatekeeper’s second full-length had a lot of talent behind it, and a lot of hype to live up to. Right from the start, From Western Shores presents itself in a more epic sense than its predecessor, East of Sun, which is still a banger. Of particular note is the way in which some of Anderson’s verses come off as near bardic, evoking some serious Blind Guardian influence. Nowhere is this felt more than in the 3rd track “Shadow and Stone”. Similarly, drummer Tommy Tro is absolutely on fire throughout the record. All of these pieces put together bring a monumental record that culminates in the nearly 9-minute- long triumph “Keepers of the Gate”.

44. The Wizar’d – Subterranean Exile (2020)
Another vanguard of the ‘doomed heavy metal’ micro-genre of trad metal, Australia’s The Wizar’d struck gold with their fourth, and most recent release. With vocals that sound like equal parts Mark the Shark (Manilla Road) and Terry Jones (Pagan Altar), riffs ripped straight from the mid-to-late seventies, think the heavier tracks from Blue Öyster Cult. All told, these pieces allow for the record to sit somewhere on the more Eternal Champion and Sumerlands side of NWOTHM. In this writer’s opinion, the second half of this record is masterful and worthy of more heavy praise. It’s a perfect record to listen to while you try to hunt down the evil warlord who killed your family.

43. Century – The Conquest of Time (2023)
I remember being hooked on Century when their ‘The Fighting Eagle’ single first dropped in 2022, and their debut full-length certainly did not disappoint. Featuring talents from fellow NWOTHM warriors Lethal Steel and Tøronto, there’s an air of experience permeating throughout the otherwise fresh-feeling album. With production to positively die for (seriously the bass-tone in this is immaculate, rivaling Satan ‘Court in the Act’, in my opinion), this stood out from the pack in a very crowded 2023 release lineup. On my relisten for this very list, this one shot up on my personal favorites list.

42. Haunt – Mind Freeze (2020)
Released right at the start of a thoroughly stacked year, Mind Freeze was Haunt’s 3rd full-length in as many years and the Trevor William Church train showed no signs of slowdown or fatigue. In fact, Mind Freeze is arguably the Haunt album to this day, it’s one that every collector of modern traditional heavy metal should own. The introduction of synthesizers/keys did wonders to set it apart from the crowded NWOTHM scene, and those same synths have been adapted by countless artists since then. With standouts like the title track and “Divide and Conquer”, Haunt’s Mind Freeze is a tour de force of heavy metal goodness.

41. Konquest – Time and Tyranny (2022)
The sophomore release from this Italian one-man project (except for live shows) is a prime example of how metal can remain both raw and melodic without losing any of what makes it ‘metal’, not to mention the exceptional riffage throughout. While the entire album is beyond solid, particularly “The Traveller”, it’s ultimately the 8 minute (9 if you include the penultimate intro) closing track “Warrior From A Future World” that steals the show. It presents a very late Golden Age Iron Maiden (Somewhere in Time/Seventh Son) inspired track with all of the gravitas that one would expect from such a comparison.

40. Smoulder – Violent Creed of Vengeance (2023)
One of my personal favorites of recent years, from a niche genre that I’ve grown quite familiar with of late (that of epic doom). Smoulder’s second full-length, features everything that made the original great, exemplary lyrics of sword-and-sorcery, killer album cover, and an insane set of pipes for vocalist Sarah Ann. When many hear the term ‘doom’, that may evoke thoughts of albums that plod along for over an hour or more and don’t go much of anywhere. Smoulder bucks that trend tenfold with shorter records that embark on great adventure. In particular, “Dragonslayer’s Doom” must be shouted out as an absolute all-timer.

39. Borrowed Time (2013)
Somewhat of a forgotten gem of NWOTHM’s juvenility, and one that has retroactively became something of a ‘supergroup’ project that featured future talents from Gatekeeper, Viperwitch, Demon Bitch, Syrinx, Traveler, and more. While rife with a youthful rawness that would be refined on the members later projects, Borrowed Time’s sole full-length offers straight-up Manilla Road worship a few years before such a style became much more commonplace.

38. White Wizzard – Infernal Overdrive (2018)
The band’s final album before their brief break-up featured the return of vocalist Wyatt “Screamin’ Demon” Anderson, and in many ways is sort of the White Wizzard equivalent to Judas Priest’s classic ‘Painkiller’ record. It’s also one of the more beefy albums on this list, clocking in at over 61 minutes. In fact, that extra meat, combined with the more intricate song structures of earlier albums, gives this one an almost progressive feel at points. If you’re familiar with White Wizzard’s discography, this album is a lot like the second half of their 2011 sophomore album “Flying Tigers”, wherein the final half of the album is much more progressive and conceptual.

37. Smoulder – Times of Obscene Evil and Wild Daring (2019)
From the moment of the first chord on “Ilian of Garathorm”, you know you’re in for something special. This was the album that first turned me onto epic doom, and led to me find the members other projects like Manacle and Olórin, which only dug me deeper and deeper down the dungeon of doom. Ultimately, Smoulder’s debut offers much of the same that its successor would later bring to the table, that being awesome sword-and-sorcery epic doom. Why this one ranked higher than its successor came down to one of the few personal biases I allowed into this list; I slightly prefer the production on this one. Kevin Hester’s drums and Sarah Ann’s vocals just felt like they had a bit more oomph here. But this was a super close one. Smoulder’s EP Dream Quest Ends also deserves a mention, as it’s arguably on par with both full-length records.

36. In Solitude (2008)
The debut from one of the premier acts of the early trad metal revival wasted no time in winning over fans of the old school, with an opening riff ripped straight out of the 80s. Throughout a listen, it becomes clear that In Solitude draws more from the Mercyful Fate/King Diamond side of things as opposed to the Iron Maiden side, but with a bit of the ruggedness of early Bathory or Celtic Frost. They’re very much a band whose influence only continues to grow, as more and more artists in the trad scene harken back to them. With most of the members still in their teens, or just about to leave them, at the time of release In Solitude’s first effort is one that is filled with an angsty youthfulness that is nearly impossible to replicate as a band ages. It’s rough, it’s raw, and it’s pure heavy fn’ metal.

35. Tower – Shock to the System (2021)
Released in 2021, a few years after Tower endured a brief breakup, Shock to the System is an achievement in the more hard rockin’ side of trad metal (a la Freeways). I can’t discuss this record and not talk about Sarabeth’s simple incredible set of pipes, her screams and wails are unlike any other. Seriously, I have no idea how she didn’t destroy her vocal chords after the opening track “Blood Moon”. With additional highlights like “Lay Down the Law” and “Running Out of Time” This is a record that is definitely an example of ‘all killer, no filler’.

34. Skull Fist – Head öf the Pack (2011)
What a strong start these Canadian lads had! It was very much a coin flip between this one and its follow-up ‘Chasing A Dream’. Following in the footsteps of fellow speed/trad metallers Enforcer and Metalian, Skull Fist’s debut presents an onslaught of frenetically paced speed metal with enough melody to leak over into power metal territory. The rip-roaring title track that opens the album is only a tiny taste of the pure and unfiltered speed metal ensemble that awaits further into the album’s 43 minute runtime. In particular, the final two tracks “No False Metal” and the Tokyo Blade cover “Attack Attack” stand as highlights and a great way to close the record.

33. Portrait – Crimen Laesae Majestatis Divinae (2011)
The sophomore release from these Swedish Mercyful Fate worshippers began a streak that continues to this day; one of consistency. Each of Portrait’s now six albums is good-to-great with not a stinker in the whole lot. Per Karlson’s incredibly pipes are on full display throughout, and with their own unique cadence to them in a way that makes them not at all derivative of the King himself. Wasting no time with the near 8 minute powerhouse “Beast of Fire”, CLMD offers more than another MF/KD homage band, the songs are all beefy in length that almost gives them a progressive element. That’s not even beginning to mention the absolute thunder behind the drumming from Anders Persson, or the twin riff beatdown behind the axes, or the nonstop thumping of the bass-axe (Are basses also called “axes”?). Upon a relisten for this list, I found myself falling deeper in love with this record than before. Definitely check it out!

32. Unto Others/Idle Hands – Mana (2019/2021)
Their only release under their original name of Idle Hands, the debut from Unto Others burst out with a unique brand of trad metal that may sound almost antonymic to the term NWOTHM. With influences permeating from deathrock like Christian Death and Sisters of Mercy, to more contemporary metal influences like Ghost and In Solitude. These influences all come together into something that sounds like a modern-day successor to Danzig and Samhain.

31. Riot City – Burn the Night (2019)
Loud, proud, and loud again. Riot City’s debut is as in-your-face as speed metal can possibly get, with frontman Cale Savy’s high-pitched shrieks being reminiscent of some of Cam Pipes’ (3 Inches of Blood) more shrieky moments. No time is wasted, with the opening track “Warrior of Time” being a proper blitz of speed metal goodness. The title track which followed was similar, but it’s after that where Riot City gets to truly showcase what they can do. Flirting with slower more ballad-y type moments, and even dances with punk and epic metal. Furthermore, drummer Chad Vallier, who also drummed on all three Traveler releases, is simply on another level on this record.

30. Traveler – Termination Shock (2020)
The second record from the Can-Am connection flourished a slightly sharper production and more comprehensive songwriting. “Shaded Mirror” hits high right out of the gate with its anthemic chorus and locomotive drum and bass, while the title track radiates of glam/AOR influence in its vocal deliveries. The real show-stealer here is “Deepspace” which a never ending speed metal assault with some of the hardest hitting drumming I’ve ever heard in trad metal.

29. Triumpher – Storming the Walls (2023)
One of the bastions of trad metal in recent years is that of Greece, and that is in no small part due to the efforts of Triumpher. Though only two records into a great career, they’ve sallied forth as a vanguard of the Hellenic metal scene. Right from the onset of “Journey/Europa Victrix”, you know you’re in for something a bit more on the epic side than traditional trad metal (trad-trad), as vocalist Mars Triumph lets out some insane Halford-like screams. As the album progresses and the influences become more apparent, including with some growls akin to Cradle of Filth, an even richer tapestry becomes apparent. Triumpher’s debut is truly something special among NWOTHM.

28. Steelwing- Zone of Alienation (2012)
Dearly departed Swedish Steelwing makes their first of two appearances on this list, with their sophomore effort being released right as trad metal was just beginning to erupt from the under-underground. Sci-fi inspired lyrics, an all-time album cover, and all of the youthful vigor that a band could ask for. “Full Speed Ahead” stands out as a highlight, as well as the first Steelwing track I heard. That one track might mislead you into thinking this was a standard heavy/speed album, but no, its influences stretch even into glam territory. While Steelwing is no more, its members, for the most part, continue in other projects, namely the epic doom band Below.

27. Pharaoh – Bury the Light (2012)
Definitely one that skews much further to the power metal side of the NWOTHM spectrum, but one that should still be viewed as a trad metal masterclass. Featuring former Control Denied vocalist, the late and great Tim Aymar, and Chris Black (High Spirits, Dawnbringer, Aktor) on drums, Pharaoh’s penultimate release is a testament to the experience behind the music. The Eric Adams’ like screams of Aymar are a major piece of why this record is so good, and why his loss continues to be felt deeply within the underground metal community.

26. The Night Eternal – Fatale (2023)
The second full-length from the German goth-infused trad metallers boasts even more of the infectious vocals of Ricardo Baum, who has a truly captivating voice highly akin to Glenn Danzig. After an already strong eponymous EP, and an incredible debut album, The Night Eternal effectively shot into titan status of the trad metal scene. Most impressive is that the otherwise gothic sheen over the music somehow does not lead the music down the path morosity, instead then music skews closer to The Cramps than to Sisters of Mercy or Joy Division. Of particular note is the incredible guitar tone, and of course the lyrics themselves, lending themselves well to scene painting in one’s own head.

25. Briton Rites- For Mircalla (2010)
The most straightforward doom metal release on this list by far, but I ultimately felt like Briton Rites was worthy of inclusion (as did a lot of other folks!). With Howie Bentley (Cauldron Born) on bass and guitars and Phil Swanson (Seamount, Upwards of Endtime) on vox, there’s no denying the experience and talent behind Briton Rites. Don’t be put off by that earlier ‘doom metal’, this is less Electric Wizard or Sleep and more Reverend Bizarre or Cathedral (with a lot of Trouble and Pentagram in there). With the shortest of seven tracks still clocking in at nearly 7-minutes, this is a beefy album, and it’s one that needs to be played loud.

24. Visigoth – Conqueror’s Oath (2018)
Boasting the same lineup as all previous releases, Visigoth’s sophomore album immediately puts to bed any notions of a slump, as Conqueror’s Oath officially kicks off a hot streak for the band. As the anthemic “Steel and Silver” begins the album with a bang, one is met with an album that is a bit less D&D lyrically speaking and more straight-up sword and sorcery. Of particular praise is the drumming of Mikey T. which pounds and thunders throughout the album, but in particular on the track “Outlive Them All”.

23. Sonja – Loud Arriver (2022)
Another in the lineup of trad metal/goth rock hybrid acts of recent years, Sonja features talents from primarily black and death metal acts like Crosspitter and Absu. The biggest thing this album has going for it is by far the hypnotic vocal stylings of frontwoman Melissa Moore, though that’s not to take anything away from the remainder of the three-piece. A sense of sensuality infects the music as well, largely from the lustful lyrics, and Melissa’s voice, that gives the entire a album a sort of sleazy/glam vibe to it, that I think truly works wonders and allows Sonja to stand out brightly from the pack.

22. Herzel – Le Dernier Rampart (2021)
Sung entirely in French, Herzel’s debut stands unique among the epic metal crowd with lyrics that primarily focus on history (particularly that of the band’s native Brittany) as opposed to more fantastical elements. I feel that the French language really lends itself to rock and metal for reasons that I can’t quite explain. This is 36 minutes of pure perfection, where every single moment of each of its six tracks is a vital component to the story told throughout the runtime. I also have to shoutout the production on all instruments, and the recurrent leitmotif that later acts as an outro for the record.

21. Lucifer’s Hammer – Be and Exist (2024)
Their final record before the horrific murder of frontman Andrés Adasme “Hades” was a strong one that now acts as something of a bittersweet epitaph to a titan of the underground metal scene. A highlight of the record is of course the incredible “Son of Earth”, which begins with an insane wail from Andrés, and later include some serious NWOBHM inspired soloing and basslines ala Satan. Wonderfully produced, expertly written, and played to absolute perfection, if this is to be the final bow of Lucifer’s Hammer, they couldn’t have went out stronger. RIP Andrés.

20. White Wizzard – Over the Top (2010)
Released back in 2010, just as NWOTHM was beginning to really establish itself as a movement, White Wizzard’s debut featured what one would expect from such a thing: a record practically overflowing with youthful angst and Maiden-isms. With riffs right out of the New Wave of British Heavy Metal, but more crisp production like some late 80s glam (but not the super over-produced stuff), White Wizzard’s sound laid the groundwork for later bands like Hitten, Cobra Spell, and Blizzen. However, White Wizzard does still buck the trend a bit, with the near-prog track “Iron Goddess of Vengeance”, which features everything from death growls to a Steve Harris bassline.

19. Phantom Spell – Immortal’s Requiem (2022)
One which is infuriatingly not included on Encyclopaedia Metallum, however, I won’t let that stop me from including a modern classic on this list. Brainchild of Seven Sisters guitarist/vocalist Kyle McNeill presents a trad metal album that leans more heavily into progressive rock, a lot like how Saracen was for NWOBHM bands. The vocals remind me of everyone from Brad Delp of Boston to Gary Moore, with a little bit of David Byron (Uriah Heep) and Buck Dharma (Blue Öyster Cult) in there as well. These influences, compounded by the positively grooving vibe throughout the record make Phantom Spell’s debut record a true masterpiece of NWOTHM, and one with which none sound alike.

18. Crypt Sermon – The Ruins of Fading Light (2019)
Philadelphia is sort of the heavy metal capital of the United States in the 21st century, with a proverbial horde of great bands hailing from the City of Brotherly Love, and chief among them are the epic doomers Crypt Sermon. Their second release includes “Key of Solomon”, which is honestly reason enough to warrant its inclusion on this list. A sense of rawness seeps throughout the record, but in a way that still manages to sound polished, and a lot of this stems from the incredible vocal performance from Brooks Wilson.

17. Sumerlands – Dream Killer (2022)
Sumerlands sophomore effort, and first with vocalist Brendan Radigan (Savage Oath, Magic Circle), blew me away from the moment it release and it has never once failed to sweep me off my feet. While, of course, Brendan’s vocal talents are at the forefront, giving this record a completely different vibe to it than their debut, the instrumentation offers a sensible meeting of heavy and intelligible, without losing the rawness that makes separates metal from hard rock. The main riff in the opener “Twilight Points the Way” is enough to warrant this album a place on this list, but it never loses its luster throughout it’s incredibly brisk 35 minute runtime.

16. Steelwing – Lord of the Wasteland (2010)
Opening with an air raid siren is generally always a good move, and that continues to be true for this album, the debut of Steelwing. This record presents the Swedish five-piece in a slightly more raw form than on Zone of Alienation, but it’s that bit of roughness that gives it a bit of fun character. “Roadkill (…or Be Killed)” is the first true standout on the album, and one that reminds me heavily of Mad Max, though that might just be because of the black muscle car on the album cover. From the high pitched vocals to the incredible riff-work on display from the guitar tandem, this is like if Mercyful Fate was on speed.

15. Enforcer – From Beyond (2015)
One of particular importance for yours truly, as, not only was Enforcer the first NWOTHM band I heard, this was the first trad metal album that I can recall hearing. I remember being distinctly bewitched by their corny, in a good way, music videos for tracks like “Undying Evil”, as well as the anthemic wails on “The Banshee”. The freneticism of their speed metal, combined with Olof Wikstrand’s ear-piercing and occasional King Diamond-esque shrieks. This entire record was on repeat for me during my high school years (I’m only 27 haha) and was what I’d show my classmates when they’d ask what kind of music I was into. If this list were solely subjective, expect this one to easily be in the Top 5.

14. Blood Star – First Sighting (2023)
While the debut single/EP from Salt Lake City’s Blood Star was my first exposure to the band, their debut full-length was just as mind-blowing. Featuring talents from their NWOTHM kinsmen like Unto Others and Silver Talon, First Sighting struck me first and foremost as more genre-bending than I’d first thought. Madeline Smith’s vocals are unique and divine, and the track “The Observers”, in which guitarist Jamison Palmer takes up the mic was the perfect jolt of versatility to an already great record. Standout tracks like the aforementioned “The Observers”, as well as “Fearless Priestess” and “Wait to Die”, only help to further the growing legend of Blood Star.

13. Savage Oath – Divine Battle (2024)
Brendan Radigan makes another appearance on this list with the spell-bounding debut record from heavy/epic metallers Savage Oath. From the get-go, the stage is set with lions roars and rattling chains, that sense of looming battle drawing near. Of course, Brendan’s vocals are second to none and that’s not in question here, but I’d also like to highlight the incredible drumming from Ryan Mower. The tempo he keeps throughout the album is insane, even in just the opening track “Knight of the Night”. Of the seven songs, one of which being a 3 minute interlude, there is not a moment wasted, and final trifecta of tracks after that aforementioned interlude are truly something special.

12. Traveler (2019)
The debut album from the Canadian/American band began what would become a great and consistent, albeit brief, run that only just culminated at the top of 2025. Featuring an all-star team of trad metal musicians from bands like Striker, Hrom, Among These Ashes, and Kontact, Traveler’s debut is a testament to the talent behind the music. Wasting no time by ripping out “Starbreaker” right out of the gate, and not letting up for even a moment during its sub 40-minute runtime. Even the brief intermission track “Konamized” has its place on the record as a wonderful dash of savvy instrumental fun.

11. Argus – Beyond the Martyrs (2013)
The third full-length from these Pennsylvania epic doomers builds upon the already masterfully chiseled foundations of their self-titled debut and Boldly Stride the Doomed. Released still during the earlier years of NWOTHM, Beyond the Martyrs stands alongside few others (more on them soon) as the catalyst for the resurgence of epic doom that would be spearheaded by Crypt Sermon, Smoulder, and others. With chuggingly brutal riffs and some proper near-operatic vocals from Butch Balich, Argus’ third record is not only one of the finest releases in trad metal, but also one of the best in epic doom. I must also single out “The Coward’s Path” as being a true banger!

10. Atlantean Kodex – The White Goddess (2013)
One of several albums on this list that I debated including, not for lack of quality, but if it actually qualified as NWOTHM or not. I eventually determined that Atlantean Kodex’s brand of epic heavy/doom counted (deal with it). While their debut record was marvelous, in my opinion, it was on their sophomore release where AK really came into their own and very much became the modern day equivalent of Manilla Road. This is an album that would be difficult to review, as it simply needs to be experienced to fully understand how good it is. It’s an all-timer, bar none.

9. Visigoth – The Revenant King (2015)
For many, 2015 is the year that they first heard the term ‘New Wave of Traditional Heavy Metal’, and Visigoth’s debut is a huge reason why. While not the first ‘epic metal’ band by a longshot, Visigoth was the first who worshipped at Pagan Altars and Manilla Roads, the latter of which they covered on this record, to achieve some semblance of mainstream success. With lyrics that are equal parts Dungeons & Dragons inspired and just general sword and sorcery themes, the songwriting feels like the perfect blend of nerdy cheesiness and serious musicianship. At no point does the record feel like it’s taking a stab at its own audience (something some nerdy bands should work on), instead it feels like a perfect homage to the earlier days of heavy metal. Also, the track “Dungeon Master” is an all-timer.

8. Sacred Outcry – Towers of Gold (2023)
Initially active from 1998 to 2004, Sacred Outcry was little more than a footnote in heavy metal history for ages, even after their 2015 reformation. Their debut was a masterclass in old school power metal, and its follow up was just as strong (possibly even stronger, depending on who you ask). With former Lost Horizon vocalist Daniel Heiman on vocals this time around, giving a sense of gravitas to the record. If you’re not familiar, Lost Horizon casually dropped two all-time records in the early 00s before breaking up. On this release, Sacred Outcry has weathered the storm a bit, aging like a fine wine as they hone their already impressive skills even further. Their remains a show-stealing 15 minute title track as the penultimate offering, but not a moment of this album is skippable. The final track, the shortest proper track by far, “Where the Crimson Shadows Dwell” is of particular quality. On top of that, there are some seriously incredible riffs to be found throughout.

7. Eternal Champion – Ravening Iron (2020)
Another band who proudly flies the banner previously carried in triumph by Manilla Road and Manowar is Eternal Champion. With loud and rowdy, and yet still tight, instrumentation, combined to perfection with the almost bardic way in which frontman Jason Tarpey delivers each lyric. Every crash of the drums hits with the force of a shield wall, while the thundering basslines throughout boom out like bombs. Much akin to Visigoth, this is perfect music to pillage some coastal villages and slay some slumbering serpents, but it’s also just perfect tunes to chill out and play Skyrim or Witcher.

6. Sacred Outcry – Damned For All Time (2020)
This was a long awaited debut, and one that simply could not have possibly prepared anyone for how good it would be. Since its release, Sacred Outcry have been putting out some of the best old school power metal heard this century. Upon release, this record injected a sense of non-nonsense and no-frills energy into the power metal scene to break it free from the trite clutches of meme bands. Everything about this record, and its sequel we discussed a bit ago, is what power metal should be. With vocalist Yannis from Beast in Black behind the microphone (But not officially a member), there’s a familiarity with the vocals, yet it still feels somehow retro in a good way. Not even beginning to mention the near 15 minute title track that is assuredly an all-timer.

5. Satan’s Hallow (2017)
Now this is truly an all-star project that featured future members and founds of Black Sites, Midnight Dice, Lethal Shöck, and Fer de Lance, and that backs the eponymous album Satan’s Hallow a true piece of trad metal history. It’s a pity that it’s out-of-print and, to my knowledge, not available on any streaming service. This is an album that will reach legendary, near mythical, status in the years and decades to come. Mandy Martillo’s vocals have a heavy influence from the Metal Queens of Yore; Doro Pesch, Ann Boleyn, Lee Aaron, Leather Leone, and even a bit of Jan Kuehnemund of Vixen (RIP). Featuring some of the best bass tone ever heard in NWOTHM, courtesy of Lee Smith (Professor Emeritus), and some incredible drumming from Pat Gloeckle (who is also a co-owner of Hoove Child Records). That’s not even scratching the surface of the simple immaculate axe-work on display from the duo of Von Jugel and Lethal Beaudette. This record also boasts a Heavy Metal Hat Trick, with an eponymous track on the eponymous album.

4.. Eternal Champion – The Armor of Ire (2016)
From the moment I first thought up this list, I knew that Eternal Champion’s monumental debut would be high on it. Even at a first glance, the Adam Burke painted album cover tells you exactly what you’re in for, some proper Manilla Road worship, and while that’s undoubtedly what Eternal Champion is, this record is much more than a mere homage. There’s a doom-tinged bite to the riffing, and the drums crash like army on the march. Given when it released, it’s so easy now to look back and see just how much this record influenced the modern trad metal scene, but back then, there wasn’t anything like it out in the mainstream (or close to it). I first heard “Last King of Pictdom” on Pandora, of all things, back around release, and it was clear then that Eternal Champion was offering something truly special. But even I couldn’t have guessed that they’d effectively kickstarted the revival of epic metal, a microgenre kept afloat for decades by a few dedicated artists and fans, that was now on the frontline in the fight against over-produced corporate schlock.

3. In Solitude – Sister (2013)
Next we go from a triumphant debut to an awe-inspiring swansong, with the final record from Sweden’s In Solitude. Befitting for a last album, Sister shows a maturation of the band’s sound right out of the gate. “He Comes” is slower and almost dissonant track set to sparse, and almost melancholic guitarwork, its almost avant-garde or even post-metal. Building upon that is a gothic sense of atmosphere for the whole album that In Solitude had been gradually leaning toward, with their previous record “The World, The Flesh, The Devil” signaling that nicely. Nothing, and I mean nothing, could possibly prepare you though for how damn good “Lavender” is. It’s unlike anything In Solitude ever did, there’s almost a funkiness to it, but also with a touch of horror movie scores and deathrock. From then on, the album drifts into an almost near-progressive quality, with Rush-like basslines and Dream Theater riffing. In fact, the entire back half of Sister is some of the best metal that I’ve ever heard, trad notwithstanding.

2. Demon Bitch – Hellfriends (2016)
Our penultimate entry on the list is the debut record from the Motor City’s own Demon Bitch. Clocking at a brisk 35 minutes, Hellfriends is one that both doesn’t overstay its welcome and has precisely no filler. Equal parts epic and raw in its production, it’s a record that is without compare in the realm of NWOTHM. Demon Bitch’s unique sound is one that few bands have been able to come close to, and that uncanniness is a part of what gives it such gravitas. Less NWOBHM-worship than most trad metal acts, and more of a natural evolution of what metal could’ve evolved into without interference from major labels and corporate execs. With the brutal punchiness of black metal and the crisp vocal work of power metal, Demon Bitch’s Hellfriends is a totem of what modern trad metal should be, could be, and would become.

1. Enforcer – Diamonds (2010)
The sophomore release from one of trad metal’s biggest bands could very easily be argued as a coming out party for NWOTHM. Produced to absolute perfection, with that familiar Enforcer gnarl from the guitars, a grooving bass tone, and some insane drumming from Jonas Wikstrand, and of course Olof’s banshee shrieks. This record combines all of what makes metal metal, there’s pieces taken from power metal, speed metal, glam, and even more extreme sides of things like black and death metal. Far more than a flash-in-the-pan Iron Maiden clone, Enforcer not only made their name known, they forced people to scream it from the rooftops. It’s in-your-face, and unceasing, and yet somehow polished. In short, it’s perfect. From the opening drumroll and bluesy intro guitar of “Midnight Vice”, all the way through the closing notes of “Take Me to Hell”, Enforcer’s Diamonds is not just the greatest NWOTHM album, but it’s one of the strongest metal albums of the 21st century, period.

Thanks for reading! If you’ve made it this far, I’ll reward you with a little teaser for my next (smaller) list:
NWO_HM. Up the Irons!

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• The top 50 NWOTHM albums of all time!

  7th Nov 2025

#1 #2 #3 #3InchesOfBlood #4 #5 #6 #7 #8 #9 #Absu #Aktor #AmongTheseAshes #angelSword #Argus #atlanteanKodex #bathory #BeastInBlack #Below #BlackSites #BlindFury #BlindGuardian #Blizzen #bloodStar #blueOysterCult #BorrowedTime #Boston #britonRites #Cathedral #CelticFrost #Century #cirithUngol #CobraSpell #ControlDenied #CradleOfFilth #Crosspitter #CryptSermon #DD #Danzig #Dawnbringer #demonBitch #DoomMetal #doro #DreamTheater #DungeonsDragons #ElectricWizard #enforcer #epicDoomMetal #eternalChampion #FearFactory #FerDeLance #Freeways #gatekeeper #ghost #Halford #haunt #Heart #HeavyLoad #HeavyMetal #HelmsDeep #Herzel #HIGHSPIRITS #HITTEN #Holocaust #hrom #inSolitude #IronMaiden #JoyDivision #JudasPriest #kingDiamond #Konquest #Kontact #LethalShock #list #LostHorizon #LuciferSHammer #MagicCircle #Manacle #manillaRoad #Manowar #mercyfulFate #metalian #midnightDice #MidnightDive #NewWaveOfTraditionalHeavyMetal #nwobhm #NWOTHM #Olorin #paganAltar #Pariah #pentagram #PhantomSpell #Pharaoh #portrait #powerMetal #ProfessorEmeritus #rainbow #raven #ReverendBizarre #riotCity #SacredOutcry #SaintVitus #Samhain #sanhedrin #satan #SatanSHallow #savageOath #saxon #SilverTalon #SistersOfMercy #SkullFist #Skyrim #Sleep #sloughFeg #SMOULDER #sonja #speedMetal #SpiritAdrift #Steelwing #striker #sumerlands #Syrinx #Tanith #TheCramps #TheLordWeirdSloughFeg #TheNightEternal #TheWizarD #thenwothm #thenwothmCom #tokyoBlade #tower #traveler #triumpher #UntoOthers #UriahHeep #viperwitch #visigoth #vixen #WhiteWizzard #Wolf

Walfisch Revival 13.05.23 by @Tanith

"My set for Walfisch im Exil 13.05.2023"

Plenty of classic tunes

#TechnoTuesday #TuneTuesday #Techno #oldschool #Tanith #Walfisch #WeisserHase #Berlin

Krachgarten #22 D&B by @Tanith

https://soundcloud.com/tanith/krachgarten22

#DrumAndBass #techno #Tanith #DJMix #TechnoTuesday #TuneTuesday

Auch Hardrockkonzerte sind im kleinen familiären Rahmen doch am schönsten: Die New Yorker #Tanith überzeugen im Keiler mit der metallischen Magie von zwei prächtig harmonierenden Gitarren und Stimmen. (📷 @holgervogt )

https://www.gig-blog.net/2024/11/08/tanith-grendels-syster-06-11-2024-schwarzer-keiler-stuttgart/

#Konzert #Konzertbericht #Concert #LiveMusic #LiveMusik #Konzertfotografie #ConcertPhotography #Metal #HardRock #Stuttgart

:megaphone: DEMNÄCHST!
*Zusammenfassung 01.11. bis 02.12. für Ulm

Comeback Kid
01.11.2024 Stuttgart / Im Wizemann

Lionheart, Comeback Kid, Adept, Breakdown Of Sanity, Veil Of Maya, Signs of the Swarm, Self Deception, Samurai Pizza Cats, Oceans Ate Alaska, ten56., Varials, InVisions, Elwood Stray, Alleviate, Defocus, Eyes Wide Open, Abbie Falls, To The Grave und TheCi
01.11.2024 Stuttgart / Im Wizemann

Blutgott
02.11.2024 Kirchheim unter Teck / Mehrgenerationenhaus LINDE

Nestor
03.11.2024 Memmingen / Kaminwerk

Ost+Front
03.11.2024 Augsburg / Spectrum

Tanith
03.11.2024 Stuttgart / Der Schwarze Keiler

Waltari
04.11.2024 Augsburg / Soho Stage

Ian Paice
05.11.2024 Augsburg / Spectrum

#Augsburg #Blutgott #ComebackKid #DerSchwarzeKeiler #IanPaice #ImWizemann #Kaminwerk #KirchheimUnterTeck #Lionheart #MehrgenerationenhausLINDE #Memmingen #Nestor #OstFront #SohoStage #Spectrum #Stuttgart #Tanith #TheNewRoses #Waltari #SteelFeed #SteelFeedSoon

Amethyst – Throw Down the Gauntlet Review

By Steel Druhm

Following hot on the heels of the one-man NWoBHM avalanche led by Brian Ross of Satan and Blitzkrieg, Swiss retro rockers Amethyst throw their chrome dueling glove into the arena with their rollicking, rocking debut Throw Down the Gauntlet. With tongue-in-cheek cover art and a logo ripped straight from 1979, these chaps mean serious throwback business and aim their sound at a time when metal was just beginning to coalesce into something distinct from hard rock and punk. They borrow inspiration from early Iron Maiden, Angel Witch, and Thin Lizzy, which means bouncing, buoyant gallops, swirling dual guitar harmonies, bubbling bass lines, and writing designed to stick in your head craw. But is it even possible to extract any more precious metal from this era? Thousands of bands have already scoured and strip-mined that territory, so what could be left?

As soon as “Embers on the Loose” kicks in with a rumbling drum cannonade reminiscent of Metallica’s “Hit the Lights,” metal nostalgia infects every square inch of your Soundsystem. As a classic metal gallop erupts and the entirely vintage vocals of Fredric Ekbørg make their grand entrance, you’re warped back to the days of parachute pants and leg warmers. Instantly loveable sounds are in ample supply and there’s something very earnest in Amethyst’s approach that rings all the bells and rocks you right to Hell. It’s ebullient, hard-charging fun with a joyous sense of release and devil-may-care charm. The guitar work is so period and the riffs and harmonies stick like molten back wax. “Stand Up and Fight” follows with a Cirith Ungol-meets-Budgie sound that’s impossible to resist. Ekbørg’s vocals mesh so well with the simple but elegant riffs, and the chorus is an anthemic wonder. Heavy Maiden-isms hit with “Won’t Do It Again” with so many riff lines reminiscent of their debut that it smacks of Grand Theft Eddie. It’s so much fun though that even Steve Harris himself would throw horns and slam a room-temperature beer in appreciation.

Throw Down the Gaunlet benefits from consistently engaging songwriting and a sense that Amethyst don’t take themselves too seriously. You’d expect a song titled “Rock Knights” to be the dumbest shit you’ve heard in forever, but it’s a winner pairing The Ramones’ punk swagger with NWoBHM noodling. Likewise, “Queen of a Thousand Burning Hearts” shouldn’t be as enjoyable as it is, finding a rudimentary groove and decorating it with upbeat harmonies that get into your bloodstream no matter how jaded of a curmudgeon you may be. The piece de resistance is closer “Serenade (Under the Rising Moon)” where Amethyst use all their weapons to craft the ultimate retro rocker without the slightest trace of modernity. Like the best potato chip, you can’t have just one spin of this monsterpiece of throwback metaldom. It’s one of my favorite songs of 2024 and it reminds me of Tanith in good ways. The songs are all fairly tight and only “Running out of Time” feels slightly underbaked. At 41 minutes, Gaunlet is an effortless spin and the production suits the target era with a warm, organic sound that gives the guitars more nostalgic twang than actual menace.

Because riffs and harmonies are the lifeblood of the NWoBHM sound, success depends heavily on the fretboard heroics of Ramon S. and Yves B. They’re up to the challenge, diving deep into the playbooks of legends to craft an album full of raucous, cheerful leads and a country ton of righteous harmonizing that coats the brain with endorphins. These cats sound like they’re actually from 1981 and Fredric Ekbørg’s vocals couldn’t be more pitch-perfect for the style. He sounds like a cross between Angel Witch’s Kevin Heybourne and Cauldron’s Jason Decay, and though his slightly high-pitched twangy delivery won’t bowl you over with power, it’s endearing as fook and reeks of authenticity. Miguel S. also delivers with busy, bubbling basswork. He’s everywhere in a bouncy Steve Harris way and that’s a good thing.

Throw Down the Gauntlet is tons of fun but it also hits like a cotton candy sugar high. It’s easy to digest and jacks you up but it’s hard to say how long and strong the high will be. I’ve spun it a bunch but will I be in another week? At its core, it’s gateway metal for kids in 1981, and it’s been done a million times, mostly by bands led by Brian Ross. That said, Amethyst are very good at this and ready to win over fans of the olde. Now pick up the Gauntlet and see what happens.

Rating: 3.5/5.0
DR: 10 | Format Reviewed: 320 kbps mp3
Label: No Remorse
Websites: facebook.com/amethystrockknights | instagram.com/amethyst_hardnheavy
Releases Worldwide: September 27th, 2024

#2024 #35 #AngelWitch #Cauldron #HeavyMetal #IronMaiden #NoRemorseRecords #NWOBHM #RetroMetal #Review #Reviews #Sep24 #SwissMetal #Tanith #ThinLizzy

Exilia
31.10.2024 Augsburg / Parktheater im Kurhaus

Nazareth
06.12.2024 Memmingen / Kaminwerk

Tanith
03.11.2024 Stuttgart / Der Schwarze Keiler

#Augsburg #DerSchwarzeKeiler #Exilia #Kaminwerk #Memmingen #Nazareth #ParktheaterImKurhaus #Stuttgart #Tanith #SteelFeed

Vaya viaje divertido me han dado estos libros. Me han encantado las aventuras de Ibram Gaunt y sus fantasmas de Tanith.
He leído casi todas las novelas de warhammer 40.000 pero me resistía a estas. Pero se han convertido en mis favoritas. No aparecen Astartes ni grandes héroes ni guerreros de este universo pero me encanta como trata la vida de unos soldados rasos que son básicamente carne de cañon en un macrouniverso de guerra y supersoldados.
Espero que haya más prontito.

#gaunt #tanith #fantasmas #ghost #libros #books #tanithfirstandonly #leer #wh40k #wh40klore #warhammercommunity

Steel Druhm’s Top Ten(ish) of 2023

By Steel Druhm

Well, we made it to the end of another year full of surprises, disappointments, gains, and losses. 2023 saw us add a few new voices to the AMG staff and sadly, it will see a few longtime members of the family stepping back from the day-to-day operations and activities. The much beloved Madam X has moved on from managing our everflowing stream of promos and that grave responsibility will now be handled by yours Steely. Sadly, our main cat man Grymm will also be taking some personal time away from the deadlines and pressures of nonstop blogwork.

Through all the changes we’ve endured over the years, both good and bad, the AMG mission remains the same: to bring you the most honest, insightful, and entertaining reviews possible without bowing to label pressure or outside influences because we earn absolutely nothing for our efforts, We may be truly terrible capitalists, but we love metal as much as you do and we love to talk about it, so the site grinds on year after year. I hope it always does.

A warm, heartfelt thanks to the AMG staff for making this enterprise possible week in and week out. I may talk badly about you 24/7, but you’re mostly an okay lot when not being overrating, underperforming, no-taste slack masters. There’s your positive feedback for the year!

Now let’s all embrace the new year and what it may hold for us. Life is always an adventure and one best shared with people you care about who make you laugh and make you think. If you don’t have those people in your life, WE can be those people. Hop on board with us and into the future we go!

Anywho, here are the things that brought out my inner primate in 2023.

(ish) Blood Oath // Lost in an Eternal Silence – One of the year’s best and most entertaining throwback death metal releases, Lost in an Eternal Silence targets the exact point where early death metal looked to the skies and dreamed of being something more complex. Blood Oath have the raw talent and crazy creativity to recapture the early days of death metal and to replicate that frantic jump from brutality to proggy insanity that the genre toyed with in the late 80s. The album is the perfect blend of nostalgia and insane ambition, melding the past with the present and what may be the future. One of the most inventive and zany death platters of the year.

#10. Tanith // Voyage – Formed by Satan axe-master Russ Tippins, Tanith exist in a space between classic NWoBHM and 70s hard tock with a sheen of folk covering the entire enterprise. On sophomore outing Voyage, they take this retro formula and mine it for every ounce of precious metal, crafting some killer little gems along the way. Songs like “Snow Tiger” and “Olympus by Dawn” have been replayed more times than I can count and there’s something magical and endearingly DIY and indie about this thing. It’s not especially heavy, but the hooks stick so deep, you won’t care much. This is the Charmer o’ the Year for sure.

#9. The Night Eternal // Fatale – I loved the sadly defunct act In Solitude dearly. Their mash-up of NWoBHM, occult metal, and Mercyful Fate was hard to resist and I wanted more, more, MOAR. When I first stumbled on The Night Eternal, it sounded to me as if In Solitude had possessed them, forcing them to pick up where they left off. I’m very okay with this and Fatale plays out like the new In Solitude platter I so desperately wanted. It’s the same sweet, hooky mix of classic Mercyful Fate-isms, chilly occult rock, Goth rock, and early 80s metal. This thing gets into your head deep and demands many replays, and if I had found it earlier, it would have moved up the rankings considerably. Get this and feel The Night’s iron grip.

#8. Oak // Disintegrate – Oak is the project of Gaerea lead guitarist/vocalist, Guilherme Henriques, and instead of creating another black metal act, Henriques steers Oak into the funeral doom universe and what better way to accomplish that than to make Disintegrate one 45-minute-long track? Yes, that makes for a daunting listen but the beauty of what Oak do is just how listenable their ultra-doom, very deathy sound ends up. Heavy as fook riffs intertwine with weepy melancholic trills and beautifully emotive solo work and the listener gets carried along on ephemeral waves. The ebb and flow of the 45 minutes is remarkable and it never feels bogged down or stuck in the mud. This is first-rate writing and execution and the slightly blackened edges add a great spice to the wood flavor. Bring in this wood.

#7. Rotpit // Let There Be Rot – In the time of old school death metal mania, Rotpit is the proudly unevolved monkey. Formed by members of Heads for the Dead, Wombbath, Just Before Dawn, and Revel in Flesh, Rotpit have the rancid pedigree and leverage it to make Let There Be Rot the most over-the-top fun, mindless, dumb, death platter of the year. Cuts like “Slimebreeder,” “Let There Be Rot,” and “Beastfeaster” are Grade A bloody meat with no expiration date, and you will use them as the soundtrack to everything you do in life. This idiotic collection of caveman deathage has been a constant companion to me since it dropped and I’m all the dumber for having its company.

#6. Serpent Corpse // Blood Sabbath – Picking the best old school death metal platter of the year was no easy feat in 2023. There was so much good and nasty stuff this year that at times it felt impossible to stay ahead of it and give everything a fair listen. At the end of the race though, it was Serpent Corpse that kept dragging me back for another beating more often than anyone else, though Rotpit came so close! Their toxic blend of Autopsy-core and the scuzziest of Swedeath HM-2 abuse is seasoned with very unexpected but effective doses of melodeath to create a near-perfect cacophony of chaos that feels old but also fresh and plenty evil. This thing slithers, slaps, and grinds in all the ways a deathhead wants and needs. Get it inside your skull.

#5. Prong // State of Emergency – My bingo card for 2023 did NOT include falling in love with a new Prong album and beating it into the ground for 3 months straight. As much as I loved those classic Prong platters in the late 80s and 90s, they went through a long period of uneven releases and in the past few decades I had only been impressed by 2012s Carved in Stone. That’s why State of Emergency hits so damn hard. It’s the best thing Prong’s done in forever and takes you back to the salad days when they were on the cusp of metal’s adventurous edge. This thing is chocked full of the best riffs and harmonies Tommy Victor’s dreamed up in a long time and every song grabs you and smacks you around with NYC attitude. It’s so good to hear these goons back in fighting shape!

#4. Saturnus // The Storm Within – Saturnus have always had a relaxed release schedule, with only 5 albums to show for some 30 years in the business. It took them almost 10 years to drop The Storm Within, but the end product was well worth the wait, ending up one of the most polished and captivating doom albums of the year. Recapturing their classic sound and famed ability to wring emotion from the listener, Saturnus does their doom thing with style and panache all across the album, blending crushing riffs, airy trilling, and mournful melodies to harsh your mellow completely. I’ve heard loose talk about this album being overrated or overhyped. Ignore that noise and tell the spewer to taste the floor! Experience the feelz storm within.

#3. Isole // Anesidora – There weren’t a lot of classic doom releases that blew me away this year, by Isole have my number and once again they used it to knock me flat with their take on the classic Candlemass style on Anesidora. Keeping in line with what they did on 2019s Dystopia, Isole roared back with another mammoth slab of crunching doom leads, haunting vocals, and more weight than can normally found in Holdeneye‘s garage gym. “The Song of the Whales” is doom perfection, and “In Abundance” is a candidate for Song o’ the Year. There are traces of Fvneral Fvkk here that take the already high-quality material to the next level and the album plays so well from start to finish. These guys just get what great doom is all about.

#2. Vanishing Kids // Miracle of Death – No one does what Vanishing Kids do. Their strange witch’s brew of genres and styles is unique and enchanting. It captivated me on 2018s Heavy Dreamer and I was just as susceptible when Miracle of Death hit this year. It’s doom, it’s goth rock, it’s 70s acid rock all wrapped into one enigmatic, ethereal burrito and it’s just so damn haunting and bewitching. The combination of Nikki Drohomyreky’s enchanting vocals and Jason Hartman’s fuzzy, 70s-centric doom-rocking guitar work is tough to resist, and song after song sucks you into their strange dark world. Miracle of Death is the ultimate mood album and you can’t easily get away from it once the hooks set in. These cats are pure magic.

#1. Tribunal // The Weight of Remembrance – The little album that could, Tribunal was the ultimate lucky grab from the promo sump as 2022 gave way to 2023. Utterly unheralded, their Weight of Remembrance debut is a Gothic doom album with the inevitable nods to My Dying Bride, but it’s so much more than that. With heavy doses of classic Candlemass and moments that recall the grim haunts of Fvneral Fvkk, Weight of Remembrance does so many things exceptionally well, it’s hard to believe this is but their debut. Songs like “Initiation” use the classic “beauty and the beast” vocal approach so well, that you almost forget you’ve heard the same thing done a million times before, and “Of Creeping Moss and Crumbling Stone” looms large as one of the best doom songs of this or any other year. There’s nothing I would change or trim on Weight of Remembrance, and if anything, I wish it was a little longer. I don’t feel that way for many albums not named Reign in Blood, so you know this thing really got to me. Doom perfection.

Honorable Mentions

• Overkill // Scorched – The beasts of The Garden State roar back into top form for a timeless dose of ugly thrash grooving.
• By Fire and Sword // Glory – The weirdest, most hilarious novelty album I heard this year, taking organized religion to the cleaners with a smile. Hail Conduit!
• Theocracy // Mosiac – The Lord works in mysterious ways and Theocracy works in epic US power ways. HUZZAH!
• Wytch Hazel // IV: Sacrament – More Lordcore with huge hooks and Jethro Tull flair. Run to the light.
• Vomitory // All Heads Are Gonna Roll – Ugly death metal doing what ugly death should do as it removes your head.
• Disguised Malignance // Entering the Gateways – A shockingly brutal and entertaining death debut by a bunch of snot-nosed kids.
• Dripping Decay // Festering Grotesqueries – If Autopsy, Carcass and Exhumed had a love child, this would be it, and it is FUGLY!
• Wormhole // Almost Human – I didn’t expect to care much for this thing, but its weird charms wormed right under my skin and made me a believer.
• Autopsy // Ashes, Organs, Blood & Crypts – The kings of graveyard gore and the morgue floor return with another scuzz bucket full of gut slop and I’m here for it.
• Sacred Outcry // Towers of Gold – This doesn’t quite resurrect the lost glory of Lost Horizon, but damn does it come close. Daniel Heiman is GOD.

Disappointment o’ the Year

Restless Spirit // Afterimage – This highly talented stoner sludge doom act from my backyard released an album that should be listed above in my Top Ten(ish) because the songs are there and they hit hard. What hits harder still is the absolute shit show of a production job that crushes the music into sonic pulp, making a great album barely listenable. Afterimage is the ultimate “what could have been” release and a total aural tragedy.

I could have added Metallica here, but why even bother at this point?

Song o’ the Year:

Vanishing Kids // “Spill the Dark” – There were a series of close competitors, but this piece of ethereal witchcraft stuck the deepest in my ape brain in 2023 and it’s still in there rattling around. This is such a beautifully grim, dark piece of music and it embodies everything I love about Vanishing Kids. This is the stuff!

#2023 #Autopsy #BlogPost #BloodOath #DisguisedMalignance #DrippingDecay #Isole #Lists #Listurnalia #Oak #Overkill #Phobocosm #Prong #RestlessSpirit #Rotpit #SacredOutcry #Saturnus #SerpentCorpse #SteelDruhmSTopTenIshOf2023 #Tanith #TheNightEternal #Theocracy #Tribulation #VanishingKids #Vomitory #Wormhole #WytchHazel

Witness my tumultuous efforts at the Caria and Volcano manors, where I rebel against The Golden Order and "proper gaming” alike! ✊

🔗 https://youtu.be/l6Imxr9_PbM

#EldenRing #Elden_Ring #CariaManor #Caria_Manor #VolcanoManor #Volcano_Manor #Ranni #RanniTheWitch #Ranni_the_Witch #Rya #Zorayas #LadyTanith #Lady_Tanith #Tanith #Rykard #LordRykard #Lord_Rykard #Caria #Volcano #Manor #HermitVillage #Hermit_Village #FortLaiedd #Fort_Laiedd #AltusPlateau #Altus_Plateau #MtGelmir #Mt_Gelmir #MountGelmir #Mount_Gelmir #Liurnia #LiurniaOfTheLakes #Liurnia_of_the_Lakes #Limgrave #Loretta #RoyalKnightLoretta #Royal_Knight_Loretta #Adula #GlintstoneDragonAdula #Glintstone_Dragon_Adula #TibiaMariner #Tibia_Mariner #FirePrelate #Fire_Prelate #DemiHumanQueenMaggie #Demi_Human_Queen_Maggie #Maggie #GraftedScion #Grafted_Scion #InquisitorGhiza #Inquisitor_Ghiza #OldKnightIstvan #Old_Knight_Istvan #RileighTheIdle #Rileigh_the_Idle #LesserBloodhoundKnight #Lesser_Bloodhound_Knight #IronVirgin #Iron_Virgin #AbductorVirgin #Abductor_Virgin #GodskinNoble #Godskin_Noble #GodDevouringSerpent #God_Devouring_Serpent #RykardLordOfBlasphemy #Rykard_Lord_of_Blasphemy #Kabbaway #Kabba #Kab #Kabbidge #Kabbidges #A_Quirky_Australian #Gday_Websurfers #KabbaPlays #Kabba_Plays #Soulsborne #EldenRingGameplay #Elden_Ring_Gameplay #Commentary #FirstPlaythrough #First_Playthrough #YouTube #YT #YouTuber #Video #ContentCreator #Content_Creator #Gaming #VideoGames #Video_Games

Brooklyn hard rock band Tanith are back with more 70s-inspired wonders on their second album, Voyage. Review at FFMB, https://flyingfiddlesticks.com/2023/04/24/tanith-voyage-metal-blade-2023/ #metal #heavymetal #hardrock #classicmetal #70srock #Tanith #Voyage #MetalBladeRecords #Brooklyn #NewYork

Two fantastic, but very different new albums were just released on 4-21. Everything But the Girl's FUSE is a trademark mix of restrained rhythms and lingering longing. EBTG is still very good at what they do and it's nice to have them back. https://ebtg.com/

Tanith also has a new album out entitled Voyage. This is another gorgeous mystical sci-fi mashup between Fleetwood Mac and early Iron Maiden. https://www.metalblade.com/tanith/

#EverythingButtheGirl #Tanith #Music

Vote for #Tanith's Olympus By Dawn as your Track Of The Week: https://www.loudersound.com/features/tracks-of-the-week-extraordinary-new-music-from-ghost-greta-van-fleet-and-more

https://www.metalblade.com/us/news/tanith-announce-new-album-voyage-out-april-21-via-metal-blade/

New Tanith! Happy to hear that the first single Snow Tiger has more of the band's epic yet energized 70s rock vibe. I can and will happily listen to this sort of stuff all day!

#Tanith #hardrock

#NowPlaying #TheMetalDogIsNowPlaying
#Tanith

Snow Tiger
https://youtube.com/results?search_query=Tanith++Snow+Tiger
https://genius.com/Tanith-snow-tiger-lyrics
http://www.youtube.com/watch?v=REGBNku29GY

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#BraveWords
TANITH To Release Voyage Album In April; "Snow Tiger" Music Video Posted
New York City's Tanith - Russ Tippins (guitars, vocals), Cindy Maynard (bass, vocals), and Keith Robinson (drums) - have announced their new album, Voyage, out April 21 via Metal Blade. The album was recorded and mastered on 24-track analog tape and has never been digitized from recording to ...

https://bravewords.com/news/tanith-to-release-voyage-album-in-april-snow-tiger-music-video-posted

#Tanith #Voyage #Album #April #SnowTiger #MusicVideo #Bravewords